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File 149910890613.png - (39.03KB , 500x500 , splash1.png )
812307 No. 812307 ID: 77c5e3

CHAPTER 1 :: http://tgchan.org/kusaba/questarch/res/692327.html
CHAPTER 2 :: http://tgchan.org/kusaba/questarch/res/696969.html
CHAPTER 3 :: http://tgchan.org/kusaba/quest/res/715522.html
CHAPTER 4 :: https://tgchan.org/kusaba/quest/res/727645.html
CHAPTER 5 :: https://tgchan.org/kusaba/quest/res/736166.html
CHAPTER 6 :: https://tgchan.org/kusaba/quest/res/743488.html
CHAPTER 7 :: http://tgchan.org/kusaba/questarch/res/754011.html
CHAPTER 8 :: https://tgchan.org/kusaba/quest/res/759736.html
CHAPTER 9 :: https://tgchan.org/kusaba/quest/res/768999.html
CHAPTER 10 :: https://tgchan.org/kusaba/quest/res/784444.html

WIKI :: http://tgchan.org/wiki/A_Little_Town_Called_Coxwette
DISCUSSION :: https://tgchan.org/kusaba/questdis/res/103517.html


You and Lisa have just crossed the threshold from City Hall into the balmy night. Susanna left the building a couple of minutes before, and there are no reverends in sight for now. Lisa has the clipboard, and both of you can use it, but she has noted that it is very difficult to do so while walking or running.

Where do you go first?
Expand all images
>>
No. 812308 ID: be0718

Go to buildings in order of proximity. Marcie's bakery first.
>>
No. 812319 ID: 3abd97

>>812308
Seems reasonable.
>>
No. 812321 ID: 7b7ab3

>>812308
Best we got.
>>
No. 812322 ID: 486e87

>>812308
Yup, seems reasonable. If two buildings are very close together (e.g. Opposite each other on the road) should Lisa and Chuck split up to get two people at the same time, or do it one building at a time with the other watching out for Reverends?
>>
No. 812331 ID: 6b1d95

map: >>/questarch/692940

No one is gonna be hiding in the middle of the damn city, right next to the reverends. Those shoppes are closed right now.

We go to the apartments behind the City Hall ( >>/questarch/696189 ) where everyone should be.
Also if you notice sounds coming from the City Hall, we go and help Susanna right away. Because if we cut up the reverends, it's basically mission accomplished. We'd have enough time to safely move everyone.
>>
No. 812361 ID: be0718

>>812331
>No one is gonna be hiding in the middle of the damn city
Not by choice, anyway. We need to do a thorough sweep for survivors.
>>
No. 812391 ID: 32d29a

Id say the apartments as well. The most people will be there. Then double back to where we think the wounded might be such as the police station.
>>
No. 812717 ID: 77c5e3
File 149919077251.png - (35.50KB , 500x500 , 1.png )
812717

Lisa: "Why can't you just knock?"

Lisa's voice is shaking with fear.

Lisa: "Or yell or something?"

You: "Do you really want to draw attention from those things?"

Lisa: "Someone's going to hit you with a rolling pin when you get in there..."

You: "Just be quiet."

You: "And quit standing on my tail."

Lisa: "Sorry!!"

You pick your way into the bakery and push open the door. The little bell above it rings. You forgot about that.
>>
No. 812718 ID: 77c5e3
File 149919078214.png - (15.72KB , 500x500 , 2.png )
812718

Seeing the front counter fills you with sudden emotion. You can almost see her standing there grinning. There is a lingering smell of flour and egg in the building, but it is quiet, save for a mechanical background hum.

a) search the bakery
b) move on >_
>>
No. 812719 ID: be0718

Whisper really loudly to see if anyone's there and quickly sweep the back room. Don't spend any more time here than you have to.

Susanna is distracting the reverends in the buff so you don't have to worry about attracting their attention. Be as loud as you need to to get your message across!
>>
No. 812720 ID: 4fe424

Stripsearch Lisa before searching the bakery.
>>
No. 812727 ID: 6b1d95

Shout, "Is anyone here?! It's not safe here!", and wait for answer. Then move on. Next should be the Farthing Cafe.
>>
No. 812743 ID: 77c5e3
File 149919394855.png - (45.99KB , 500x500 , 3.png )
812743

You stage-whisper into the bakery.

You: "Hey"

You: "Anyone in here?"

You wait a few moments.
>>
No. 812744 ID: 77c5e3
File 149919395765.png - (15.40KB , 500x500 , 4.png )
812744

No one responds.


You hear something metallic shift, then fall to the floor.
>>
No. 812747 ID: 4fe424

Grab Lisa's tits and tell her to calm them, you got this.
>>
No. 812754 ID: be0718

Say something lewd before you leave so they know you're not a reverend.
>>
No. 812757 ID: 32d29a

Say if anyone is in here, you're going to the Plath house. Then leave. Time is of the essence and we can't spend time looking for people who are hiding.
>>
No. 812758 ID: 6b1d95

Move to where the sound came from. Do a "Boo!" when you reach it.

Actually, that's probably not a good idea because the person could be holding a knife and waiting to stab you. Instead, you should say,
"It's not safe here. If you don't want to die, then I suggest coming with us. But if you wanna stay here, it's your choice. Bye bye!"
>>
No. 812761 ID: 9876c4

Confidence, Chuck. You're supposed to be good at this.

If someone's there and they're nervous, you gotta calm em down.
Then inform them what they need to do. Don't leave until you verify inhabitants.
>>
No. 812762 ID: e136ae

We're still taking baits, huh?
>>
No. 812763 ID: e136ae

Also just a reminder, your authentic Chuckness call is "ANAL, BASICALLY!"
>>
No. 812782 ID: 62f1df

>>812758
Seems reasonable.
>>
No. 812788 ID: 291de0

>>812758
This. Don't waste time looking for hiding people.
>>
No. 812806 ID: 8face8

Shouldn't finding injured Layla be a priority as she might be bleeding out?

You're a cat Chuck, incestigate with your NIGHT VISION
>>
No. 812844 ID: 15a025

Well, time to go investigate the sound then.
>>
No. 812967 ID: 77c5e3
File 149924094518.png - (32.28KB , 500x500 , 5.png )
812967

You: "Anyway. If anyone's in here, go to the Plath House. It's safe there."

Where are you going next?
>>
No. 812968 ID: be0718

The Fart in Ass Cafe. The warehouse is too secure for us or the reverends to get in.
>>
No. 812969 ID: a788b7

get Rachel.

She knows more about what's going on than anyone but Susanna, and Lisa can talk to her. She's also the biggest and strongest if push comes to shove.
>>
No. 812970 ID: 01764f

>>812967

Find us some Rachel. It is our best chance.
>>
No. 812972 ID: be0718

>>812969
Interesting idea. Where is she?
>>
No. 812974 ID: 01764f

>>812970

I shall rephrase.

ASK Lisa "Where did you last see Rachel? Do you know if she's still there?" then go to where she says.
>>
No. 812975 ID: 77c5e3
File 149924298665.png - (36.79KB , 500x500 , 6.png )
812975

You: "When's the last time you saw Rachel?"

Lisa thinks for a moment.

Lisa: "At the meeting in the library lawn."

Lisa: "I really hope she's ok. The note made me worried."
>>
No. 812976 ID: a788b7

>>812975

If she's not at her house, it may be worth checking the well or library to see if she's trying to open up the catacombs. She would certainly know about them and know where the entrances were.

Alternatively, the Warehouse.

Library might be a place to check for folks as well, and is nearby. So probably there first.
>>
No. 812977 ID: 01764f

>>812975
Realize that you're likely alone with Lisa and it's been a long time since you've gotten your dick wet. Like... a thousand years AT LEAST

Time to make some sweet moves on her.
>>
No. 812978 ID: 32d29a

So I guess we're going to the library now? See if anyone is hiding inside there?
>>
No. 812979 ID: be0718

Might as well stop at the cafe first, they're adjacent and Penny was the one running the cookout.
>>
No. 812985 ID: 6b1d95

Surely there would come a better time to sex up Lisa. I hope. It seems a bit despicable to be doing that right now. Buuut, there's nothing wrong with some flirting I suppose. So while we walk Chuck should do some ass groping. Who knows, it might make her feel better after a bunch of shocking events.

As far as our trip goes, I vote to go to the Cafe, then Library, and then I think it would be a good idea to split up. Lisa should go to the School House, the Shoppe Stoppe and the Post Office, while we go to the Warehouse, the apartments and then the Police Station.
>>
No. 813028 ID: a363ac

cafe
>>
No. 813029 ID: 4fe424

Go to the café but tell Lisa to get her tits out and think about hard cocks going in and out of her to lure reverends out of hiding so they can't ambush you.
>>
No. 813030 ID: 77c5e3
File 149927807274.png - (30.63KB , 500x500 , 7.png )
813030

You break into the Fart in Ass in a similar fashion to the bakery. You are used to this place being full of smiles and laughs, fresh smells and one very busy diner cat. Tonight, it's dark and empty.

a) flirt with beaver
b) take food
c) leave
d) >_
>>
No. 813031 ID: 7fad5d

>>813030
a
>>
No. 813032 ID: 9e923c

>>813030
B, then A. Stuff beaver mouth with delectables and call her a sweetie
>>
No. 813033 ID: 4fe424

"Flirt" with the beaver with your dick.
>>
No. 813034 ID: be0718

Take boob.
>>
No. 813037 ID: 6b1d95

Say the same things like at the bakery about not being safe here and to go to Plath's.

Uhh.. what kind of food? If we wanted food, we should've taken it from the bakery. Nevertheless, tell Lisa that we don't know when's the next time we may have the opportunity to eat and ask her if she's hungry. Offer to take some food for her. And while leaving you can spank or grope her ass and tell her she's sexy like that.
>>
No. 813040 ID: 7b7ab3

Too risky to hang around.
Deliver the same message and leave.
>>
No. 813041 ID: a523fb

A thank's
>>
No. 813051 ID: 937941

>>813030
A.
>>
No. 813054 ID: 15a025

D.

Pass on the same message and move on to the next place.
>>
No. 813060 ID: 77c5e3
File 149928292443.png - (32.29KB , 500x500 , 8.png )
813060

Lisa cautiously walks further into the diner. The building and maybe also the rest of the town have that creepy small-town vibe that comes in much stronger at night. You decide to flirt with her while it's quiet, flexing your outstanding butt in case there is a fourth wall behind you.

You: "You got all dressed up today, huh?"

She pauses.

Lisa: "Oh, heh."

Lisa: "Yeah."

Lisa walks a bit closer to you, but only out of fear of being too alone in the building. She laughs, but in a sad, resigned way.

Lisa: "I don't think Geoff even noticed. He barely saw me."

Lisa: "Should we keep going? I don't think anyone's here..."
>>
No. 813061 ID: be0718

Alright. Library next. Lock arms with Lisa. And for Susanna's sake, don't split up the gang! Damn, you don't even need to be genre savvy to know that's a bad idea.
>>
No. 813065 ID: 937941

>>813060
"Geoff doesn't know what he's missing out on. I think that dress looks incredible on you."
>>
No. 813071 ID: a363ac

>>813060
go rescure the the music bird but keep flirting!
>>
No. 813072 ID: 7fad5d

>>813065
This, and be sure your facial expression suggests it looks better off of her.
>>
No. 813077 ID: 9876c4

Tell her you think she looks pretty. Don't even mention Geoff.

Library or Post office next.
>>
No. 813078 ID: 4fe424

Say "I noticed you" and whip out your dick and go to town on that beav. You got stress and it will also help you against the reverends somehow, I guarantee it.
>>
No. 813079 ID: 1e7aa8

This is a stealth mission where the monsters can hunt us when we think sexy thoughts what the crap are you guys doing

Library next. Don't put the moves on Lisa, she's armed.
>>
No. 813081 ID: 9876c4

>>813078
Needs a Mens Warehouse macro for full effect...
>>
No. 813094 ID: 91ee5f

>>813079
>This is a stealth mission where the monsters can hunt us when we think sexy thoughts what the crap are you guys doing?!
I agree, this is a good way to get murdered. Let's stop doing that.

Let's whisper the same message the Plath House being safe and you should go there. Then leave and go to the Library.
>>
No. 813096 ID: 6b1d95

Now that I think about it, wouldn't boning the beaver distract the reverends, allowing Susanna crush them?

Yeah, we should totally do that. Whip out your Chuck Junior and tell Lisa that this guy noticed her also. Ask her if she wants to have a go with it. And if she says no, explain it to her how this is important to help Susanna.
>>
No. 813101 ID: 70426b

Fucking the beaver will get you stabbed. And not in the friendly way that you'll be stabbing her.

Change the topic and leave.
>>
No. 813106 ID: df0b05

>>813060

Geoff was still hangin around the city hall looking eorried when susanna hurried you back inside, he obviously cared at least that much.

Hurry off to the library. Findingband rescuing people is more important than flirting with the secretary, and theres still a reverend unaccounted-for
>>
No. 813122 ID: 486e87

Focus up, Chuck. You've got people to rescue. Library next I think.

Does anyone know if the Post Office doubles as a home, same with the shop? If they aren't then we can ignore them in our sweep, if they are then we're going to have to double back at some point.
>>
No. 813130 ID: 32d29a

Go Library, Apartments, Police station, then get her back to the Plath house. We need to get as many survivors back as possible. Ive a feeling we might lose some people if we dick around (both literally and figuratively)
>>
No. 813142 ID: 1dbd7c

>>813096
Agreed. If she refuses, tell her it's imperative. Disregard the cafe and bakery and move on. There's no one here.
>>
No. 813157 ID: 62f1df

>>813130
Let's do this and stop with the asinine suggestions.
>>
No. 813232 ID: ff57fb

roll to seduce the beaver
>>
No. 813237 ID: bffce4

Avoid sexy thoughts - Avoid hitting on Beaver - Even if her buttcheeks would be an amazing sandwich to put in- okay. CHECK THE KITCHENS OF THE DINER. People could be hiding there too!
If nothing visible, whisper there too, and get moving.
>>
No. 813282 ID: 064dbf

A streaking snayor should be pretty distracting so we should be able to flirt but just a little. Tell her she looks very good dressed up, that's not in itself lewd. Pretty like a sunset is not the same as sexy and giving you lewd thoughts.
>>
No. 813327 ID: 70426b

Chuck. It's your dick talking. Listen to me. It's been at least 12 hours since we last nutted. She's right there. You know you can get her. The snayor has the revrends under control. It'll be fiiiine.

Just put on the moves, pull her in close, and let me blast a few loads into that beaver's beaver. Whaddya say?
>>
No. 813410 ID: bf5c4c

>>813060
FUCK. THE. BEAVER.
>>
No. 813447 ID: 291de0

Don't waste anymore time with sex. Let's just get this over with.

Go directly to the library.
>>
No. 813471 ID: 638191

just give the beaver your wood already
>>
No. 813475 ID: 70426b

Doesn't she have anti-lust jewelry on?

It's kinda pointless to try and fuck her if she does, so just move on.
>>
No. 813498 ID: 633baa

Won't fucking just attract the baddies?
>>
No. 813499 ID: e121d3

Tell her you think Geoff noticed.
>>
No. 813717 ID: 77c5e3
File 149946690997.png - (23.14KB , 500x500 , 9.png )
813717

You leave the cafe with Lisa, and go to the library. The windows are blocked with bookshelves and the door has been barred. You can't pick this open. In fact it would take a battering ram to get in.
>>
No. 813718 ID: 4fe424

Ram Lisa.
>>
No. 813720 ID: 9876c4

Clearly, there is someone inside.

Knock up the beaver on the door to get attention, then inform whoever's there they're not safe.

Maybe if there's time, we could go inside and figure out a pilgrimage.
>>
No. 813721 ID: 91ee5f

>>813717
That means someone is obviously in there! Buuut, it looks like they'll be perfectly fine. Then again, this place isn't magically protected. Hmmm, should we try and get them to the Plath House or should we leave them in there?
>>
No. 813724 ID: 6b1d95

Whoever did that, they must be comfy in there.

Bang Lisa against the door and shout that whoever is in there, they should stay there until the morning. Tell them that you're taking the rest of the people to Plath's where it's safe and that you'll come to get the ones in here later. Also, ask if they would tell you who is in there so you know who's where.
>>
No. 813725 ID: be0718

Knock "Shave and a Haircut" on the door. While copping beaver feels.
>>
No. 813747 ID: 77c5e3
File 149947174507.png - (25.98KB , 500x500 , 10.png )
813747

You bang on the door as hard as you can. It doesn't really resonate on the other side, so there is probably a bookshelf behind it, too.

You: "If there's anyone in there"

You: "We're convening at the Plath House!"

You: "They can't"

You stop for a breath.

You: "get in the Plath House!"

No one responds. You don't know whether to let them stay in there, or try to get them out.
>>
No. 813752 ID: 143250

Susanna ordered you to get them to the plath house.

Come on, Chuck, you're a cat burglar. can't you climb up and find an entrance or window on a higher floor?
>>
No. 813754 ID: be0718

Go for the easiest available entrance, that is to say Lisa's entrance
>>
No. 813756 ID: 9876c4

>>813752
>>813754
Some exits are also entrances.

Basically.
>>
No. 813771 ID: 70426b

Break in. You used to rob houses, it should be easy.
>>
No. 813775 ID: d36af7

Climb up on the roof, see if there's a way in up there.
>>
No. 813787 ID: 1e7aa8

Ascend to the roof, become the batman you've always known was inside you.
>>
No. 813794 ID: 32d29a

Keep moving. Apartments next.
>>
No. 813800 ID: 77c5e3
File 149948085179.png - (36.97KB , 500x500 , 11.png )
813800

You: "I'm going to try to climb inside."

Lisa:

Lisa: "Are you serious?"

Lisa: "You'll fall and break your back!"

You: "No I won't. I've done this before."

Lisa: "Let's..."

Lisa: "Let's just call Susanna. Don't-"

You: "Do you smell..."

You: "Something smells like"

You: "Vanilla."
>>
No. 813801 ID: 77c5e3
File 149948088146.png - (35.02KB , 500x500 , 12.png )
813801

Lisa:

Lisa: "That's"

Lisa: "Uh"

Lisa: "That's actually"

Lisa: "My B.O."

Lisa: "I'm kind of scared"

Lisa: "Please just don't leave me down here"
>>
No. 813803 ID: e121d3

Quick, ask her what she eats to smell like that.
>>
No. 813805 ID: 7fad5d

>>813803
That's just normal beaver anal gland secretions. Anyway, boost her up to the roof and climb up yourself, I guess.
>>
No. 813809 ID: e136ae

>>813801
DO NOT LEAVE THE BEAVER BY HERSELF. You know how horror movies work! Geez. Move on.
>>
No. 813811 ID: 87353e

You've still got the rope from the Path House right? You can climb up and tie it off to the roof and Lisa can use it to get up safely.
>>
No. 813812 ID: d8ce3a

>>813809
This.if we're anything, its savvy.
>>
No. 813815 ID: 9876c4

Go on, take a whiff. Let it fill your nasal cavities.

I don't know what to do about the library.
>>
No. 813830 ID: 15a025

Haul the beaver up with you. You're strong enough to that right Chuck?
>>
No. 813839 ID: 77c5e3
File 149948909220.png - (19.81KB , 500x500 , 13.png )
813839

You're not saying that Lisa's fat necessarily

but you're definitely not going to be able to hoist or lift her up the side of the building. It will be enough of a task for you to climb up there yourself.
>>
No. 813840 ID: 7fad5d

>>813839
We already know she's a fatass. Do we have any pitons or anything she can use as hand and footholds?
>>
No. 813841 ID: 9876c4

Then lets put it off. We can search the rest of town and come back when she's stashed.

Is it post orifice time?
>>
No. 813844 ID: 91ee5f

>>813839
Well, I guess we'll have to come back later or something.

What's the closest place to the library? Let's go there.
>>
No. 813845 ID: 90f3c0

Maybe come back later without Lisa.

Go check the apartments, where people are actually likely to be at night.
>>
No. 813847 ID: e136ae

>>813839
DO YOU SEE THAT FACE?
That is the face that says "THE AUTHOR IS TELLING YOU NO. SHUT UP".
>>
No. 813856 ID: 01764f

Fuck the beaver right here and now. While she's terrified. It'll be the best sex of her life.
>>
No. 813860 ID: 32d29a

I vote go to the apartments. We dont want to split up from our communication to the Mayor right now.
>>
No. 813871 ID: 70426b

Lisa smells like vanilla when flustered?

That is so adorable, holy fuck. I used to be on "Team Progress the Story", but now we have to fuck her. I'm sorry.

Chuck, find a secluded bush and make that bakery smelling beav into mother.
>>
No. 813873 ID: 7fad5d

>>813871
Beaver butt goo does, yeah. It's a byproduct of their anal scent glands. Iirc, castoreum is sometimes used to flavor vanilla ice cream.
>>
No. 813874 ID: 8d4593

Oh yeah.... Beavers do produce a vanilla smelling chemical...

But I thought it came from their butts.

Anyway, if climbing from the roof is literally the only option move on. Don't leave Lisa alone.
>>
No. 813875 ID: 9876c4
File 149949856099.png - (232.11KB , 1300x1300 , Coxmap.png )
813875

This is me being pedantic, but-

The apartments are all the across town from where we are. If we're proceeding logically, the post office, Stoppe shop, and (yeesh) schoolhouse all come first.

Back to the smelly butts discussion.
>>
No. 813876 ID: 1e7aa8

Try and find a window you can crack open even slightly in order to yell into?
>>
No. 813898 ID: be0718

Reassure Lisa you'll be close by the whole time. Remember, the reverends can smell fear. (And vanilla.) If it's only one bookshelf, I think you can leverage yourself enough to push it over (warn folks when you do!) Once you're inside you can unbar the door for Lisa.

Seriously, this is the first building with signs of habitation. We're not leaving it at the first sign of difficulty.
>>
No. 813951 ID: 4fe424

Calm Lisa down by slamfucking her against a wall.
>>
No. 813954 ID: 6b1d95

>>813876
This, but a little bit differently. Have both you and Lisa push against a bookcase that's blocking a window to try and push a bookcase away, or make a crack.
>>
No. 813972 ID: 143250

>>813954
this
>>
No. 814003 ID: 4a49f1

>>813801
Tell hed how disgusting that is.

Focus on trying to get into the library by any means necessary. Don't worry about leaving Lisa since Susanna is distracting the Reverends.
>>
No. 814147 ID: f7d360

Hear hear, agreed.
>>813954
>>
No. 814149 ID: 91ee5f

>>813954
The bookcases are inside the building! How do you expect them to push on them from the outside of the building?

The one leaning against the doors, I'd understand, but the windows? I don't see it happening.
>>
No. 814197 ID: b4a411

"Vanilla scented sweat... You should work in the bakery!"
>>
No. 814199 ID: 1e7aa8

>>813972
Did I say crack? I meant "smash the fuck open with the sword" so anyone stuck inside can hear you."
>>
No. 814329 ID: 62f1df

>>813875
Thank you for your pertinent intervention and map!

Whoever's holed up inside the library is probably as safe as they can be. For the time being, let's worry about the others, who mey be more vulnerable. To the schoolhouse! We'll go back to the library once we've dealt with the rest of the village.

Let's stop talking about the obviously bad idea of downright raping Lisa or breaking into the library since a) it would require time and effort, which we must not waste, b) it will alert whoever is inside and probably lead to a pointless scuffle (at best) and c) it will leave Lisa alone and unprotected.

So stop being silly. Time is of the essence!
>>
No. 814330 ID: fc33ea

Smash the fuck in there so you might pull the most tasteless possible prank on Naz.
>>
No. 814332 ID: be0718

>>814329
>Let's not waste our time and effort on doing the thing we came out here to do
Mundane barricades will be of no use against the supernatural! They are sitting ducks in there, and they don't even know it!
>>
No. 814333 ID: e136ae

>>814332
They didn't teleport into Susanna's office and they couldn't burst through the door you helped Lisa shut.
>>
No. 814373 ID: 62f1df

>>814333
Case in point.
>>
No. 814534 ID: b62a1b

maybe the preachers require line of sight to breach barricades
>>
No. 815035 ID: a8b64f

y'all remember when we were just a delivery boy for the bakery trying to fuck a middle aged dog.

I remember
>>
No. 815068 ID: 1e7aa8

>>815035

Yep. Then we fucked everything up just to uphold "the legend"
>>
No. 815089 ID: 70426b

>>815068
The only thing we've fucked up is Sally's waistline for the next nine months. Hopefully a few other girls before we're done, too.
>>
No. 815092 ID: be0718

>>815068
We didn't fuck everything, therefore we failed to meet "the legend"
>>
No. 815103 ID: 32d29a

Keep the side thoughts in the discussion thread if you would.
>>
No. 815159 ID: 77c5e3
File 149988279022.png - (68.50KB , 500x500 , 14.png )
815159

With Lisa's help, you try to push one of the bookcases behind the windows over. The broken glass, old and probably lead-based, digs into your skin despite your best efforts. The bookcase is solid oak and full of tomes heavy with generations of dust, but it does budge a bit. You hear frantic shouting on the other side, and several people rush to push back. The bookcase slaps back against the window frame.

You and Lisa starts to slide backward against the resistance.
>>
No. 815160 ID: 4fe424

Prevent Lisa from cutting herself AND convince the people on the other side of the window you are not reverends by grabbing Lisa's wrists, pulling them behind her back, bending her over and fugging that beav senseless.
>>
No. 815161 ID: 91ee5f

>>815159
>You hear frantic shouting on the other side, and several people rush to push back.
There really are a bunch of people in there! Now that you've got their attention, try giving them the message again!
>>
No. 815162 ID: 015058

Announce who you are in lewd Chuck fashion and proving you are not a reverend monster who would never do anything so sinful.
>>
No. 815163 ID: be0718

Shout that it's you! Include as many cusswords as possible and that it's not safe in there.
>>
No. 815168 ID: 3ce125

>>815159
Ask them who's in there, and if they know where everyone else is hiding.

Don't be TOO lewd/blasphemous to prove it's you, that may pull some heat off of Susanna which you really don't want to do right now.
>>
No. 815169 ID: 91ee5f

>>815162
>>815163
I'm not sure that's going to work because as far as they know, a monster just randomly attacked! They don't know that the monsters attacked because of their sinning, so they might not believe Chuck when he tries to prove himself with lewd and/or swearing.
>>
No. 815170 ID: fc33ea

It's chuck, you pack of shitbirds! Quit dicking around, you need to get out of there!
>>
No. 815176 ID: f076ad

Shout that you just want to get your cock wet.
>>
No. 815220 ID: e136ae

>>815176
Yeah, I'm down with this one. Also throw in some additional lewds.
>>
No. 815300 ID: 3abd97

>>815160
Seems reasonable.
>>
No. 815308 ID: 1459e8

Guys. GUYS! Window, break glass, yell at people through it.

We do NOT want to swear or even think about inappropriate behavior because then the monsters will show up!
>>
No. 815309 ID: 91ee5f

>>815308
The glass is already broken. You can see it's broken in the picture.
>>
No. 815340 ID: 7fad5d

>>815220
This.
>>
No. 815344 ID: 77c5e3
File 149991563633.png - (30.14KB , 500x500 , 15.png )
815344

You scratch desperately at the back of the bookcase.

You: "COME ON"

You: "LOUSY BROADS"

You: "IT'S CHUCK!"

There is a brief quiet on the other side as they talk amongst themselves.

Angela: "It's that bird one"

Angela: "I saw him imitating Layla before!

Penny: "Don't let him in!"

Naz: "I don't think he would call anyone a broad."

Sally: "Mama said one was imitating me."

You: "SUSANNA'S FIGHTING THE MONSTERS!"

You: "GO"

You: "TO"

You: "THE PLATH HOUSE"

You: "NOW!"

Penny: "Ignore it. DON'T move the case."
>>
No. 815345 ID: 3ce125

>>815344
Just say "cock shit fuck damn, I'm not a reverend."
>>
No. 815346 ID: 3abd97

>>815344
Time to fuck the beaver against the wall. Sex is the only way you can prove you're not a reverend.
>>
No. 815347 ID: 7fad5d

"GODDAMN IT, NAZ, SALLY, DO I HAVE TO YELL SOME EMBARRASSING SHIT ABOUT PRANKS OR THE FACES YOU MADE OR SOMETHING?"
>>
No. 815348 ID: be0718

"A bookcase wouldn't stop an actual reverend. How much do I need to sin to prove it's not a reverend? Should I bring up the Fart in Ass? the collar? Swearing in front of the schoolchildren?"
>>
No. 815349 ID: d36af7

Tell Naz to ask you something only the real Chuck would know.
>>
No. 815350 ID: fc33ea

Shut up Penny!

Get Lisa to speak up as well, that might help convince them.
>>
No. 815351 ID: 9876c4

Do what I say, or so help me, I will fuck this beaver. And make you listen to it!
>>
No. 815353 ID: e136ae

>>815346
Actually yeah, I think this should work. It proves undoubtedly you're Chuck at least.
>>
No. 815354 ID: be0718

>>815351
It's so brilliant, there's no way it won't not work. Do it. Do her. Whichever.
>>
No. 815358 ID: fc33ea

On second thought, sound off George Carlin's 7 words and see if that doesn't change their minds first.
>>
No. 815363 ID: 77c5e3
File 149991852642.png - (24.30KB , 500x500 , 16.png )
815363

They're really not buying it. You'll have to ramp it up.

a) Have Naz ask you a deeply personal question
b) Attempt to seduce Lisa
c) Deadwood mode
>>
No. 815366 ID: be0718

Seduce the beav. It's happening.
>>
No. 815367 ID: 3ce125

>>815363
A, because it should be amusing at least.
>>
No. 815369 ID: 91ee5f

A
>>
No. 815370 ID: fc33ea

C, A if they don't do a 180.
>>
No. 815371 ID: e136ae

>>815363
B. It is the only way.
>>
No. 815372 ID: f30be2

:redb:oi if u dont
>>
No. 815376 ID: 7fad5d

:redb:
>>
No. 815377 ID: 90f3c0

A
>>
No. 815378 ID: 1459e8

A.
>>
No. 815379 ID: 01764f

B
>>
No. 815381 ID: f9c3f2

B for BEAV
>>
No. 815387 ID: 3abd97

>>815363
B.

C'mon Lisa, their lives are literally on the line!
>>
No. 815391 ID: fc33ea

Remember the last time, when you imidiately caught the attention of the Reverend? If one of them shows up here it'll be a disaster. Changing my vote to a only.
>>
No. 815405 ID: 15a025

A.
If you start messing around with Lisa, it's going to bring all the reverends over here.
>>
No. 815423 ID: 9876c4

The second one is no use if we get the poor dear killed.
A is cool for now.
>>
No. 815425 ID: eb959a

Why don't you just be lewd and swear profusely, that's not something the reverends who do?
>>
No. 815426 ID: 70426b

All three at once.

Answer deep personal questions while fucking a beaver and tearing your way into a library. That's sure to assert your dominance.
>>
No. 815427 ID: 87353e

>>815363
A. And maybe shout to her "Do you know the Muffin Man?" as a call back to the sticky note prank that you two probably only know about.
>>
No. 815429 ID: 9876c4

>>815426
deadwood mode is likely to be cussing up a storm, rather than action, but I like the way you think!
>>
No. 815440 ID: f076ad

B.
This is the perfect opportunity. It's the day we've been waiting for.
>>
No. 815454 ID: 62f1df

A

B is too risky. It shouldn't be too complicated to prove that you're you. You just need to do it as fast as possible!
>>
No. 815456 ID: aebfae

C since I have honestly no idea what that entails and I'm curious. Otherwise A.
>>
No. 815458 ID: 1459e8

I am gonna laugh and cry so hard if Lisa knocks us the fuck out and leaves us to die.
>>
No. 815459 ID: 143250

A
>>
No. 815471 ID: 0665f5

Deadwood? The show from 2006 or the town? If the former, Chuck how do you know what that is?
Any ways I choose "A"
>>
No. 815476 ID: f36501

>>815427
this
>>
No. 815477 ID: 73f69f

In the interest of not getting Lisa or anyone on the inside killed, choose A.
>>
No. 815478 ID: 4fe424

Seduce Lisa by inserting your penis in her vagina.
>>
No. 815485 ID: 3d2d5f

Do the beaver.
>>
No. 815489 ID: 969610

B the one to groin bonk Lisa right there right now.
>>
No. 815494 ID: 56ffef

>>815363
I am going to fuck this B-ver until you people go to the Plath house
>>
No. 815505 ID: dc60f4

B the one to do Lisa in her A.
>>
No. 815506 ID: 7b95d9

Really probably shouldn't be trying to do her right now. I vote A. I don't know anything about Deadwood.
>>
No. 815520 ID: 486e87

A, maybe with a bit of C. Let's not lure the reverends here.
>>
No. 815550 ID: 72ddfa

Stick with A for now, once we get to the safe and many bedroomes Plath House then we can
Try and bone down
>>
No. 815593 ID: 6df89f

>>815363

Naz if you do not fucking let me in there i will never choke you again
>>
No. 815595 ID: e121d3

A.

Or variant of the same idea: >>815593
>>
No. 815598 ID: 015058

Naz if you don't start asking me deeply personal questions to prove my identity I swear I will start seducing this cute beaver right on your porch.

And if our lewd activities do not attract one of these monsters I don't know what will.
>>
No. 815615 ID: a50860

Chuck: You let me in here right now and I'll choke your fucking lights out!

Lisa: Don't you mean or?

Chuck: No
>>
No. 815671 ID: fab5b8

A
>>
No. 815726 ID: b62a1b

c cause it's the wild card
>>
No. 815727 ID: a788b7

God dammit Naz, BROCCOLI
>>
No. 815737 ID: 636dcb
815737

B. It's the only way thats actually convincing.
>>
No. 815813 ID: 70426b

B.

Having sex with Lisa will attract the reverends, who we can ask for help getting into the library. With out efforts combined, we'll be more than able to get us inside, which is what both our parties really want.
>>
No. 815887 ID: 77c5e3
File 150009114213.png - (28.30KB , 500x500 , 17.png )
815887

You lean against the wall next to the window.

You: "Alright, well, ask me something only the real Chuck would know."

Angela: "Who?"

You: "Naz."

Some silence follows.

Naz: "Uh"

Naz: "There are a lot of people in here."
>>
No. 815889 ID: 01764f

>>815887

CLEARLY we need to do Lisa this asking question stuff isn't gonna work.

Attempt to seduce Lisa
>>
No. 815890 ID: be0718

Try plan B then. B as in Banging Beaver Bottom. Boldly.
>>
No. 815891 ID: 143250

I have an idea..."Hey Lisa, I think it was your turn on truth or dare before we were interrupted, right? Ask Naz truth or dare?"
>>
No. 815892 ID: fc33ea

Well think of something before I start running my mouth anyway. But you'd like that, wouldn't you? Gettin' busted?
>>
No. 815894 ID: 91ee5f

>>815887
>"There are a lot of people in here."
"Then that's your problem for not letting me in! Now go ahead and ask your question!"

>>815891
That's not gonna work. The reverend was looking at them through the window, so that's something the reverend would know.
>>
No. 815897 ID: 32d29a

Tell her Naz what you shaved onto your chest during truth or dare.
>>
No. 815900 ID: 3ce125

>>815887
"What, I thought you liked the idea of getting caught."
>>
No. 815901 ID: 91ee5f

>>815897
Had to go back to thread 4 to double check and sadly that's something the reverend would know. He saw Chuck shirtless when he was staring at everyone through the window, so the reverend would know what Chuck shaved on his chest.
>>
No. 815908 ID: 87353e

>>815887
"Well I guess you better think of one you find acceptable before I start listing off articles on your saucy web blog."
>>
No. 815921 ID: 9876c4

>>815891
This has potential.
>>
No. 815930 ID: a788b7

>>815887

Goddamn Naz I didn't think you could choke this hard without my help
>>
No. 815940 ID: bb78f2

>>815887
Oh please, Naz, no need to be embarrassed. Angela will cheer you on the kinkier it sounds.

She'll ALL be like "YOU GO GIRL," and you'll blush like mad.
>>
No. 815944 ID: 70426b

Naz, I knew you liked fucking front of your friends, but this is not the time.
>>
No. 815946 ID: f076ad

>There are a lot of people in here.
Good. Convince them all at the same time by seducing the beaver. Whip out your Chuck Junior and tell Lisa that this is the only sure way.
>>
No. 815953 ID: 3abd97

>>815889
>>815890
Yes
>>
No. 815958 ID: e121d3

>>815887

"Gee Naz I didn't think you would CHOKE under pressure like this"
>>
No. 815973 ID: 9164d1

Use your sword to break through the back panel of the bookshelf and look inside. Once they have LOS they won't have plausible deniability.
>>
No. 815974 ID: be0718

>>815973
Given that we're armed with a reverend's weapon, which they would see long before our face, that is a bad idea.
>>
No. 815978 ID: 4fe424

Put benis in beaver.
>>
No. 816033 ID: ddedcd

>>815958
Yes. Make as much innuendo as possible.
Upside: should prove you're not a reverend.
Downside: might attract them.
>>
No. 816034 ID: 73ba91

Lisa has been stuck here longer and can be questioned without having to ask anything that will likely attract the reverends attention.

So switch positions with her and take a quick look around.
>>
No. 816263 ID: 62f1df

>>815727
This. Just say this.
>>
No. 816281 ID: 77c5e3
File 150023240894.png - (25.70KB , 500x500 , 19.png )
816281

You: "Geez Naz, I didn't know you could choke this bad without my help."

Penny: "What's that supposed to mean?"

Naz: "That's, uh-"

Naz clears her throat.

Naz: "Ok, what was the"

Naz: "theme of your costume?"

You: "Costume?"

Naz: "For the... video."

You:

You: "What video"

Naz: "The"

Naz: "Uh, the porno."
>>
No. 816282 ID: 77c5e3
File 150023241752.png - (29.93KB , 500x500 , 18.png )
816282

Lisa:
>>
No. 816283 ID: be0718

Naz thinks she can take us down with her. She is wrong. When Chuck hits rock bottom, he starts drilling.

"Do you know the Muffin Man?"

Also, pinch Lisa's muffin.
>>
No. 816284 ID: 56ffef

>>816282
"Lisa close your mouth before I stick my Little Muffin man in it."
>>
No. 816286 ID: 9876c4

"Now will you let me get up in there?"
"You mean the library, or-"
"First, yeah."
>>
No. 816290 ID: 3ce125

Muffin-themed superhero.
>>
No. 816292 ID: f076ad

We were gonna dress up as beavers and do it beaver style.
>>
No. 816293 ID: 7fad5d

>>816284
This is good.
>>
No. 816294 ID: fc33ea

what is 'do you know the muffin man' for 300 alex
>>
No. 816295 ID: 62f1df

Just a note, for safety's sake: don't forget to stay alert and look around you. We don't want to have any of that "monster right behind you" cliché.
>>
No. 816309 ID: 4fe424

Finger Lisa while answering.
>>
No. 816310 ID: e136ae

>>816284
You mean "Give me a sec to stuff that gaping maw full of muffin man". You don't want to take that option away, do you?
>>
No. 816312 ID: a788b7

>>816282

Hey Lisa, wanna get to know the Muffin Man?
>>
No. 816459 ID: 15a025

Do you know the muffin man Naz?
>>
No. 816697 ID: 1e7aa8

"What can I say, Naz. I got a job at the bakery. Delivering donuts and muffins to everyone in town." Admit the answer on the sly so that you don't get savagely attacked by the beaver.
>>
No. 816833 ID: 005d0c

Give her some details too Chuck. It's kind of one sided, though teasing her like this is probably not something the reverends would do. Also say something about "Leading her around." That pun can't go unused.
>>
No. 817271 ID: 70426b

"Ever wanted somebody to eat your muffin, Lisa? Perhaps, a man specifically for your muffin. A muffin man, if you will."
>>
No. 817452 ID: 77c5e3
File 150069808167.png - (28.86KB , 500x500 , 20.png )
817452

You: "The Muffin Man bitch"

You start thrust the door, and there is some chatter inside. Lisa covers her face in embarrassment.

Lisa: "Oh my God Chuck!!"

You: "Yeah, I know. I'm and endless fountain of energy. That's what the ladies tell-"

You:

You: "Holy shit they're actually opening it!"
>>
No. 817453 ID: 77c5e3
File 150069809489.png - (58.97KB , 500x500 , 21.png )
817453

You and Lisa rush inside while Angela and Penny push the giant oak bookshelf back in front of the door. The main floor of the library has been converted into a wagon-circle-like fortification of desks and tables. Naz, Selma, Geoff, and Sally are also inside.
>>
No. 817455 ID: 56ffef

>>817453
"ALRIGHT EVERYBODY TO THE PLATH HOUSE BECAUSE OF MYSTICAL MAGIC BULLSHIT IT IS SOMEWHAT SAFE INSIDE THERE IF ANYONE HAS ANY ARGUMENTS AS TO WHY THAT CAN'T BE FUCK YOU THERE ARE ZOMBIE PREIST RUNNING AROUND TRYING TO KILL THE SNAYOR BECAUSE SHE IS NAKED TRYING TO SAVE YOU GUYS! LET'S RIDE!" then get a move on to the next place like the apartments
>>
No. 817456 ID: be0718

Good work Angela, Penny. Now on the count of three, do that again. You all gotta get to the Plath house. Follow Sally. It's not safe in here, but it is in there. Why? It's magic, I can't explain shit.

Naz, come with me? I want to check on the door to the catacombs, see if it's intact.
>>
No. 817477 ID: fc33ea

Okay people, the Mayors' talisman thingamajig that protected all the buildings in town has been broken. The Plath house is under separate protection, so everybody needs to go there. If you don't believe in magic even after all this, Davey should be there and he has a gun.
>>
No. 817494 ID: f076ad

Ask them what happened. What details can they tell you about recent events?
>>
No. 817496 ID: 70426b

First, fuck you for locking us out.
Second, what the fuck happened here.
Third, we need to get the fuck to the Plath house.
>>
No. 817538 ID: 9876c4

Who are we missing:
Marcie, Rita, Layla, and Rachel. Guess we should still check the PO.

John too, but he's probably armed.
>>
No. 817552 ID: 8d4593

Straight up guys. The Reverends. They can Smash this shit fast.
The Plath house is safe. It's got some sort of weird voodoo around it.
>>
No. 817594 ID: 4fe424

Smash Lisa first to be safe.
>>
No. 817617 ID: 77c5e3
File 150076948514.png - (34.82KB , 500x500 , 22.png )
817617

You: "EVERYONE"

You: "Y'ALL"

You: "GOOOOO TO THE PLATH HOUSE!"

Penny: "Why would we do that, hon?!"

Penny: "We'd be sitting ducks in there!"

You: "Look"

You: "Ever notice how those things wouldn't get into buildings until like an half an hour ago?"

A few of the people shuffle in confusion.

You: "The magic spell keeping them out of the buildings is broken."

You: "There's ANOTHER spell on the Plath House that's still working."

Naz: "But won't they just kill us if we go out there?"

You: "Susanna is distracting them. It's safe to go, but NOT for long."

That causes some anxious rabble.

You: "Go NOW. You might not get another chance."

Penny: "But..."
>>
No. 817618 ID: 77c5e3
File 150076949933.png - (42.85KB , 500x500 , 23.png )
817618

Penny's expression starts to soften. She looks in the direction of the Plath House, wiping her eyes on her forearm.

Penny: "Marcie's still out there."
>>
No. 817619 ID: be0718

That's why Lisa and I are going from building to building. You want to switch out with Lisa?

Let's check on the catacomb door here before we leave.
>>
No. 817620 ID: f076ad

Reassure them that while Susanna does her job, that Marcie is safe. Tell them to go to the Plath's and that you'll take care of Marcie. Ask which way did she go.
>>
No. 817621 ID: c31aac

>>817619
Swap lisa for cat mum, save cat waifu-for-laifu
>>
No. 817622 ID: e136ae

WELP off we go to find Marcie then. Give Penny Lisa's weapon since Lisa is pretty cowardly and it frees her up to contact Susanna if necessary. We should probably double-check the bakery now.
>>
No. 817623 ID: 56ffef

>>817618
"THEN WHY THE FUCK WERE YOU HIDING IN HERE INSTEAD OF LOOKING FOR HER! Where is she now or do we all just keep going door to door?"
>>
No. 817624 ID: 7b7ab3

Lisa: take the others and go to the Plath house.

Penny: go with Chuck, find Marcie, and go to the Plath house.
>>
No. 817625 ID: fc33ea

Where? I'll go get her.
>>
No. 817628 ID: 70426b

Lisa, escort everyone to the Plath House.

Everyone else, we're taking volunteers to help us go look for Marcie and the others!
>>
No. 817633 ID: 91ee5f

Why is everyone wanting switch Lisa out with Penny? Lisa's the only one that knows how to contact Susanna and Penny won't know how to use the clipboard!

In fact, Lisa's the only one here other than Chuck that has any experience in dealing with Susanna's magic. So if Penny tries to use the clipboard, she might end up going limp or having a seizure or something.
>>
No. 817643 ID: 3ce125

>>817618
>Marcie
You mean the mysterious kitchen noises that Chuck ran away from?
>>
No. 817647 ID: 15a025

Tell Lisa to take everyone else to the plath's house. Maybe try and get everyone armed with something. Then continue going around looking for Marcie with Penny.
>>
No. 817661 ID: 9876c4

>>817633
Based on that last illustration, I bet Lisa's mental state is more on point, too.

No substitutions, please.
>>
No. 817668 ID: 77c5e3
File 150077639711.png - (18.62KB , 500x500 , 24.png )
817668

Lisa hugs Penny.

Lisa: "Chuck and I will find her. Get everyone to the Plath House."

Penny: "Let me come along."

You: "Have Sally take the fastest way."

Lisa: "I can talk directly to the mayor with this clipboard."

Penny looks dumbfounded.

Penny: "You're going to... write her a memo?"

Lisa: "I don't have time to explain. Go! Please!"

Lisa: "We'll find Marcie."

Penny wipes her eyes and straightens herself up.

Penny: "Ok."
>>
No. 817669 ID: c31aac

>>817668
now quickly, we must rush back to the Fart in Ass!
>>
No. 817670 ID: be0718

Wait! We didn't ask where Marcie would be at this time of day!
>>
No. 817691 ID: f911b6

>>817670

We saw her with Marcie at city hall, right? Other than that, it's a good point. We should ask where and when Penny got separated from Marcie.
>>
No. 817729 ID: 77c5e3
File 150079446616.png - (23.07KB , 500x500 , 25.png )
817729

You ask Penny when she and Marcie became separated.

Penny: "The cookout was in full swing. There was music and everything."

Penny: "Then those guys in the robes came and started chasing people. One of 'em cut Officer Layla up pretty bad."

Penny: "I called out for Marcie, but when I looked up, she wasn't there."

Penny: "Sally let anyone she could find into the library and we all barred the doors."

Penny:

Penny: "I should have gone looking for her."
>>
No. 817739 ID: be0718

Don't get stuck on it, just keep moving. We'll take care of her, don't you worry.
Can I get a kiss for good luck?

With that out of the way.. You know, I'll just stop repeating myself about the door. There is one building around town square we haven't been to yet. Is that Marcie's house? Anyway, we check there and the apartments before doubling back to the bakery or diner if we haven't found Marcie.

What better way to get in Marcie's pants again than saving her from danger?
>>
No. 817741 ID: a76b31

>>817729
is Layla still at the cookout? is she even alive?
>>
No. 817748 ID: 70426b

>>817729
Hey Penny?

These monsters are attracted to sin. Has Marcie been doing anything... unusual lately?

We probably shouldn't tell her that she's been abducted once before, but it might be worth asking to know why they singled her out before, instead of just assuming that it was because of our relationship. After all, we hadn't even done anything sinful yet, at that point.
>>
No. 817760 ID: bb78f2

>>817729
Penny does Marcie have a darkside you don't know about? Is she a satanist, it doesn't matter if she's a satirical atheist satanist where her goal is to make fun of fundamental Christians or true blue worship satan kinda girl, the revenant reverends would go after her like chocolate to a fly. Its fine, you can tell me, I may not have been close to this version of Marcie, but pre-attack Marcie probably would have told me, since she's NOT good at keeping secrets. Except whatever one that makes the reverends go nuts, apparently.

Or maybe the reverends REALLY just want to bone her innocence. I mean, crazy fundamental reverends are human too, and I think those are the types that CAN marry and stuff. As committed to the religion they are, I'm SURE each of them does want a wife of their own. And Marcie, well, if her persona is the same as her true self, they yeah, wouldn't surprise me if they are actually attracted to her innocence to the point they don't care about her nature as a time frozen curse person.
>>
No. 817765 ID: 8d4593

No... Not this again... I'll find her.
>>
No. 817786 ID: a788b7

>>817729

Penny's looking pretty down. She probably needs a good fucking to cheer up.
>>
No. 817787 ID: 4fe424

>>817786
Correct. Encourage Penny with a nice fat creampie.
>>
No. 817788 ID: 32d29a

Encourage the others to run to the plath house. Have lisa contact the mayor to keep an eye out. Next stop the pd. See who you can find. We're running out of time.
>>
No. 817841 ID: 77c5e3
File 150084567408.png - (42.49KB , 500x500 , 26.png )
817841

You: "Does Marcie have any kind of, you know, dark side?"

Penny looks confused by your motives.

Penny: "What do you mean...?"

You: "Any bad habits? Something sinful that might piss off a 19th century fire-and-brimstone preacher?"

Penny: "Uh"

Penny: "Not that she's let on to me. She's never been one to keep secrets."

You: "We'll find her. Get everyone out of here."

Once everyone is out of earshot, you walk outside with Lisa.

You: "But seriously how the hell are we going to find her?"

Lisa is in the process of communicating with Susanna.

Lisa: "The clipboard is going crazy right now. I think she's in a fight or something, but as far as I can tell, the mayor hasn't seen Marcie anywhere."

Lisa: "Where are we going to look?"
>>
No. 817842 ID: be0718

We're going to look between those beaver bosoms first. Anything could have gotten lost in there.
>>
No. 817843 ID: e136ae

>>817841
To be perfectly frank, being happy might piss off one of them.

Check her bakery first. That noise we heard might have been her. Problem being that Marcie is a little stupid and yelling out lewds might not clue her in that reverends don't talk that way even during impersonation.

Sing show tunes! Clearly the undead do not like show tunes.
>>
No. 817844 ID: 9876c4

We heard bakery noises, might be best to verify.
She also has a house somewhere.

I think it wise to check the post office, because Rita's also MIA.
>>
No. 817853 ID: be0718

>>817844
I think the house is that unmarked building on the map in the top left corner of the square. Best to check new locations before backtracking to old ones.
>>
No. 817862 ID: aebfae

>>817841
I think the very fact Marcie owns a business is enough to piss off 19th century fire-and-brimstone preachers, as misogyny has a tendency to combine neatly with religious zealotry.
>>
No. 817864 ID: 91ee5f

>>817862
Well, if that's true, then when Marcie disappeared last time, why didn't Penny also disappear? Both of them are women that own their own business, so why was Marcie the only one to disappear?
>>
No. 817869 ID: 32d29a

Police Station should be the next stop. That is where people will run when looking for help and safety.
>>
No. 817870 ID: 4fe424

Look in the beaver's beav with your "probe" if you know what I mean.
>>
No. 817873 ID: e136ae

>>817864
In Marcie's case it was probably more convenience since she went jogging alone.
>>
No. 817875 ID: f076ad

How about we just go to where Marcie lives? We've been at her house before.
>>
No. 817885 ID: a788b7

Go to Marcie's house

Try not to think about showing off your ability to stuff a cream filling into penny's buns that might attract the reverends
>>
No. 817897 ID: 77c5e3
File 150085641505.png - (42.38KB , 500x500 , 27.png )
817897

You go to Marcie's house, which is on the south end of town. It feels like a year since you'd been here last. It might as well have been. The place looks the same, though. No damage. Nothing out of place. There are no lights on, and the front door is locked.

You call out for Marcie, but there's no reply.
>>
No. 817900 ID: be0718

Try doing that when you're not standing on the far side of the lawn.
>>
No. 817901 ID: 90f3c0

Pick the lock, then search the house.
>>
No. 817907 ID: 1e7aa8

>>817897
This, but tell Lisa to keep an eye out and IMMEDIATELY alert you if she see's a reverend or anything important happens.
>>
No. 817910 ID: 3ce125

Pick that lock.
>>
No. 817925 ID: fc33ea

How about knock first before you try to B&E.
>>
No. 817926 ID: 56ffef

>>817925
People are dying really. -_-

kick in door say its time to get on this mother fucking dick Marcie and run to the Plath house!
>>
No. 817937 ID: fc33ea

>>817926
People have been suggesting screwing Liza for the entire fucking thread, andonly just now you're going to tell me to worry about time constraints? Fuck outta here.
>>
No. 817956 ID: e136ae

>>817926
Works for me. If we don't have time for Beaver we don't have time to pick a lock. Although we don't need to kick the door down as much just yell it out.

Head to the bakery. There was noise there and Marcie's not terribly bright.
>>
No. 817988 ID: f911b6

>>817875
>>817885

We're still a lot closer to her bakery than her house, if I recall correctly. It wouldn't take too much extra time for a detour to check out the noise there.

Can Lisa tell how many of them Susanna is fighting? If she's keeping both of the remaining reverends busy, then there's not much risk in investigating anyway.
>>
No. 817989 ID: f911b6

>>817988

Dammit, too late for that reply.

But yeah, mostly in agreement. We should leave for the bakery soon. If we're going to do any investigation here at all, we need to make it very quick.
>>
No. 817998 ID: f076ad

Go inside.
>>
No. 818012 ID: 77c5e3
File 150088565842.png - (24.26KB , 500x500 , 28.png )
818012

You generally don't like waiting around to knock before breaking into a house, so you just pick the lock. Plus, you already yelled. Lisa seems more apprehensive to enter Marcie's house after a break-in than she did at the bakery, but she follows you in anyway. The lights are off, and the building is quiet save for one cat-shaped clock ticking on the wall.

You: "Hey, could you tell how many of the reverends Susanna was fighting?"

Lisa: "Uh, no. I don't know if she was fighting. It was just..."

Lisa: "It's really hard to explain."

Lisa: "Loud... color and aggressive smells."

Lisa: "I don't know."

You: "It would be kind of nice to know if any of those things were wandering around still."

a) search the house >_
b) seduce beaver >_
c) go back >_
d) other >_
>>
No. 818013 ID: be0718

Seduce beav. We don't need no stinkin' Plath couch!
>>
No. 818015 ID: 7fad5d

>>818012
B for B E A V E R
>>
No. 818017 ID: 143250

Seduce beaver. That way, you can lure the reverends here, and you'll get to watch an awesome fight between the reverends and the mayor....

on second thought

A: search house
>>
No. 818018 ID: 3ce125

Close and lock the door behind you.

Also, A, check the closets and the pantry. Be quick about it, too.
>>
No. 818023 ID: 32d29a

House seems empty. We still need to check a few places in town seeing we've only found a small handful of people. I say head to the apartments.
>>
No. 818026 ID: f076ad

B - Seduce the beaver. This is a sure way to bring out Marcie if she's in here.
>>
No. 818031 ID: ad60eb

Go with A.
>>
No. 818045 ID: 633baa

A, get dick wet later
>>
No. 818051 ID: ce838c

>>818012
A, don't fuck the beaver. She is the inferior waifu compared to our sweet, sweet Marcie.
>>
No. 818053 ID: 638191

>>818051
why not both?
>>
No. 818067 ID: 8d4593

A.
>>
No. 818073 ID: 4ab2ec

>>818012
there is no point to this. marcie is the least at risk person in town. we need to move along.

c.
>>
No. 818081 ID: 77c5e3
File 150091962415.png - (28.53KB , 500x500 , 29.png )
818081

You and Lisa fan out to search the house, leaving her on the ground floor while you search upstairs. She isn't in the closet, nor is anything particularly valuable. Not to steal, but, you know, it's good to know it's here for the future. The bathroom and Marcie's bedroom are empty, though a few pairs of her underwear are still in the top drawer of her dresser.
>>
No. 818082 ID: 143250

wear one of the panties on your head... for nostalgia purposes.
>>
No. 818084 ID: 9876c4

>Stealing unused panties
Chuck, I am shocked and saddened at your actions!
What you need are freshly used panties, which would be in the laundry hamper, or maybe in the bedroom.

Get it together, man.
>>
No. 818089 ID: fc33ea

Well unless you want to explain why Reverends are going through people's drawers, I'd say leave it.

I'm surprised they aren't bloomers. Anyway we ought to keep moving.
>>
No. 818102 ID: be0718

Sniff panties to acquire Marcie's scent and track her down bloodhound-style.
>>
No. 818115 ID: f911b6

There's not exactly a lot of time. Chuck shouldn't be wasting it by searching in places that a person couldn't get inside. Unless we think that Marcie shrunk to 6 inches tall and decided to hide in her underwear, we should just leave the panties alone and focus on spaces capable of containing a grown woman.
>>
No. 818136 ID: 8d4593

If she's not here check the diner again .
Actually go inside this time.
>>
No. 818137 ID: 8d4593

If she's not here check the diner again .
Actually go inside this time.
>>
No. 818145 ID: f076ad

There's no way you'd be able to find Marcie in her own house. The only sure way to bring her out would be by diving the beaver. As we know, Marcie did think about lewd things at some point. That together with some standard cat curiosity would surely be too much for her and she wouldn't be able to stop herself from getting a look at some live sexings.

So, seduce the beaver.
>>
No. 818153 ID: 32d29a

Go to the apartments or the police station. If she was at the diner she heard where we were going. We can't focus too much on just her.
>>
No. 818156 ID: 77c5e3
File 150093933632.png - (22.63KB , 500x500 , 30.png )
818156

>didn't need to search the underwear drawer

hm

myes, of course

You and Lisa continue to search the roughly human-sized portions of the house for anywhere Marcie might fit. You recall her mentioning that she was especially flexible. You took care to remember that detail specifically for instances like this. Still, you can't find her under any beds, in the attic, or in any small closets.
>>
No. 818157 ID: 9b8c8d

>>818156
Check the police station. It's where any law-abiding folk would go in case of trouble.
>>
No. 818158 ID: be0718

Well, the police are pretty close by. Go there next. And don't spend this much time poring over a location again. Unless you're using it as an excuse to seduce the beaver.
>>
No. 818160 ID: 9876c4

>>818157
>>818158
>Police are close by
Except that that's wrong. Marcie's on the south end of town. PD is far Northwest. Check the map.

Why wouldn't we check the bakery we already heard noises at?
>>
No. 818161 ID: be0718

>>818160
The south end? Huh, that means the schoolhouse is next. We already found Angela, so we can just do a cursory search of that place.
>>
No. 818222 ID: e136ae

Bloody bakery.
>>
No. 818223 ID: 7fad5d

Bakery it is.
>>
No. 818303 ID: f9a60e

Back to the bakery!
>>
No. 818307 ID: fc33ea

Also have you seen the fixie bike anywhere? Might be useful.
>>
No. 818308 ID: f076ad

If we're not gonna do the beaver, then just before you leave, you should shout something that might bring Marcie out. Maybe something about Penny. Dunno.
>>
No. 818314 ID: da1652

>>818156
Marcie is a friendly, helpful, good person.
She was there when Layla got hurt. She might have tried to help.
>>
No. 818330 ID: a6d61a

>>818156
Go to the police station.
>>
No. 818335 ID: e136ae

>>818314
And the others aren't? If she followed Layla, someone would have noticed. Bakery first, we heard a noise there.
>>
No. 818338 ID: 90f3c0

Check the bakery again.
>>
No. 818412 ID: be0718

Anyone in the bakery already got their warning. Time is of the essence, check every building before going back for seconds.
>>
No. 818420 ID: 91ee5f

>>818412
This!
>>
No. 818423 ID: 600f38

>>818156
I'm caught up.

The reverends are revenants. If Susanna remembers where she buried their bodies (And ideally where the church graveyard was, but the catacombs might suffice) then we can end them permanently.
Nelson Plath was the one who burned on that couch. His death likely created most of the curses here. His ashes need to be brought to the catacombs. Also, he's probably Harold Pal.

Ramona needs to be told that the fuckery in the town is Nelson Plath's fault, so while Susanna might have gotten him killed she did so while trying to stop him with the best of intentions.
Susanna needs to be told that people don't trust her because she doesn't trust them. Like, at all. Ever. She conceals everything, lies constantly, and manipulates everybody. Even if her motive is great the fact is that nobody can trust somebody who is never trustworthy. It's not the eyes, or the magic, or the history of killing people that makes people uneasy around her, it's the constant dicking them around and hidden agendas.

Susanna and Ramona need to work together to fix this town. If Susanna can kill cancer, that would be a great olive branch.
>>
No. 818432 ID: e136ae

>>818420
Yeah, but if they didn't call BACK it's no promise that they believed us. And this is MARCIE. Cops can wait.
>>
No. 818433 ID: 7fad5d

>>818432
If Marcie didn't believe Chuck the first time nothing he can say will get her to. She doesn't remember him anymore, after all.
>>
No. 818436 ID: e136ae

>>818433
Attempting to seduce Lisa will get a reaction out of her.
>>
No. 818438 ID: 600f38

>>818338
Bakery, since RML said it would be interesting.
HI, RML!
>>
No. 818440 ID: 91ee5f

>>818432
There's no proof that was Marcie in the bakery, it could've been someone else. And Marcie could've gone with the cops thinking she could somehow help. And she could've run to the apartments. And she could've gone to the Plath House on her own, without the warning. She could be anywhere.

We don't have an infinite amount of time. Searching everywhere at least once before going back for repeat visits is a better use of our time and the more locations we check, the more people we'll find. And we might get lucky and find her somewhere we haven't looked yet.

Plus, there's no guarantee that whoever is at the bakery stayed there. We might actually find it empty by going back.
>>
No. 818456 ID: be0718

>>818161
Fine, go police station after all. At least it's unexplored, and near the apartments too (though we've found almost everyone from there already)
>>
No. 818471 ID: e136ae

>>818440
Or we could be genre-savvy and recognize a direct hint from the author when we get one.
>>
No. 818477 ID: 91ee5f

>>818471
"Quit wasting time trying to fuck the beaver and actually advance the plot?"

Yeah, that's a good hint. Too bad no one else seems to listen to it.
>>
No. 818478 ID: f911b6

Bakery first. Police after.

It's on the way there anyway. We literally waste almost no travel time checking in that order.
>>
No. 818481 ID: 77c5e3
File 150104856509.png - (39.58KB , 500x500 , 32.png )
818481

You: "Come on"

Lisa: "To where?"

You: "The police station. You said Layla was hurt, right?"

Lisa: "That's across town!"

You: "So hurry up."

Lisa: "I'm trying!"

Lisa: "There is no... gosh darn way I'm doing this in heels!"

Lisa throws her shoes into the street and catches up to you with a labored jog.
>>
No. 818482 ID: 77c5e3
File 150104857620.png - (76.29KB , 500x500 , 33.png )
818482

When you get to the Police Department, John checks on you through a peephole in the door before letting you in. Layla is sitting on a desk chair, her arm and hand wrapped in duct tape.

Layla: "Why"

Layla: "ain't you folks"

Layla: "at the library?"

She's in pain, taking deep breaths between words.

Lisa: "The Plath House is safer."

Layla: "No way it's safer. They've got the windows and doors blocked-"

You: "Just trust me. There's a magic spell on the Plath House. Everyone's headed up there now."

John: "A magic spell."

John: "What'd you say your name was?"

Layla: "They're all LEAVING the library? Are you kiddin' me?!"

Layla stands up, then sits down again, grasping her arm and grunting in pain.

You: "We're kinda on this. Susanna's off fighting the reverends."

You: "Everyone's safe long enough to get to the Plath House."

Neither of the officers look happy.

Layla: "What're you doin' here, then?"
>>
No. 818483 ID: 3ce125

>>818482
She needs medical attention, and the medic is at the plath house. So they get to go there too, get moving.
>>
No. 818484 ID: be0718

You know my name, it's Clet-

...

It's CHUCK. Anyway, we're here spreading that message for the mayor and looking for... survivors. Good to know you two are in one piece. Hope you got more than beanbags in that shotty.
>>
No. 818485 ID: d909da

Helping everyone we can.
Tell them Davey's gonna be there with a gun, just so that they don't freak when they see each other. To be honest, I kinda wish John would be going with us to find others, but I doubt he trusts us enough to come.
>>
No. 818486 ID: fc33ea

Looking for Marcie- Haven't seen Rachel either. Any idea where they are? Also Layla- Sophie's at the Plath house, I'd bet anything you could use some stitches right now.
>>
No. 818487 ID: 166842

1) Looking for Marcie.
2) Looking for you.
3) GO TO THE PLATH HOUSE. Mayor's orders.
>>
No. 818488 ID: e136ae

Oh, look here's Marcie after all, all the way across town and not scared and alone in the bakery, GOOD JOB.
>>
No. 818489 ID: 91ee5f

>>818482
>"What're you doin' here, then?"
"We're doing what Susanna told us to do. She's distracting those things so that we can go around town and tell everyone to get to the Plath House."

"Sophie's already there, so she can help you with your injury if you head on over there."
>>
No. 818490 ID: 8a204b

>>818482
"Life isn't a perfect set of happy circumstances, and as such, not everyone in the town was at the Library. We're looking for Marcie."
>>
No. 818495 ID: 77c5e3
File 150105100018.png - (30.38KB , 500x500 , 34.png )
818495

You: "We're doing exactly what the mayor told us."

You: "LIKE I SAID"

You: "She's distracting those things right now."

Lisa: "Not everyone was in the library. We're looking for anyone else we can find."

You: "Sophie's at the Plath House now. You should both go. Definitely."

You: "Get some stitches or something."

Layla: "Why do you have"

Layla: "that thing?"

Layla points to your awesome sword.

You: "We managed to beat the shit out of one of them, and it's trapped under a bookshelf at Susanna's office."

John and Layla look at each other, but Layla loses concentration when her arm throbs. John then looks between you and Lisa.

John: "It's our job to protect everyone in this town. We can't just have you two running around getting hurt."

You: "Well"

You: "Have you seen Marcie?"

The officers shake their heads.
>>
No. 818496 ID: 3ce125

>>818495
Ok, bye.
>>
No. 818497 ID: 91ee5f

>>818488
We probably would've found her earlier if more people actually bothered suggesting to search the bakery's kitchen the first time around, instead of saying unhelpful things like this: >>812763 .
>>
No. 818498 ID: be0718

We're two concerned citizens who are moderately versed in what those things can do. You're not really in a position to turn down help offered, okay? We'll complete our sweep and meet back at the Plath's.
>>
No. 818500 ID: 143250

If they need more incentive, have them look at the notebook.
>>
No. 818501 ID: 9876c4

>>818497
This. We are not (collectively) good at search-n-rescue.
>>
No. 818503 ID: 8d4593

Back to the bakevshop. Maybe actually go in this time
>>
No. 818507 ID: f076ad

You're not doing a very good job protecting the town then. If you want to protect them, then I suggest taking whatever weapon you have in here and bring them to the Plath's.
Should Lisa stay here and help them move the guns? Seems it's a good time to ditch have her safely escorted there. I mean, the suggesters don't seem interested in fucking her so.. what's the point of keeping her with us.
>>
No. 818519 ID: fc33ea

Well I'm going to find her. I think she's more in need of protecting than us two.
>>
No. 818534 ID: 32d29a

Tell them they can protect the towns people better by being with them at the Plath House.
>>
No. 818544 ID: 62f1df

Is Layla even in condition to move? If the answer is yes, she and John should make a beeline for the Plath House. Meanwhile, we have the rest of the town to check. We've already wasted enough time as it is!

Are there any weapons we could take on the way out? It could help scare off the reverends.

Seems to me that the best circuit right now would be Apartments --> Bakery --> School House --> Shoppe --> Post Office --> Plath House. We need to take care of things as quickly and efficiently as possible.
>>
No. 818545 ID: 4fe424

Heal Layla with some good ol' sexual healing from your sexual healing rod.
>>
No. 818560 ID: 77c5e3
File 150108725207.png - (54.94KB , 500x500 , 35.png )
818560

You: "Almost everyone in town is at the Plath House, including the doctor."

You attempt to soften your tone a bit, but it doesn't really work.

You: "THEY need the guns. And YOU need stitches."

You gesture toward Layla's arm, and she glares at you.

You: "Davey's there with his daughter, too."

Layla: "That apple farmer?"

You: "He's got a gun, so don't... you know, shoot him or anything."

Layla: "Fine, go ahead Chuck. Lisa, you're coming with us."

Layla: "And we've got someone in the holding cell we're going to escort."

The police pups head into the back. Lisa looks at you with worried eyes.
>>
No. 818566 ID: f076ad

RIP Lisa sex. Another step towards BAD END.

Whoever it is in the cell, you should volunteer to escort them yourself! Yeah, the pups are in no shape, and you're pretty much the strongest person here, so it's only logical that you do it!
>>
No. 818569 ID: 01764f

>>818560

You know what Forget the bakery. Marcie's dead now, thanks to faffing around.

It's clear that we're just going to stumble about the town like dumbasses and ignore all of the EXTREMELY OBVIOUS SIGNS that townsfolk are there.

Like

We'd fail at Dora the Explorer.

So just go to the Plath House.
>>
No. 818570 ID: c520b7

The pups can escort Lisa and whoever back to the Plath house.
Meanwhile, we can go check the bakery for Marcie.
>>
No. 818573 ID: 1e7aa8

yeah, it's time to re-check the bakery and then I guess figure out whatever happened to rachel
>>
No. 818574 ID: fc33ea

Leave with Liza while they're moving whoever- I'm guessing Rachel- then go back to the bakery.
>>
No. 818577 ID: f076ad

>>818569 >>818570 >>818573 >>818574
Can we please wait and see WHO it is that they got in the holding cell? Seems like a pretty important thing to know.
>>
No. 818584 ID: 77c5e3
File 150109156310.png - (36.20KB , 500x500 , 36.png )
818584

You want to say something clever to Lisa before you leave, but you can't think of anything. Your wit is suddenly clipped by a sense of dread, so you just leave for the bakery without wasting a moment. When you arrive, you unlock the door again and stop in front of the counter. It is really creepy in here, but it still kind of smells like sweet pastries. You put your hand on your sword, waiting for any kind of sound. You think the one you heard from before came from the back, and it sounded a bit... muffled.
>>
No. 818585 ID: 4fe424

Put your hand on your "other sword".
>>
No. 818586 ID: 1e7aa8

Check the back quietly.
>>
No. 818588 ID: 9876c4

You didn't come here to pussyfoot about.

Investigate in back, maybe look for a light switch.
>>
No. 818589 ID: f076ad

Very carefully enter the back to where the sound came from.
>>
No. 818607 ID: 600f38

>>818584
Approach carefully, and turn on the lights.
>>
No. 818608 ID: be0718

Stick Li'l Chuck in first as a lookout.
>>
No. 818618 ID: fc33ea

I'm guessing you're going to need light, so either look for a flashlight or the light switch to the back room.
>>
No. 818622 ID: 91ee5f

>>818584
Just in case someone is standing next to the doorway, grab a chair and stick it through the door first, so that if someone does try to hit you, they'll hit the chair instead!
>>
No. 818660 ID: a6d61a

We already checked here and there has been no indication that there is anyone inside. Go to the apartments. Now.
>>
No. 818662 ID: fc33ea

Don't lead with your sword or your own sweet self, it'll either scare whoever's in there or expose yourself unnecessarily.
>>
No. 818664 ID: 3ce125

>>818584
Go into the kitchen. Be like "it's me, chuck" and wave your hand through the doorway ahead of you. Don't present your head first, because it's likely to be smashed with an iron pan.
>>
No. 818668 ID: 62f1df

Be very careful. Try to find a light and don't expose yourself.
>>
No. 818669 ID: e136ae

>>818608
Totally down with this. This, if nothing else, will draw out whoever it is. Just be prepared to run like hell if it's not Marcie.
>>
No. 818779 ID: 77c5e3
File 150114004636.png - (25.17KB , 500x500 , 37.png )
818779

You peer into the back room - the kitchen. Flipping on the lights only serves to make it 15-18% less creepy. It's so empty and quiet. There's no one back here. The only door is to the walk-in freezer, and nothing looks to be tipped over or knocked out of place.
>>
No. 818780 ID: 3ce125

>>818779
Oh shit. Open the freezer.
>>
No. 818781 ID: be0718

Check for women in refrigerators.
>>
No. 818782 ID: e136ae

I guess check the back to the walk-in freezer. There's a chance Marcie actually listened and went to the Plath house, but she's not a real bright bulb and we'll want to be sure.
>>
No. 818785 ID: cc5ab4

Whoa now. Check the freezer by opening it wide and while not standing in the doorway.

Chuck is a genre-savy tom, thank you very much.
>>
No. 818786 ID: 77c5e3
File 150114156693.png - (20.71KB , 500x500 , 38.png )
818786

You attempt to open the freezer. It's jammed or something. It won't open. It's some kind of old-ass door from the 1940s or some shit.
>>
No. 818787 ID: 77c5e3
File 150114164623.png - (25.71KB , 500x500 , 39.png )
818787

You rattle the handle more, but it doesn't want to budge. You bang on the door.

You: "Marcie!"

You: "MARCIE!"

You don't hear anything on the other side.

You: "MARCIE!"

You put your ear against the door.

Marcie: "Please!!"

You can hear her, but her voice is feeble and barely audible.

Marcie: "Please I didn't DO anything!!"

Marcie: "Go away PLEASE!"

She's crying.
>>
No. 818788 ID: f076ad

"I told you to go to the Plath's. Why are you still here?!"
>>
No. 818789 ID: be0718

Didn't they design these damn things so you couldn't lock yourself inside?
Put your MANLY PHYSIQUE into it, and stay clear of the doorway when it opens.
>>
No. 818790 ID: d4516a

>>818787
"It's Chuck!"

Convince her to open up, then hug her. (Make sure to READ NOTE too)
>>
No. 818791 ID: 143250

What if she's not talking to you, but someone else is in there threatening her. OH NO!
>>
No. 818792 ID: 3ce125

>>818787
Tell her you know, she never did anything, even the first time she went missing. Then go "Would a reverend say cunt shit bitch ass fuck?"

Don't talk dirty to her to prove it's you, she isn't exposed to that part of you in her memory.
>>
No. 818798 ID: e136ae

"Marcie, I just want to get my COXWETTE"
"You don't get that, do you?"
"It means sex. When you do sex, the penis goes into the vagina, and it comes out wet. That's why everyone in town went DOOOOOOHHHH"
"Seriously, the reverends have no sense of humour."

Or something to that effect. Remember that bluntly explaining sex seems to be a way of getting through to her. This might not be the Marcie with the same memories but she has the same reactions and tendencies.
>>
No. 818801 ID: c31aac

>>818792
this
>>
No. 818806 ID: f076ad

>>818792 >>818798 >>818801
Marcie doesn't know who are reverends or why they're attacking people.
>>
No. 818808 ID: 3740b1

Let's not forget this could be the mimic Reverend who Marcie managed to trap in there, right? Let's take a panel or two to try to convince both sides of the door that they are who they say they are. Don't open the door. If it's really Marcie locking herself in there for protection then she should be able to get herself out, right?
>>
No. 818809 ID: 62f1df

Phew, what a relief! So that's what the muffled noise was?

Try to convince Marcie you can be trusted. Tell her things about Penny or other townspeople or something. Anything to reassure her and prove that you aren't just a vengeful undead reverend.
>>
No. 818810 ID: 62f1df

>>818808
I think if it was one of the reverends, it would have lost no time in making itself noticed, as opposed to waiting until Chuck was right in front of the freezer and had insisted. It would probably have been banging around and calling as soon as someone walked in.
>>
No. 818812 ID: 600f38

>>818787
The reverends can't be trapped for long, remember?
Force it open.
>>
No. 818818 ID: 91ee5f

You'd better open the freezer and let her out before she freezes to death!

Make sure you're standing off to the side and behind the door, in case she's got a weapon and she panics and attacks you!
>>
No. 818819 ID: d36af7

Tell her you're a time traveler, you remember her but she doesn't remember you. Recite the typical list of baked goods you'd deliver by bicycle and various other personal quirks someone could only have learned from extended familiarity. Say you absolutely believe she didn't do anything wrong, and you want her to be safe, but the safest place in town right now is the Plath House. Say you'd be willing to leave, and trust her to take care of herself, but only if she can answer one very simple question:

What is today's date? Including the year.
>>
No. 818830 ID: f911b6

>>818787

Ask her if she's okay or if she needs any help.

Don't try to open the door just yet. Try to earn her trust first.
>>
No. 818838 ID: 1e7aa8

"Marcie. we meet last friday morning. You greeted me and I ran off."

Then start rattling off things you know about Marcie and her mom BEFORE you met them.
>>
No. 818841 ID: f911b6

>>818838

Penny's her aunt, not her mother, but otherwise, that's a decent idea.
>>
No. 818845 ID: fc33ea

This is going to be tricky, you can't say something that she thinks you shouldn't know or she'll be suspicious. Tell her Penny's worried sick.
>>
No. 818849 ID: 8b2654

>>818787
"Marcie, you were attacked. You lost weeks of memories.
You hired me as your delivery boy, and we started dating soon after. That's why I've been so uncomfortable - I love you, but to you I'm a stranger. I can prove it, but we need to get to Plath house."
>>
No. 818852 ID: 9876c4

Just to be super helpful- Have we considered that Marcie successfully trapped a preacher in the freezer?

Mistaken identity works both ways. Has this voice even said something lewd by accident?
>>
No. 818858 ID: 77c5e3
File 150119049809.png - (32.61KB , 500x500 , 40.png )
818858

You unleash a barrage of profanity as loud as you can muster in an attempt to verify that you aren't a reverend, but this only seems to frighten her.

You: "Marcie come on!"

You: "Come on, it's Chuck!"

You: "Open the god damn door!"

Marcie: "GO"

Marcie: "AWAY"

Marcie: "I didn't do anything!!"

You: "You're gonna freeze to death! Let me take you to the Plath House!"

Marcie: "I'm not going to fall for it again!"

Marcie: "LEAVE ME ALONE!!"
>>
No. 818860 ID: e136ae

>>818852
They don't need help escaping anything.

So Marcie being Marcie, she's being stupid and panicking.

So here's what we need to do:

1. Calm voice. This is critical, an excited voice will only fuel her panic.

2. Calmly explain Coxwette's name and its sexual references. This... is mostly because it should distract her a bit from her panic.

3. Tell her your life story. In detail. Just keep talking, don't get excited, and DO NOT try to force the door. It's very difficult to bluff details over a long period of time, and even a dim bulb like Marcie should figure this out eventually. Story-time has a long tradition of calming people down, especially children -- and panicking adults are very much like children.

If you're not forcing the door, it should get Marcie to peek outside, see it's you, and get out. She won't try to peek as long as she thinks you'll burst in. Don't bother with logic, scared people don't respond to logic.
>>
No. 818862 ID: 9876c4

Tell her about your date. How pretty she looked, and you had to rescue her from the bathroom.

She doesn't remember any of it, but it was one of the nicest things to happen in this town.
>>
No. 818863 ID: be0718

Make her laugh with bad impressions of the townsfolk asking her to come out.
>>
No. 818864 ID: 91ee5f

>>818858
"Marcie, your Aunt Penny is really worried about you! She was crying when she couldn't find you! You don't want your aunt to cry do you?!"
>>
No. 818867 ID: f076ad

Tell her that this may sound weird but, that she lost some of her memories, but if she can just listen, that you'll tell her about everything that happened.
So tell her about all the memories the two of you shared before she lost them. Every little detail you can remember.
Tell her how the two of you met. How she hired you and how strict she was.
Tell her how everything was going so well between the two of you and how happy you were together. How she smiled.
Tell her about the date. What kind of clothes she wore. How the two of you held hands and later kissed.
Tell her how you visited her place. The kind of teacups she had. How you carried her to bed and how the two of you spent a night together.
Tell her how it was all like a dream, until the tragedy occured.
How one day she was kidnapped by mosters and taken away.
Tell her how she was brought back. And how devastated you felt.
Tell her how much you love and miss her.
>>
No. 818868 ID: d7fbf6

>>818858
wait, again? what happened the first time?
>>
No. 818869 ID: 600f38

>>818858
"Are you hurt?
Is the freezer on?
Does the freezer have a vent for bringing in fresh air, or do you have a limited air supply?

Marcie, Penny is at Plath house. She was only willing to go there because Lisa and I told her we would bring you back. I don't know how much longer she's going to wait before she starts looking for you, so we need to get you to her before she heads out into the monsters looking for you.

I'm going to back away from the door now. I'll tap on the wall outside so you can tell where I am, and you can open the door just enough to peek at me to see I'm not a monster. Is that ok?"
>>
No. 818878 ID: 77c5e3
File 150119467211.png - (24.62KB , 500x500 , 41.png )
818878

You try to keep your voice calm, but you have to speak up at least a little bit so that it carries through the thick, steel door.

You: "Your auntie Penny's really worried about you. She was crying when she couldn't find you."

You: "You probably don't remember"

You: "I'm starting to think you never will"

You: "But you used to be my boss. I worked at the bakery delivering pastries."

You: "I rode the ladies' fixed-gear pannier bicycle."

You: "We went on a date"

Your shoulders start to shake in a weird way, and your chest feels like an eighteen-wheel truck falling into a sinkhole.
>>
No. 818879 ID: 77c5e3
File 150119468783.png - (34.60KB , 500x500 , 42.png )
818879

You lean forward onto the door, frustration melting over you.

You: "COME ON!"

You: "Don't make me go through this bullshit again!"

You: "Your aunt loves you, alright"

You: "I love you."

You: "I wouldn't hurt you, babe"

You: "Not for a million million bucks"
>>
No. 818880 ID: 77c5e3
File 150119470237.png - (6.09KB , 500x500 , 43.png )
818880

You jerk your hands away from the metal at the sound of the latch coming loose. The door begins to open very slowly
>>
No. 818881 ID: 77c5e3
File 150119472339.png - (52.40KB , 500x500 , 44.png )
818881

A ruddy, blistered hand creeps out.
>>
No. 818882 ID: 77c5e3
File 150119475599.png - (29.48KB , 500x500 , 45.png )
818882

Marcie peeks through the crack in the lumbering door, the pads of her hands swollen and red. Her ears are crooked inward and split by frostbite, almost resembling your own. She can barely hold the door open.
>>
No. 818883 ID: f076ad

Open your arms and let her come to you.
>>
No. 818884 ID: e136ae

Do we even need to say "Get the poor stupid girl to the Plath house"?
>>
No. 818885 ID: 1e7aa8

Oh god. Okay, you need to get Marcie's hands and ears warmed up. do NOT use warm water for this! Start with the cold tap and work your way back up to warm, slowly.
>>
No. 818886 ID: 4fe424

Inspect Marcie.
>>
No. 818887 ID: b68199

Get her out of there!
>>
No. 818888 ID: f076ad

Also, don't let her initially spot the sword.
>>
No. 818890 ID: 3abd97

Help her get the door open, but slowly. We don't want to spook or scare her into shutting herself back in there.
>>
No. 818893 ID: c31aac

>>818882
Oh my god marcy get out here, we need to get you to the doctor!!
How long were you in there??
>>
No. 818894 ID: be0718

Eesh. And you wanted *me* to prove I wasn't a reverend.
Get your foot in the door before she can change her mind. Classic Chuck trick.
>>
No. 818896 ID: 62f1df

Good. Now, we need to carry on. Making a beeline for the Plath House is tempting, but we need to check out the other locations first. Time is of essence! A good bit of walking will warm Marcie.
>>
No. 818897 ID: 8d4593

Oh God Marcie... Let's go get you warmed up.
>>
No. 818904 ID: a6d61a

>>818879
Try not to get this sappy in the future. If Marcie is still fully intact and attractive after this, there's still a chance we can bone, and sobbing pussyboys aren't exactly a turn-on.
>>
No. 818918 ID: 7b7ab3

>>818894
>>818904
WTF?
>>
No. 818923 ID: fc33ea

Well now you have to help her without scaring her off... I guess help with the door? Look at you, such a gentleman now.
>>
No. 818926 ID: 857d80

>>818882
holy shit
I hope she's alright, she needs medical attention, she doesn't deserve this v.v
get that cat to the Plath house!
>>
No. 818930 ID: 90f3c0

Hug cat.

Try not to cry.

Cry a lot.
>>
No. 818931 ID: 91ee5f

>>818882
Ok, Chuck, this is your moment. It's time to be a fucking hero.

Let her come out of there on her own. Then sweep her off her feet and into your manly arms and use your MANLY PHYSIQUE to heroically carry her to the Plath House!
>>
No. 818940 ID: 600f38

>>818882
Don't move.
"Everybody is gathering at Plath house. It's the only safe spot left. Susanna is keeping the monsters busy, but I don't know for how long.
I'll get you to safety even if I have to carry you the whole way, but we have to leave now."

Does she have a towel or something around here? It'd be best to wrap her up so she doesn't warm up too fast, then double-up on the bike to get her to the Plath house and Sophie as quickly as possible.

Frostbite and hypothermia treatment: Put them in lukewarm water and gradually raise the temperature. Suddenly increasing the temperature causes additional trauma to exposed tissue, which is why she should be wrapped in a towel, sheet, or blanket.
>>
No. 818948 ID: 8080e6

Holy fuck. CARRY HER CHUCK. CARRY HER TO THE PLATH HOUSE.
>>
No. 818981 ID: f911b6

Make sure to help her if she looks like she's struggling opening the door.
>>
No. 818990 ID: 77c5e3
File 150122632198.png - (55.06KB , 500x500 , 46.png )
818990

Marcie is apprehensive for a moment, but doesn't seem afraid. You slowly help her open the door, and she hobbles toward you.

You open your arms for her. She's so fuckin cold

You back against the wall and slide down onto the floor. You need this. You just need a minute to rest, because your feet hurt and your whole body is fatigued and pulsating. After a few minutes, Marcie starts to shiver, and some instinct takes over. You hug her as tight as you can without hurting her.

For now you are glad that time has stopped for a bit. The monsters, the mayor, and the Plath House disappear from your mind. The silent baker's kitchen seems to fade to black.

Marcie: "Why'd you say you love me, Jack?"

Marcie:

Marcie: "I barely know you"
>>
No. 818992 ID: 3ce125

Haha she doesn't even know your fuckin name

Tell her you were just trying to get her out of there.
>>
No. 818994 ID: be0718

Well it got you out of the icebox, didn't it?
>>
No. 818995 ID: b5fb67

>>818990

"Because you don't deserve to freeze to death."
>>
No. 818999 ID: e136ae

>>818990
You've already spilled the beans, don't bother trying to cover up.

Tell her it's a long, complex story as unbelievable as the monsters, but for now you need to get her to the Plath house.
>>
No. 819001 ID: fc33ea

It's Chuck. and yeah, I guess you don't.
>>
No. 819003 ID: 143250

Stare deeply in her eyes. Maybe perhaps you still have a little bit of that carnal speech vision power in your eyes that you can still reawaken and use to get her to help remember you and her together. even if it is just a little.
>>
No. 819004 ID: e136ae

>>819003
That ain't bad either.
>>
No. 819006 ID: 1e7aa8

"If we get to safety, ask Penny.
>>
No. 819013 ID: 37e22a

It's a long story, and we don't have time.. We need to get to the Plath House.
>>
No. 819018 ID: 9876c4

>>819001
I like this one.

We'll leave when we're ready.
>>
No. 819019 ID: 70426b

It's a long story, Marcie. I promise I'll tell you later, but right now, I need to make sure everyone else is safe. Let's get you to the Plath house. Penny is there, and she'll want to see you. Also they have a doctor who can help with your frostbite.
>>
No. 819022 ID: f0e552

>>818990
"I'll tell you, but first we need to get back to the Plath house"
>>
No. 819039 ID: 600f38

>>818990
"They attacked you before. You lost weeks of your memory.
We... We were dating. It was pretty serious.

I'll tell you everything once we get to the Plath house. It's not safe here, and you need Sophie."
>>
No. 819040 ID: 4fe424

Warm her up with your dick.
>>
No. 819048 ID: 2120ee

>>818990
"Yeah. Me too."
>>
No. 819049 ID: 8d4593

It's a story for another night, Marcie.
It's Chuck, by the way.

Yall should get going.
>>
No. 819054 ID: 91ee5f

>>818999
>Tell her it's a long, complex story as unbelievable as the monsters, but for now you need to get her to the Plath house.
This.

And carry her in your manly arms and use your MANLY PHYSIQUE to heroically carry her to the Plath House!

>>819003
That's a dangerous gamble! Chuck hasn't practiced using that power and I doubt he even knows how to use it at all!

On one hand, it could work and Marcie's memories could be restored, even if it's just a little bit of her memories instead of all of them.

On the other hand, Chuck's inexperience with that power will end up making her worse and she could end up forgetting her childhood and/or her friends and/or forget about her Aunt Penny!

So, do you really want to use the Carnal Speech on Marcie with the risk of possibly making her memories worse?
>>
No. 819058 ID: d7fbf6

>>818990
>right hand copping a feel
not the time, chuck
>>
No. 819059 ID: f076ad

>>819054
Chuck never had any carnal speech ability. Where did that come from?

>carry her in your manly arms
Tell her the story while carrying her.
>>
No. 819064 ID: 143250

>>819059
He temporarily had it after he drank that thing from Ramona a couple chapters ago. We believe it to be temporary, but that is just an assumption, really.
>>
No. 819066 ID: 360032

>>818990
Tell her that some of her memory was erased after a freak accident.
>>
No. 819067 ID: 91ee5f

>>819059
>Chuck never had any carnal speech ability. Where did that come from?
It came from this guy: >>819003 .
>>
No. 819084 ID: 77c5e3
File 150127103025.png - (31.42KB , 500x500 , 47.png )
819084

You: "It's Chuck, and"

You:

You: "yeah, I guess you don't."
>>
No. 819085 ID: 77c5e3
File 150127104905.png - (33.09KB , 500x500 , 48.png )
819085

You take Marcie up the hill to the Plath House.
>>
No. 819086 ID: 77c5e3
File 150127106366.png - (47.79KB , 500x500 , 49.png )
819086

The house is full of townspeople, but it is so large that it barely even seems crowded. Most of them are lounging on the ground floor with slumped postures and worried eyes. You can hear water running through the house's old pipes, so a few of them are probably showering. You could definitely use one of those.

Selma: "Is that Marcie!!"
>>
No. 819087 ID: f076ad

Present Marcie to Sophie. Ask who's still missing. Go back out to get the rest.
>>
No. 819089 ID: be0718

Direct someone to treat her for hypothermia and resume canvassing the town. Add Lisa back to party. The Plath house orgy will have to wait until everyone is found, and Rita is still MIA.
>>
No. 819090 ID: 2120ee

Ditch the broad and find Penny. Hopefully she's in a shower and won't mind company.
>>
No. 819091 ID: d4098a

Are lisa and the cops still not here? And eho was it that they had arrested?
>>
No. 819093 ID: e136ae

I'd say make sure Penny knows Marcie is safe on the off-hand chance that Penny's done something stupid like go out to look for Marcie.
>>
No. 819094 ID: 4cef42

Yep. Where's Sophie and Penny?
>>
No. 819096 ID: 143250

We still need Rita, and Rachel. Rachel is either out her home, or at the warehouse. Lets get the tools necessary to get into the warehouse in case she is not at home. We'll also need Lisa back as our translator.

Am I missing anyone?
>>
No. 819097 ID: fc33ea

Yeah, She needs yo see Sophie. Is anybody still missing?
>>
No. 819098 ID: 143250

>>819097

I think it is Rita and Rachel that are left.
>>
No. 819103 ID: 1e7aa8

Only go back out if you aren't completely exhausted, chuck.
>>
No. 819107 ID: 9876c4

Cops still aren't here. it seems.

Rachel was implied to be in custody. I think we should check the post office/ her home for Rita.
>>
No. 819108 ID: 91ee5f

>>819086
"Yes, it is. Where's Sophie and Penny?"

Sophie's a doctor, so she should know how to treat Marcie. But if she doesn't know, probably because she's from a time before doctor's were taught how to do it, then tell her how to treat Marcie by repeating all of these: >>818885 , >>818940 !
>>
No. 819111 ID: 91ee5f

>>819107
>Cops still aren't here. it seems.
Not true. This is only one room and the Plath House is huge, so they could already be here.

>Rachel was implied to be in custody.
There's no guarantee that Rachel was the one that was in custody. But whoever it is, they should be here if the cops are here.

>>819108
Also, after you take care of Marcie, go check on Ramona to see how she's doing.

She's probably thrilled at how many people are in her house! Too bad it couldn't have been under better circumstances!
>>
No. 819116 ID: 9b8c8d

>>819086
We still don't know how Ramona's doing. We need to do that as soon as we get Marcie treated.
>>
No. 819117 ID: 2120ee

>>819086
Wait, nevermind all that bullshit. Ask Angela WHERE THE FUCKING KIDS ARE.
>>
No. 819120 ID: 9876c4

>>819117
They're not in town on weekends, you goof.
>>
No. 819121 ID: d4098a
819121

>>819117

The kids are most likely at the orphanage which is kot in town, so if the reverends are all still in town the kids were either already killed on the way in or are basically safe as the reverends are in town
>>
No. 819122 ID: b88e47

Get medical attention for Marcie.
>>
No. 819124 ID: d730ec

Get Marcie to Sophie.
Tell Penny that she's safe and being looked after by a medical professional.
Do a headcount to see exactly who is left to save before deciding what action we should take.
>>
No. 819134 ID: 3ce125

>>819086
Yep. Is anyone left? Rachel is here too right?

If everyone is in the plath house then Lisa needs to notify Susanna so that she can break away from the reverends and take shelter.
>>
No. 819136 ID: 91ee5f

>>819134
I remember Ramona mentioning that Susanna can't enter the Plath House because of the same magic that protects it from the Reverends.

However, Ramona also said that Susanna can still enter, but only if Ramona gives permission.

But, considering how much they don't like each other, good luck convincing Susanna to come here and/or Ramona giving Susanna permission to enter the Plath House!
>>
No. 819142 ID: 9b8c8d

>>819136
Yeah, except Ramona could be dead by now.
>>
No. 819143 ID: 91ee5f

>>819142
Then let's go check on her!

After we hand Marcie over to the doctor!
>>
No. 819154 ID: 600f38

>>819086
"Yes, she needs Sophie.
Who else is missing?"
>>
No. 819192 ID: 77c5e3
File 150129761381.png - (39.15KB , 500x500 , 50.png )
819192

You set Marcie down, and Penny emerges from the kitchen. She sprints out into foyer and embraces Marcie, her face melting in tears. Penny kisses her face over 100 times.

Penny: "Marcie"

Penny: "Marcie Pie"

Penny: "Honey I thought you were dead"

She kisses her 30 more times on the cheek before handing her over to a beleaguered Sophie for treatment.
>>
No. 819193 ID: 77c5e3
File 150129762479.png - (31.80KB , 500x500 , 51.png )
819193

You pull Penny aside, keeping a side-long eye on what the others are doing. She is still wiping the tears from her eyes and trying to calm down.

You: "Who else is missing?"

Penny: "Rita and Rachel. That's it."
>>
No. 819195 ID: 7b7ab3

Right. Okay. Job's not done, yet.
Get combobulated, then get ready for one last run.
>>
No. 819197 ID: 600f38

>>819192
Would it be faster to go get the bike and then head to the post office, warehouse, Rita's house, and Rachel's? Or to not get the bike first?
We're on a time crunch here, we've gotta go fast.
>>
No. 819198 ID: e136ae

Well, let's find those two and we can have ourselves a hero's orgy later.

Rachel is more likely to handle herself, she's fought these things before. We'd better find Rita. Maybe the train station?
>>
No. 819199 ID: 3ce125

Okay, Rachel is... who knows where, maybe the warehouse. Rita is probably at the train station.
>>
No. 819201 ID: 32d29a

Before you go off to look for Rita, give Penny a passionate kiss. The start of a hero's reward you'll fully collect later...
>>
No. 819204 ID: 8d4593

Rachel could be anywhere, maybe even out of town. Rita is probably at the train.Station, maybe at her house, and possibly at the post office.
We should track her down before attempting to find Rachel.
>>
No. 819206 ID: 15a025

We should go check the post office first, it's the closest building she could be in.
>>
No. 819211 ID: 005d0c

Yell out "Dog Damnit!" and prepare yourself for another night out on the town. You helped create this mess Chuck so help now and you'll be able to excuse yourself from any more work, guilt free, for like... 2 weeks, maybe 3.
>>
No. 819212 ID: 91ee5f

>>819192
>beleaguered Sophie
Yeah, that's gonna happen when you're literally the only doctor in town! If only she had some nurses to help out.
>>
No. 819223 ID: fc33ea

Where's that gun with one bullet?
>>
No. 819244 ID: f076ad

We should first ask Lisa how to say "come with me" and "it's safe" in French, in case we meet Rachel.

And then go out. I vote for Post Office.
>>
No. 819264 ID: d7fbf6

>>819193
well fuck rita, let's go find rachel.
>>
No. 819278 ID: 62f1df

Ask if anyone has any idea where Rita or Rachel could be. Then go and check wherever they might be, starting with the post office.

Preferably, take John with you, since he's the most combat-capable of the bunch (plus, it'll probably stop all these "put penos in vagoo" suggestions).
>>
No. 819290 ID: 4679db

>>819193
Rita's not that important, so let her find her own way to the Plath house, or make Geoff go find her. With any luck, both of them will die and we won't have to worry about them anymore.

As for Rachel, start with the apartments, then curve around to the warehouse.
>>
No. 819341 ID: 45be2d

Rita probably tried to leave town. If shes not at the train station shes probably just going down the tracks
>>
No. 819342 ID: 91ee5f

>>819341
I doubt she would try to leave town without her brother. She'd try to bring Geoff with her if she was going to try and leave.
>>
No. 819410 ID: e136ae

>>819342
Speaking of which, remember that banging Rita would piss off Geoff, so we need to find her so we don't lose that option LIKE WE HAVE WITH OTHER OPTIONS ALREADY.

Racheal can take care of herself, she's kicked reverend ass before. Rita, not so much. Find Rita.
>>
No. 819413 ID: 1e7aa8

Check in with Lisa before you go, find out how the mayor is holding up.

Then go look for Rachael at the well
>>
No. 819492 ID: bb78f2

>>819193
Who was in the jail cell?
Ok, like we'll probably find Rachel at the warehouse... maybe Rita at her apartment or the mail place. But we should ask Geoff first, like if there was a place she would go if she was in danger, like their parents house or a tree house from childhood or something like that.
>>
No. 819625 ID: 77c5e3
File 150146923847.png - (24.26KB , 500x500 , 52.png )
819625

You exit the Plath House without another word. You really don't want to go back out there. Why do you have to be the hero? It's not your stinking town; someone else could be doing this. Like Susanna. She started this whole thing. You sigh and slump. At least it is safe while she is fighting the reverends.

Where are you going first?
>>
No. 819626 ID: be0718

The train station to ditch these suckers.
>>
No. 819627 ID: 3ce125

Train station.
>>
No. 819628 ID: 2120ee

>>819625
The train station maybe you will see that fucking turtle and you can kill him with your sweet sword.
>>
No. 819629 ID: 3740b1

Eff it, bad idea bandwagon - train station. If we find god, kill him with our sword or something? This seems like a solid plan.
>>
No. 819631 ID: 600f38

>>819625
You forgot to ask Penny to explain the missing memories to Marcie, and catch her up on what happened.
>>
No. 819635 ID: 77c5e3
File 150147667211.png - (11.31KB , 500x500 , 53.png )
819635

You go to the train platform. It is just as silent and desolate as ever. There doesn't seem to be anyone here.
>>
No. 819638 ID: be0718

That's what you thought at the first building, and you were WRONG. Check under the platform for mailmen.
>>
No. 819640 ID: 9876c4

That was a pretty bad idea, all right.

Let's go postal.
>>
No. 819641 ID: 15a025

Check around more Chuck, she could be hiding.
>>
No. 819644 ID: 77c5e3
File 150147820030.png - (4.71KB , 500x500 , 54.png )
819644

After the bakery, you think it prudent to search around a bit more even in the absence of clues. If anyone is hiding under the platform, they'd have to be pretty small. You even bang on the mailbox to see if Rita locked herself inside. There's no reaction. It's possible she might have taken off down the tracks, but you can't imagine her leaving without Geoff.
>>
No. 819645 ID: 182dd6

"Rita?"

"Rita?!"

"..."

"Harold?"
>>
No. 819646 ID: 90f3c0

Check the post office.
>>
No. 819647 ID: be0718

Have you met Geoff?
Anyway, if you've checked everything here it's time to

leave

check the post office.
>>
No. 819650 ID: 91ee5f

>>819644
Time to go check the Post Office!
>>
No. 819659 ID: 77c5e3
File 150148095924.png - (18.83KB , 500x500 , 55.png )
819659

Yeah, yeah, Geoff sucks. You wouldn't mind if he bit the dust, but Rita has some weird attachment to him. You don't know, you've never had siblings or a loving family. You walk down the hill from the train platform to the small Coxwette Post Office.
>>
No. 819661 ID: 77c5e3
File 150148100201.png - (18.36KB , 500x500 , 56.png )
819661

You turn on the lights as you walk inside and call for Rita. There's no answer, so you go to the sorting room.
>>
No. 819662 ID: 77c5e3
File 150148102761.png - (26.00KB , 500x500 , 57.png )
819662

For all the time that Rita spends here without anything to do, it's fairly messy. You look through the cabinets and dig through the bins. There isn't much actual mail here. It's a lot of town records of little interest, along with a few loose photocopies of Naz's butt. Ugh. You could be fucking Naz right now. Instead you're wandering around this creepy ass town at night.

You open one last drawer in a cabinet against the wall opposite Rita's desk. It's full of sealed envelopes. The outbound addresses all just say PO 201 Sunrise Branch. A stamp over the top of each says RETURN TO SENDER. You open one up to see a typed letter.



Dear ANYONE,

Where are you? Where is the train? I have never felt so close to hell. Please come to Coxwette.
New people sometimes arrive, but my brother and I can't leave. Why is this? Do you know why?

Please write back or visit. Please send someone to visit Coxwette. Are there any men you
can send? Only man in town anywhere near my age is my brother. Yuck.

Anyway, please respond. Can you send a photo or a letter back?

Sincerely,

Rita Newman


P.S. I'm a single female coyote age 27 but still pretty I think



You open up another of the envelopes, which contains a very similar letter from Rita. Another RTS. You open a third one, which contains the same. All of these seem to be returned letters from Rita. Rita herself is not here.
>>
No. 819663 ID: 91ee5f

>>819662
That just let's you know how long they've been stuck here and how desperate she's been trying to leave.

And it also supports your theory of you and Geoff being the only men in this place.
>>
No. 819665 ID: be0718

If only we had time to discover all this before the reverends were attacking the town.

Does this place have a basement?
Schoolhouse is left, and... anywhere else?
>>
No. 819668 ID: 91ee5f

>>819665
>anywhere else?
There's still the apartments and maybe the Warehouse.
>>
No. 819669 ID: f076ad

>>819663
>how desperate she's been trying to leave
More like, how desperate she's been trying to find a man to fuck her blind.

Make a new mission entry to get down with Rita. I vote to call it You are the one!.

Next place should be.. Warehouse.
>>
No. 819672 ID: 9876c4

You guys are overthinking this.

Rita has two keys. Home and workplace. She'd go somewhere she could secure against the rampaging ghouls.
Check coyoteabode.
>>
No. 819692 ID: 600f38

>>819662
Check Rita's home. If Rachel's home is closer, check there first. Otherwise, check there second.
>>
No. 819693 ID: 228d1a

Return to Plath House.

Straighten out Geoff with a hot dicking in that bi ass.
>>
No. 819721 ID: e136ae

>>819672
Agreed. Also it's probably plot relevant to bang Rita.
>>
No. 819807 ID: ca661e

>>819669
Seconding
>>
No. 819808 ID: be641e

You know, Rachel probably went to the warehouse. We know its security is pretty heavy-duty, and it's probably full of stuff that could slow a reverend down. This could be the chance to get in there.

It's theoretically possible that closing the well is what upped the reverends' activity, in addition to or instead of any given "sin" committed around here.
>>
No. 819831 ID: 143250

Rita's home first, then Rachel's home. If Rachel isn't home, warehouse, the best for last.
>>
No. 819855 ID: 62f1df

>>819831
Sounds like the soundest way to go.
>>
No. 820186 ID: f9c3f2

>>819831
>>819855

Agreed.
>>
No. 820204 ID: 77c5e3
File 150173993290.png - (32.21KB , 500x500 , 58.png )
820204

You go to the apartment complex on the west side of town to visit Rita's home first. Approaching the complex, you hear screaming. Not the panicked screams of someone in distress, but cries of aggression and exertion. Susanna is embattled by reverends Byron and Hale. She is crouching down, struggling to stand while hacking away at some sinuous syringe-like appendages. Each time she cuts one away, two more seem to shoot forth.
>>
No. 820206 ID: be0718

Don't distract the revs from her mission. The revs are likely here because a target was near. Find Rita before helping Susanna.
>>
No. 820207 ID: 15a025

Channel the inner spirit of Cletus and...

Charge!!!
>>
No. 820210 ID: 8d4593

>>820206
Second.
Aside from that, at the angle they are at, one will see you if you charge in. Now is not the moment.
>>
No. 820211 ID: 9170b0

Susanna can handle herself. Find Rita.
>>
No. 820214 ID: 91ee5f

She's distracting them, but at this rate, that's not going to last for much longer!

Quickly, go find Rita before Susanna's unable to distract them anymore!
>>
No. 820216 ID: 143250

Quickly get away from there before Susanna's naked body fills you with lustful thoughts. Find Rita's apartment.
>>
No. 820217 ID: 9876c4

With an uzi and the high ground, you could give her some breathing room. But you have a sword.

Find Rita.
>>
No. 820226 ID: f076ad

>>820214
>She's distracting them, but at this rate, that's not going to last for much longer!
The logic here is correct, however I don't understand why people are choosing to ignore the situation.
We have two choices here:
1. Chicken out and hope for the best.
2. Try to help Susanna.
The important thing to note here is that helping Susanna would help us immensely. In fact, if we don't help her, the second next scene would probably be the reverends running behind us. We have little time left, so rather than just letting it run out, why not try to extend it? If we get rid of one of them, great. But if we can muster some will and get rid of both of them, then we secured the night. Hell, that would give us enough time to bang the single female coyote age 27.

So yeah, I would go with the second option. The Reverends seem quite focused on the battle and keeping Susanna down so, I'd sneak up from behind and behead one of them. If the sneaking fails, we can always run away. Nothing to lose. Everything to gain.
>>
No. 820233 ID: 600f38

>>820226
Getting involved in a fight is like getting involved in surgery. If you don't know EXACTLY what you're doing then you are going to get the people you're trying to save killed.

Obviously, this means you should run up, behead one, and then shout "DEUS VULT!" before running away.
>>
No. 820234 ID: f66698

Starting thinking about how hot it is that she's being such a badass here. Start thinking about ho nice her ass is, how she was involved in the best sex you've ever had, and all the nasty shit you would enjoy doing to her.
>>
No. 820244 ID: ccf1ac

>>820234

This! You don't have to run in and risk a bad end, just start jerkin' it and doing all kinds of sinful stuff to split their attention.
>>
No. 820256 ID: 70426b

>>820234
Don't just start thinking about her, get really nasty with it. Start thinking of all the fucked shit you've done, hell start confessing to things you HAVEN'T done.

Pregnant wives, robbed houses, fucking in church parking lots, every single bad thing you've ever done wrapped up in a little mental package, set on fire and flung at their face.
>>
No. 820262 ID: 9876c4

>>820256
>>820256

I mean, sure. But maybe we could get on the roof first...?
>>
No. 820263 ID: e136ae

>>820226
Distraction's worked in the past and let Susanna get some good shots in. I'd give it another go. Besides, she might be glad to hear we saved Marcie and got the others to safety.
>>
No. 820264 ID: 70426b

>>820262
They can jump up and down from roofs. Remember the Plath House? One of them jumped on and off the roof in under ten seconds.
>>
No. 820266 ID: d4516a

>>820204
Just a quick distraction - lewd thoughts, fondling yourself, etc. - enough to get them to turn and have a look at you. Then GTFO without looking back, leave the rest for Susanna.
>>
No. 820269 ID: aebfae

>>820204
Scream out something lewd to distract the Reverend long enough for Susanna to cut down while it ain't looking, and then RUN to Rita's apartment and get the both of you out of there.
>>
No. 820271 ID: 600f38

>>820256
Think about how, rather than leaving, you'll just turn the entire town into your willing harem. Think about having Naz and Sally having pregnant lesbian sex while you rail Geoff, with Marcie watching - that should get their attention.
>>
No. 820277 ID: 77c5e3
File 150179394572.png - (99.26KB , 500x500 , 59.png )
820277

You think of all of the worst things you've ever done. Well, not all of them. Ok, not even close to all of them, but you like to think that you noticeably scratched the surface.
>>
No. 820278 ID: 77c5e3
File 150179396858.png - (40.47KB , 500x500 , 60.png )
820278

You don't think either of them notices at first, but then you see Hale turn around. He is completely silent, but fixated on you. He starts to run in your direction, brandishing his saber and producing more syringes.
>>
No. 820280 ID: d7fbf6

>>820278
oh!
good thing we're an immortal vampire and not just a horny cat.
>>
No. 820282 ID: 91ee5f

>>820278
>He starts to run in your direction, brandishing his saber and producing more syringes.
Alright, you got one of them! Susanna should be able to handle the other Reverend by herself!

Now, pretend you just robbed a bank and this guy is a cop coming to get you. Then channel all of your past experiences of running from the cops and RUN LIKE HELL SO YOU DON'T GET CAUGHT!!!!!
>>
No. 820285 ID: 15a025

Slice'em and dice'em with your sword Chuck!
>>
No. 820287 ID: f076ad

I don't think we need to run super fast considering their bodies are pretty messed up. Just run in the direction of the school house, then towards the Plath house, and then go to Rita's house. We should lose him on the way.
>>
No. 820291 ID: 91ee5f

>>820287
Not true. Because according to this guy: >>820264 , if their legs are good enough to get them up on top of the Plath House, then their legs are also good enough for chasing down anyone trying to run from them!
>>
No. 820293 ID: e136ae

OK, run like hell now, back the way you came where we know there's no innocents. If you can get out of the line of sight, find some place a bit more vertical and then focus real hard on having a loving family with Marcie and going to church on Sunday. See if we can't pull a "Predator" on him.
>>
No. 820296 ID: 3373e2

Fucking Leg it Chuck.
>>
No. 820298 ID: be0718

Great! Now run back to the Plath House, Rita in tow.

...Aaaaaw shoot, looks like you FORGOT something! Now you have to ditch this reverend before resuming your task, meaning Susana has to hold off the revs for longer and more importantly, you have to be out here longer. NOT. WISE.

Run, Forrest, run!
>>
No. 820300 ID: f076ad

>>820291
Who said they used their legs? They probably dragged themselves up using the syringes.
>>
No. 820302 ID: 3ce125

>>820278
Run you fucking idiot.
>>
No. 820303 ID: 8d4593

Run! Make a large circle around the area. Try and give Susanna a few minutes to deal with the other one before leading this one back to her.

All that time peddlin that bike is about to pay off!
>>
No. 820304 ID: 3ce125

>>820303
Yes, I agree. We give her time to take out one, then bring her the other one to also take out (maybe with some help)
>>
No. 820310 ID: 91ee5f

>>820300
>Who said they used their legs?
I already told you, this guy: >>820264 , said they used their legs. I'm not even sure if it's true.
>>
No. 820317 ID: aebfae

>>820278
Crap, that little bit might've been too much, RUN YA FELINE HORN DOG, RUN!!!
>>
No. 820324 ID: 600f38

>>820278
Run to Rita's house!
Also, start focusing on all the moral things you've done.
If you can't run, then shout "DEUS VULT!" and try to decapitate it. The use of the mantra of christian crusaders and fighting in spite of being a coward should confuse it, if nothing else.
>>
No. 820330 ID: fc33ea

Maybe run to the bakery to trap him in the freezer?
>>
No. 820352 ID: 1e7aa8

Guys. GUYS. Chuck is exhausted. If he runs it'd damn well better to be a place where he's not going to collapse and then get finished off by hale.

Back to the plath house, we've down what we can.
>>
No. 820357 ID: 600f38

>>820352
Isn't Plath house too far away?
>>
No. 820358 ID: b88e47

Well we fucked the scouting and lost our distraction. Run like you just robbed a bank to the Plath house.
>>
No. 820359 ID: 91ee5f

>>820357
I don't know. I would say "check the map" because there was a map of the town posted somewhere around here, but I can't seem to be able to find it.

Does anyone know where that post is so we can look at it?
>>
No. 820360 ID: 8d4593

I know the town isn't that big but there has always been distance to it. Running all the way to the Plath house sounds like an easy way to get caught, not to mention we'll be stranded if we get there.
>>
No. 820364 ID: a27883

>>820360
Where else are we going to hole up from the freaky magic reverent? The townhall is out. We can't hole up in the freezer like Marcie did.

It can scale tall buildings in a single bound and it will NEVER stop hunting us.

Plath house is our only opportunity unless we do something extremely reckless and try to hole up in the warehouse or jump down the well.
>>
No. 820365 ID: fc33ea

...We really didn't think this through did we.
>>
No. 820377 ID: 91ee5f

>>820365
Well, we could've tried sneak attacking one of them, but we didn't do that because we were convinced the other Reverend we weren't sneaking up on would've spotted us.
>>
No. 820380 ID: 9c2d0c

>>820365
Why start now?
>>
No. 820382 ID: 77c5e3
File 150183007247.png - (57.63KB , 500x500 , 61.png )
820382

Your instinct to run away from a man with a sword kicks in immediately. You do not think about where to run to, but ensure that you are running quickly away from the threat. The reverend is surprisingly quick to catch up with you. You thought this one was supposed to be the slow one!

You feel one of the needles jab into your back, then a second one into your leg. You are in immense pain for a second, but it quickly subsides. You are exiting the apartment complex to the east. Rita's place is probably locked, and you don't have time to pick the lock.
>>
No. 820383 ID: be0718

If you can't run, fight. The needles are like the Hydra, ignore them and cut off the actual head. You don't see any boulders nearby, do you?
>>
No. 820385 ID: f076ad

Gee, if only we had done some actual damage before deciding to get their attention and run.
Then again, we had no problem running away from this guy before, so it's a bit strange that he's able to so simply catch us this time.

Hmm. There is some important missing information. Are the needles slowing us down from running or not? I mean, if the needles are now slowing us down, then we can forget about running away and we'll have to fight.
>>
No. 820386 ID: 8d4593

>>820382
Once they start injecting water they will. They also will if we get hit my more.
The issue is that these guys can duel with Sabers. It's unlikely we can take them in a one v one sword fight. Even if we could, the reverend can just defend with his sword and kill us slowly with his needles.
>>
No. 820387 ID: 3ce125

Get onto the stairs and use the terrain against him. Easier to lop off his head without getting cut yourself.
>>
No. 820388 ID: fc33ea

Tie those tendrils around something stationary and then run like hell. Prank'd.
>>
No. 820389 ID: e136ae

>>820386
Then cut the threads free if you have to. Defend yourself, but don't try to beat the thing -- just stall for now and hope Susanna can take down the other one relatively quickly one-on-one. They've definitely gotten stronger than before.
>>
No. 820407 ID: 600f38

>>820382
Grab your sword, suddenly stop and spin around, and draw cut at its neck.
It doesn't have its weapon drawn, so it can't really block the attack, and it would surprise it.

Also, shout "DEUS VULT".
>>
No. 820410 ID: 8d4593

The only way were surviving this is if we can get back to Susanna.

Weave through some bushes or dive through a window and bolt through a house if you must. Just get back there.

When we reach her, we can make a swing at the other reverend with our sword Hopefully it'll be enough to give her the upper hand so she can get this one off of us.
>>
No. 820431 ID: 70426b

>>820410
Excuse me, but we are a strong independent cat man, don't need no snayor.

Fight off the tendrils as best you can while running away. If you need to, you can break a window with your sword for entry into a locked building to escape.
>>
No. 820445 ID: a6d61a

>>820382
Turn and fight. Obviously the reverend is conveniently faster than before because it suits the railroaded slasher movie plot. You'll need to cut the tendrils and then go for a decapitation.
>>
No. 820459 ID: 8d4593

>>820431
Are you retarded?
We watched the Snayor duel one of these things an hour ago. If you remember it was a stalemate until we intervened.
That means that even though she knows how to use a sword, is nigh indestructible, and has super strength, she still had difficulty against this thing.

Chuck is none of those things.
Chuck is just some petty crook from 1994.
This sword is little more than a sharp baseball bat in his hands.

If we fight this thing alone, it will annihilate us.

>>820445
He's faster because they have never chased us before. Previously they Casually Pursued us. They walked.
>>
No. 820473 ID: f65b48

Shout at it that puritanical Christianity is a deviant sect, or that his very existence as a revenant goes against God's will because he,
1. Is refusing to die when he should be peacefuly resting.
2. How dare he decide that a MAN like himself decide that he could judge your sins like he was GOD.
>>
No. 820479 ID: a27883

Rip the needles off while you run.
>>
No. 820497 ID: fc33ea

Really though, there's a stairway with banisters right there. Grab a handful of needles like a bundle of cables, tie em' around one of the banisters and then do some acrobatics off the landing while he's still stuck there like an idiot's tongue to a frozen flagpole.
>>
No. 820499 ID: 91ee5f

>>820497
You really think the Reverend is going to politely wait and not swing his sword at Chuck while his needle tentacles are being tied to something?
>>
No. 820534 ID: 3ce125

Look guys, if the reverend was actually this fast Chuck would be dead in the next couple seconds because he'd get grabbed and skewered. It's just a narrative device used to add tension.
>>
No. 820537 ID: 30e54d

>>820534
Or maybe we should try to avoid being grabbed and skewered.
>>
No. 820538 ID: fc33ea

>>820499
Addendum- do the things I said quickly.
>>
No. 820539 ID: 8d4593

>>820538
The scariest part of this quest is the suggestions.
>>
No. 820542 ID: e136ae

>>820539
Seduce reverend.
>>
No. 820576 ID: 62f1df

Well, that was pretty stupid. Congrats, guys.

We don't really have many options here except to keep running as fast as possible. Maybe give the tendrils a desperate swing with the saber to hopefully cut the ones connected to Chuck?
>>
No. 820585 ID: 045962

>>820576
Yeah, this.
>>
No. 820616 ID: 8e802d
File 150196813954.png - (54.76KB , 500x500 , 62.png )
820616

You stop hearing the beast pursue you. Against your better judgment, you turn around to look. Susanna leaps onto the reverend's back and spears her saber through its neck.
>>
No. 820617 ID: 8e802d
File 150196814718.png - (80.18KB , 500x500 , 63.png )
820617

She screams like a murder victim, flipping around and hacking his face in one fluid motion. Susanna's wild swipe flings buckets of powdery sludge onto the pavement. Byron stumbles backwards against a support beam, and Susanna follows him to slash him as many times as she can. She then proceeds to jab and twist her sword into Hale until he stops moving.
>>
No. 820619 ID: 98f888

Finger Susanna and run away.
>>
No. 820620 ID: 9876c4

Probable exits are North, South, and Dennis.

Get ye coyote.
>>
No. 820621 ID: 513dff

>>820617
"before you tell me how dumb that was let me just say that it worked"
>>
No. 820623 ID: 7d8168

No time for shenanigans, get yourself into Rita's apartment ASAP.
>>
No. 820625 ID: f076ad

Hug Susanna and tell her you love her.
>>
No. 820628 ID: be0718

>>820625
Do not get in arm's reach of the screaming naked murder machine unless it is to stab the reverend some more.
Find Rita's apartment!
>>
No. 820629 ID: 143250

No time to get chewed out by Susanna, immediately run to Rita's apartment.
>>
No. 820630 ID: 91ee5f

>>820617
Before we say anything, we should make sure both of those Reverends aren't moving. Don't want to get stabbed in the back just because we think both of them are down!

Once we're absolutely sure neither of them are going to suddenly stab us through the chest, then we can start talking to Susanna.

"Before you say, 'I thought I told you not to help me and get everyone to the Plath House!' I'd just like to point out that I didn't know you were here, I was trying to find Rita and Rachel since they're the only ones not in the Plath House. Also, that was fucking badass."
>>
No. 820631 ID: 70426b

Before you say anything,

A: I wasn't looking for you
B: It worked.
C: I saved your ass. Twice. You're welcome. I'll be collecting it later. With interest.
>>
No. 820634 ID: 32d29a

RML just gave us a free pass. Run to the Rita house. No time to chat.
>>
No. 820636 ID: 600f38

>>820617
Head up to Rita's apartment, then shout "Where are Rita and Rachel? Everybody else is safe!" to Susanna. She needs the status update, and may know where they are.
Then get in Rita's place and start looking.
>>
No. 820639 ID: fc33ea

Holy hell, she got both of 'em?

She's probably going to be mad because she asked you not to help her, so when the yelling starts say you came here looking for Rita because you're pretty sure she's in her apartment. Rachel is either out there somewhere or in police custody.
>>
No. 820647 ID: 25f1b2

>>820634
This. Very obvious, don't look the gift horse in the mouth. Get gone.
>>
No. 820655 ID: d4516a

>>820631
>I saved your ass. Twice. You're welcome.
In fairness she just saved our ass once in return.

Politely thank her then GTFO.
>>
No. 820660 ID: 15a025

Yell thanks as you run off to Rita's house.

Also don't forget to yank out those syringes if they're still there.
>>
No. 820662 ID: 3ce125

>>820617
Is the other one down too?

Get those syringes out of your back and tell Susanna Rachel and Rita are the only ones left that need to be recovered. You can go for Rachel if she can get Rita. Rachel would probably not want to be saved by Susanna.
>>
No. 820669 ID: e136ae

1. Ensure the monsters are down for the count.
2. Thank/grope/eat ass/otherwise show appreciation. Keep in mind Susanna has no idea you distracted them on purpose. She rightly thinks she just saved your sinful ass.
3. Let Susanna know you got everyone but Rita & Rachel to the Plath house and you're currently looking for them. Let her know Lisa is safe, and that you rescued Marcie from the freezer but she thinks your name is Jack and that's still a sore spot. Susanna needs to know people are safe more than anything else, and she needs to know you still have work to do.
>>
No. 820670 ID: e136ae

Also, jack off onto the reverends.
>>
No. 820719 ID: f9c3f2

Give a very friendly running goodbye and speed away to Rita's.
>>
No. 820724 ID: 1e7aa8

pow wow with susanna after making sure these fucking things aren't getting up again.
>>
No. 820729 ID: a363ac

>>820617
"tight ass Sussana!" keep running and think more sin about DAT ASS
>>
No. 820820 ID: 064dbf

"So... Did you get the other guy too?"
>>
No. 820903 ID: 18c9f5

Just. Keep. Sprinting.
>>
No. 820956 ID: 9876c4

>>820903
Hold on. To that feeeeeling.
>>
No. 820958 ID: 47160d

Wow, she's a bad ass
>>
No. 821071 ID: 064dbf

"Oh hey! Fancy meeting you here. You look great by the way."
>>
No. 821224 ID: 957e05

Just mention why you're still out there, whom you're looking for.
>>
No. 821696 ID: 62f1df

>>820634
This. Let's not try to be clever or witty.
>>
No. 822078 ID: 9dc26d

>>820617
Why is she naked?
>>
No. 822080 ID: a363ac

>>822078
because she is spitting in the face of god why else.
>>
No. 822702 ID: f66698

Cause she's a feral snake woman beating the shit of her greatest fears.
>>
No. 822704 ID: 3abd97

>>822078
Why isn't everyone else?
>>
No. 822853 ID: 143250

>>822704
Why isn't Chuck?
>>
No. 822944 ID: 284001

Shout "You're welcome!" She's proven totally helpless without your intervention twice in a row. Now it's time to go rescue another damsel.
>>
No. 822964 ID: 1e7aa8

>>822944
Are you dense? She's been fighting them *for several hours now* and yeah sure, she didn't win up until we gave her an opening, but she sure as hell didn't lose either.
>>
No. 823795 ID: 8e802d
File 150316952123.png - (13.80KB , 500x500 , 64.png )
823795

Susanna glares at you really hard. You decide not to be a wise-ass.

You: "I'm going to get Rita."

You: "And Rachel. Everyone else is safe."

Susanna leaves toward City Hall, and you find Rita's apartment. One of the windows is busted in, but the door is locked.

You: "Rita!"
>>
No. 823796 ID: 8e802d
File 150316953770.png - (12.47KB , 500x500 , 65.png )
823796

You: "It's Ch-"

Rita: "Where's Geoff? Is Geoff ok?"

In spite of yourself, you are very happy to deliver the news.

You: "He's fine. He's at the Plath House with everyone else."

Rita: "They can't be safe in that old house!"

You: "The monsters can't get it. It's"

You: "It's hard to explain, but trust me. Geoff's fine. Alright?"

Rita: "I've got a baseball bat back here. Is that a sword?"

You: "Yeah. Pretty sick, right?"

a) Take Rita and find Rachel
b) Get Rita to the Plath House first
>>
No. 823797 ID: 79756e

c) Flirt and have a quickie with Rita
>>
No. 823798 ID: 600f38

>>823796
A.
We're on a time crunch, and if we run into trouble we can have her run. Being near Rita and Rachel makes them safer since we're a lot better at drawing aggro, and Rachel is in a lot of danger until we've found her.

Ask Rita where she thinks Rachel is.
>>
No. 823799 ID: 3ce125

A. It's faster and the reverends are currently disabled.
>>
No. 823800 ID: 15a025

A.
>>
No. 823801 ID: 79756e

>>823798
What time crunch? Reverends have been cut up so it's gonna be safe for a while.

>>823799
Again, it's safe now and there's no rush.
>>
No. 823802 ID: be0718

B, quickie with Rita before going back out
>>
No. 823803 ID: 7b7ab3

A.
>>
No. 823804 ID: 2120ee

>>823796
She looks naked behind there.

C) Give her a better look at your "sword"
>>
No. 823805 ID: 7fad5d

B.
>>
No. 823806 ID: f9c3f2

a
>>
No. 823807 ID: 1e7aa8

B. We have no idea where Rachel is OR how long those fucking things are gonna stay down.

not to mention that chuck is exhausted.
>>
No. 823808 ID: e136ae

I'm leaning more towards A only because I think Chuck's better with backup than without.
>>
No. 823812 ID: 32d29a

Whatever option we pick, before we go we need to ham up the fact that we came back for her. If only so that she gets under her brother's skin about it. Give her a hero's kiss and maybe sneak a grope of her rear before heading onward.
>>
No. 823819 ID: ff57fb

A.
>>
No. 823821 ID: 8d4593

A. We haven't spent any time with Rita and the baddies are dead... For now.
>>
No. 823826 ID: ca661e

>>823796
A all the way
>>
No. 823830 ID: aebfae

>>823796
A. Need all the help you can get.
>>
No. 823869 ID: 8111b6

Now is not the time for lewds, as that will attract more of the reverends. Plan A sounds good. two weapons and four eyes are better than what we had. ...and we're injured after that reverend pumping us full of his juices.
>>
No. 823870 ID: 3ce125

>>823869
>juices
It's just holy water. They think it "purifies" sinners/monsters.
>>
No. 823888 ID: 143250

A, but ask why the window is busted dumb question, is she naked/topless behind that?
>>
No. 823892 ID: 143250

Oh ask if she has bolt cutters on her. We might need it if Rachel isn't in her apartment and we were to search the warehouse as a result.
>>
No. 823923 ID: 8111b6

>>823870
We were still jabbed in the back by multiple hypodermic needles without having been bandaged up yet. Didn't one break off the last time we were jabbed? It's still a factor to take into consideration.
>>
No. 823925 ID: 91ee5f

>>823923
Ask Rita to look and see if there's anything on Chuck's back.

Or Chuck walks in front of Rita to lead the way and she suddenly says, "Holy shit, Chuck, what the fuck is that on your back?!"
>>
No. 823947 ID: 8e802d
File 150325304542.png - (40.89KB , 500x500 , 66.png )
823947

You did get stung in the back, but it's not much worse than last time. You don't have time to seek medical help for it. Rita comes out from behind her kitchen counter.

Rita: "Are you ok?"

You: "Are you? You look like you got in a fight."

Rita: "I did, but it didn't last long. One of those guys chased me back here and broke the window, but left."

You: "You can probably thank Susanna for that."

Rita: "You're kind of slouching a little bit. Are you sure you're ok?"

You: "Just tired. I've been running and fighting for hours now. Honestly I just need some coffee."

You: "We should go to the warehouse."

Rita: "Why? That sounds like"

Rita: "really the last place we should go."
>>
No. 823948 ID: 8e802d
File 150325305434.png - (16.81KB , 500x500 , 67.png )
823948

You: "I think Rachel's in there."

You: "It's like her stronghold."

This building frightens you a bit. Not because of the barbed wire fence - you're used to those. It's the deadness of it. It looks like the corpse of a building. The fence stands about four feet taller than the top of your head.
>>
No. 823949 ID: 79756e

Penetrate the entrance.
>>
No. 823950 ID: f9c3f2

>>823948

We're criminal scum, surely we've dealt with barbed wire before.
>>
No. 823952 ID: 9876c4

Unpopular opinion time.
She's probably fine. Those heaping defenses would do a number on any intruder, and we've saved all the actual people in danger anyway.
>>
No. 823953 ID: 4d606a

Rachel's been paranoid about all this spooky stuff for a while now. If she's taken to this place as her sanctuary, she'll have put more defenses in place than barbed wire. Lucky for you you've got the skills to pay the bills... with someone else's money. Imagine you're setting to burglarize some hardware-packing kook with home-made home security.

And try not to make yourself a silhouette that looks like a monster.
>>
No. 823957 ID: 4d606a

>>823952
>She's probably fine

Well, if we hadn't put all other targets where they couldn't be reached, yeah. As is, once everyone else is in the Plath house, they'll have nowhere to come but here, and they'll get past all these defenses eventually. This stuff would make Rachel the last person to be attacked, but she'll be the last person eventually. The best outcome scenario is still everyone to the Plath house.
>>
No. 823960 ID: 3ce125

>>823948
Ok find where she gets in and out. Like, a locked gate or something. Then unlock it and go inside.
>>
No. 823962 ID: 1e7aa8

Ask Rita to see if she can do any about the injuries you've sustained before you break into the warehouse.
>>
No. 823963 ID: 3ce125

>>823962
How? Kiss them better?
>>
No. 823964 ID: be0718

I think Rachel's got this covered. She's more spook-resistant that your average Coxwette bystander.
>>
No. 823965 ID: fc33ea

Well there has to be some sort of gate with some sort of lock, so you'll be fine as long as Rita watches your back.
>>
No. 823966 ID: 1e7aa8

>>823963
At least visually confirm that chuck's not gonna frigging bleed to death before making it back to the plath house.
>>
No. 823969 ID: 91ee5f

>>823957
Sounds about right.

Especially since Sussana said that they're respawn time is completely random. For all we know, they could come back any minute now!
>>
No. 823973 ID: 600f38

>>823948
Yeah, nothing there is going to stop you from getting in.
So do it, calling for Rachel the entire time.
>>
No. 824164 ID: 8e802d
File 150337755890.png - (15.74KB , 500x500 , 68.png )
824164

Rita: "I've got no idea how we're going to get in there."

Rita: "Or still even why we'd want to."

Rita: "I'm glad those monsters are gone, but Rachel's"

Rita:

Rita: "Also kinda scary"

You: "We've just gotta find the gate."

You: "Every fence has a gate."

You comb the perimeter of the warehouse until you come across a large sliding gate.
>>
No. 824165 ID: 8e802d
File 150337757097.png - (79.24KB , 500x500 , 69.png )
824165

It is held shut by a sturdy chain. The padlock has been pulled to the inside of the fence and zip-tied in place. Almost like someone knew you were coming.
>>
No. 824168 ID: 3ce125

>>824165
Fuck I guess the next step is to try shouting.
HEY RACHEL IT'S CHUCK COME TALK TO ME THROUGH THE FENCE
CMON YOU CAN SEE ME IT'S A FENCE NOT A WALL

Honestly you should be able to just reach in and pull the lock around to get at it and pick it since standard chain-link fences have gaps big enough for that kind of thing but it's sure not drawn that way. Heck I have no idea how the chain even got through the fence.
>>
No. 824169 ID: 143250

The fact that the padlock is on the inside definitely means Rachel (or someone else) is hiding here

Also, ask why Rita thinks Rachel is scary, she seems alright, despite you having being hit by her... (but even then, you kind of liked it)

(reminder: do not mention about Rachel's private dances, even if it is to calm Rita. We promised Rachel we wouldn't tell anyone)
>>
No. 824171 ID: e136ae

>>824165
>It is held shut by a sturdy chain. The padlock has been pulled to the inside of the fence and zip-tied in place. Almost like someone knew you were coming.

Very odd. That would mean that Rachel -- or someone -- is certainly on the inside since she'd not be able to get in herself otherwise. Or there's a back-up entrance.

Since I doubt reverends do things like pick locks OR get stopped by them, it's almost definitely to keep out Chuck.

My thoughts are to either call out for Rachel to get her to open the door or look for some sort of alternative route. Since calling out to people has had a ZERO success rate, we'd better look for other routes and failing that, get back to the Plath House. Chuck needs more tools and some rest. I don't think Rachel's in much danger.
>>
No. 824173 ID: be0718

You have the reverends attention now thanks to your boneheaded interruption of Susanna's distraction. Shouting is no longer safe. Leave Rachel to her safe space, she is properly informed of the danger and has decided this is the safest course.
>>
No. 824175 ID: 0d1514

>>824165
Break in!
>>
No. 824176 ID: 3ce125

>>824171
>calling out to people has had a ZERO success rate
Wrong. Rita immediately popped up when Chuck called out to her. It works just fine when the residents can get a visual on Chuck, because the voice-mimic reverend can't change shape.
>>
No. 824178 ID: 91ee5f

>>824165
It's a sliding gate with a chain that's just a little too long. There's enough chain there that if you pulled, the gate will open just enough for you to reach in and pull the lock to your side so that you can pick it open. And that zip tie isn't stopping anyone, since it's wrapped around the chain, it'll fall off once the lock is picked and off the chain.

Now, of the chain had been just a liiiitle shorter or if the ziptie was actually looped through the chain links, then it wouldn't be possible to open the gate.
>>
No. 824180 ID: fc33ea

Your sword can probably cut the zip tie through the gap in the gate, but I can't think of a way to pick the lock through a fence with such tight mesh.
>>
No. 824183 ID: 91ee5f

>>824178
Supposed to say, "if the chain had been".
>>
No. 824186 ID: 9876c4

It's just not as fun, if we know someone is there.

Feels less like a burglary and more like an intervention.
>>
No. 824188 ID: e136ae

>>824176
Good point. I think Rita's been the only person to cooperate.
>>
No. 824191 ID: 3ce125

>>824178
Oh hey you're right. Let's do that.
>>
No. 824196 ID: 8e802d
File 150338243957.png - (32.30KB , 500x500 , 70.png )
824196

With Rita's help, you pry the gate open just enough to pull the lock between the two middle bars. There is barely enough slack to get it through with the zip-tie binding it, but you can get a hold of it as long as you keep pulling. You take out your lockpicks and



Rachel just straight up broke the key off in the lock



Some part of you suspects that Rachel might be preparing for some kind of last stand deathmatch.
>>
No. 824197 ID: 3ce125

Okay so back to plan Yell. Also hope she has bolt cutters in there because you're not getting the fence open without them.

Yes there are bolt cutters back at the plath house no we're not going to run all the way there and back to bust open the fence. The reverends will be back up by then.
>>
No. 824198 ID: e136ae

>>824196
That sounds like an author hint. We'd best yell out and let Rachel know she's got an alternative and get her ass to the Plath house. You're not getting in without better tools, Chuck. You're not prepared for fortress break & enter; get Rita back and rest up.
>>
No. 824199 ID: 91ee5f

>>824196
Fuck! DX

Well, the important part of the key is still in there. Maybe if you had someway to grab it, you could still turn it? Or pull it out and pick the lock?

Do we have anything that can act as a makeshift pair of tweezers? Or a magnet? Or something?
>>
No. 824202 ID: 8e802d
File 150338352031.png - (35.67KB , 500x500 , 71.png )
824202

The key is pretty flush with the lock. It'd be pretty hard to pull it out. Bolt-cutters would be ideal here, but they're still at the Plath House.

You: "I think she was ready for us."

Rita: "What if we just"

Rita: "You know, went over the top."

You: "You got a ladder and a rug?"

Rita: "Well, no, but I'm sure we could find some."

a) try to find a rug
b) come back with the bolt cutters
c) other >_
>>
No. 824205 ID: be0718

C) Go back to the Plath House and stay there.
These aren't anti-Reverend measures, Chuck. They're anti-you measures. There is an entire house of ladies that have been much more receptive to your advances, Chuck. Take the hint.
>>
No. 824206 ID: 3ce125

>>824202
A. Think back to the apartments you've been in. Surely one of them had a rug?
>>
No. 824207 ID: 2120ee

>>824202
c) Just use your clothes. They've got holes in them anyway and you don't have time to waste.
>>
No. 824208 ID: bb78f2

c) maybe that sword is like... magically sharp? Might want to try it.
>>
No. 824210 ID: 7e96bb

That's a long ass chain. I refuse to beleive that it doesnt leave enough play in the gate for you to push one of the halfs of the gate and slip between.
>>
No. 824213 ID: c31aac

>>824208
This is a bad idea. Don't break your sword trying to force a lock open.

See if you can find a big rock first, see if that can bust the lock (or more likely, part of the fence) open.
>>
No. 824235 ID: 9876c4

If she was crazy enough, Rachel could kill us at close range.

So I don't like the rug plan at all, because it'd be hard to do in reverse, in a hurry. Dealing with compliant townsfolk is one thing, but a forced extraction...
>>
No. 824237 ID: 9dc26d

She's not going to kill Chuck. He's a pest and a pain but she knows what motivates him.

Yes, A) Find a rug somewhere.
>>
No. 824238 ID: 9dc26d

>>824196
ALTERNATIVELY, just shim the lock. Most padlocks are vulnerable to shims. Just need a piece of an aluminum can or something equally stiff and thin.
>>
No. 824239 ID: fc33ea

Rug, sure. A ladder? That sounds like it would be inside the warehouse, I haven't seen anything like that around. We're going to have to go for the bolt cutters, if at all.
>>
No. 824240 ID: 9876c4

>>824237
Nah bro, she breaking keys n shit. This is not a normal mental state.
>>
No. 824241 ID: ac0848

C) It's barbed wire, not razor wire, you fucking panzy just jump over. What, are you afraid you might get a boo-boo? Just do it pretty boy.
>>
No. 824242 ID: ac0848

C) It's barbed wire, not razor wire, you fucking panzy just jump over. What, are you afraid you might get a boo-boo? Just do it pretty boy.
>>
No. 824246 ID: 1e5dbd

c) Call for Rachel
She may be acting like a tough girl, but I'm sure that deep down she's scared and would like to be rescued. So I'm pretty sure she would be listening for any voices.

Which french words do you remember? Try shouting "Rachel" and "Dansez-vous encore" (which you used at some point) for a few minutes.
>>
No. 824250 ID: 1e7aa8

Just come back with bolt cutters. Make sure you spend a few minutes at the plath house checking on ramona!
>>
No. 824267 ID: 8111b6

Well, she seems fairly secure in there. Perhaps just deliver the message that folks are gathering at the Plath House, as it's a safe spot, then let her decide if she wants to wait things out here or with company and a doctor.
>>
No. 824275 ID: 8d4593

Your shirt and pants will make do for a rug, while simultaneously showing off your hot bod
>>
No. 824282 ID: ca661e

>>824202
C) try pole vaulting your way inside
>>
No. 824284 ID: 952ceb

>>824242
This. Barbed wire is next to harmless. You can jump right over it.
>>
No. 824292 ID: e136ae

>>824207
If you're gonna use your clothes, do it SEXY. You want to plant these seeds now. Besides, we already know how desperate Rita is.
>>
No. 824310 ID: 83b549

Yelling sounds like the nest option to get her attention, but way too risky. Let's A) try looking for what we need, I guess?
>>
No. 824314 ID: e136ae

I say B, but mostly so you can check on everyone else and maybe get some more information about Rachel first. Those strike me more as anti-Chuck, as someone else has also mentioned.
>>
No. 824317 ID: a363ac

ignore the fucking razor wire
>>
No. 824326 ID: 73af06

I change my vote to A. There will probably be another bolt cutters and stuff inside.
>>
No. 824336 ID: 8e802d
File 150343716191.png - (31.42KB , 500x500 , 72.png )
824336

You are able to locate a children's play mat from the schoolhouse, which was of course creepily empty.
>>
No. 824338 ID: 73af06

Place the mat on the ground and tell Rita to take her clothes off. Yeah. You needed the mat so it's soft where you'll be sexing her.
>>
No. 824342 ID: be0718

>>824338
This. If you wanted to get inside the warehouse, you would have just cut a hole in the gate. Your subconscious, however, was telling you that you really wanted to get inside Rita.
>>
No. 824345 ID: 8d4593

>>824338
>>824342

Or we could take her inside the warehouse with us and the mystery and excitement of it all will naturally make us more attractive. Combine that with her terrible thirst for D and she'll be all over Chuck afterword.

Lewds can happen naturally, yo.
>>
No. 824346 ID: d36af7

B, sorta. Go back to the Plath house, double-check headcount (are the kids from the school accounted for?), have doc spider take a look at your injuries, maybe clean 'em out and put on some bandages so you don't die of something stupid like gangrene a week from now, then come back with some volunteer who actually speaks French, any and all potentially relevant tools, and a real plan.

Susanna's spawn-camping the reverends, and they can't just casually ignore mundane barricades, as recently evidenced by you and the beaver holding city hall's front door shut. This warehouse seems like it's going to be secure for at least a little while, long enough to regroup.
>>
No. 824349 ID: 8d4593

>>824346
Your plan is sound.
However we've been putting off this warehouse for like ten threads, and TGchan gets distracted.

For entirely meta reasons, I feel like it could be now or never.
>>
No. 824350 ID: fc33ea

Toss it over the wire, Boost Rita up so she can help you clamber over while she's up there. If she ends up getting pricked, tell her you'll kiss it better later.
>>
No. 824353 ID: be0718

>>824345
>Lewds can happen naturally, yo.
This entire thread has been spent disproving that statement.
If Rachel doesn't want us in the warehouse, take a moment to give her some credit and assume she has a very good reason for that. Not something petty like secretly practicing her ballet in there, but some eldritch horror that is locked up and needs to stay locked up. If you get inside, the reverends won't be far behind.
>>
No. 824355 ID: 3ce125

Hey maybe don't chicken out at the last minute?

Get in the damn warehouse.
>>
No. 824356 ID: 73af06

>>824345
>>/questdis/114710
>>
No. 824357 ID: a6af03

hop that fence!
better to save the lewd times for back in the safety of the plath house
>>
No. 824358 ID: 8e802d
File 150344229991.png - (80.24KB , 500x500 , 73.png )
824358

You decided to go on with attempting to surmount the fence, tossing the children's play mat over the top of the wire.

a) have Rita lift you over
b) lift Rita over
>>
No. 824359 ID: be0718

Toss Rita over and go back to the Plath house.
>>
No. 824361 ID: 98f888

d) lift Rita onto your dick
>>
No. 824362 ID: 035e4a

>>824358
Do this. Rita's boring and she'll do a better job retrieving Rachel than you ever could.
>>
No. 824363 ID: 73af06

B) Lift Rita. And you better make damn sure you get a really good grope of that ass.
>>
No. 824364 ID: 90f3c0

B) You can't leave Rita standing outside alone.
>>
No. 824365 ID: 3ce125

It makes the most sense to send Rita if you ask me, since Rachel doesn't want you here and is less likely to trust you.

Don't just leave her here obviously. Why would you do that. Rita should get Rachel to come out with a ladder or something and hop back over the fence. Then all three of you can go to the plath house and you'll get to have sex with someone or multiple people because you'd fucking deserve it at that point.

If Rachel isn't even here then I guess Rita can bring a ladder to just climb out.
>>
No. 824413 ID: 70426b

Wait, is Rita wearing pants or a skir-

B. My answer is B.
>>
No. 824458 ID: 600f38

>>824358
B. Send Rita in. Tell her to get an escape route FIRST and start looking for Rachel SECOND.
The Reverends are out here, and we're better equipped at dealing with them than Rita.
If she gets a the attention of a Reverend then start thinking lewd thoughts. Not SUPER lewd like before, just enough to keep it off of Rita.
>>
No. 824473 ID: 1e7aa8

B, and don't grope Rita while you do this. You are almost completely exhausted and she is not.
>>
No. 824508 ID: d4122e

B)

Hopefully, Rita will be able to find and reason with Rachel while Chuck can blend in or run away if needed to avoid trouble.
>>
No. 824536 ID: 73af06

>>824458
>The Reverends are out here
No, the reverends are not out here. There is exactly 3 of them and all 3 have been dealt with.

>>824473
>You are almost completely exhausted
No, Chuck said he's fine just a few updates ago.
>>
No. 824542 ID: 600f38

>>824536
They come back. They have been temporarily inconvenienced.
>>
No. 824545 ID: e8f4bd

>>824542
As far as I know, it takes at least a day for them to come back. It's definitely not instantaneous like people seem to imply with their OH NOES THEY'LL HEAR US
>>
No. 824546 ID: 600f38

>>824545
"As far as I know"?
As far as we knew they couldn't enter the town. Making risky assumptions in a horror movie is idiotic.
>>
No. 824547 ID: 91ee5f

>>824546
No, their respawn time is based off what Susanna told us. She said their minimum respawn time is a few hours and their maximum respawn time is a few days. And they always come out of the forest when they respawn.
>>
No. 824549 ID: e8f4bd

>>824546
>horror movie
I.. I think you might be lost.
>>
No. 824552 ID: 32d29a

Do B. Look up her skirt at min. Give her a bit of a squeeze at max while doing so. Got to have a bit of fun sometime.
>>
No. 824553 ID: 15a025

B. Send Rita in to talk to Rachel. You need to guard the front gate in case the end up coming for you here Chuck.
>>
No. 824590 ID: 1e7aa8

>>824549
How is this not a horror film? The reverends are quasi-psychic, immortal and super-persistent things that hunt the sinful living.
>>
No. 824595 ID: 47160d

>>824549
If we are being totally honest this is basically a horror movie
>>
No. 824617 ID: 051674

>>824365

Rachel specificallu left a note FOR CHUCK about what is going on. Where are you getting the idea that she distrusts chuck from?
>>
No. 824623 ID: e8f4bd

>>824546 >>824590 >>824595
>>/questdis/114757

>>824617
Rachel left a note for Lisa. And Rachel directly mentioned plenty of times to Chuck that she doesn't want him anywhere near the warehouse.
>>
No. 824624 ID: 3ce125

>>824623
>plot-heavy comedy
>literally being chased by monsters
>>
No. 824627 ID: c2051e

>>/questdis/
>>
No. 824629 ID: 051674

>>824623

She didnt leave a note for lisa. She dictated the note TO lisa, who wrote it down and delivered it to chuck specifically.

If you are going to write big rambling posts twlling people what the wuest is about, it qould probably behoove you to actually read it first.
>>
No. 824639 ID: e8f4bd

>>824629
>>/questdis/114759
>>
No. 824782 ID: 8e802d
File 150360466949.png - (46.30KB , 500x500 , 74.png )
824782

You: "You're a little lighter. I'll send you over the top first."

Rita: "Ok."

She turns around.

Rita: "But don't look up my skirt."

You: "I'm a gentleman."
>>
No. 824783 ID: 8e802d
File 150360468028.png - (63.25KB , 500x500 , 75.png )
824783

You make a nominal effort to honor your promise, but your eyes start Tex Averying pretty soon. She has cute legs. It takes no more than a minute to hoist her over the top of the mat, and she turns around to drop down on the other side.
>>
No. 824784 ID: 8e802d
File 150360469083.png - (34.62KB , 500x500 , 76.png )
824784

She lands.

Rita: "AAAAAHHH!!!!"

Rita: "AAAAAAAAHHH!!"

Rita: "OOOOH... aaahh"

Rita: "aaaaAAAAAHHH!!"

Rita: "CHUCK!!"

Rita: "There's-"

Rita: "AAAUUUH!!"
>>
No. 824785 ID: be0718

There is nothing and she's pranking you but just in case you'll wait for her back at the Plath House anyway.
>>
No. 824786 ID: 15a025

Don't just stand there making faces Chuck! Ask what happened!
>>
No. 824788 ID: 8d4593

Ant's or mouse traps, probably.
Scale that shit.
>>
No. 824792 ID: e8f4bd

She's probably acting like a damsel in distress to see how you'd react. Let's meet her expectations.

Scream her name and shout that you're coming for her. Then make your way over the mat as fast as you can.
>>
No. 824793 ID: fc33ea

Shout YOU'RE ON YOUR OWN RITA but actually start climbing.
>>
No. 824795 ID: 3ce125

>>824784
WHAT IS IT
>>
No. 824796 ID: 8e802d
File 150360591338.png - (55.53KB , 500x500 , 77.png )
824796

You jump up and look over the fence. Rita is dancing around on one foot, then falls over on her butt and screams again. She drops to one knee and superscreams before standing up and resuming her hopping dance.
>>
No. 824798 ID: be0718

You can still take the hint Chuck. Help Rita back out of there and go back to the Plath house. It's not too late. Rachel clearly doesn't want you in there.
>>
No. 824799 ID: e420b6

>>824796
no way. well shit, those are caltrops and are gonna suck to remove.
>>
No. 824800 ID: 7b7ab3

>>824796
Fucking CALTROPS?!?!?!
R A C H E L !
Get over there as carefully as possible and help Rita!
>>
No. 824803 ID: a363ac

LAY ON YOUR BOOBS!
>>
No. 824804 ID: e136ae

>>824798
Now we HAVE to take Rita to the Plath house. Pull her up and over and carry her there. Or if you think you can find some place to land safely, do so and THEN get her to safety.
>>
No. 824805 ID: e36c7f

Goddammit Chuck I TOLD you to think about this like you were burglarizing a paranoid handyman.

... about a dozen updates ago, admittedly.
>>
No. 824806 ID: 8d4593

Cal fucking. REALLY.
Really.
Fuckin. Caltrops.
Who has those?
ok then. Jump over. Carefully. Get those things out of her.
Fireman pick her up and then shuffle into the damn warehouse.
I feel like if we take her back now we'd be robbing her. I mean. She already took one for the team. Would be kinda shitty for her to not at least see what was inside.
>>
No. 824808 ID: be0718

>>824806
Sunk cost fallacy. Exposing Rita to further danger will not make the past danger worth it. Turn back now.
>>
No. 824818 ID: e8f4bd

Rita isn't coming out of there anymore. Not while she's hurt like that.

We should climb over as fast as we can, and use the mat to cover the ground and have Rita lay on it. Try to remove the caltrops from her. And then look around the warehouse for bolt cutters.
>>
No. 824819 ID: 3ce125

Uh yeah we can't actually get over the fence without any help.

Tell her to grab onto the fence so she doesn't step on any more caltrops. Then she can remove the ones stuck in her and carefully clear a space to sit or otherwise get comfortable and wait for Rachel to come out of there so that we can tell her about the actual safe place instead of all this nonsense that won't stop the reverends. They are basically immune to pain so caltrops won't do shit, and they'll just break the fence eventually.

I feel like it doesn't make much sense for Rachel to not be in there, at this point. I mean, who sets up caltrops unless they're literally defending a fortress? I bet she's got guns in there or something.
>>
No. 824821 ID: 91ee5f

>Take her back over the fence.
Do you guys really think Chuck can carry Rita and climb that fence? Getting that fence gate unlocked and opened would be the best way to get her back out.

I think the best thing would be to pick her up and carry her over to the warehouse, apologizing to her the whole time.
>>
No. 824835 ID: 27158c

Join Rita and be very careful about not stepping on these caltrops.

Patch her up and reassure her if you can, then carefully make your way to the warehouse. Nowhere to go but forward, anyway.

Let's hope that Rachel will be cooperative...
>>
No. 824838 ID: 9dc26d

>>824806
Caltrops are easy to make. You just need a welder and some wire cutters.
>>
No. 824843 ID: 90f3c0

We're not going to be able to get Rita out without leaving and getting a rope, ladder, or bolt cutters.

Yell at Rachel telling her that Rita is hurt. She's probably in a position where she can observe the perimeter, and should be able to check that it's really her.
>>
No. 824856 ID: 67bf63

A few things.
One, Chuck, you may be retarded. How the fuck did you not check to see if there was any thing beyond the fence
Two,is one of them suck in her knee cap? If so, she aint waking anyone any time soon.
>>
No. 824870 ID: 8d4593

>>824856
That one doesn't look terribly deep, but with her foot wounds, she's not walking anyway.
>>
No. 824899 ID: 27158c

>>824856

We're in the middle of the night. El Chucko is a man of many talents, but he doesn't have night vision.
>>
No. 824906 ID: 035e4a

It's highly unlikely that Rachel was able to manufacture caltrops on her own. Someone must be supplying her with military equipment. We need to find out who.

Oh well. Jump over the fence, pick up Rita, and charge into the warehouse.
>>
No. 824911 ID: 1e7aa8

>>824906
She probably got them from the warehouse itself, given that we've never seen the inside.

and if it's full of military gear...

Anyway uh... Don't jump the fence to help Rita. it's cold but then there'd be TWO of you stuck behind it, riddled with caltrops and screaming your heads off

if you can stick your arm through the fence, try and push away as many caltrops as you can to make a safe spot for Rita to sit down.

if Rachel suddenly appears, try not to die.
>>
No. 824912 ID: e136ae

>>824906
Caltrops are not military equipment, and they are super-easy to make on one's own. Rachel has demonstrate a lot of construction ability and cunning with the way she handled the lock.

However, under no circumstances should we leave Rita ALONE, UNABLE to RUN.

If you MUST cross over, throw the heavy blanket down ahead of you. If it's good enough for razor wire it's good enough for caltrops.
>>
No. 824913 ID: c2051e

Climb up, and climb down slowly. Put the blanket on the ground after you're well below the razor wire.

>>824906
is this you Delian
>>
No. 824943 ID: 67bf63

>>824899
He's a cat. Cats have good night vision
>>
No. 824946 ID: 0d1514

>>824796
ABORT MISSION, RESCUE THE GIRL
>>
No. 824960 ID: 39d235

>>824796
Goofy face aside, it probably isn't good to have potentially rusty bits of metal stuck in your body. I don't think this was what we had in mone when we were thinking of Rita getting poked in the ass while looking up her skirt.

Shimmy over the fence and give her a hand. Maybe tear your shirt sleeves up into strips to use as bandages. This has the added benefit of giving a classic "heroic sleeveless" look while we carry around our damsel in distress.
>>
No. 824979 ID: e8f4bd

>>824913
>is this you Delian
No, but great minds think alike ;). As far as caltrops go, I wrote my thoughts about them in >>/questdis/114810
>>
No. 824990 ID: 9dc26d

>>824796
So anyway the best thing to do is CAREFULLY get over the fence, shim the padlock open, get the gate open, get Rita outta there and safe, and then figure out the next thing.
>>
No. 824996 ID: 1e7aa8

>>824990
We *can't* open the padlock. It's got a broken key in it. If we want to get the gate open we'd need those bolt cutters.
>>
No. 824998 ID: 9876c4

Just have Rita jump up, (with the stuff out of her feet) and snake her arms over the fence. You pull her down.

We must level up Thief before trying this encounter again.
>>
No. 825001 ID: 8111b6

>>824996
shimming a padlock attacks the part that holds it closed, not the lock part.

Though, there are shim resistant padlocks.
>>
No. 825010 ID: b8d5aa

is there anywhere you can acquire a push-broom to toss over the fence to rita so she can sweep a path clear for herself?
>>
No. 825013 ID: 27158c

>>824943
Not anthro cats in this quest.
>>
No. 825022 ID: a953da

>>825001
Shim resistant locks are probably newer than available for this town.
Since the key is broken off inside the lock you can probably shim the keyhole.
>>
No. 825024 ID: 8e802d
File 150368686667.png - (34.61KB , 500x500 , 78.png )
825024

Rita finds a clear spot to stand after kicking aside some of the spikes. She is shaking violently and visibly sweating.

Rita: [heavy breathing]

Rita: "Chuck"

Rita:

Rita: "Chuck"

Rita: "GET"

Rita: "ME"

Rita: "OUT OF HERE"

Rita: "NOW"

You: "Just relax. I'm going to try to get this fuckin' gate open. Once I'm in there, we can make it the rest of the way-"

Rita: "NO"

Rita: "I'M NOT GOING IN THERE"

Rita: "GET ME OUT NOW"
>>
No. 825025 ID: c2051e

Ask her if you're missing something or there was something on those spikes. Otherwise she could climb back over the fence and you could help her down gently.
>>
No. 825027 ID: e8f4bd

Try to climb over the mat. It may be hard without a lift, but it should be possible.
>>
No. 825028 ID: a363ac

"Calm down Rita before you step on a landmine"
>>
No. 825030 ID: e136ae

>>825024
What the hell. NO. We are taking Rita OUT OF HERE.
>>
No. 825031 ID: 9876c4

Tell her she has to jump up, and get her arms on the mat.

You'll drag her up and over. It'll hurt, but it's the simplest method.
>>
No. 825038 ID: 3740b1

Tell Rita if the two of you don't at least try to grab Rachel, it'll be your fault if the Reverends get her.
>>
No. 825040 ID: 1e7aa8

"Okay, okay. I gotta get something to open this fucking gate and then I'll get you back to sophie, alright?"
>>
No. 825043 ID: fc33ea

Okay okay give me a second.

Straddle the fence and pull her up and over. Then you'll probably have to walk or carry her the rest of the way back to the Plath house.

Man you should have gotten that bike while you had the chance.
>>
No. 825044 ID: 15a025

Maybe we can pull her out using the playmat?
>>
No. 825045 ID: 3ce125

>>825024
ok
>>
No. 825049 ID: be0718

Fuck off Chuck. Just cut the damn gate open with your sword like you could have from the start, the gate you should have seen all these caltrops through (that we could not because camera angles), and get Rita back to the Plath house.
>>
No. 825056 ID: 8d4593

>>825028
This is beautiful. Say this.

>>825025
The shaking would be the adrenalin and endorphins kicking in.

>>825049
Swords don't work like that but this gives me an idea.

Stick the blade into a link in the chain and out another nearby link.
Then twist.
The link will either break or a part of the fencing will break from the frame. Repeat until an opening is made.

It'll take some work and some time, but this allows Chuck to extract Rita without having to scale the fence and risk injury, and without having to leave her alone to get tools.

We'll just have to figure out conversation to pass the time and keep Rita calm while we work.

Heh, we're gonna have to fight Geoff over this.
>>
No. 825059 ID: 90f3c0

Jam the sword into the fence, then use it as a foothold to climb over. Once you're on the other side you can boost Rita over the fence again.
>>
No. 825063 ID: e136ae

>>825059
Just a note about swords: They are NOT meant to be stood on, nor are they meant to cut through metal. Swords will break if you try that; even things like axes aren't meant for such abuse. The old legends about using the sword as a foot-hold refers to the scabbard, not the sword itself.

Given that the lock is jammed beyond repair, it's not likely to be opened from either side without tools like a hacksaw, bolt cutter or crowbar and I wouldn't count on any of those being immediately available on the other side.

If possible, pull Rita up and get her out. If it's not possible to pull her up, but Chuck can climb the fence, then get over to her side, clearing the caltrops away first. Then boost Rita over again -- she will have to just deal with the pain since leaving her alone and unable to run if trouble appears will spell her doom -- and follow suit and then get her to the Plath house. Rachel's tough and capable. She's got a lot more time than Rita would have on her own.
>>
No. 825065 ID: b8d5aa

>>825059

yeah but then who's going to boost you?
>>
No. 825067 ID: 32d29a

Tell her you'll get her out of there, you just need to get on the other side to her. Ask her where the traps are and then hop over as best you can to that area. We move on from there.
>>
No. 825069 ID: 91ee5f

>>825056
You should listen to your own words: "Swords don't work like."
>>
No. 825074 ID: 8d4593

>>825069
Yeah it might not work, but chain link is pretty shitty. I can see a sword breaking individual links. I can also see it irreversibly bend or break. I'd give it a coin flip.

Still a hell of a lot more likely to work than just whacking at the fence with it.
>>
No. 825100 ID: 9876c4

The inability of swords to affect chains may have contributed to people making actual clothes out of chains, and wearing them where swords would be swung.

Just sayin'.
>>
No. 825105 ID: 98fdf2

>>825049
This. Either leave her or try to cut through like we told you from the beginning. Why didn't Chuck see the caltrops through the fence? Doesn't make sense unless the author is trying to play us.
>>
No. 825108 ID: 600f38

>>825105
Because it's a chain link fence with embedded slats? You know, a privacy fence?
>>
No. 825125 ID: e136ae

>>825105
Maybe she didn't bother putting caltrops where they could be seen from that angle? Also it is NIGHT TIME.
>>
No. 825155 ID: fff296

>>825108
We also never told him to actually look inside. We figured (same as chuck did I guess) that there wouldn't be anything inside enough to actually look out for.
>>
No. 825172 ID: 2120ee

>>825024
Calm her down with some gentle petting.
>>
No. 825183 ID: 26c1a2

I gotta admit that right now, I don't have better ideas than joining Rita and seeing what we can do from here.
>>
No. 825198 ID: b62a1b

Check to see how extensive rita's injuries are and if she is able to walk on her own.
>>
No. 825228 ID: e136ae

>>825198
How about we don't try to make the injured girl try to walk on her own through the dark of night in a town with horrible self-reviving killer monsters around?
>>
No. 825247 ID: 8e802d
File 150377704490.png - (36.08KB , 500x500 , 79.png )
825247

You attempt to maintain a clear head in spite of the coyote screams coming from the other side of the fence.

Rita: "I'm sitting down"

Rita: "I'm sitting down"

Rita: [sucking in breaths]

a) try to climb over
b) run back to get the bolt cutters
c) try to pull Rita over the fence
>>
No. 825249 ID: 600f38

>>825247
Climb over, treat her wounds, leave her there while you search for Rachel.
>>
No. 825250 ID: fc33ea

A. Using the sword as a foothold is a good idea. Once you're on the other side, or straddling the fence, you can just get her out like you got her in. Just be extra careful you don't land on a caltrop.
>>
No. 825251 ID: 91ee5f

>>825250
>straddling the fence
I know there's a rug there that'll protect him from the barbed wire, but just the thought of sitting on something like barbed wire is enough to make me cringe! DX
>>
No. 825252 ID: c31aac

>>825250
it's really not. See >>825063.

>>825249
This yeah
>>
No. 825253 ID: e8f4bd

I'm gonna go with A for the following reasons:
-Rachel might be in the warehouse. It's important to try to get her back.
-We want to know what's inside the warehouse. Why would it be protected to this extent?
-This choice would cause the least distress to Rita. Every second of leaving Rita here alone, in pain, would lower her disposition with us. I also think that she's too hurt to be pulled over the fence and that that would only make her pain worse.
>>
No. 825254 ID: a6af03

I say pulling her over with the carpet. Dont want to risk leaving her there
>>
No. 825258 ID: 90f3c0

A) That way you can treat her wounds as best as you can. Then let her decide if she want you to boost her over the fence to return alone, or stay put while you search the warehouse.
>>
No. 825260 ID: 9876c4

C is the only good choice.
>>
No. 825265 ID: 8d4593

A
There might be something in the warehouse that can be used to breach the fence. It doesn't even have to be a tool. Something long that's sturdier than a sword will do.

B while smart, mean's leaving Rita here alone.

C risks having the mat slide while one of you is on it. The victim would not only be gouged but would risk falling while the barbed wire is in them. It could create a serious gash.
Right now all Rita probably needs are bandages, a crutch, and a tetanus shot. Let's not add stitches, anesthetics, and antibiotics to the mix.
>>
No. 825268 ID: 8e802d
File 150378069734.png - (39.01KB , 500x500 , 80.png )
825268

You boost yourself up onto the mat and begin to climb over the top. The rough underside keeps it from sliding off of the wire.
>>
No. 825269 ID: 8e802d
File 150378070996.png - (33.68KB , 500x500 , 81.png )
825269

The rough underside and the razor blades slicing through it. You are a bit heavier than Rita, and your weight pulling the mat has caused the blades to dig through.
>>
No. 825270 ID: 8e802d
File 150378072027.png - (34.45KB , 500x500 , 82.png )
825270

You: [small squeaks]

Rita: "What are you doing"

Rita: "Oh God!"

Rita groans and sucks her teeth.

Rita: "Are you ok?"

You: "Yep"

You just kind of lie there for a bit, wondering what to do next. Unless you want to drop down on your face, the next logical step is the straddle the bloody knife cable.
>>
No. 825271 ID: d4516a

>>825270
Take a deep breath, prepare to take it like a man, and straddle it. It will be a small price to pay with a lady (possibly two) in trouble!
>>
No. 825273 ID: bb78f2

Chuck, I know you're an injured cat, but your a cat, AND a rogue class. Are you telling me that a with little maneuvering you can't avoid straddling the dang thing? Ok, crazy thing to try, but you could try using just enough force on your hind legs to at least avoid that, along with using your arms.

Also, falling over on your face would probably also result in the barbed wire disemboweling you even if Rita cleared a space for you to fall on.
>>
No. 825276 ID: e8f4bd

Enjoy looking at the cute symbols on the mat.

And then, whatever you do, DO NOT STRADDLE. We don't want to get castrated. Instead of straddling, try stretching your body over the length of the whole mat, parallel to the fence, to maximize the surface area. This way there will be the least amount of pressure and chance that we get bisected.

Then take a good look to find an area free of caltrops and carefully lower yourself on your feet there. Clear an area of the caltrops, take the mat off of the fence and place it there, and then have you and Rita lay on it and treat her and your own wounds.
>>
No. 825278 ID: e1d580

>>825271
Yeah, no, mate. Getting cut in the crotch doesn't just hurt, there's a good chance it'll kill you if you mess around with it. Your groin's filled with blood vessels, on account of the whole erection thing, and if you get a serious cut there you can bleed out as badly as if you severed your wrists or femoral.

We're not going to get Chuck to bleed out because some razor wire cut up his groin.

>>825025
This still seems like a good option, especially since Chuck doing it himself risks the whole exsanguination issue.
>>
No. 825282 ID: 8d4593

Through the mat the cuts should be superficial.
Man up!
>>
No. 825284 ID: 3ce125

You should get back down, then fold the mat over so it's twice as thick. It'll be safe to go over then.
>>
No. 825285 ID: 214cda

Ask Rita to clear the spot directly infront of the fence.

Land on your face.
>>
No. 825287 ID: 91ee5f

>>825285
This.

Because if Chuck ever wants to fuck someone again, he needs to not put his man parts in danger!

Plus, what >>825278 Said sounds like a horrifyingly painful way to die!
>>
No. 825288 ID: 1e7aa8

oh jesus no do NOT straddle the wire you will fucking die.

Can you remove yourself from the wire and get back down? I imagine that flipping over the fence and onto your face is gong to be an awful result. (thought not quite as bad as death)
>>
No. 825293 ID: 32d29a

Check to see if there are traps below. If there are none, go with the land on face.
>>
No. 825295 ID: fc33ea

Although it would be a great excuse to get Sophie to look at your junk, don't straddle it. And asking her to take your hand to help pull her up would just put more weight on you, so ask her to clear the spot in front of you.
>>
No. 825304 ID: f0e552

>>825293
I'm pretty sure we have nothing to fear when we land on our face anyway, as we are a cat, and we can maneuver ourselves to land on our feet anyways!
>>
No. 825305 ID: e136ae

Look, all I can say is DO NOT STRADDLE WIRE
>>
No. 825311 ID: e1d580

>>825304
Humanoid cats aren't IRL cats, and even IRL cats need time to maneuver onto their feet. If you drop them from below ten feet or so they just land however you dropped them.
>>
No. 825334 ID: f0e552

>>825311
hell yeah i bet this fence is over 10 feet
>>
No. 825337 ID: 8e802d
File 150379376495.png - (47.67KB , 500x500 , 83.png )
825337

You: "Clear a spot!"

Rita scurries to brush away as many caltrops as she can, limping and grunting in the process. You pull yourself over the rest of the way, and the razor blades scrape up your stomach. You turn onto your hip for the last heave to keep them away from your groin, then fall down onto your hands.

You: "Rita"

You: "Help"
>>
No. 825338 ID: 8e802d
File 150379381316.png - (58.32KB , 500x500 , 84.png )
825338

Rita catches you and helps lower you down onto your back. You are shaking as badly as she was a moment ago.

You: "Ow"

You: "Ow"

Rita: "Why would you do that"

You: "Ow"

Rita: "Your plan's going great."

You: "Shut up"

You: "Just set me down"

You: "Oh God"

You: "Nnnnng"
>>
No. 825339 ID: fc33ea

Rita.

We are the worst burglars.
>>
No. 825341 ID: e8f4bd

Be a gentleman. Ask her if she's alright.
>>
No. 825343 ID: 91ee5f

>>825338
"It's not my fault that rug isn't as thick as I thought it was!"

Gently pick Rita up and carry her, so she doesn't have to hop all over the place. The go to the warehouse and hope there's something in there to help you get through the fence's gate.
>>
No. 825344 ID: 91ee5f

>>825343
*Then go to the
>>
No. 825349 ID: be0718

Now that we're both on this side, we can work on getting Rita out. Help her get any remaining caltrops out and take the mat over to somewhere else, like the gate. You brought the sword, didn't you? Didn't you.
>>
No. 825353 ID: 3ce125

Ok now slowly bleed to death, trapped between a fence you can't climb and a warehouse you can't enter.
>>
No. 825359 ID: 1e7aa8

Ask Rita how bad is it.
>>
No. 825373 ID: 26c1a2

Welp, that doesn't look good.

Check you and Rita's wounds, patch both of you up as well as you can, then carefully make your way toward the warehouse.
>>
No. 825392 ID: 32d29a

Take off shirt and use whats left to apply pressure to the worst wounds. Suggest Rita do the same with her skirt to hers. Best one can do to stop the bleeding out.
>>
No. 825409 ID: 0d1514

>>825338
This is a bonding experience
>>
No. 825441 ID: 6d5819

I'm gonna go ahead and suggest tearing away bits of clothes to make bandages again. We might need more than just sleeves now though, so tear up your whole shirt. If you still need more bandages after fucking your shirt own shirt up, ask Rita if she's willibg to spare hers too.

Better shirtless for an hour or two than to suffer severe blood loss.
>>
No. 825460 ID: a363ac

>>825338
"This is the worst burglary I have ever done"
>>
No. 825462 ID: 91ee5f

>>825460
After telling everyone Chuck was the son of a locksmith, is Rita really the person we finally want to tell the truth to?
>>
No. 825466 ID: 91ee5f

>>825462
Also, Chuck should definitely pull the rug down, roll it up as best he can, and use it as a broom to sweep the caltrops out of the way while he's going towards the warehouse so that he can clear a path!

He just needs to make sure he doesn't sweep too hard or he'll end up flinging the caltrops up into his face and/or Rita's face!
>>
No. 825467 ID: d36af7

Should have gone back to get the bolt cutters. Ah well, too late now. Bandage wounds, proceed toward warehouse with extreme caution while screaming obscenities in French.
>>
No. 825468 ID: 1e7aa8

>>825462
No, because we already told Ramona.
>>
No. 825474 ID: aebfae

>>825338
THIS is the reason why Chuck probably only goes for fairly defenseless marks. But seriously, as soon as we find Rachel, we need medical attention.
>>
No. 825475 ID: 91ee5f

>>825468
Oh, yeah. Forgot about that.
>>
No. 825491 ID: ce19bd

Chuck, count your nipples.

Make sure all your nipples are there, Chuck.
>>
No. 825575 ID: 8d4593

Welp Chuck. Life sucks. Thankfully it's likely skin deep thanks to the mat.
I mean. You'll need stitches, but you probably won't die.

Get up Chuck. The only way is forward.
>>
No. 825708 ID: 98fdf2

You did this to yourself. Man up and push forward to the warehouse.
>>
No. 825709 ID: 9876c4

This is stupid, and I have been outvoted.

You could be halfway up a beaver by now.
>>
No. 825853 ID: 8e802d
File 150399607705.png - (45.30KB , 500x500 , 85.png )
825853

You help Rita onto her feet. She is bleeding through her shoes, but does not seem to be too bothered by the pain at the moment. The only reason you notice your own shaking is that she is shaking just as much.
>>
No. 825854 ID: 8e802d
File 150399609152.png - (26.93KB , 500x500 , 86.png )
825854

You walk through a maze of haphazardly placed freight containers and arrive at the wall of the warehouse. There aren't anymore caltrops this far in the lot, thank Christ. There's no noise coming from inside or the immediate area surrounding the building, and there are three locked lift-gates at the front face.
>>
No. 825855 ID: 32d29a

Offer to rip up your shirt to bandage her bleeding feet some while you look over ways to enter the building.
>>
No. 825860 ID: e8f4bd

Treat Rita with your shirt. If she can't sit down, then tell her to lean against the wall, while you get on the floor and treat her feet.
Tell her some comforting words.
Then try scouting the ground to see if there are any metal scraps that you could use to pick the lock with.
If there aren't, then bang on the gates and shout Rachel's name.
>>
No. 825867 ID: 91ee5f

>>825854
>three locked lift-gates at the front face.
I really hope all of those take the same key. Because if they do, then Rachel would've only been able to break off the key in one of them and we can lock pick our way in!

If they all use different keys, then Rachel could've broken the key in them.
>>
No. 825872 ID: e8f4bd

>>825867
You know, it's normal to have multiple backup keys for a single lock.
>>
No. 825873 ID: 91ee5f

>>825872
I know, I'm just hoping Rachel doesn't have enough for all of these locks.
>>
No. 825874 ID: 8111b6

Shave and a haircut knock.
>>
No. 825875 ID: be0718

STOP, Chuck. Take a minute to rest and TURN AROUND. Get out of here!
>>
No. 825887 ID: 8e802d
File 150402661952.png - (19.28KB , 500x500 , 87.png )
825887

Thankfully the locks do not have keys wedged in them. You light-headedly pick one of the padlocks. You could probably do that while asleep at this point, but you do wish you weren't this woozy. You slide the lift gate open.


shhrrrrrrrk
>>
No. 825888 ID: 8e802d
File 150402663078.png - (27.91KB , 500x500 , 88.png )
825888

Well this isn't the creepiest place in town at all.
>>
No. 825889 ID: be0718

Fascinating! You can ask the snayor all about this stuff after you get back to the Plath house.
>>
No. 825892 ID: 91ee5f

>>825889
How exactly are you expecting them to get out in their condition? Locked gate and barbed wire, remember?
>>
No. 825893 ID: e8f4bd

Try to find a light switch, or a flashlight or a miner's helmet or something. Gonna need some light if we're going down that nice hole!
Also explore the place a bit. See if there's any tools that we could use later to get out.
Talk with Rita. Considering the padlock outside had a key broken off from the inner side, Rachel's probably the one that did it and she should definitely be here. Keep talking with Rita so that Rachel may hear us and.. not mistakenly chop our head off in an ambush.
>>
No. 825897 ID: be0718

>>825892
Plenty of options have been posted and summarily ignored.
>>
No. 825899 ID: d36af7

Looks like distillery equipment.

Start by looking for stairs or a ladder. Roof access, if any, then if there's some sort of office above ground level, then all the dark corners on the ground floor. Save basement or mysterious pits for last.
>>
No. 825900 ID: 3ce125

>>825888
Look for something to get the gate open with. Or a first aid kit. Preferably both.
>>
No. 825903 ID: 1e7aa8

If you are starting to get woozy chuck, it's time to sit down and rest a bit. Rachel probably heard that and will come to investigate.
>>
No. 825906 ID: e7446a

Maybe try calling Rachel? At this point, it sounds like the most sensible thing to do.
>>
No. 825908 ID: 8e802d
File 150403484825.png - (42.54KB , 500x500 , 89.png )
825908

You and Rita look out into the cavernous, hazy room and try to decide what to do next. There is a catwalk overhead that surrounds the entire warehouse with one walkway cutting through the center. The main floor is riddled with eerie silhouettes of copper machinery and crates of raw material. There is a hole in the floor with a ladder leaning in. There is a small office on the opposite end overlooking the floor.
>>
No. 825909 ID: 9876c4

Check out the office. And though may be racist, take your turn on the catwalk.
On the catwalk
On the catwalk, yeah
Take your little turn on the catwalk.
>>
No. 825911 ID: e8f4bd

So, no useful items or light switches anywhere near.

Again, talk with Rita while making your way to the office. Perhaps there will be something useful in there.
>>
No. 825912 ID: 3ce125

Office might have a first aid kit. It could also be where Rachel is, if she's even here. Let's start there.
>>
No. 825913 ID: 8d4593

>>825912
Yeah looking for a first aid kit sounds good. Chuck needs to keep what blood he has left inside him.
>>
No. 825920 ID: be0718

Ugh... Go to the office, find a new key for the gate. Or some tools.
>>
No. 825923 ID: fc33ea

Whatever you do, watch for more booby traps.
>>
No. 825924 ID: 8e802d
File 150404173044.png - (44.90KB , 500x500 , 90.png )
825924

You an Rita sneak across the warehouse floor toward the office, surprised to find that it actually leads to a narrow staircase, which you follow to the second level of the warehouse. The office is straight ahead with a small storage niche full of copper equipment. To the left is a door that apparently leads to the catwalks.
>>
No. 825925 ID: 8e802d
File 150404174676.png - (34.04KB , 500x500 , 91.png )
825925

The window on the office door has been wiped clean of mildew rather recently, but looking in, you see that the office is empty.
>>
No. 825926 ID: 8e802d
File 150404176123.png - (50.77KB , 500x500 , 92.png )
825926

Oooh! There's a first aid kit on the wall. You open it up and use some of the crusty old bandages to patch up Rita and yourself.
>>
No. 825927 ID: 15a025

What are those bottles on that counter over there?
>>
No. 825929 ID: 8e802d
File 150404383542.png - (28.73KB , 500x500 , 93.png )
825929

The bottle on the counter contains a murky brown liquid with a handwritten label:



D. cabrerana Bitters
Potent/Concentrated
Mark as Control
for dilution tests



Rita looks out the door window and ducks.

Rita: "There's someone outside."
>>
No. 825930 ID: c2051e

>>825929
Oh, it's ayahuasca. Neat.
>>
No. 825931 ID: 3ce125

>>825929
Could she tell who it was?
>>
No. 825933 ID: e8f4bd

Heh, that substance. Actually, that's very useful. We should definitely remember to take the bottle with us when we're returning. But for now..

Pour a bit of the liquid from the bottle to the vial. Take the vial and get ready to throw it in the face of anyone that comes through the door.
Ask Rita if she can describe the shape of the person she saw.
>>
No. 825935 ID: 91ee5f

>>825929
Wait, is it possible this is the same stuff that was given to Ellen in a nasal spray that she almost overdosed on? The same stuff that was stolen from Sophie's office?

Because if it is the same stuff, Ellen said a rabbit guy gave it to her. So wouldn't that mean this is the rabbit guy's hideout? I really hope this doesn't mean that Rachel was helping that guy.

>"There's someone outside."
Whisper to her, "What'd they look like?"
>>
No. 825938 ID: ae9b99

Consider this: Rachel doesn't speak english well. This bottle is handwritten in english. Either someone else has been using this warehouse, or Rachel can actually speak fluent english and has been fooling everyone this whole time.

Right, lets hide until we can confirm who it is.
>>
No. 825953 ID: e8f4bd

>>825938
Consider this: The label was simply written a long time ago by someone else, before the Rachel obtained the bottle and brought it here. No conspiracy theories required.
>>
No. 825954 ID: be0718

Was it hyena shaped or something else?
>>
No. 825975 ID: 1e7aa8

Quietly ask Rita to describe the shape of he person you saw.
>>
No. 825977 ID: a7a893

>>825929
Drink the bottle lol
>>
No. 825999 ID: 8e802d
File 150406506839.png - (40.89KB , 500x500 , 94.png )
825999

Rita ducks below the window and looks out again.

Rita: "Uh. Big"

Rita: "Looks like"

Rita: "Yeah it's definitely-"

The door handle starts to rattle, and the two of your freeze in place.
>>
No. 826000 ID: 8e802d
File 150406509156.png - (34.76KB , 500x500 , 95.png )
826000

Rachel slowly pushes the door open and leans on the frame.

Rachel:

Rachel: "Mm"

Rachel: "Rita"

Rachel: "Rita ak Chuck"

Rachel: "You shouldn't went here"
>>
No. 826002 ID: c2051e

"No choice. Reverends around. Plath House's the only safe place."
>>
No. 826003 ID: 2120ee

>>826000
"I couldn't leave a beauty alone with monsters running around."
>>
No. 826007 ID: fc33ea

I learned that the painful way. Everyone needs to go to the Plath house.
>>
No. 826008 ID: bb78f2

This place isn't SAFE Rachel.
Caltrops and Barbed wire won't stop the undead, only magic will.

The Plath house is the only safe place. We'll leave when you leave with us. NO OTHER CONDITIONS!

Also, Susanna will probably die holding off the reverands until the whole town is safe inside the Plath house, so we owe it to her to get there as fast as possible. She'll be able to flee into the Plath house once you're safe Rachel. I understand you don't like her, but your differences shouldn't mean she has to die for you Rachel, that's very selfish. So, heads up, I also got a guilt trip for back up to any rebuttal you might make to about how its not safe or you don't care about your safety. AND DON'T MAKE ME BRING UP LISA I swear, the longer you take, the greater the odds she'll come out of the Plath House's magic sphere and get hurt also coming to the warehouse to save you.

Girl, you don't get to argue bullshit, you're coming with us, we have holes in our bodies coming to rescue you, and I've got the arguments prepped. I will LEARN your language all in one night if I have to, girl. I swear it.
>>
No. 826011 ID: 91ee5f

>>826000
"You need to come with us to the Plath House. It's magically protected from the monsters. The entire town is already there, you and Rita are the only ones not there."
>>
No. 826012 ID: 600f38

>>826000
"Susanna sent me to get you.
There is a mandatory town meeting at Plath house. The town is under attack. People are hurt. Susanna is keeping them distracted so I can gather everybody to safety. Grab what you need. We need to go."
>>
No. 826014 ID: 32d29a

Tell her everyone is at the plath house but the mayor. Lisa is there and wants her to come with.
>>
No. 826017 ID: 1e7aa8

Whatever you do, do not mention the mayor.

and try to keep it sufficient, maybe gesture a bit to get the point across.

"three monsters. Don't eat, NEVER sleep, will wait you out. Can jump up whole buildings in a single bound. Lisa worried about you, please come with us?"
>>
No. 826020 ID: 3ce125

>>826000
Fucking caltrops? Really Rachel? They won't stop the reverends, and neither will that fence. The reverends don't care about pain and they're too strong for the fence. That's why we're here. To get you back to the only place left in town.

Also what even is this place. Looks like a refinery.
>>
No. 826022 ID: 8e802d
File 150406853456.png - (23.19KB , 500x500 , 96.png )
826022

You: "Rachel"

You: "You need to go to the Plath House."

Rachel: "Oh..."

Rachel drifts off for a moment.

Rachel: "No."

You: "It's not safe here. The only place that's safe from the reverends is the Plath House."

You make a house shape with your hands.

You: "Plath... Plath House. Do you understand?"

Rachel: "Oh"

Rachel: "Ok."

CLANG

CLACK CLACK CLACK
>>
No. 826023 ID: 8e802d
File 150406854678.png - (15.39KB , 500x500 , 97.png )
826023

CLANG CLANG

The sound is coming from the catwalk, and getting closer.


CLACK CLACK CLACK...




"Who are you talking to?"

"Smelly cunt!
>>
No. 826024 ID: 8e802d
File 150406857004.png - (38.29KB , 500x500 , 98.png )
826024

A chill zips up your spine. That voice. There's no way in hell

Rita: "Who is-"
>>
No. 826025 ID: 8e802d
File 150406858361.png - (40.59KB , 500x500 , 99.png )
826025

Julia: "Ey dummy!"

Rachel looks over her shoulder.

Julia: "Yeah. Look at me."

Julia: "What ya doin'?"

Rachel: "My friends got in here."

Hearing Rachel call you her friend makes you feel weird.

Julia: "How."
>>
No. 826026 ID: ebb201

>>826025
You know this bunbun, Chuck?
>>
No. 826027 ID: be0718

*Point to bandaged caltrop wounds*
*Point to Rachel* "Fuck you."
*Point to Julia* "Let's fuck." Unless she's your sister or something. I'm guessing she's a partner in crime.
>>
No. 826028 ID: fc33ea

I take it you know this person?

And you got in with your incredible wit and cunning.
>>
No. 826029 ID: 0a9220

>>826025

Im sure once she sees who you are she'll know how you got in, right chuck?
>>
No. 826032 ID: 91ee5f

>>826025
Why do I get the feeling she's the person that stole Sophie's medicine from her office? And since she's the only rabbit person in town, she might've been the rabbit person that Ellen said gave her that nasal spray she almost overdosed on!

Also, if Rachel is here, then who the fuck did Layla and John have in custody when we told them to go to the Plath House?
>>
No. 826033 ID: 3ce125

>>826025
Climbed over the fence with a mat. Rita went first and stepped on the CALTROPS WHAT THE FUCK
>>
No. 826034 ID: 3ce125

I'm going to bet the caltrops were Julia's idea.
Also she's probably the drug dealer that gave Ellen that inhaler. Let's get in her face about that.
>>
No. 826037 ID: 91ee5f

>>826024
>A chill zips up your spine. That voice. There's no way in hell
Time for a convenient flashback to see who she is!
>>
No. 826050 ID: 1e7aa8

>>826032
Because it probably is?

Worse part is that it might be someone who KNEW chuck before he ended up in coxwette.

anyways

"Stupidity and pain. Can we leave and go visit the doctor. Please?"
>>
No. 826051 ID: 70426b

>>826025
Your traps fucking hurt, asshole.

Also, 'sup beautiful? You wanna join Rita and Rachel in helping me tend to my new scars?
>>
No. 826055 ID: ae9b99

QUICK! hide behind Rita before she sees you.
>>
No. 826064 ID: e8f4bd

Say, "You know I always find my way in your holes.", Chuck style.
>>
No. 826065 ID: f5c737

Y'all need to stop trying to bang literally everything that moves, you're some thirsty ass mofos.

Also don't be mean to Rachel, seriously. Try to ask her as calmly as possible what's going on, and you know, get her back to the Plath house as quickly as possible. Which is where she needs to be.
>>
No. 826066 ID: 8e802d
File 150408211644.png - (58.34KB , 500x500 , 100.png )
826066

Yeah you know that bunbun. That's Julia MacKenzie. Julia waves a section of copper pipe in your direction.

Julia: "Ah ha har! I knew that was you."

Julia: "Come on out, Charlie."

Rita: "Charlie...?"

Julia was your drug dealer and

you hesitate to use the word 'friend', but casual acquaintance with whom you shared drugs and occasional intercourse.

Julia: "Go on"

Julia: "Push the big ugly cunt out of the way."

Julia: "She's docile as a baby sheep."
>>
No. 826067 ID: 8e802d
File 150408213053.png - (51.68KB , 500x500 , 101.png )
826067

You nudge Rachel aside. Julia starts to cackle.

Julia: "Look at youuu!"

Julia: "You're cut up like a fuckin head of lettuce!"

Julia: "What'd you do to yourself mate?!"

You: "The, uh"

You: "the razor wire."

You: "And a baby sheep is called a lamb, idiot."

You: "How'd you get here?"

Julia: "Hopped a train in Murphy and passed out."

Julia: "Least I think it was Murphy. I was on a loooot o' pills."

Julia: "I was gonna ask you the same question."

You: "Similar story, frankly."
>>
No. 826068 ID: 3ce125

Ask her what she did with Sophie's medical supplies.

...also ask what drugs Rachel is on.
>>
No. 826069 ID: e8f4bd

Ask her how long she's been here for and if she's aching for some Chuckin'.

Ah. Might also want to explain how monsters weren't able to get into the buildings until now and how that changed, but that's not that important.
>>
No. 826075 ID: 833282

What the heck.

Okay, this deserves plenty of explanations, but for the time being, everyone needs to skedaddle back to the Plath House... At least, everyone who doesn't want to be hunted down by murderous undead fanatics.
>>
No. 826076 ID: 90f3c0

And why exactly has she been hiding out here instead of showing herself in town? Is she trying to run a drug operation or something in here? She's not going to find a lot of customers in Coxwette.
>>
No. 826078 ID: 7d8168

Uh, things suddenly and sharply went from extremely unpleasant to unexpectedly convenient. Rachel calls you a friend, old (fuck)buddy shows up out of nowhere. Last time things made this kind of abrupt swing, it involved Suzanna's headfuckery. Something worse might be going on now. Do your wounds even hurt any more?
>>
No. 826079 ID: be0718

How the hell did you rope Rachel into this? And then start looking for a mattress or a countertop.
>>
No. 826080 ID: 32d29a

Tell the bun we've been catching glances of her all over town. We might also want to ask her what she gave to Ellen a few pages back.
>>
No. 826081 ID: 8a204b

Remember when Deer Girl almost died from huffing shit given to her by a rabbit?

Yeah. One guess at who that rabbit was, now.

Pretty sure we're against hitting girls, so. Give her one hell of a noogie. Or 2x titty twisters.
>>
No. 826083 ID: ae9b99

Ask if shes seen a dumb turtle when she first arrived.
>>
No. 826085 ID: 600f38

>>826067
"Regardless, we need to get the fuck out of here.
You got the medical supplies from the clinic? The fuck am I even asking, go grab the shit you swiped from the clinic. My girlfriend is hurt and Sophie can only do so much without supplies.
Leave the other shit, the monsters are only out for blood."
We're going to Plath house.
>>
No. 826088 ID: 9876c4

I see the problem.

Julie's wanted by the cops for crimes which she really did commit. She's not going to jump into any location with them present. Okay, we can live with that.

Rachel can walk, kinda, but isn't going to make any daring escapes with that level of intoxication.

Maybe if we pinkie swear not to tell, they'll let us leave?
>>
No. 826089 ID: 91ee5f

>>826066
Wow, that's a surprise. You weren't expecting some of your past to accidentally follow you here, were you Chuck?

I guess she hasn't figured out that past crimes can't get you in trouble here, since she's still hiding. I mean, the only thing that followed Chuck here was a single wanted poster and after he burned that, he didn't have to worry about any of his past crimes anymore.
>>
No. 826106 ID: 8d4593

That deer almost died.

Also, welcome to hell. Or somewhere two steps from it.
>>
No. 826116 ID: 1e7aa8

Don't tell her about Ellen. Don't do ANYTHING that's gonna piss her off. Don't tell her about the monsters either. But do keep chatting with her for now.
>>
No. 826125 ID: 8e802d
File 150411608877.png - (26.34KB , 500x500 , 102.png )
826125

Rita: "Wait."

Rita: "You two know each other?"
>>
No. 826126 ID: 8e802d
File 150411609829.png - (52.27KB , 500x500 , 103.png )
826126

Julia: "Wow!!"

Julia: "We do know each other!"

Julia switches to a really bad, fake Southern accent.

Julia: "Did ya figure that out all by yerself?"

Julia: "And they say y'all hicks is stupid!" \

Julia: "What are you doing in here, Charlie?"

You: "Looking for Rachel."

Julia: "Who?"

You gesture to the hyena.

Julia: "Why?"

You: "Everyone needs to get to the house on the hill. Even you."

Julia laughs.

Julia: "And give up this beautiful hide out? I bet the police are up there waiting for me."
>>
No. 826127 ID: a363ac

>>826126
well yeah there are cops up there but out here there is immortal priests that REALLY want you to join their church or die and you never were really religious were you.
>>
No. 826130 ID: 9b8c8d

>>826126
The police doesn't give a shit about you.

We all need to stick together or else the things outside will just grab us up one by one. This may look like a sweet hideout on the surface, but it's got neither the strength in numbers nor weird magical barriers conjured by a hot dogmom. You've got far shittier odds here than you'd think.
>>
No. 826131 ID: e8f4bd

Unfortunately, Julia is right. The cops would get her and we have no right to tell her to turn herself in. I don't think it's possible to sneak her in there, not that she would like that anyway. Perhaps we could negotiate with Layla about it..

Ask Julia what does she know about the monsters. Was she able to deal with them before, and how? Depending on her answer, we will need to change our plans accordingly. We would need to find a way to ensure her safety.

One possibility that I see is us taking Rita and Rachel back to the Plath house, and then returning to the warehouse and staying here with Julia for a while.
>>
No. 826139 ID: fc33ea

This town is like less than an acre, if they wanted to come and get you they would. If you'd rather try your luck with the Reverends, who can enter buildings now by the way, be my guest.
>>
No. 826143 ID: 91ee5f

>>826126
"The police don't even know you exist."

Chuck has been running around town all fucking night looking for people. He's tired as hell and he's been injured, so I'm pretty sure he's probably run outta patience with this whole "be a hero" thing he's been doing. I've gotta feeling Chuck might just leave Julia here if she doesn't want to go and he isn't gonna try to convince her to come.

Rita will come with Chuck because he brother is gonna be at the Plath House and Rachel might come if we tell her that her friend Lisa is also at the Plath House and is worried about Rachel.

>>826131
Just like how Chuck's past crimes no longer matter in this town, I think Julia's past crimes also don't exist anymore.
>>
No. 826144 ID: b93a7b

>>826143
her present crimes like nearly killing Ellen and stealing Sophie's medicine DO matter though

if she wants to stay in this dump leave her,

bring Rachel though, Rachel is great, remind Rachel that she has friends like Lisa waiting for her at Plath house
>>
No. 826147 ID: fc33ea

Also we need that diazepam you nicked.
>>
No. 826148 ID: e8f4bd

>>826143
It hasn't been confirmed yet but, the last time we saw the cop dogs they said they had someone in custody. We're assuming it was Julia and that she escaped. So it looks like her crimes do exist.
Btw, discussion about Julia -> >>/questdis/114970
>>
No. 826150 ID: 3ce125

>>826126
Well we gotta wait for Rachel to snap out of it before we leave regardless. We might have to fight along the way and a docile beast is no good in a fight.
>>
No. 826152 ID: 600f38

>>826126
"Julia, I've been delivering donuts to the police every day. They don't even know you exist, and they don't fucking care. Probably because damn near everybody here was running from shit they did elsewhere. Yes, even the damn police. Nobody knows about your past unless you talk about it, everybody gets a clean slate here.
We also get fucking monster attacks. Do you see how much I'm bleeding? Do you think I'd do this shit if it wasn't important?

So yes, everybody is at Plath house, even the police. One of 'em is half dead after being torn open by some vampire fuck, and the other is too busy dealing with John Carpenter level shit to care about anything less than somebody going stab-happy serial killer, but they're there.
Fuck, if you can 'miraculously find' some of the missing medical supplies then I'll have the mayor give you a blanket pardon for whatever you may or may not have done, because at this point nobody fucking cares.

Grab your shit and lets go."
>>
No. 826153 ID: 3fe007

>>826152
Really, nothing else need to be said
>>
No. 826154 ID: 9b8c8d

>>826152
This about sums it up.
>>
No. 826155 ID: 9876c4

Like I said, we were here for Rachel.
We don't care if you stay, and we don't have plans to rat you out.

we'll bang, okay?
>>
No. 826156 ID: 3ce125

Wait a second, if we want to convince her to leave we have to argue from her perspective. She likes drugs. Chuck knows of some awesome drug she's never tried before!

"Over in Plath House they've got a little chemistry operation of their own. Ever tried something called Carnal Speech? Damn trippy. You get to see emotions, feel thoughts, look into the past of people you make eye contact with."
>>
No. 826163 ID: ec5ca0

>>826152
Yeah, this about sums up everything.
>>
No. 826166 ID: e8f4bd

>>826152
My thoughts on this suggestion: >>/questdis/114975
>>
No. 826167 ID: bb78f2

>>826126
Would you prefer living in a jail cell or zombie reverends wanting to gut all sinners within the city get you?

Yes, zombies and magic are real, do you think I would have injured myself this bad trying to get Rachel to safety for a mundane threat. By the way, you're trapped in this town forever. You go out far enough on foot you become a husk or something. Doesn't matter, you can't go to prison, and you can't get old, worse the police could do with you is just have you sit in that jail cell for a while, an untold sum of time where eventually they would just get confused. I don't even think there's a judge or court in town to sentence you, maybe the mayor, I don't know, I don't THINK she can legally do such a thing since she's legislative instead of judicial.

Besides, until the crisis is over, the police will be keeping all arrested people IN the Plath House anyway, so you wouldn't even get to go into the jail cell until maybe we break the curse of Coxwette.
>>
No. 826196 ID: 32d29a

If she won't come then leave her. Probably better off if our past isn't revealed to everyone...
>>
No. 826208 ID: 72cd3f

>>826126
Oh god I hate her already.

Chuck, exactly what DID you ever see in her, besides the drugs of course.
>>
No. 826223 ID: 19cf99

>>826126
Try to convince Rachel to come along. Remind her about the strength in numbers, all the magic stuff, no one should go anywhere alone, and she really shouldn't be hanging out with this bunny.

Julia can come too, but if she still wants to stick around here, then good fucking riddance. In fact it'd probably be better that way: the best service she can do to us is act as a distraction.

Tell that to her out loud. We didn't come for her, we don't care for her, and she already nearly got someone killed that we DO care about. If she's so fucking scared about the cops, then fine, stay here.
>>
No. 826233 ID: d36af7

>>826147
Never tell a drug dealer what you "need" unless you already know you can afford it. Instead, rattle off the list of what went missing and ask who exactly she's planning to sell it all to. Somebody outside of town? Nearest big city? See if she can actually name any nearby cities, or even which state Coxwette County is in.

When somebody thinks they've got a plan, which she seems to, contradicting just makes them dig in their heels. Just ask the right questions, poke at the flaws they're trying not to think about, and they'll do the hard work of tearing apart the plan's flawed foundations for you.
>>
No. 826236 ID: 1e7aa8

"Stay if you want to, but that's just gonna make you easy prey for the serial killers running around."
>>
No. 826277 ID: be0718

"The cops have bigger things to worry about so if you go in the back there's an off limits room you can stay in and the cops won't bother looking there. It's called my bedroom but seriously it's the burnt-out study."
>>
No. 826284 ID: 62f1df

Right now, the situation is too critical to care about some aggravating shit-mouthed drug-dealing rabbit. We've come here to get Rachel and we need to leave ASAP to get to a safe place and receive medical attention.

Julia can come if she wants, but if not, good riddance.
>>
No. 826286 ID: c31aac

>>826233
Good suggestion, do this right here.
>>
No. 826328 ID: 8d4593

There are real life demons running around out here. Your fortifications will do nothing to stop them.
You can stay here, but you might die.
Then again, if you do that's less trouble for us so. eh. You do you.
>>
No. 826331 ID: e8f4bd

>>826233
This is a good suggestion. But the question is, what is the question?
We're the ones supposed to be coming up with logical questions to ask to try to persuade her.

>>826131
I'd like to edit my suggestion to include the following questions:
What's her current relationship with the Coxwette cops?
What does she know about the monsters? Was she able to deal with them before?
What happened with her and Ellen?
Does she know about the Coxwette spell, that she can't leave the town? Can ask this in a roundabout way.
>>
No. 826334 ID: 9876c4

I really don't care what the new character thinks about everything, or whether they stay or go. We've got a errand, let's do it.
>>
No. 826335 ID: 9b8c8d

>>826331
>>826334
The bit about Ellen is of my interest, but even then, let's face it: she has every reason in the world to lie to us about it. We'd get nothing out of her and it'd all just be a waste of time.

So let's not. Let's just stick to what we came here for.
>>
No. 826341 ID: ec5ca0

>>826331
We're losing a bit too much blood and at risk of losing a bit too much more for me to care about all those questions.

Let's do what needs doing and get gone.
>>
No. 826356 ID: 8e802d
File 150420904720.png - (34.53KB , 500x500 , 104.png )
826356

You: "Fine. Stay here. Get butchered. See if I care."

You: "Those fucks will plow right through your traps."

Julia: "I'll go where you want if you make sure the cops leave me alone."

Julia: "But I wannu 'ear it from you, not them."

Julia: "I know you wouldn't trust a pig."

You grunt, and Rita gives you a very confused look.

Rita: "Pig? What?"

Julia: "What's confusing you, sweetie?"

Rita: "Chuck's... a good guy? He's been delivering pastries since he got here."

Julia starts to crack up.

Julia: "Delivering-"

Julia: "Ah ha haha!"

Julia: "You been runnin' scones, mate?"

Julia: "You a scone mule now?"

After catching her breath and wiping her eyes, Julia leans on her pipe segment.

Julia: "How long have you been here? Long enough to go soft on these fuckin idiots?"

Rita: "Hey!"

Julia: "Quiet dear. Grownups are talkin'."

You: "You poisoned my friend. My friends."

Julia: "Your friends? You chums now?"

You: "You almost killed Ellen! The shop owner."

Julia: "She was a right sad fuck. Thought she could use a pick-me-up. Didn't get to see what happened, though."

You: "It almost killed her."

Julia: "You've gotta snort a lot of ket to die, Charlie. How's she doing?"

You fold your arms.

You: "She's fine."
>>
No. 826357 ID: 9b8c8d

>>826356
Yeah look, how about we get moving? We can talk about it on the way.

No one's died, the cops probably won't give a shit about you right now, that's all that matters.

And yes, I may have gone a bit straight. You mean to say that as a bad thing? An insult?
>>
No. 826358 ID: c2051e

"The police are too busy dealing with shit to worry about you if you don't draw attention to yourself."
>>
No. 826359 ID: a363ac

>>826356
look some mystic bullshit is going on and you don't want to be on peoples bad side here you won't be able to run away like we used to! Now either you are coming with me to what we know is safety or die alone in a warehouse just cause you are afraid of a wee little piggy! Now let's GO!
>>
No. 826361 ID: 8e802d
File 150421089132.png - (24.11KB , 500x500 , 105.png )
826361

Julia: "So I think I know how it's gonna go."

Julia: "You're gonna leave to your house or whatever"

Julia: "And tell the cops that some cunt is holed up in the warehouse"

Julia: "And they're gonna surround and protect me to death. Is that right?"
>>
No. 826362 ID: 9876c4

Police are busy tonight, and slow to act in general.

If you don't fuck it up, and draw attention to yourself, you'll get by.
You know how to drive a Hyena, right? /'
>>
No. 826364 ID: 9b8c8d

>>826361
I don't give a shit about some cunt hiding in the warehouse. Neither will the cops.

We're leaving. You can come if you want, or you can stay here. Either way you'll probably not be arrested. But you may be killed.
>>
No. 826366 ID: a363ac

>>826361
Cunt either stay or go stop wasting time that could be spent not dying for us!
>>
No. 826367 ID: 3abd97

>>826361
You're small time, Rita. The only two cops in this town are a little too preoccupied with the local violent religious crazies to care about you being here tonight.

And I'm not a snitch.
>>
No. 826368 ID: 2474dd

>>826361
Right now the cops are more busy trying to protect the townsfolk from rampaging monsters, but if she wants to stay in the warehouse I say let her.

But we want Sophie's medical supplies back, we have wounded. Do you think we'd put ourselves through this kind of hell for fun? And we want Rachel to come with. We're hurt, she's at least partially to blame, and we only DID this to save her ass.
>>
No. 826369 ID: 2474dd

Also a side note -- be ready to cut her if you have to, Chuck. She's clearly both armed and stupid -- dangerous combination. Kill her if you have to.
>>
No. 826370 ID: fc33ea

Oh for fuck's sake I'm trying to do you a favor. If I wanted to screw you over I'd leave you out here as bait so the reverends leave me alone.
>>
No. 826371 ID: e8f4bd

"Come with me and I'll do everything I can to guarantee your safety."
>>
No. 826372 ID: 15a025

We won't say a word if you're willing to hand us the stuff you stole from Sophie.
>>
No. 826373 ID: 9b8c8d

>>826370
Basically this. It's like she WANTS to cover our exit by luring the reverends in to her sinful drug-addict ass.
>>
No. 826374 ID: 372168

Leave this bitch to die.
>>
No. 826375 ID: ec5ca0

>>826361
I really don't give a shit. Hell, you wanna stay here, perfectly fine- better you be bait than any of us.

Also because I said I would, knock her out if she tries to get remotely uppity.
>>
No. 826377 ID: 8e802d
File 150421255436.png - (42.61KB , 500x500 , 106.png )
826377

You: "Give back the medicine and let Rachel leave. Then you can keep your hideout."

Julia: "I don't want anyone searching this place."

You: "Why?"

Julia: "Who wants to know?"

Julia: "The big cunt already knows what's in here."

You: "Do we have a deal or not? People are hurt up there. They need that medicine."

Julia:

Julia: "You're bangin' these girls, aren't ya."

Julia points to Rita.

Julia: "You bangin' that one?"

Julia: "That was always your weakness."
>>
No. 826378 ID: c2051e

>>826377
"Some of them, but you guessed wrong. Coming or not?"
>>
No. 826381 ID: 15a025

Just ask if she's going to give us the medicine or not.
>>
No. 826382 ID: 9b8c8d

>>826377
Become to the horrifying realization that you probably used to be just like her.

Then announce you're tired of this bullshit. Back away, out of her first swing's reach, and draw your sword.

"You're a selfish bitch, and I used to be one as well. Now either hand over the medicine so that we can finally go."
>>
No. 826384 ID: 9876c4

Yes, Julia, we are banging all of the girls.
>>
No. 826385 ID: 3abd97

>>826377
"There's exactly one person in this room I've banged."
>>
No. 826386 ID: e8f4bd

If you come with me, I can bang you too. But seriously, I don't want you to stay here and die. So come with me and I'll explain everything and I'll do everything I can to keep the cops from you. And if you still wanna stay here afterwards you can do that. Deal?
>>
No. 826388 ID: 8b2654

>>826377
"For fucks sake, Julia! People are DYING! Nobody gives a damn about your drug lab, let alone anything you did before you good here. Do you not understand what this town is? Every damn person here is running from something, and you barely even rate. Fuck, the mayor used to be a goddamn serial killer!

Fucking... Look, give me the medical supplies and I'll get you a goddamn blanket pardon. You're still not safe here, and you're still gonna die when Romero's fucking spawn get here, but you don't have to come with us."
>>
No. 826389 ID: 8d4593

Look bitch, I've seen shit here that shouldn't be possible. I KNOW some people who shouldn't exist.

I won't stand here and argue with you, but if you stay here you will WISH it was the cops that found you.

Let's go Rita.
Rachel?
>>
No. 826392 ID: 3ce125

>>826377
Nope. We got a deal or not?
>>
No. 826395 ID: 8e802d
File 150421444828.png - (29.72KB , 500x500 , 107.png )
826395

You: "Actually"

You: "There's only one person in this room I've banged."
>>
No. 826396 ID: 8e802d
File 150421445935.png - (44.16KB , 500x500 , 108.png )
826396

Julia puts on that venomous, sarcastic grin.

Julia: "Ooh"

Julia: "I'm so glad you haven't forgotten."

Julia: "Remember these?"

You stir a little bit.

Julia: "It's so easy to get you by the balls it's almost comical."

Julia: "I bet these ladies've got you running all about town for them."
>>
No. 826397 ID: 70426b

>>826396
The only girl I'm running running around town for is the mayor. To save your sorry ass.

...And Marcie...
>>
No. 826398 ID: 9b8c8d

>>826396
"Anyway, we got a deal or not?"
>>
No. 826399 ID: 1e7aa8

Yeah, it's time to drop the aggressive and uncharacteristic self righteous shit which is only going to get us beaten by the bunny and go for a more chill approach.

"yeah, you've got me there...

Tell you what, you can stay here. I'll take the others back to the manor and keep a lid on everything to the five-oh's, alright? We can figure something out later when it isn't the middle of the night.
>>
No. 826400 ID: 9b8c8d

>>826399
It's perfectly characteristic of Chuck to be worried of people by now. He's gone soft, as she noticed.

That said, a more chill approach might work better. Remember to ask for that medicine as well.
>>
No. 826401 ID: d36af7

If her hands are on her titc, they're not holding a pipe. Draw that sword and ask for the medicine again.
>>
No. 826402 ID: e8f4bd

There was a lot of unforgettable nights we had together. Remember that one time? In that house we broke into?

A- anyway, why don't you come with me and uh.. we can bring some memories back to life.
>>
No. 826403 ID: bb78f2

>>826396
Enough pointless teasing, alright. Meds, now. If you're subtly telling me to sell my body for them, sure, later, but if we did it now then the reverends would swarm this place, and it would be inconsiderate to Rita because of the FUCKING CALTROPS you put down made some holes in her feet and I'm sure she wants to get to safety as quick as possible.

The only safe place to fuck is the Plath house, anyway. So if I'm whoring myself to you for meds its gotta be there.
>>
No. 826404 ID: 1e7aa8

>>826400
aggression =/= worry.

Threatening Julia is NOT going to work.
>>
No. 826405 ID: fc33ea

It's like nothing happens around here without me.
>>
No. 826406 ID: 15a025

Yeah, for the medicine you stole. We kind of really need that back please.
>>
No. 826407 ID: ec5ca0

>>826399
Fine. Do this.

>>826406
Not this.
>>
No. 826409 ID: 8d4593

Welp. This is going nowhere.

Never mind then.
I'll come get the medicine tomorrow when they're burying your corpse.
>>
No. 826411 ID: 3ce125

>>826396
So uh are we gonna leave or are we gonna just sit here like rats in a cage while until the reverends show up?
>>
No. 826412 ID: 9b8c8d

>>826411
Yeah, with Rita still wounded and everyone needing medicine and shit.

She's stalling. Don't let her do that, Chuck. Grab what we came here for and let's go, with or without her.
>>
No. 826413 ID: fc33ea

Look around, what's she distracting you from?
>>
No. 826416 ID: 91ee5f

>>826356
>"But I wannu 'ear it from you, not them."
There's a very stupid loophole here. She wants Chuck to promise he won't tell the cops, but she never said anything about Rita and Rachel saying anything. Chuck can easily say he won't tell and then have Rita and/or Rachel tell the cops.

>>826361
>"And they're gonna surround and protect me to death. Is that right?"
"In case you haven't noticed, there's only 2 cops in town. Kinda hard for them to surround this place."

>>826396
>Julia's boobs.
"I've been in this town long enough that I can confidently tell you, 'Meh, I've seen better.'"
>>
No. 826417 ID: 3ce125

...wait a second she dropped the pipe. Hold her at swordpoint and we can force her to take the deal.
>>
No. 826418 ID: 9b8c8d

>>826417
Let's not escalate this unless she does.

If she goes to pick up the pipe again, THEN we both have a reason to draw a sword on her neck, and she'll be momentarily distracted to allow us to do so.

But till then, let's keep this civil.
>>
No. 826424 ID: 9876c4

Unpopular as it may be, the meds may be a case of too much, too soon.

Let's collect our townsfolk and try not to kill or be killed on the trip back.
>>
No. 826438 ID: a363ac

Grab a boob and yank it. "Listen here you idiot we are up to our knees in some murder bullshit this isn't the time for this get the medicine and LETS GO!"
>>
No. 826440 ID: 600f38

>>826396
"Julia, I've never stabbed you in the back, so I want you to listen to me.
Do you know what county we're in? What STATE we're in?
Trick question. We're in an independent territory. We're not under state or federal jurisdiction. The only law here that matters is local, and I've got an in with the mayor. If you happen to 'find' the medical supplies missing from the clinic then you get a full pardon for anything you may or may not have done. Everybody here gets what it's like, because they're all on the run from something, even if it ain't the law.

This place is a clean slate. You know enough about medicinals to live like a queen here, you could be a bigger fish going straight here than you could make cooking elsewhere."
>>
No. 826455 ID: 32d29a

Technically yes. At the same time. We out number you three to one. Meds now or we'll take care of you before the things we're avoiding do.
>>
No. 826463 ID: 2474dd

>>826418
Agreed. I'm advocating being ready to fight if you have to because she's clearly a dumb enough bunny to try.

After all, she's already stupid enough to steal medical supplies in a small town, stupid enough to deal in a small town, and stupid enough to not realize how dangerous this little town is.

Ask her how long she's been here and if she realizes exactly what kind of horrors you're trying to help rescue Rachel from.
>>
No. 826464 ID: 2474dd

>>826463
And just to clarify, I'm only advocating being READY to fight, not actually FIGHTING unless she pushes the issue.
>>
No. 826469 ID: 064dbf

WE GOTTA BREAK THIS BITCH! Pin her to the wall, rip off her clothes, slap her around, and then fuck her to death.
>>
No. 826473 ID: c31aac

>>826399
yeah, agreeing with this guy. Chuck already has giant holes in his back and a bleeding torso, do we really want to try fighting his old drug dealer
>>
No. 826474 ID: 62f1df

Why is everyone so gung-ho about fighting this person we've barely met? Sure, she's a crazy bitch, but that's no reason to act like a gruff action hero from some B movie. Take a chill pill, people.

Now is not the time to throw quips and accusations around. Let's just gather what we can and get to the Plath House, stat. We'll do what we can to prevent things from getting ugly between Julia and anyone, but we can think about it once we're safely away from the murderous zombies.
>>
No. 826477 ID: c637fc

do we have to save this one? she's kind of awful.
>>
No. 826485 ID: 600f38

>>826477
So's Chuck. And Susanna.

Look at it from her perspective - she's a wanted criminal whose solution for lifes problems is drugs. Of course she's fucked up, of course she's paranoid, and of course she's falling back on what she knows.
>>
No. 826534 ID: 2474dd

>>826485
It's more like she's an idiot AND a jerk. I can give a pass for one or the other, but not both. I mean Chuck's also an idiot and a jerk but the idiot part's not entirely his fault.

More to the point -- she knows Chuck's past and that makes her a liability. Get Rita to promise not to mention what she's seen here, point out that most people can't even understand Rachel, and she knows you won't snitch, and leave the bunny behind to whatever fate lies in store for her.
>>
No. 826535 ID: b88e47

Leave with Rita and Rachel.
>>
No. 826536 ID: 2474dd

>>826438
This is sound plan of action. It is a good combination of being blunt and sexual.
>>
No. 826540 ID: bab4c2

Alright, I just finished bingeing the entire fucking series and all I have to say now is...

a) your cover's blown, ( ͡° ͜ʖ ͡°), dude. You're gonna have to trust that Rita won't put you behind bars for your past crimes and spill it; admit it, in these few months you've been here, you've grown emotionally attached. It sucks, ( ͡° ͜ʖ ͡°), but it's what happens when you stay put for too long. You dug this hole, now just try your best to make yourself at home! So just risk it and tell her the truth; it's better to be truthful and spill it than lie and have it come back to bite you in the ass, which this will. Plus, if you get her to trust you enough well... ( ͡° ͜ʖ ͡°)

b) as for Julia; well, you know what bunnies are known for... ( ͡° ͜ʖ ͡°) But in all seriousness, you have 2 options here: one, you beat her senseless and take her shit, which doesn't seem wise in your condition, and two, you sleaze your way through this one and convince her to give them up to you. She has no reason to not trust you (except she's probably crazy) so this seems like the more reasonable option.
>>
No. 826545 ID: be0718

>>826403
Chuck's starting to see a point to all this. Still, basically what he said.
>>
No. 826604 ID: 9b8c8d

>>826485
I don't like how people keep equating her with Chuck. I mean Chuck isn't a saint either, but out of these two, there's one person who's semi-deliberately poisoned someone and nearly killed them, and one person who feels bad about that, and these two people are different.
>>
No. 826611 ID: 541863

>>826604
Well, at least we know who's disposable when we encounter Priest McSpook on the way.
Yer a baaaad bunny, Julie!
>>
No. 826613 ID: e8f4bd

>>826399
Well put. I totally agree on the "uncharacteristic self righteous shit" part that people are trying to pull here and that we should just chill.

>>826403
I also like this in the sense that, unless too unreasonable, we should try to meet any demands that she may have. We're not some unreasonable egomaniacs.
>>
No. 826614 ID: 9b8c8d

>>826613
I just want to get us back to fucking safety already, with us and someone else wounded and a bunch of fanatic ghosts running around, instead of having to endure the bullshit of some selfish cuntbunny who knows nothing of what's going on and won't hear a word of it either. Nothing self-righteous about that.
>>
No. 826619 ID: e8f4bd

>>826614
You, my friend, need to chill and redirect your hate to >>/questdis/115054
>>
No. 826651 ID: b93a7b

just take Rita, Rachel and go, you don't have the time to deal with Julia's bullshit
>>
No. 826660 ID: 3a2157

Just show her your wounds from the reverends and say 'The fuckers who did this are still out there, and they're going to get in here if they want to. I'm going to the only safe place there is right now, and the cops are going to be there too. If you want to come along, fine. If you want to stay here, that's your choice." Then leave.
>>
No. 826661 ID: 888194

Julia: Fuck & kill
Rita: Fuck
Rachel: Fuck


In that order. The scientific formula.
>>
No. 826663 ID: fc33ea

alright look you going somewhere with this Julie?
>>
No. 826668 ID: 41c9bc

>>826396
Punch rabbit face
>>
No. 826694 ID: 8b2654

Fer feks sake, it's been two fekin minutes. Don't go punchin just 'cause it's been a few updates. We spent loads longer getting the fekin mat fer the fence, we can take the time ta talk her down.
>>
No. 826703 ID: 41c9bc

>>826694
Punch is not for save time, is punch because she has very punchable face right now
>>
No. 826705 ID: 9b8c8d

>>826703
She's practically offering it to be punched, while simultaneously giving all the reasons to punch her (sparing time but one of them) and very little not to.
>>
No. 826706 ID: ed7d1e

Punch her teeth out.
>>
No. 826708 ID: 41b4a1

Use Star-Punch to ensure 10 count.
>>
No. 826748 ID: eee393

Do NOT act like an overly aggressive douchebag and don't start getting violent. If a fight breaks out, it will most probably lead to ugly casualties.
>>
No. 826754 ID: 9b8c8d

>>826748
She's unarmed, leaning forward, and completely unaware. We could easily knock her out with one good punch, with neither overt aggressiveness nor any casualties. She'd be out for just enough time to pick her up, find the meds, and get out of here.

Use of just the right necessary force, allowing us to bypass a whole lot of negotiations with an irrational junkie and get out of here before the reverends find us.
>>
No. 826756 ID: f0e552

need i remind you all she has a fucking pipe

we punch her we get fucking owned by the pipe
>>
No. 826759 ID: 9b8c8d

>>826756
Look at her hands. She put it down.

Besides, she can't sock us with the pipe if our first hit knocks her out.
>>
No. 826766 ID: 9dc26d

Even if she's objectively a terrible person, even if it will bring Chuck nothing but personal trouble in the future, the correct course of action is to try to save her. Try to save everyone.

We don't know what will happen once this crisis is over. We may need her skills, or for her to be a warm body in the right place, or for her to say the right thing.

We just don't know, and preserving her is better than letting her die.
>>
No. 826767 ID: 9b8c8d

>>826766
Agreed, to a point. But she's being pretty selfish right now, wasting a lot of our time, and possibly not seeing any reason.

Unless she sees sense soon, we may need to leave her here, or this may come to blows if she prevents us from completing what we came here for.
>>
No. 826774 ID: e8f4bd

I'd like to remind everyone to please use the discussion thread because it is against the /quest/ rules ( https://tgchan.org/kusaba/news.php?p=rules ) to make posts on this board that contain only commentary, discuss long term plans, or which simply disagree with other suggestions. Thank you.
>>
No. 826893 ID: 3abd97

Look just forget the talking and touch the bunny tits.

You know this is what you want to do, and what's really important.
>>
No. 826899 ID: 7fad5d

Those look heavy. Be a gentleman and help her hold them. Be sure to maintain a good grip.
>>
No. 826910 ID: 642897

punch her in the taco
>>
No. 826913 ID: 9dc26d

Here's a suggestion: Make the promise about the cops, so that you can get everyone to Plath house, where they won't be eaten by monsters.
>>
No. 826918 ID: 9c2d0c

Nobody cares about the fucking cops tonight. If we all make it through the night intact, Chuck sure isn't gonna be the one to rat you out girl. Have you MET him?

Let's just GTFO already. There's bleeding to get looked at.
>>
No. 826923 ID: b62a1b

offer to stay inplace of rachel and rita at the hideout. so they can go the plath house as a gesture of good faith. then try convince her to leave,
>>
No. 826924 ID: 600f38

>>826913
Yeah, make the promise. That's something we can do.
>>
No. 826931 ID: 36295c

You ain't got time for those fake tits, chuck. Leave her behind.
>>
No. 826932 ID: 2474dd

>>826759
Do not punch rabbit unless she's making threats. One-hit-KO is nearly impossible to do without being a boxer, the opponent being completely unaware, or being very, very lucky.

She's a willful idiot, and if this was a zombie movie she'd be the idiot who gets the group screwed over because she's an idiot. She's clearly too stupid to adapt to her environment or the current situation, and that makes her a liability. Leave her to her fate, just get the meds, Rachel, and get out. Hell, tell Rachel to get the meds since she could EASILY clobber the rabbit pipe or no.
>>
No. 826937 ID: 8e802d
File 150432957103.png - (37.86KB , 500x500 , 109.png )
826937

You're not going to strike Julia just for being annoying. You didn't even do that when you were dating her. Well, not dating like you were dating Marcie, but dating in a "doing drugs under a bridge" way. You know.

a) demand the medicine
b) just leave with Rachel and Rita
c) grab her boobs
d) other >_


For the sake of ease of updating, please begin your posts with the LETTER that you are voting for. Also if possible, please try to vote for something if it is already suggested instead of re-writing it if you choose D!
>>
No. 826938 ID: 7fad5d

C
>>
No. 826940 ID: 15a025

A.
>>
No. 826941 ID: 600f38

D. I vote this:
>>826440
>>
No. 826944 ID: 3ce125

>>826937
C to butter her up then A.
>>
No. 826946 ID: c31aac

C. Make sure to make a bike horn honk when you do.
>>
No. 826948 ID: 91ee5f

>>826937
b) just leave with Rachel and Rita

Because, for fuck's sake let's just leave her here if she doesn't want to come that badly!

If she changes her mind, she knows where to go!
>>
No. 826953 ID: c8d2b2

A. She can come with if she wants, or she can stay and rot, but either way we're going to the Plath house and the medicine is coming with.

And for christ's sake people, this is not the time to get lewd, we don't need a reverend up our ass right now.
>>
No. 826954 ID: 1e7aa8

B: it's time to go. We can always come back later and see what has transpired.
>>
No. 826962 ID: 9dc26d

>>826941
It's not often I agree with you, but I agree with you.

D) This here: >>826440 and also make the promise about the cops.
>>
No. 826966 ID: 9876c4

>>826946
>>826944
C. Yeah, these. This is not a logical creature, she is pure pathos.
>>
No. 826968 ID: be0718

C and A. She'll C what you mean. Don't be an A-hole.
>>
No. 826969 ID: 70426b

>>826937
C. Haul her out by the tiddy.

We can't just leave her here, even if she's a jerk.
>>
No. 827000 ID: 67bf63

C fuck it mob rule
>>
No. 827001 ID: f9c3f2

B.

Big fan of >>826440, though.
>>
No. 827022 ID: e8f4bd

C. In a sexual manner.
>>
No. 827027 ID: b93a7b

A
>>
No. 827030 ID: 9b8c8d

>>826937
A

Grabbing her boob would be an okay way to prove a point by getting a reverend here, but let's face it, it'd also be kind of dangerous. Best just get out.

She can come back too if she wants.
>>
No. 827032 ID: 4854ef

C
>>
No. 827036 ID: 62488a

>>826941
I third this.
>>
No. 827037 ID: 12aed4

A.
>>
No. 827038 ID: 19cf99

>>826937
A
You offered her a deal before her boobs and your lecherousness distracted us: give back medicine, let us leave with Rachel, she can keep her hideout.

Let's just stick to that. No need to complicate this any further with some dumb long speeches or boob-grabs or anything. Let's just stick to what we came here for and quit wasting time.
>>
No. 827064 ID: ff57fb

C, but in an authoritative way. Tell her that if she doesnt come with you and bring the medicine, peoples lives are at risk. Be a boob grabbing macho man.
>>
No. 827065 ID: ff57fb

C, but in an authoritative way. Tell her that if she doesnt come with you and bring the medicine, peoples lives are at risk. Be a boob grabbing macho man.
>>
No. 827067 ID: da1652

>>826937
B. Make sure she knows exactly where Plath house is in case she changes her mind. Honestly she's almost as much of a danger to the town as the Reverends.
>>
No. 827072 ID: aebfae

>>826937
A and then C
>>
No. 827074 ID: ff6af0

C.
Fuck it
>>
No. 827075 ID: 642897

C. always be groping
>>
No. 827091 ID: bfe862

A
Let's prioritize helping our friends over messing with our old druggie "friend"
>>
No. 827093 ID: ae9b99

C. Make sure you say "honk" each time you squeeze them.
>>
No. 827094 ID: a363ac

C A
>>
No. 827098 ID: 8d4593

A or B
>>
No. 827108 ID: ef473a

D.
>>826941
>>
No. 827110 ID: 3abd97

>>826937
CCCCCCCCCCCCCCCCCCCCCCCCC
>>
No. 827111 ID: e36c7f

A).

Trippin' a few balls is one thing but you don't need to be grabbed by them to think taking all the shit from the only doc's office in the whole town is a dick and/or cunt move.
>>
No. 827118 ID: fc33ea

B.
Something tells me, she's like you in that she needs to learn some things the hard way.
>>
No. 827123 ID: 2120ee

>>826937
A.

We have injured people, those drugs are needed.
>>
No. 827637 ID: 8e802d
File 150457084908.png - (60.85KB , 500x500 , 110.png )
827637

You: "Hm"

You: "Let's see."

Julia: "Oy!"

You: "Yeah. Yep. I definitely remember."

You: "Wait"

You: "Yeah."

You: "I always loved how lefty was a little bigger."

Rita: "Chuck, what's wrong with you!"

You: "Where are the drugs you stole, though?"

Julia: "I'm not gonna tell you that."

Julia slaps your hands away.

Julia: "Since when are you a snitch?"

You: "Honestly I don't care what happens to you. We need those drugs up at the house because people need medical treatment."

You: "You just want to get high. Right?"

Julia: "Well yeah. Don't you?"

You: "Every damn day since I got here."

a) Ask for one specific drug only
b) Tell her about the brown stuff in the office
c) Leave without anything

Since the seduce option proved contentious, I am holding this vote AGAIN without that option included. I hope for a smoother scene now! Still no punching though.
>>
No. 827638 ID: a363ac

>>827637
A but get all the drugs you aint no pussy
>>
No. 827640 ID: 600f38

>>827637
B. We need the diazepam.

Also, lean in close and whisper "Hey, I've got a good thing going on here, don't narc me out like that, 'k?"
>>
No. 827641 ID: eef56a

A

Get real close and demand she turn over the diazepam, then whisper angrily There's a huge safe in that mansion that I haven't been able to get into yet, why are you calling me a snitch while trying so hard to blow my cover
>>
No. 827642 ID: e8f4bd

B. As explained in >>/questdis/115231, we don't need the drugs at all.
>>
No. 827647 ID: 3cc68c

>>827637
Now that we're doing this properly, my vote is this: >>827641

Ask her to bring drugs along. She stole them, they should be returned. It'll help with keeping up the cover.
>>
No. 827648 ID: ee43ea

>>827637
Now that you've got her startled and defenseless, bring her arm around her back to pin her, then as >>827638 said, demand all the drugs. (I'm not really sure why that's not the option.)
>>
No. 827649 ID: 9876c4

Chuck, I apologize, but I don't understand my options.

I want to offer the brown stuff as incentive to get the Diazepam.
Interpret this as B, A, or both.
>>
No. 827656 ID: 2474dd

B. Nah, tell her about the brown stuff. Might get her off our case and let us get the meds back without having to resort to rough methods. Then let's gather up everyone and everything we can -- we will especially need Rachel's help to get out -- and get the hell back to the Plath House.
>>
No. 827661 ID: be0718

You're losing your touch, Chuck. Tell her B and insinuate that you should both sample the goods.
>>
No. 827681 ID: 22d3a4

Use the brown stuff in your Enhanced Interrogation to figure out where the rest of the drugs are. Everybody wins!
>>
No. 827686 ID: 8d4593

B
DMT in the Office Yo.
>>
No. 827687 ID: 32d29a

Leave with our Hyena friend and Rita? She is what we came for after all. Leave the bun to the reverends. Our history will be safe.
>>
No. 827734 ID: 1e7aa8

A. ramona needs the diazepam most of all, so ask /deal for that.
>>
No. 827843 ID: cee733

A
>>
No. 827860 ID: 62f1df

B

Since that's apparently our only bargaining chip.
>>
No. 827874 ID: 2fe26a

:redB:. Sharing is caring.
>>
No. 827876 ID: 064dbf

B
>>
No. 827879 ID: 8e802d
File 150464322644.png - (32.78KB , 500x500 , 113.png )
827879

You take your hands off of the rabbit, as she's clearly having none of it right now. Rita is looking increasingly concerned, but Rachel is just kind of zoned out leaning against the wall in the corner.

You: "I'm pretty sure that stuff in the bottle in the office is drugs."

Julia hikes up her bra a little bit.

Julia: "Excuse me?"

You: "That lady who owns the house up there made some for me."

You: "Looks like the same stuff."

Rita: "What are you talking about?"

You: "It's a really long story."

You: "If you wanna get high so bad, why don't you just try that stuff?"

Julia looks skeptical.

Julia: "You first."


y/n
>>
No. 827880 ID: 2fe26a

Y
You know that shit's goooooood
>>
No. 827882 ID: 9b8c8d

>>827879
N

"I'm busy. You take it if you want to get high so fucking bad. If you don't want to get high, it's not my problem. I'm outta here and I'm going to take it with me."

Make a motion to grab the brown stuff as you take the girls. That should get her attention.
>>
No. 827883 ID: 3cc68c

>>827879
N
Help Rachel up: she's obviously high and also the best girl, so we should be way more worried than we really are. Then leave with her and Rita, with or without the drugs. Leave the brown stuff here for Julia: if she does grab it, she'll be a good distraction.
>>
No. 827885 ID: c2051e

Y. Carnal speech can help us communicate with hopefully fewer missteps.
>>
No. 827886 ID: ee43ea

>>827879
N

"I've told you this isn't a safe place for drugs. How about we take this with us," move towards the jar, "and bring it to the Plath house where we can share it with the whole gang?"

This should instantly cause her to grab it for herself and stuff her face full of the stuff. Then just grin, sneakily grab the other medicine and help Rachel up, and get the hell out of dodge before the reverends home in on her.
>>
No. 827888 ID: 8b2654

>>827879
N "You think I know the fucking dosage for DMT? 'sides, I ain't experimenting with drugs while I'm bleeding out.

Look, I'm woozy from bloodloss after getting stabbed by one of the Voorhees rampaging across town and your damn razor wire. I need two things, diazepam for an alcoholic on a hard detox, and getting everyone who wants to live to safety. I can't make you do anything, but I've never stabbed you in the back.
Come with me, and I won't tell anyone you've got a safehouse here. Bring the medical supplies and it'll be worth your while."
>>
No. 827889 ID: 19cf99

>>827879
N
"Some other time. I'm busy. Rita, help Rachel up, would you?"
Then while she does, you go get the medicine. Tell Julia you'll leave the bottle in the office for her if she wants. Be wary of being bonked in the head by a bar, though: keep an eye on her and hopefully Rita will too, as this may yet turn ugly.
>>
No. 827890 ID: e8f4bd

Y
The last time we used it, it had a profound effect. I think it would be very interesting to see what it does this time.
>>
No. 827897 ID: 3abd97

Y
>>
No. 827899 ID: ae9b99

N, but still ask to take it with you.
>>
No. 827900 ID: 9876c4

Y. I'm trying new things in this quest.
>>
No. 827902 ID: 22d3a4

And start going on cosmic adventures? We're kind of in the middle of an emergency here.
>>
No. 827903 ID: 4854ef

Y
>>
No. 827904 ID: 3cc68c

>>827902
Say this out loud. Any addict worth their salt should perk up at the notion of "cosmic adventures": it oughta pique her curiosity and get her to try it without us going for it first.
>>
No. 827905 ID: e18b61

Y
>>
No. 827908 ID: 0fa45f

N
Eyes on the prize.
Ask for the drugs one more time. If she won't let you have them, simply take the girls and go. Leave her to her drugs and misery.
>>
No. 827913 ID: 9dc26d

Y

Let's see what happens!
>>
No. 827914 ID: ff57fb

N.
>>
No. 827915 ID: be0718

Y
Nothing strikes up a conversation like Carnal Speech. If the reverends show up, offer them a hit too.
>>
No. 827916 ID: 15a025

N.
>>
No. 827919 ID: 91ee5f

N
>>
No. 827925 ID: 32d29a

I vote for the no. Take the girls and leave option.
>>
No. 827927 ID: aebfae

>>827879
No.
>>
No. 827929 ID: 7fdff4

N. Diazepam. take rita and rachel. leave.
>>
No. 827932 ID: b8d5aa

N

take the stuff with you but save it for a more opportune time.
>>
No. 827933 ID: ad6eaf

>>827879
Yes, but tell Rita to get the medicine to the Plath house if you become incapacitated.
>>
No. 827944 ID: 8e802d
File 150465392441.png - (35.14KB , 500x500 , 114.png )
827944

Your wounds are starting to throb again as the endorphins wear off. You rub your forehead.

You: "No way in hell. I don't have time for that."

Julia: "Then don't expect me to, mate."

Julia: "So that's it?"

Julia: "You're going to go back there and sic the coppers on me. Yeah?"

You: "Give me the drugs and they won't have reason to-."
>>
No. 827946 ID: 9b8c8d

>>827945
"Time's up. Let's go."

Grab the girls. The drugs if they're here, but don't waste any time to that. Julia can come if she wants, but don't wait for her either.
>>
No. 827948 ID: 8e802d
File 150465408317.png - (71.54KB , 500x500 , 115.png )
827948

A hard noise echoes from the lower level of the warehouse.
>>
No. 827949 ID: be0718

Chug the carnal juice for courage and leave with current entourage. That includes Julia.
"Forget the cops, I hear the G-Squad coming. Let's scram!"
>>
No. 827952 ID: 3cc68c

>>827948
"Looks like you're about to see what I'm dealing with. If you feel any more cooperative after that and give up the drugs, I'll not snitch on you. Trust me, they wouldn't care even if I did, not if you're being fucking helpful.

But if you won't help, they'll shut you off just to get you out of the way. If you know what's good for you, grab those medicines right now and let's go."
>>
No. 827953 ID: 9b8c8d

>>827948
"Yeah, time to go."

Grab the girls. Grab the drugs if they're here but don't waste any time for them. Let Julia come along if she insists but don't wait for her.

Head to the Plath house.
>>
No. 827954 ID: 202e60

>>827948

Show her your stab wounds real quick and let her know that thats probably rhe guys who did it, since everyone else in town is at the house. If she wants to,mess with the bottle, you can do it at the plath house. Its time for everyone to get the hell out of here.
>>
No. 827956 ID: 15a025

Sounds like our time's running out. Scooby Doo your way on out with everyone Chuck.
>>
No. 827961 ID: 19cf99

>>827948
Chastise her for wasting time with her paranoid selfish bullshit. Tell her to grab the drugs RIGHT NOW and be as helpful as she can, or you'll definitely rat her out at first opportunity.

Don't waste any time for this, though, not any longer than it takes to grab Rachel and go. Maybe also tear her one about getting Rachel drugged up too - "We really need her conscious!" - if there's time.

Use your most authoritative and commanding voice. But don't waste time to look back and see if she obeys. If she doesn't, she's a lost cause.
>>
No. 827962 ID: 3ce125

Y.

Do it and you can look into Julia's head so the both of you can understand eachother better. Also tell Rita that it's something similar to the stuff the mayor used to keep the town safe from the reverends; you can explain more later.
>>
No. 827963 ID: 8ea81e

>>827948
Where's Rachel?

Note you guys can't outrun anything, especially with caltrops in yer feet.

Push for the drugs. We need them ASAP.

Ask Julia if she has a gun or anything to fight monsters.
>>
No. 827964 ID: 485073

>>827948
Curl up into a ball and cry
>>
No. 827967 ID: 9876c4

>>827949
Ohgod. Endorsed.
>>
No. 827969 ID: ee43ea

>>827961
This one sounds good. Take charge of the situation. Draw your sword and point it inspiringly.
>>
No. 827970 ID: 7fdff4

"Tell me that you have a way out of this place that isn't barred."
>>
No. 827972 ID: e8f4bd

Where are we gonna go? We're trapped.

Draw your sword. It's time. Time to be a man!

4v1, we can do this. Get Rachel and tell your team to get ready to fight and support you.
>>
No. 827977 ID: e8f4bd

>>827972
On this point, I suggest we set up an ambush. Any ideas?
>>
No. 827979 ID: 9b8c8d

>>827977
All evidence points that they're attracted to sin and indulgence. The most sinful and indulgent of us is Julia.

Tell her to huff that brown stuff, then put her somewhere in clear view. Meanwhile, Rita arms herself with an iron bar and us with a sword: we'll wait for it to show up within sight and then whack it before it has the time to realize what's going on.
>>
No. 827981 ID: 600f38

>>827945
"Fuck, I thought we'd have more time.
Julia, listen, there's fucking John Carpenter shit out there killing people. I watched one take a shotgun to the face and shrug it off.
We don't have time to argue.
One: I'm taking the Diazepam. Alcoholic dying from withdrawal needs it. See point one.
Two: I won't tell the cops shit.
Three: If you stay here you're going to die.
Four: You can get in good with one of the town's power brokers by keeping her from dying. If she tells the cops your ok then you're ok by them. See point one.

Get ready to run, everybody."
>>
No. 827990 ID: e8f4bd

>>827979
First of all, they're attracted to sinful thoughts and behaviour, not people. Secondly, what kind of a man are you that you would use a girl as a bait? And lastly, Chuck has already demonstrated that he can effectively get Reverend's attention.

This is why I think it would be the best for Chuck to be the target while the girls attack from behind.
>>
No. 827992 ID: 9b8c8d

>>827990
>First of all, they're attracted to sinful thoughts and behaviour, not people
Using a lot of drugs is sinful behavior, and most likely will result in sinful thoughts as well.
>Secondly, what kind of a man are you that you would use a girl as a bait?
You seem to have no trouble endangering the girls either, while we're still not even sure whether we can really get out of here: we don't even know which way they're coming from, and this complex seems pretty big.
>And lastly, Chuck has already demonstrated that he can effectively get Reverend's attention.
I'd imagine the reverends to be smart enough to not fall for the same trick twice.
>This is why I think it would be the best for Chuck to be the target while the girls attack from behind.
Let's just run the fuck away. If it comes to that, Chuck can distract them while the girls keep running.
>>
No. 827993 ID: 62f1df

Running away would be a recipe for disaster: Rachel is out of it, Rita is wounded, and Chuck himself isn't in the best of states.

An ambush would be the best possibility, lest all or part of the party is direly exposed.

Unless there's a back exit or something? Then you can grab whatever you can and sneak away.
>>
No. 827996 ID: 3ce125

Ask Julia what's the most dangerous part of the warehouse. There was that pit, would there be an especially easy way of knocking a fast-moving zombie into it?
>>
No. 828001 ID: 19cf99

If we make a stand, we can't rely on Julia on this. She'll probably still think they're just some human cops. Focus on Rita: give her the pipe, lay an ambush. They'll most likely home on Rachel because she's already high: make sure they see her first and pounce on them right afterwards.

Just tell Julia to either run away, or to stick around and see what we're really dealing with in this town - just don't get in the way.
>>
No. 828029 ID: 22d3a4

Unless Rachel knows another way out of here, everyone stay put while you investigate.
>>
No. 828059 ID: 32d29a

Grab the girls you came for and came with and run for the house. No time.
>>
No. 828061 ID: 8e802d
File 150466729801.png - (36.00KB , 500x500 , 116.png )
828061

Julia is way more scared than you or Rita, despite seemingly not believing you about the reverends.

Julia: "There's nobody out there."

Julia and looks out over the warehouse floor. She pulls a fucking TEC-9 out of one ass cheek and a magazine out of the other, then yells.

Julia: "I'll bloody well shoot."

Julia: "I WILL"

You: "Thanks for telling them we're here, Jules."

Julia: "SHUT UP CHARLIE"

She is shaking like a Chihuahua. You look at Rita, who meets your gaze.
>>
No. 828062 ID: 1e7aa8

>>827993
So instead of running away and maybe living, you want to have two horrific injured people, a zonked out hyena AND a potential liability to go and ambush one or more freakishly supernatural monsters at close quarters that are better trained than we are?

No, just no.
>>
No. 828063 ID: 6cd6d0

Rush B, сука.
>>
No. 828065 ID: 2474dd

>>828061
I think we should leave whilst Julia bravely sacrifices herself to keep the monsters distracted.
>>
No. 828066 ID: 67bf63

Ask if theres even a round in the chamber
>>
No. 828067 ID: de3746

>>828061
"That ain't the cops. Grab your shit, we gotta run.
Julia, if we get split up then head for the mansion on the hill. Tell them you're my friend and they'll keep you safe."
>>
No. 828068 ID: 22d3a4

Why the hell is she dragging around a piece of plumbing when she has a fucking tec-9 in her pants ...Jules I hope you know how to use that thing.


Soo chuck on a scale of 1 to 10 how strung out and/or dopesick is she.
And as long as they know you're here, may as well identify yourself for them. It may not end up being a Reverend.
>>
No. 828069 ID: 2474dd

>>828065
I'm kidding, but I do think we should let the bunny make the first move. She's gotta learn the hard way that this is serious business, and I don't want anyone too close if she misfires.

Seriously, let her deal with whatever's out there first -- unless it's Susanna -- and between Rachel, Rita & Chuck they should be able to beat down one reverend.

Unless there's more than one, in which case I'm not kidding and we should totally sacrifice her because I don't think Rita, Chuck & Rachel can take more than one.
>>
No. 828070 ID: 1e7aa8

Grab Rachel and fucking leg it.
>>
No. 828071 ID: 9876c4

Get in Rachel's face and ask in kinderspeak if there's another way out of here.
>>
No. 828082 ID: 8e802d
File 150467223095.png - (40.68KB , 500x500 , 117.png )
828082

You take Rita's arm with your eyes on the exit. Julia is blocking the exit to the catwalks, but there is still another one that leads down the stairs onto the main floor. The reverend could very well be waiting for you there.

You: "If you've got a gun, why were you carrying around that fuckin pipe!"

Julia turns around.

Julia: "The PIPE'S NOT FOR FIGHTIN YA WANKER"

Julia: "THE PIPE'S FER BREAKIN THINGS"

You hear another noise from downstairs. Julia hyperventilates.

Julia: "VALIUM"

Julia: "I'M WIGGIN OUT MATE"

Julia: "I NEED BENZOS NOW"
>>
No. 828083 ID: 3ce125

>>828082
Ok I'll get them for you if it'll help your aim.
>>
No. 828085 ID: 91ee5f

>>828082
I believe this: https://m.youtube.com/#/watch?v=i0GW0Vnr9Yc , is an appropriate thing to do! XD

Grab her by the shoulders, shake her, and slap her, while telling her, "Snap out of it! Get ahold of yourself, woman!"
>>
No. 828086 ID: 2474dd

Good gravy, she is a dumb bunny.

We know the reverends don't like being shot, and we also know the people of Coxwette better than she does. FINE, FINE -- tell her to go find her stupid drugs if she gives you the gun so you can investigate. It could be an injured Susanna for all we know, and we don't need a freaking out dumb bunny with a loaded weapon.
>>
No. 828087 ID: 600f38

>>828082
"Are you strung out? Damn it, Jules! You know the rule! No guns when you're tweaking!
Give Rachel the gun, pop a downer, and calm the fuck down. I'll see what it is."
>>
No. 828089 ID: 202e60

>>828082

How am i supposed to get you a valium if i dont know where you keep your drugs
>>
No. 828090 ID: bb78f2

>>828082
You can't shoot a gun high you idiot
You'll end up shooting us or yourself!
>>
No. 828091 ID: 22d3a4

The doc can get you help, but we need to get outta here first okay? Jules, you're shaking like a leaf, give me the gun, I can use it.
>>
No. 828092 ID: 9876c4

I'm gonna suggest that trying to disarm the manic panicbunny isn't the safest use of our time.
>>
No. 828094 ID: 22d3a4

>>828092
Also voting against further agitating the tweeker.
>>
No. 828096 ID: 62f1df

>>828062
No indeed, hence plan B: taking another exit. Duh. If the gang is cornered, an ambush is the best option. I'm not saying it's a good one.


Anyway, calmly take the gun from Julia, tell her to get what she needs, and stay put while the others gather as much of the drugs as they can. Then, hopefully, you can make your way toward the exit.
>>
No. 828100 ID: 2474dd

>>828092
Not saying to violently disarm her, we're asking. And since she doesn't have to go first, chances are good she'll give us the gun in exchange for us being at the front.
>>
No. 828101 ID: 2474dd

>>828100
... and I say this because originally I was hoping she'd go first and have to deal with them.
>>
No. 828103 ID: 8e802d
File 150467773922.png - (56.94KB , 500x500 , 118.png )
828103

You: "Fine. Where'd you leave the drugs?"

Julia cautiously looks out over the warehouse floor.

Julia: "I left the bag down there"

Julia: "I didn't think anyone would-"

Julia backs out of the door, back into the room with you, Rita, and Rachel. Looks like she's having a panic attack. She used to get these all the time.
>>
No. 828104 ID: 91ee5f

Yeeeeaaah, not worth the risk. Let's get outta here!
>>
No. 828107 ID: 32d29a

Leave. Now. Without the Bun.
>>
No. 828109 ID: 22d3a4

That better mean you know how to calm her down, and you'd better do it quickly, now. Tell Rita to take a peek and see what's down there.

Don't think about getting out until you learn what you'll have to deal with down there, and until you get that gun into the hands of someone with their faculties in order.
>>
No. 828110 ID: c31aac

>>828103
Grab her hand and try to anchor her to reality. Don't hug her that's a bad idea.

Then go and stay go
>>
No. 828117 ID: 2474dd

>>828103
Do you know how to calm her down? Does she know any breathing exercises? If you can calm her down and get her to give you the gun, offer to go get her bag for her -- with Rachel's help.
>>
No. 828124 ID: 3ce125

>>828117
Rachel is currently completely out of it, as has been mentioned several times. She's probably on drugs.
>>
No. 828127 ID: 9876c4

Unless something changes, there's nowhere TO go.

It's down there, we're up here.
>>
No. 828129 ID: 3ce125

Chuck has owned a gun before and thus we can assume he at least knows how to use one safely. He should try to calm down Julia enough for her to hand him the gun.
...the reverend doesn't have to attack from that direction. Or reverends. The noise could've been a diversion while it climbed up the side of the building to get in through a window. So we need to get every non-combatant holed up somewhere safe (without windows, or where they can block the windows) while Chuck tries to get an eye on it from the catwalk and shoots it. I'm guessing it'll either jump up to the catwalk to try to ambush him from behind or shoot syringes up through the gaps. Either way we should have a good chance of getting a few good shots off, which we've heard is enough to get the reverends to retreat.
>>
No. 828130 ID: 1e7aa8

Try and calm down the gun toting bunny if you can. Do NOT get shot!
>>
No. 828135 ID: 9b8c8d

>>828103
Try calm her down if you think there's a reasonable odds of doing so without having her shoot somebody. You know her, and you know your own ability: you should be able to tell.

If there's no reasonable way, then she's a liability. Leave without her. Leave the drugs too - trying to grab them is a surefire way to have her go off.
>>
No. 828136 ID: e8f4bd

Do you remember what used to calm her down? Is there any way to calm her down without the drugs?
>>
No. 828138 ID: 3cc68c

>>828103
You and Rita are wounded, Rachel is completely out of it, and there's very likely a reverend around. Those drugs are a lost cause.

If you can calm Julia down without them, do so. If you can't, evacuate yourself and the other girls from the vicinity of the machinegun-toting rabbit post-haste.
>>
No. 828141 ID: 19cf99

In your hands that gun is going to be the best weapon we have against the reverends. In Julia's hands it's going to be the single most likely hazard to actually kill someone tonight.

If you can disarm her or convince her to give it up without someone being shot, do it. You know your chances better than we do.

If you can't, get the others away from her and try not to attract her attention. She's currently twitchy about the guns and the intruder: we can probably clear out without her noticing.
>>
No. 828142 ID: ee43ea

>>828103
Back away. Very slowly. From the crazy bunny and to the other exit.
>>
No. 828148 ID: 9876c4

>>828136
Well, sure. It's a simple matter of commanding her to, using Carnal Speech. Easy as pie.
>>
No. 828152 ID: 91ee5f

>>828148
Chuck has already said that he doesn't know how to do that and he doesn't have that ability!
>>
No. 828160 ID: 62f1df

Take the gun from Julia, have the ladies hole up somewhere safe and sneak downstairs to get the drugs. Quickly: time is of the essence!
>>
No. 828209 ID: b4aae1

>>828160
Get the gun from Julia and shoot her nonlethally. Shooting her in the leg will make her bait for the reverend while you, Rita, and Rachel escape.
>>
No. 828213 ID: 22d3a4

>>828209
You can't and shouldn't shoot someone non lethally.
>>
No. 828216 ID: 3cc68c

>>828213
What he means is, shoot them so that they don't die right away.

And it's not the worst plan we've had. Julia is either going to get us killed, or she's going to help us, and shooting her in the leg to leave her as a bait is as close to the latter - and as far away from the former - as we're ever going to get with her.
>>
No. 828219 ID: 91ee5f

>>828209
>>828216
Rita and Rachel won't like that and will tell the entire town what Chuck did.

Then they'll lock him out of the magically protected house and he'll get killed by the Reverends.

>>828213
I agree, no shooting each other!
>>
No. 828223 ID: c31aac

Will you utter psychopaths stop suggesting we shoot or try to get Julia killed? Just.... Cease.

Get the gun from her though, she's too freaked out to aim right.
>>
No. 828225 ID: 2474dd

>>828219
Agreed. And calming Julia down is of the utmost importance so she doesn't do something stupid in panic -- like fire wildly and hit one of the party.
>>
No. 828241 ID: e8f4bd

>>828160 >>828209 >>828216 >>828223
>>/questdis/115377
>>
No. 828248 ID: 8d4593

>>828241Sooo gotta agee with naileD here.
Don't try to get the gun.
We don't have enough blood to be strong or swift right now and even if we did, Chuck is not some trained, peak-condition martial combatant. He's not an action hero.

If we were uninjured the best Chuck could hope for would be to wrest the gun from her While getting shot.
I posit he would be momentarily successful, before ultimately bleeding to death.

Aside from that, attempting to physically disarm someone of a loaded firearm that they are holding and ready to fire in any way is a plain stupid idea in all but the most desperate of circumstances.

Just go get the drugs and leave.
>>
No. 828250 ID: 9b8c8d

>>828248
>Just go get the drugs and leave.
Probably can't do that either. They're all the way down there, the reverends are coming, and even if we do get them Julia won't let us have them anyway and she has a gun.

Just leave.
>>
No. 828254 ID: 8d4593

>>828250
We don't know that. We don't know what's down there. It's possible they've respawned but it could be anyone of anything.

If you want to be cautious we need Rachel to scout it out.
Chucks too weak to flee, Rita has injured feet, and Julia is obvs not going down there.
>>
No. 828256 ID: be0718

Few things have the potential to end as disastrously for Chuck as trying to wrest a loaded gun out of Julia's hands. Tell her you'll get the drugs, and have everybody else leave. Then tell her to put the gun down so she doesn't shoot you while you're down there.
Take the brown stuff with you before you forget.
>>
No. 828257 ID: 9b8c8d

>>828254
>If you want to be cautious we need Rachel to scout it out.
>Chucks too weak to flee, Rita has injured feet, and Julia is obvs not going down there.
And Rachel, in case you've noticed, is high as balls. No thanks to Julia.

No, there's no one to go out there. We can only leave, now.
>>
No. 828260 ID: f52f08

>>828256
Chuck doesn't need to forcibly take the gun from Julia, which would indeed be a recipe for disaster. If he tells her to give it to him and let him handle things while the girls stay as safe as possible, hopefully, she'll be cooperative.
>>
No. 828263 ID: 3cc68c

>>828260
I'd call the odds to that astronomically low. She's been the very opposite of cooperative until now, and I don't expect her to give to us her last means of defense, especially not in her current shaky state.
>>
No. 828326 ID: 600f38

>>828263
She hasn't been "the opposite of cooperative". That would be actively obstructive.

She just isn't falling over herself to help us. That's the neutral state, not the extreme state.
>>
No. 828426 ID: 3cc68c

>>828326
She stole the drugs and hid them off into a place we can't safely reach, she drugged the otherwise useful and capable (not to mention relentlessly sympathetic) Rachel into worthless dead weight to be lugged around, every interaction with her so far has been a waste of time with no results when we could've gotten safely back to Plath house by now, and at the moment she's twitchy, trigger-happy, all but blocking the best exit, and probably expecting us to go down there to act as reverend bait so that she could get her cicks.

I'd call that obstructive enough, all right.
>>
No. 828521 ID: ed67d9

>>828103

Guys. Um. If the Reverends hate vice - which they do - wouldn't that include, oh, I don't know, DRUG ABUSE.

It seems to me that with the shenanigans going on in here that this place is a freaking beacon to them now. Susanna's likely covered herself back up and is headed to wherever, so...

We need to get the fuck out of here ASAP.
>>
No. 828536 ID: 8ea81e

Stay close to Julia, she has a gun to protect everyone with.

Fleeing is not a good option with so many injured party members.
>>
No. 828541 ID: ee43ea

>>828536
>Stay close to Julia, she has a gun to protect everyone with.

Or to shoot someone with.

Guns won't do much to reverends but a single shot will end this quest on a bad note.

Get the girls and sneak away while she's freaking out. We'll take our chances with the reverends. At least we still have a sword and some dirty-thought distractions.
>>
No. 828551 ID: eef56a

Ask Julia if, if we get her valium, she will leave and get back to the plath house with you
>>
No. 828574 ID: 8e802d
File 150481181903.png - (47.43KB , 500x500 , 119.png )
828574

You decide to use situational awareness to survey the room, despite feeling lightheaded from blood loss and pain.

There is a window here, but it would be a full story drop down into the yard, and for all you know, there could be more caltrops down there. There is one door leading to the catwalk, but it is blocked by Julia. The other exit is the one you entered through, which is the narrow staircase leading directly to the warehouse floor. You could attempt to make it through one of these exits, you could barricade yourself into the office with the girls, or you could attempt to calm down Julia. There are more than two options here, but none of them are going to be easy.
>>
No. 828578 ID: 2fe26a

Attempt to calm down Julia. Advertise the brown stuff as home-remedy Valium. Whether it actually works or poisons her, it'll get her out of her panic attack.
>>
No. 828581 ID: 36de2e

>>828574
If she got them all the time before, did you ever have to stop them? If so, do you remember how? Trying to flee while she's waving a gun around might not be the smartest idea.
>>
No. 828582 ID: 6cd6d0

Grope Rita for mutual morale gain.
>>
No. 828583 ID: d4516a

>>828581
I'm with this one. If you -do- know a way to calm her down without Valium, go for that one.

If you don't, choose an opportune moment to sneak out through the exit you came from.
>>
No. 828586 ID: e8f4bd

Running away is impossible because of the reverend, caltrops, and razor fence.

>>828583
Yes, what do you remember about calming down Julia? Try to use what you remember. If that doesn't work, then we'll try something else.
>>
No. 828587 ID: 8d4593

"Yup. Just gonna go get that for ya."
Then leave through the way you came. Preferably with the two sane ladies.
>>
No. 828589 ID: 8ea81e

>>828574
Same thing as before.

Stay close to Julia, she has a gun to protect everyone with. This is a fite, the living against the dead. The living gotta stick together.

Fleeing is not a good option with so many injured party members, and in such an enclosed space with traps around.

Make sure to tell Julia again about the safe place, and what it looks like.
>>
No. 828591 ID: 3cc68c

The living gotta stick together, but maybe not when one of them is as high-strung as Julia is, and I have a feeling that gun's going to be more a hazard than a weapon on our side.

Let's just leave. The reverends may wait on the outside, but we'll take our chances with them. We've still got a sword.
>>
No. 828593 ID: ee43ea

>>828574
If you know how to calm Julia down drugs-free, do it now. Then emphasize to her what we're fighting with, what she's gotten herself into, and that we do NOT tolerate her bullshit right now.

If you don't know, then we can't afford to be around her. Grab Rachel and leave. Let her keep her hideout.
>>
No. 828594 ID: 9876c4

Without the TEC-9 or an axe, you're not getting through the lock outside.

Probably best to work the social angle, for the moment.
>>
No. 828595 ID: 19cf99

Try calm her down of you know how. As said earlier, you know our odds better than we do.

Otherwise we'll risk the unguarded exit.
>>828586
>>828589
One hazard at a time. Right now that hazard is an armed and irrational bunny. Deal with her first, THEN worry about traps or reverends. If we can't turn her into an ally, then she's a threat and must be ditched.
>>
No. 828597 ID: d4516a

>>828581
>>828583
>>828586
>>828587
>>828593
>>828595
Addendum on the "Calm down or leave" plan:

So far Julia has not been an easy person to talk to. She's tried to turn every interaction into a deal - do this for her, do that, like only she mattered and nothing else. If she hears we're not going to get the Valium for her, she's almost assured to try and bully us into doing it anyway.

If she does, shut her up immediately. Just cut her off and explain her the stakes. Tell her the last thing we need from her is a tantrum. We'll get the drugs for her only after the situation here has cleared out, and even then only if she'll subsequently help us to get back to Plath house.

If she persists on being irrational and selfish, take it as evidence that she cannot be calmed down, and leave.
>>
No. 828598 ID: 8e802d
File 150481460838.png - (20.11KB , 500x500 , 120.png )
828598

In the past, you were sometimes able to calm her down by rubbing her ears. Granted, this was usually in an entirely different kind of situation. You cannot guarantee that it would work in this dire of a circumstance.
>>
No. 828599 ID: 8ea81e

>>828598
Rub ears, read emotions.
>>
No. 828600 ID: a363ac

>>828598
rub those ears, tell Rita to work on barricading the door by telling Racheal what to do.
>>
No. 828601 ID: 2fe26a

Rub her ears while whispering in them. Lewdly. Just like you did to Naz.
>>
No. 828602 ID: d4516a

>>828598
Worth a try.

Rub ears, tell her to calm down, explain what we're dealing with and that we need her fully here.

Meanwhile, as >>828600 said, have Rita and Rachel work with the barricades.
>>
No. 828603 ID: e8f4bd

I don't even need to write this suggestion.
>>
No. 828605 ID: 19cf99

>>828598
Whisper to Rita that you're going to try a thing. Tell her to go for the back door with Rachel: if this works they should start barricading it up right away. If it doesn't work they should GTFO before someone gets shot - you'll follow right behing unless you bite a bullet, but they should keep on going anyway.

Then rub ears.
>>
No. 828606 ID: 22d3a4

You're going to have to get close first, so equip that silver tongue before you get in rubbing range.
>>
No. 828607 ID: ee43ea

>>828598
She has no idea how dire the situation is: she probably still thinks it's just cops, right? You've calmed her down under circumstances as serious as that before, haven't you?

Rub ears first. Calm her down. Don't even bother telling her what we're really dealing with, it'd just distract her. Then have the room bricked up.

If it doesn't work, then she'll likely take it especially badly. Run before you get capped.
>>
No. 828622 ID: 9876c4

Ya know, if we all got naked and knotted our clothes together we could probably reach the first floor exterior.
>>
No. 828624 ID: d4516a

>>828622
Yeah but we're too wounded and weak to climb that way anyway. Also more caltrops.
>>
No. 828636 ID: 70426b

>>828598
Rub dem ears.

Pay attention to face to catch the sick ahego action that comes as a result.
>>
No. 828638 ID: be0718

Start at the ears and work your way down.
>>
No. 828662 ID: 15a025

If you think it'll help her relax, try it.
>>
No. 828677 ID: d36af7

Tell her what you're going to do, something like "I'm gonna rub your ears until you quit freaking out," rather than just jumping straight in like you did with the boob grab. Consent is important, and touching someplace sensitive without warning might just make her squeeze the trigger or do something else stupid on reflex.
>>
No. 828700 ID: 600f38

>>828598
Sure, go for it.
>>
No. 828703 ID: 32d29a

I vote we just walk past Julia. Inform her you're leaving through that exit so she does not freak out when you do. Then do so. The motion for the girls to follow. Leave the bun.
>>
No. 828755 ID: 36de2e

>>828598

Let's rub those ears.
>>
No. 828766 ID: 55d211

Look her in the eyes and tell her "I need you to calm down if you want to make it out of here alive, alright?"
See if you can't convince her to give you the gun while you go to grab the meds. The gun only scares them but unfortunately it's the best option you've got when it comes to keeping them at least away from you.
>>
No. 828767 ID: 55d211

>>828766grqb her by the cheeks as you tell her this, then work your way to the ears in an effort to try and calm her down
>>
No. 828778 ID: 1e7aa8

Let's not do anything that'll immediately startle the bunny. Ask before trying to rub her ears and if she immediately loses her shit, then it's time to leave.
>>
No. 828805 ID: 62f1df

>>828778
A sound caveat. If Chuck can calm her down, good, but if she's too high-strung to be manageable, then we'll have to cut our losses.

Also, I don't think barricading is a good plan. What we need to do is sneak out, preferably with the meds. Holing up will only delay the inevitable.
>>
No. 828949 ID: 0b6036

Don't bother trying to calm this psychopath down. She's better off dead, so get out of here as fast as you can.
>>
No. 829035 ID: 064dbf

Maybe not sneak up on her but definitely rub her ears.
>>
No. 829625 ID: 8e802d
File 150509013815.png - (145.58KB , 500x500 , 121.png )
829625

You approach Julia with caution, then gingerly cup her ear. The opposite ear lowers down.

You: "Shhh."

You: "It's gonna be fine."

Julia: "I'm going to jail"

You: "You're not going to jail. It's not the cops."

You really wish it was the cops. You hear a creak on the stairs leading up to the room you are in. Rita is looking at you with panic on her face. She looks like she might be trying not to scream.

You: "It's a zombie priest. But you've got a gun we can use to shoot him."

Julia: "ruzznbllt"

You: "What?"

Julia: "i'dven'lls"

Julia: "there's no bullets

You: "Julia can ya speak-"
>>
No. 829627 ID: 8e802d
File 150509014990.png - (47.15KB , 500x500 , 122.png )
829627

Julia: "There's no bloody bullets in the fokken gun"
>>
No. 829629 ID: 9dc26d

OK, no bullets is a problem. Are there more traps we can lead it into? We need to slow it down enough that we can get away and get to safety, and maybe get some bullets.
>>
No. 829630 ID: be0718

Shit, you thought you were gonna spook the spook? They probably don't even know what an SMG is.
Well, now you can go get the drugs and leave your companions to escape without worrying about Julia shooting them. You don't need the gun from her any more.
>>
No. 829632 ID: d4516a

>>829627
Fine.

Just tell us how to get (relatively) safely out of here. You've got a way out, right? You wouldn't trap yourself in this place, wouldn't you? Even you wouldn't be that stupid.
>>
No. 829633 ID: ee43ea

Leave down the path Julia was covering just now. She can come too if she wants and knows how to behave. Grab the drugs if you can manage it, but don't sweat it - our lives are more important.
>>
No. 829634 ID: 6cd6d0

Insert your "cartridge" into her "chamber" and "discharge" your "weapon".
>>
No. 829636 ID: 19cf99

>>829627
"You're not going to jail. But you're probably going to die. Unless you cut with all the bullshit and cooperate like an adult.

Where's the best way out?"
>>
No. 829637 ID: 70426b

>>829627
Welp, then we should probably leave. As soon as possible. We can come back for the meds in the morning if push comes to shove.

You know any way out of here that isn't trapped to high hell, Bun? Also, do you have any more spare pipes laying around, because even improvised weapons would help at least a little.
>>
No. 829641 ID: 3cc68c

>>829627
"Pretend it did have bullets. It'll make you feel better. Then help Rachel out, since you were so stupid as to drug her up in the first place. And if you actually have an escape route out of here, better let me know now. Rita, grab that pipe."

Draw your sword. It'll help you look like the badass with authority. "Now let's get the hell out of here."
>>
No. 829643 ID: 8e802d
File 150509155117.png - (26.60KB , 500x500 , 123.png )
829643

You: "You didn't seriously lock yourself in here, did you?"

Julia: "No, I-"

Julia:

Julia: "fokken hell"

Julia: "I didn't want to have to tell you this."

Julia: "The hatch downstairs leads to a tunnel"

Julia: "that lets you crawl up out the well in the middle of town."

You:
>>
No. 829644 ID: 8e802d
File 150509156486.png - (49.39KB , 500x500 , 124.png )
829644

You: "Eheeaah"

You: "About the wellllll"

Julia: "What?!"

You: "It's kind of closed"

Julia: "So we'll open it! Stupid cunt!"

You: "With concrete"

Julia starts to vibrate again.
>>
No. 829646 ID: d4516a

>>829643
>>829644
"Keep your head together. We've still got at least two ways out. Let's just move."

Get her to help Rachel out while you cover them with your sword.
>>
No. 829647 ID: 6cd6d0

Go check the tunnel, you daft cunt. I bet there's secrets and shit in there.
>>
No. 829648 ID: ee43ea

>>829644
"If you have any more information to withhold, better let me know now. No more of this bargaining bullshit - lives are on the line, not just yours.

If that's all the info you've got left, then shut the fuck up, stop vibrating, and pick up Rachel so that we can get out of here."
>>
No. 829650 ID: 19cf99

>>829644
"So I'm the stupid cunt now? Maybe I should just leave you here if that's how you feel."

Pick up Rachel, give Rita the pipe, keep moving. Julia can come if she really wants to. Make her carry Rachel if she does.
>>
No. 829651 ID: 70426b

>>829644
Maybe still check the tunnel?

There might be a way into the catacombs, or a cave system or some shit.
>>
No. 829652 ID: 90f3c0

Go to the tunnel anyway. We know it connected to the library and the well before they were blocked, tunnels probably run under the entire town. There have to be more exits that Susanna overlooked.

Crawling through dark tunnels while being chased by monsters is a great idea.
>>
No. 829653 ID: a633c6

Well I guess that gun isn't for fighting either than is it.

Julia think, are there any tools here we can use to break out of here?

There's no sense in shanging around here now, everybody across the Catwalks! Can you hang off the side of the catwalk and let yourself down onto the ground floor to get the bag of drugs, or are you going to break your legs?
>>
No. 829655 ID: 32d29a

Right, her gun is empty so....everyone run now?
>>
No. 829656 ID: 8634f4

Oh, she's going to call you stupid now? Break her fucking legs and leave her for Reverend bait.
>>
No. 829658 ID: be0718

Stay the hell away from the tunnel. The catacombs are a dead end and an obvious point of no return you're not equipped to cross. Find an aboveground exit to the building, then circle around to the front gate.
>>
No. 829659 ID: 3cc68c

>>829644
"I'm kind of trying to help us all to survive the night, and you're fucking unstable bundle of nerves and got our biggest toughest woman all high and useless, so maybe give me a little more credit?

Pick Rachel up. You got her in that state, so she's your responsibility. Now let's go to the catwalks."
>>
No. 829665 ID: 91ee5f

>>829651
>There might be a way into the catacombs
Can't get in there. There's a door with the Plath family seal on it and it'll only open for Plath blood.

No one here has Plath blood to open the magic door.
>>
No. 829671 ID: 143250

Cletus was married to a Plath. Chuck's soul is using Cletus' body. Perhaps his blood will open the door? Most likely not, but it is worth a try to open that door to the catacombs.
>>
No. 829672 ID: d4516a

>>829671
Not worth the risk we'd take to get stuck down there with a reverend breathing on us and no way out.
>>
No. 829674 ID: 3ce125

Okay new plan. Inject the reverend with the hallucinogenic drugs.
>>
No. 829680 ID: 91ee5f

>>829671
When he first found the door, the first thing he did was touch it and it didn't open. So, no, Chuck can't open the door.
>>
No. 829704 ID: 9dc26d

>>829674
I like this idea. Inject it with your sword.
>>
No. 829711 ID: 91ee5f

Wait, how the fuck is she just now finding out about the well being blocked by a concrete slab?!

Rachel should've already told her that, since she was there!
>>
No. 829712 ID: 143250

>>829711
Rachel can't speak english very good. She probably tried to tell her, but the warning was lost in translation.
>>
No. 829717 ID: 91ee5f

>>829712
Oh, right, duh. I'm an idiot for forgetting about that.
>>
No. 829724 ID: 9876c4

Well, basics.

We need to know where our guest is, so we can not be there too. Has it climbed out of the well? Is it ascending the stairs?
Are we screwed yet?
>>
No. 829726 ID: be0718

>>829724
We are not screwed, and we need to correct this immediately.
>>
No. 829729 ID: bb78f2

Well, that's good to know for clearing Coxwette's curse, so once we gear up and get Sally or Ramona to open the tomb, we can.

Thing is that we're going to have to wait for Ramona to get better.

Which is incentive for Julia to come with us and bring the meds.

Tell her that the only way to leave this town will be to get that Plath healthy, which we'll need meds for, which she can supply.

If a zombie Reverend IS in here, that means Susanna should be nearby looking for it... which means that the brawl will be lead here. That will be our chance to leave and bolt to the Plath house with the medicine. They're usually more focused on her.

Quickly, now, everyone recite bible prayers to be invisible from the zombie while we wait for Susanna.
>>
No. 829744 ID: 91ee5f

>>829729
Well even though we've been told that the door will open to Plath blood, we were never told that the owner of the blood has to also be there.

We could just have Ramona and/or Sally give us some of their blood by soaking a rag in it or some other way for us to carry the blood with us.
>>
No. 829745 ID: 59d300

>>829726
correction: we need to be the one doing the screwing.
>>
No. 829748 ID: 8e802d
File 150510736334.png - (61.22KB , 500x500 , 125.png )
829748

Rita: "Rachel, come on. We've got to go now."

Rachel: "Go?"

Rachel: "Yes."

Rita: "Come on."

Rachel: "Y... yes."

Rita tugs Rachel, and she just kind of follows along. You glare at Julia, who looks away with the slightest hint of guilt.

Julia: "When she checks up on the place, I just... put a little something in her water. She don't bother me and she don't remember checkin'."

You: "I need you to not roofie Rachel anymore."

You: "Or anyone."

You: "Come on, though. You too."


You could take the catwalk. It is old and rickety, but Julia was just on in a bit ago by herself. No guarantee it could hold all four of you.
You could take the offensive against the Reverend, and take the stairs. You have your sword, and Julia has her pipe. You could probably find something for Rita to wield in the office.

Will you take the brown stuff?
>>
No. 829749 ID: 143250

thinking ahead, we should not take the brown stuff with us. Police might check on you if we are bring Julia with us

Rachel and Rita should take the catwalk while you and Julia take the stairs to fight the reverend the reverend won't bother Rita and Rachel with both yours and Julia's sins combined.
>>
No. 829751 ID: 2474dd

Just a note -- this is how we get to the catacombs from here on in.

Take Brown Stuff.

We should be safe on the catwalk if we go one at a time.
>>
No. 829753 ID: 91ee5f

>>829748
Please tell me that Julia has a way to get through the fence outside!

>>829749
>Thinking ahead, we should not take the brown stuff with us. Police might check on you if we are bring Julia with us.
Good point and I agree with that!

>>829751
>We should be safe on the catwalk if we go one at a time.
But will the Reverend be moving slow enough for us to have enough time to do that?
>>
No. 829754 ID: a633c6

Leave the brown stuff. It's in a glass container you don't want broken if something goes wrong- you can always come back for it later. Take the catwalk. Just mind your spacing and distribute your weight on the railings.
>>
No. 829759 ID: 32d29a

Catwalk. Chuck first then Rita/Rachael then the Bun. Seeing you won't let us leave her behind, she might as well take the rear.
>>
No. 829766 ID: e8f4bd

>catwalk
I'd vote against taking the catwalk because it might break, would just expose us to the Reverend's syringe attacks from below, and we don't know of any way of getting through the fence outside anyway.
>brown stuff
I'll also vote for letting Brown stuff wait until we've dealt with the Reverend.

As previously suggested, I believe the best choice is for us to set up an ambush.
-Chuck will stand at the back of the room and use his sinful thoughts to force the Reverend to come and focus on him. He should try to find a chair or some object that he can hold in front of him to block off the syringe attacks.
-Rita/Rachel/Julia will stand on both sides of the door and attack the Reverend once it comes through. We have a baseball bat, a sword, a pipe and maybe some broken glass from the office. I'm not sure who should wield what.
>>
No. 829776 ID: d4516a

Leave the brown stuff. Go down the catwalk.

>>829766
>an ambush

No. We're wounded and don't even have a gun. Let's just leave.
>>
No. 829778 ID: 62f1df

>>829754
A fair point, but then again, it might be useful, and odds are we won't be able to come back here to get it. I think Rachel can carry it. After all, she's not going to be good for much else.


Take the catwalk, grab the brown stuff, and go for the exit hatch. The tunnels connect with the library and probably with the Plath House too. Better a crawl through dark tunnels than a fight with a reverend.

Don't forget to grab a light source if you can, though: a lantern, a flashlight, matches, a lighter. Anything.

Oh, and don't forget the drugs too.
>>
No. 829788 ID: ee43ea

Catwalk, but don't go in all at once.

Rita and Rachel first: it seems no one's coming in from that way, and if they can make it through it'll be safe for the rest of us. Then you and Julia: if the reverends come in all of a sudden, you can use her as a bait.
>>
No. 829793 ID: be0718

Take the brown stuff! It costs you nothing to add it to your inventory, geez. Rita, arm yourself with a stapler! Spread yourselves out along the catwalk to ensure it holds.
>>
No. 829806 ID: 9876c4

I'm just perturbed I used my catwalk joke already.
>>
No. 829815 ID: 91ee5f

>>829766
>ambush
No, we're too injured to try that !

>>829793
>Take the brown stuff! It costs you nothing to add it to your inventory, geez.
It's in an open container with no lid. It's going to spill, which will waste it!

And if it spills onto Chuck's cut on his chest, it'll get into his system and he'll be all drugged up!
>>
No. 829830 ID: da1652

>>829748
running away with a big, old glass jar seems like a bad idea
>>
No. 829837 ID: eda93a

Once you get on the catwalk, push Julia over the side. If she dies, no big deal, but if she breaks her legs or is paralyzed, the reverend will go after her while you get away with Rachel and Rita.
>>
No. 829838 ID: eda93a

>>829837
Think about it. julia would do the same to you, so get her first.
>>
No. 829839 ID: d4516a

>>829837
>>829838
I think we can give Julia the benefit of the doubt now. Just keep an eye on her.
>>
No. 829843 ID: 15a025

Leave the brown stuff here. We'd probably just spill it or something.

Take the catwalk, and go one at a time.
>>
No. 829847 ID: 8b2654

>>829837
Betrayal is the deepest circle of hell, and you're asking him to attempt premeditated murder. You think a Reverend is going to pay any attention to anything else at that point?
I think it's time you accepted that you're a psychopath using this quest to slake your unnatural yearnings.

>>829838
Would she? What evidence do you have of that?
She trusts Chuck enough to let him get behind her with a sword and touch her when she's flipping out, so you're full of shit.
>>
No. 829849 ID: d4516a

>>829847
>Betrayal is the deepest circle of hell
Betrayal implies friendship and trust. I don't think Julia has any towards us, and I'd rather we didn't have any towards her. She's bad news.
>>
No. 829850 ID: 91ee5f

>>829849
They don't have to be friends to trust each other.

Julia trusted Chuck to have the money to pay her and not snitch to the cops, while Chuck trusted Julia to give him the drugs and not take his money and run.

Besides, they weren't really friends anyways. They were more like business acquaintances and/or casual flings before coming to Coxwette.
>>
No. 829851 ID: d4516a

>>829850
If that constitutes as "betrayal", then literally everyone in the history of the world that's interacted in remotely friendly terms before turning on one another would end up in the ninth circle. It'd be the biggest and the busiest circle of them all. The lake of ice would be more like lake of people with a bit of ice mortar between.
>>
No. 829858 ID: 8d4593

>>829837
I don't like her either but that's... cold.
It's one thing to leave someone to die of their own volition or stupidity...

It's another to Kill someone.
Granted, your plan would work and in a more desperate situation, I would support it.
For now though let's try to get everyone out of here.

Take the brown stuff.
Catwalk. One at a time.
>>
No. 829872 ID: eda93a

>>829849
This. She was his dealer and his fuckbuddy, not his fucking wife. Push her off, and we get the double benefit of removing her from the story and getting away safely. There's no logical reason not to use her as reverend bait. That's her single biggest utility right now.
>>
No. 829880 ID: 03d1bc

>>829872
Yes, and then you murder Rita and Rachel because they just watched you murder somebody in cold blood.
Any plan that lets you murder everyone is a good plan.
>>
No. 829895 ID: 91ee5f

>>829872
Yeah, like committing the sin of murder is going to repel the Reverend and not make it come straight for Chuck.

No killing each other!
>>
No. 829913 ID: a6af03

>>829872
chucks not about to murder someone in front of two people just because she's annoying. Maybe if she had actually tried to kill him beforehand you might have a case.

Take the catwalk let Rita and Rachel go first since you and Julia are armed.
>>
No. 829914 ID: 0f38a6

I think some people are missing the point that this is an important moment for chuck. This is part of his life before coxwette being involved with his current life in coxwette. Who he was and who he is now are different people but now he's here looking at both before his eyes. Implying chuck would just off someone who used to play a huge role in his life before all of this quest. Just because we don't know Julia doesn't mean she isn't someone who holds importance of some sort to chuck.
>>
No. 829915 ID: a6af03

oh and take the brown stuff
>>
No. 829977 ID: 2474dd

I dislike Julia as much as anyone but now that we know she's basically useless in a fight we don't have to hurt her, even if she is a load. Anything nasty we do right now -- if that's a reverend outside -- will make it come right for CHUCK.
>>
No. 829983 ID: e31688

Don't take the brown stuff. Send rita and Rachel off ahead.

And I guess try not to die.
>>
No. 830076 ID: 8111b6

Since you're too sexy for you shirt, too sexy for your shirt, go take a little turn on the catwalk. On the catwalk, yeah.

Get goin', Right Said Fred.
>>
No. 830155 ID: b8d5aa

take brown stuff.

unfortunately there is NO ONE WITH PLATH BLOOD WITH YOU (unless chuck is actually somehow a descendant or reincarnation of one)

so going down the tunnel might lead to DOORS THAT CANNOT BE OPENED

however going outside might not be a great idea either

go down the tunnel, drink the magic juice, get carnal. open them doors. get into the catacombs.
>>
No. 830157 ID: 2ca4cf

Chuck. This means you have a way into the catacombs! Now you just need to get a Plath down there to ooen the door.

Bar the door to the stairs and go on the catwalk one at a time.
>>
No. 830275 ID: 8e802d
File 150528274145.png - (31.80KB , 500x500 , 127.png )
830275

You run across the catwalk, leaving the bottle of brown liquid behind. Once you are on the other side, Julia follows. Rita and Rachel have to come across together, since Rachel is a bit too confused to find her way out. This causes the catwalk to creak and sway, leading you to believe that it would not support more than two of you at a time.

You look out over the warehouse floor and see no reverends. You do get a clear visual of where the bag of drugs is, though. It is lying on the floor near one of the giant copper machines. There is a ladder leading down to the warehouse floor from this side of the catwalk.
>>
No. 830276 ID: a633c6

Tell everyone else to get outside. You're still moving quick enough to get the bag of drugs.
>>
No. 830278 ID: 9876c4

>>830276
Yeah, I guess.
>>
No. 830279 ID: 91ee5f

>>830275
That looks too easy. I say ignore it.
>>
No. 830285 ID: 3ce125

You can come back and get the drugs later when there aren't reverends present.
>>
No. 830287 ID: 2870fe

Climb down and go pick up the drugs.
>>
No. 830298 ID: d4516a

>>830275
This smells like a trap. We haven't seen that kind of trickery from the reverends so far, but I really wouldn't take any chances with immortal killer ghosts.

Leave the drugs. We can always come back for them in the morning.
>>
No. 830299 ID: 62f1df

Tell everyone to take the secret tunnel and run run run to get the bag of drugs and join them lickety split.
>>
No. 830300 ID: 600f38

>>830275
Lets tell Susanna where they are. She'll go get them, and is well equipped to fight reverends.
>>
No. 830307 ID: b9b4da

The drugs aren't sinful just by existing, some of them are even medicine in the proper context. The reverend probably can't detect them. Grab them and find a backdoor- don't use the dead-end tunnel!
>>
No. 830310 ID: d4516a

>>830307
Depending on how old-fashioned these guys are, they might well think even medicine is witchcraft and sinful.
>>
No. 830369 ID: f66698

I think they are more people detectors than that. Judgemental types, so a bag of medicine is just background to them.

That said, they can outrun chuck when they want to. Unless all three are still smashing at that door getting the medicine seems unlikely.

Get everyone down the ladder but keep your eyes open and do a spot analysis of where they are and whether it's a clear path to the bag (and out).

We should also briefly consider there's razorwire caltrops and a locked gate out there, and fast moving murder-creatures trying to kill your motley crew of injured, drag hazed, and panicky friends.

Seems like we are kinda backed into a corner here really.
>>
No. 830418 ID: 15a025

Grab the meds chuck.
>>
No. 830520 ID: 8e802d
File 150541106709.png - (60.21KB , 500x500 , 128.png )
830520

You send the others down the ladder one-by-one. You are a ways away from the lift gates you entered through, but against the same wall of the warehouse. In order to get to the medicine bag, you would have to descent some steps from an elevated platform onto the factory floor. There isn't much visibility between the looming copper machinery.

You need to decide where you are going to go for sure, and whether or not to take the meds with you. You are shaking with fear.
>>
No. 830521 ID: 0cf890

YES. Imagine how cool you would look if you brought back what you were after
>>
No. 830522 ID: 6509bf

>meds
Go get the meds. Draw your sword just in case and bring Julia with you. Tell her to hold her copper pipe tight~

>where you are going to go for sure
Why are you asking us now? Are you implying you decided to pass the catwalk without knowing where to go afterwards?
We're going to grow wings and fly over the razor wire fence.
>>
No. 830524 ID: e36c7f

Get those meds. You are seriously going to need the extra cred with the townsfolk once Julia's up there free to talk about you, being an example of your previous associates.
>>
No. 830526 ID: 9876c4

Sure, get the meds.

You need to find an implement of destruction to break the lock.
Maybe even pliers to turn the key shank.
>>
No. 830528 ID: 2fe26a

You go get the meds while the rest of the party leaves through the main entrance, since at this point you apparently don't have the time or the patience to seek out a side entrance. Bring the copper pipe to camoflage yourself among the machines.
>>
No. 830531 ID: d4516a

>>830524
What he said. We're going to need to show them a bit of evidence that we've turned a new leaf.
>>
No. 830539 ID: 6cd6d0

Look up Rita's skirt.
>>
No. 830542 ID: 8d4593

Get those fucking meds, cat.
>>
No. 830549 ID: 8e802d
File 150542338807.png - (43.55KB , 500x500 , 129.png )
830549

As you tiptoe through the forest of giant copper pots, you really start to hate this town. No one should ever have to do anything this creepy. Toward the center of the floor, you nearly trip on a pair of pipes just lying there. A total tripping hazard! Completely unsafe! Shit! You wait to see if the noise has attracted anything to your location, but there's no sign.
>>
No. 830550 ID: 8e802d
File 150542340178.png - (30.59KB , 500x500 , 130.png )
830550

You find the medicine bag and open it to make sure. It is filled with about a hundred bottles of pills, powders, and clear liquids, along with a bounty of fresh syringes.
>>
No. 830551 ID: 6509bf

Oh goodie! Just think about how high you can get with those while sharing them with everyone.

And then happily prance back to the group.
>>
No. 830552 ID: d4516a

>>830550
Grab 'em, haul 'em up as comfortably as you can, and don't forget to listen to noises and look around as you make it back to the others.
>>
No. 830555 ID: a633c6

Excellent! Make your way back to the group in a masculine and well paced manner. That means no girly screaming and/or running.

Seriously tho you have your entire life to freak out about this, don't do it now.
>>
No. 830556 ID: 15a025

Head back to the others now!
>>
No. 830558 ID: 8d4593

>A total tripping hazard! Completely unsafe! Shit!

Reflect on how Old and Responsible you're becoming.

Next, you'll be sitting on park benches feeding pigeons while yelling at kids for being so damn obsessed with their new fangled whats-a-ma-dongs.
>>
No. 830559 ID: 98cbf4

>lightheaded
>woozy
>shaking with fear
fuck
we have to get that medicine tho
>>
No. 830564 ID: 90f3c0

The shorter pipe looks like it might make a good bludgeoning weapon. Grab it and get back to the others.
>>
No. 830567 ID: 91ee5f

>>830550
>syringes
Yeah, that's the last thing you needed to see after the Reverends have stuck theirs into you a few times.

I think they might've given you a permanent fear of needles!
>>
No. 830568 ID: f66698

Time to GTFO. This place is hell and you need to bail NOW. If they follow you, even at a slow pace, one or more of you is gonna die, cause we don't have any easy way out of here.
>>
No. 830570 ID: be0718

Sophie's gonna be glad to have this back. Now take a route to the exit that does not involve turning around.
>>
No. 830571 ID: 62f1df

Aces! Now GTF back with the others and take the tunnel. Chop chop!
>>
No. 830576 ID: b3d900

Trap Julia in the warehouse while taking Rachel and Rita to safety. She shouldn't go unpunished for the harm she caused this town.
>>
No. 830578 ID: 91ee5f

>>830571
You mean the tunnel that has no exit because the well has been blocked with concrete? No, let's not go there.
>>
No. 830583 ID: 62f1df

>>830578
Yes, I do mean the tunnel that was hinted to connect with the library, and probably with the Plath House too, given how there was that big door thingy and the whole mechanism related to Plath blood. I do indeed mean that tunnel.
That sounds like a much better option than crossing an open courtyard filled with caltrops , surrounded by a fence who have no means of crossing, doesn’t it?
>>
No. 830587 ID: 3ce125

Even if the tunnel leads to a dead end we can hide down there for a few hours and rest.
>>
No. 830588 ID: 600f38

>>830583
The LIBRARY connects to the CATACOMBS.
The PLATH HOUSE connects to the CATACOMBS.
The WAREHOUSE connects to the CATACOMBS and WELL.

Also: The Plath house entrance is locked with a door that requires Plath blood.
The Library entrance is bricked up.
The Well is plugged with concrete.

That leaves the warehouse as the only known access.
>>
No. 830589 ID: 606a8d

We never did get to go to the catacombs, did we?
>>
No. 830590 ID: be0718

>>830589
We did and we were just as locked out then as we would be if we tried to go now.
>>
No. 830596 ID: 91ee5f

>>830583
>connect with the library
You mean the entrance that's covered in bricks? Still doesn't sound like a good idea.

Also, we'd be completely lost down there and we'd just run in circles until we ended up back in the warehouse.

But if we can conveniently find a sledgehammer and a flashlight lying around somewhere, then I guess we can blindly wander around the catacombs and hope we can find the bricked up entrance to the library so we can smash it with the sledgehammer.
>>
No. 830597 ID: c31aac

Thought: despite reputations, brick walls are pretty easy to bust through with elbow grease and something sturdy and heavy.
Second thought: We're inside of a big warehouse right now, probably with something superficially similar to a sledgehammer we can use to un-brick the library entrance or smash in the dumb magic door to the mansion entrance

Third thought: Why don't we scan the room for this and do that
>>
No. 830599 ID: d4516a

>>830597
Fourth thought: Reverends are fast and sneaky and could pounce on us if we stayed around too long to pick up more stuff.

Fifth thought: The catacombs are, by almost the definition of the word, a fucking maze. Getting us lost in there with holy ghosts on our tail would be the very opposite of a good idea.
>>
No. 830602 ID: 91ee5f

>>830597
>smash in the dumb magic door to the mansion entrance
Why would you want to do that?!

If we break that door, then the Reverends can just walk straight into the Plath House!
>>
No. 830606 ID: 600f38

>>830597
If we somehow broke the magic door into the catacombs, then found our way to the library, then smashed through THAT magic door, then we might be able to bust through the brick wall with a sledgehammer if we take 20 minutes or so to do it while we're all in various states of injury, incapacitation, and/or noodle arms.

It's a terrible plan. No. Just no.
>>
No. 830613 ID: 5dd97a

On the other hand, we have been trying to figure out a way into the catacombs for weeks, and if there is any place that offers a chance of more info on how to end this, it's down there.
>>
No. 830655 ID: 1e7aa8

We need to leave, quickly. We do NOT need to spend time in a maze-like, unexplored tunnel system while being chased by murderous things that have no difficulty following us.
>>
No. 830674 ID: 6509bf

I'd like to vote to enter the tunnel since the way outside the warehouse is blocked by the razor wire fence. There's just one problem. We have no light. Fortunately, Julia might have some or know where to get one around this place. So my suggestion would be to take the tunnel under the condition that we can get some light down there.
>>
No. 830687 ID: ee43ea

>>830674
>the way outside the warehouse is blocked by the razor wire fence
I'd hazard to guess that it would be easier to open or bypass from the inside. You want to use the fence to keep intruders out, not to lock yourself in.
>>
No. 830694 ID: 91ee5f

>>830687
Actually, if a Reverend is in here, then hopefully it smashed through the fence to get into the warehouse. Then we can use its way in as our way out!
>>
No. 830735 ID: c31aac

Wait hasn't Julia been using the catacombs to get about this whole time
>>
No. 830738 ID: 9c2d0c

>>830687
It probably would be, except that the gate is padlocked shut with a key broken off in the lock. Still not getting through that without bolt cutters.
>>
No. 830740 ID: d4516a

>>830738
So how has Julia been moving around?
>>
No. 830753 ID: da1652

could probably use the syringe needles to pick and poke and drag the broken key out of the lock.
>>
No. 830761 ID: 6509bf

>>830753
>>/questdis/115688
>>
No. 830789 ID: 485073

>>830761
I think the ghost dude is right behind Charlie, what do you think???
>>
No. 831122 ID: 064dbf

Don't think about the monsters Chuck. Think about all that booty you're going to get when to save everyone.
>>
No. 831123 ID: 064dbf

Oh, and I meant to add that we should "fight" our way to the front door. Let's just be direct and get this over with. Rachel can plow down the gate.
>>
No. 831256 ID: 8e802d
File 150575585735.png - (46.05KB , 500x500 , 131.png )
831256

You make your way out of the warehouse with the girls. The yard is very quiet right now.
>>
No. 831257 ID: 8e802d
File 150575586890.png - (17.42KB , 500x500 , 132.png )
831257

There don't seem to be any major breaches in the fence, and the mat you used to jump over the top is still there. You and Rita managed to clear a sizable area in the caltrop spread on the way in.
>>
No. 831259 ID: 3ce125

>>831257
Rachel is not getting over that uninjured. She is far heavier than you. Heck, you aren't getting BACK over that uninjured.

Smash the padlock instead. Those heavy pipes you saw would be good, or you could just try using Julia's smaller pipe.
>>
No. 831264 ID: 2b3198

We failed to get cut in half last time, but we were close. Should we finish what we started?
No, better not. And even if 3 of us can get over the fence, there's no way Rachel will.
>>831259: Copper vs steel? That's like punching someone with Play-Doh. It would have no effect.

We're here because people voted to go here. However, there hasn't yet been a single reasonable suggestion on how to pass the fence.

Tsk. FINE. I'll give you a solution.
Give Rita a lift over the fence. Tell her to return with Bolt Cutters from the Plath house.
>>
No. 831267 ID: bc49ba

Maybe Julia can pick the lock? She is a shady bitch after all, she's likely done it all the time
>>
No. 831268 ID: 9876c4

>>831267
Doing it with the key shank in there would be pretty impressive.
>>
No. 831269 ID: 3ce125

>>831264
>play-doh
No. Copper is softer than steel but it's still plenty hard enough to transmit the required force. We're not trying to break the the padlock's casing, just hit it hard enough that the latch breaks or slips. Padlocks are generally pretty shitty and will yield to a persistent burglar.

Another alternative is using a padlock shim but I don't think we have anything that will work.
>>
No. 831271 ID: 064dbf

Does Julia have a key or an easy way in and out? Like she knows a hole in the fence? We're not going over the razor wire again.
>>
No. 831272 ID: 9b8c8d

>>831267
Chuck can pick the lock himself, and probably so can Julia. It's not going to be a problem.

She's got lockpicks, doesn't she? Of course she does.
>>
No. 831273 ID: 3ce125

...well, if Julia has padlock shims it won't be a problem.
>>
No. 831289 ID: 8e802d
File 150576456478.png - (46.39KB , 500x500 , 133.png )
831289

You take Rita by the shoulders.

You: "Julia and I are going to boost you over the fence."

Rita: "But-"

You: "I want you to run to the Plath House as fast as you can."

Rita nods.

You: "Find my bedroom"

Rita nods.

You: "Find the bolt cutters under the bed. Come back here, and cut a big hole in the fence for us."

Rita: "Are you three"

Rita:

Rita: "going to be ok?"

You: "We'll be fine."

You: "But"

You: "Just in case"

You: "If you see Ramona, tell her I love her."

You: "Tell Sally everything's going to be alright"

You: "and tell your brother"

You: "he's"

You:

You: "alright."

Rita gives you one last nod, then goes to hug Rachel. You and Julia lift her up over the play mat and she drops down on the other side. You hear her grunts of pain as she hobbles into a run on her injured feet.
>>
No. 831297 ID: be0718

You shouldn't have sent her out alone, that's incredibly risky. You and Julia get to work on that lock. Does she have the other key? Or have Rachel boost you out. Whatever you do, don't sit here idly putting your fate in Rita's hands.
>>
No. 831298 ID: 9b8c8d

>>831297
Honestly, if we had any other way to deal with the lock, we probably wouldn't have sent Rita. So I guess that's out the window.

The rest of you, don't go anywhere. Don't split up. Just stay here and wait for Rita to get back.
>>
No. 831300 ID: 3cc68c

>>831289
Now that we've got some time, tell Julia a bit more about this place, its people, and how to behave herself. She doesn't want to land in jail at the best of times, and it's in fact just about the worst of times right now.

Also tell her it might be the best if she didn't go in too much detail about our past. We're through that stuff. It's time she was through it too. Gotta be a team player if she wants to stay alive in here.
>>
No. 831301 ID: 2b3198

Come on Chuck. This isn't the time to be saying forever goodbyes!

Anyway, we don't have much to do but wait. Unless someone thinks we should go back inside. The one thing I would do however, in case the worst thing happens, is to create a few very dense patches of caltrops. So in case a reverend shows up, you can lure it to step on those, and once it falters you'd have enough time to cut it or maneuver around it back into the warehouse.

I'd also vote to chat with Julia in the mean time. And ask her if she still needs some Valium to calm down.
>>
No. 831302 ID: a633c6

Probably should have asked her to send somebody uninjured back with the bolt cutters, but I think she'll figure that out once she gets to the Plath house.

Listen closely for the Revrends' movement.
>>
No. 831303 ID: 3ce125

Alright start letting Julia in on what's going on with this weird-ass town.
>>
No. 831304 ID: 91ee5f

>>831289
I've got a feeling that Rita won't come back with the bolt cutters.

I've got a feeling that someone else is going to say, "No, it's too dangerous for you, I'll go! Just tell me where they are!" and then that person is going to show up with the bolt cutters.
>>
No. 831307 ID: 9b8c8d

>>831304
>and then that person is going to show up with the bolt cutters

There's no way Julia won't bolt the hell out of here and leave us to our deaths.

Hell, a lot of people here have openly suggested stabbing her, throwing her down the catwalk to cripple her, and other such violence. You can't really complain if a part of her would feel equally all right with leaving us to our deaths.

Their past relationship must've been hateful as fuck.
>>
No. 831309 ID: 91ee5f

>>831307
What does that have to do with someone other than Rita coming back with the bolt cutters?
>>
No. 831310 ID: 62f1df

>>831300
That's pretty sound. I'd also say chew her out for making a mess of things and being an all-around shitty person, but that's neither here nor there.
>>
No. 831311 ID: be0718

>>831307
How does suggesters injecting invective now translate to a bitter past?
>>
No. 831313 ID: 9b8c8d

>>831311
The suggestions equal to Chuck's mind, and his thoughts. The fact that some of us would suggest such things means he himself is at the very least entertaining the idea.
>>
No. 831314 ID: be0718

>>831313
Interesting way to look at it, however I don't think our thoughts hold that much retroactive sway over Chuck. Not in this quest, anyway.
>>
No. 831322 ID: 1af95a

>>831311
The suggesters are Chuck. If Chuck is prepared to kill Julia in any manner if cruel ways, you better believe she is ready to do the same.

We need to kill or disable her before she gets the chance to do that. Piercing her lower back with the sword should leave her unable to use her legs, but not kill her. Tell her we want to see her ass one more time, then stab her a few inches above the tailbone.

Boom. Instant reverend bait, with the added benefit of getting the jump on her betrayal.
>>
No. 831324 ID: ee43ea

>>831322
Maybe not while our own exit route is still shut. It'd just serve to get the reverends here and to murder us all.
>>
No. 831332 ID: 2b3198

>>831322
The only one who's voting to kill Julia is you. And I'd like to ask you to stop doing that because Chuck already said that he would not physically assault Julia.
>>
No. 831333 ID: 2474dd

>>831322
Knock it off. Crippling Julia will make Chuck stand out more than he already does. She's not going to start trouble for the time being, she's too scared and not terribly clever.

Want to lower our sin profile? STOP THINKING ABOUT SINNING SO
MUCH. IF Julia sprints off on her own she's going to put herself at tremendous risk but then that's her problem.

But see this face? >>829643

That face.

That is a face of someone scared senseless. Do you know what terrified - not panicked, but terrified -- people do? They follow the calmest person with leadership qualities. Guess what -- scared as he is, that's Chuck.

So right now, as long as Julia is terrified but not panicked, she's going to do what Chuck says as long as he remains calm, because she'll see him as someone who knows what he's doing. Julia's an idiot but she's just had her whole world pulled right out from under her, so she's not going to cause trouble unless in a blind panic or she's feeling safe.

Julia is a liability, which is precisely why she has to say with Chuck right now -- so she doesn't do something truly stupid on her own. She's already demonstrated that left to her own devices she's no shortage of dumb moves. Rita might be hurt BUT she knows the town and since she's not drugged or stupid she's the best shot Chuck has of getting help.

Since Rachel is out of action, that means we need to keep dumb bunny calm as she's own only back-up. Help her formulate some sort of story so her stupidity isn't revealed any more than it has been and also so she doesn't spill the beans on Chuck. Stay calm, and keep your thoughts pure.
>>
No. 831335 ID: 8d4593

I feel like we should bring Rachel to the Plath house, but not Julia.
We should bring Julia to the Mayor. No cops there and Susanna has her ways.
>>
No. 831341 ID: 78717d

>>831289
Help Julia conduct a cover story. Something that makes everyone think she's harmless and helpful. Emphasize to her that if she doesn't play along, we really will have to give her up to the cops - as much for her own safety as anything else.

Time for her to grow up like we did.
>>
No. 831343 ID: 91ee5f

>>831341
That might be pointless, seeing as Rita could tell someone when we get back to the Plath House.

And I'm not sure if Rita would be willing to keep quiet about this.
>>
No. 831344 ID: a633c6

>>831343
You might be right, but that's a maybe and there isn't much else we can do while we wait.
>>
No. 831346 ID: 78717d

>>831343
Rita's got way too much on her plate right now to stop and talk too much with anyone: if she has the time to say anything more than to give Chuck's message, we've got grounds for admonishing her for taking her sweet time.

When she returns, we'll let her know that Julia is on probation, so don't go talking about stuff unless she slips up. In the meantime, ain't much else we can do but talk.
>>
No. 831352 ID: 91ee5f

>>831346
I didn't mean she'd tell people now, I meant after she brings the bolt cutters and all of us make it to the Plath House. That's when she'd tell someone.
>>
No. 831353 ID: 78717d

>>831352
And we should anticipate this and try to convince her that there are more important things to worry about. If we try to double-cross and snitch on Julia, she might get unpredictable. No one wants that.

That said, if she disagrees with this assumption and still thinks the bunny needs to be locked up, I say we side with Rita. And it's of course also entirely possible that Julia herself, afraid of either ghosts or personal responsibility, chooses to turn herself in.
>>
No. 831361 ID: f0e552

>>831289
take control of RITA
>>
No. 831362 ID: 1e7aa8

Turn around chuck, make sure you and the other two aren't being confronted by ghost priest Mcstabsalot.
>>
No. 831369 ID: be0718

>>831361
Kinky.
>>
No. 831380 ID: 600f38

>>831289
"Ok, now, Julia? I've got a good thing going here. Nobody knows much of anything about my past, and I aim to keep it that way.
Damn near everybody in this town is running from something, and I ain't talkin' about parking tickets. The town cops only care about keeping people from making trouble in the town.

You can get a clean start, or you can do your thing. S'long as you don't run your mouth and ruin this for me I ain't gonna narc on you."
>>
No. 831533 ID: 8e802d
File 150585012012.png - (45.67KB , 500x500 , 134.png )
831533

The yard is quiet again. Julia glares at you in her indignant contrapposto and speaks after a dreadful rest.

Julia: "So wha' happened?"

You: "There's a monster in there, and it's probably on its way out."

Julia: "No, I mean"

Julia: "With you."

Julia: "You disappeared. No one knew where you went."

Julia: "And now I find you here, and you've gone straight."

You: "I tried robbing a bank and got caught."

Julia smiles a little bit.

Julia: "Yeah, I, well..."

Julia: "Remember Jimmy the Noose?"

You: "Oh yeah, that fuckin-"

Julia: "I stole his Camero."

Julia:

Julia: "And all his ecs"

Julia: "And his Tec-9"

Julia: "He wasn't 'appy. I had to run. Don't know why I did it, just... got sick of his rubbish."

Julia: "American roads never end, seems like. The Camaro ran out of gas and I walked off looking and found this town."

You keep your nervous eyes on the warehouse door. Rachel sits down against a storage container and holds her head.

You: "This place isn't what you think it is."

Julia: "You're not what I think you are either. Are you?"
>>
No. 831535 ID: 3ce125

>>831533
Tell her you still think like a criminal. You're just trying to make the best of things since you're stuck here now.

Keep an eye on Rachel. If she's starting to come out of it you should give her the sword. You'd really suck in a fight right now and she managed to win a fight against one with a shovel!
>>
No. 831536 ID: 2fe26a

A changed man? No. I'm still me, and my name is definitely not Cletus.
>>
No. 831538 ID: 70426b

>>831533
That depends on what you think I am, Bun.
>>
No. 831541 ID: 33b7e7

What do you think I am? Sleazeball, horndog, tomcat, conman, sneak thief? I've been those. They're still in me. But anyone changes when stuff changes around 'em. What are you? You even know? You try describe yourself and see what you come up with.
>>
No. 831542 ID: 9876c4

You never seemed like the type to do much thinkin'.

But word to the wise, I'm not your problem right now. You're stuck here, and it could kill you.
>>
No. 831548 ID: d4516a

>>831533
"I had to lay low for a while, get to know the people, and get involved.

You wouldn't know any of that - you just holed up here all on your own and avoided other people. But that kind of an attitude gets you killed in here, so you gotta stop it. And once you stop it, it's not hard to actually change for real.

You make it sound like a bad thing - like you shouldn't settle down and get to know people. Like you shouldn't stop and not bother running anymore. Like you shouldn't, I dunno, stop stealing cars and robbing banks and making enemies. Well, guess I've come to disagree. Maybe you will too, if you don't get caught by murderous puritan ghosts."
>>
No. 831549 ID: 2b3198

A) (seduce) Baby, I can show you that I'm me anytime you want, in any bed you want.
B) (joke) You're right. Actually, I'm already dead and as soon as the sun comes up I'll disappear.
C) (truth) I don't know. I've changed since I got here. It's this place. There's a lot about it that I can't explain.

I prefer these options in their respective order.
>>
No. 831551 ID: ee43ea

>>831533
Why do you care? We've got way bigger problems in here than whether I am or am not still a selfish asshole.

I'm not, by the way. I've made actual friends. I don't even bang most of them. But like I said, that's the least of your problems now - I'm still not going to rat you out unless you end up a liability.

So you better get used to working with us. Else you'll be dead or at the very least locked up.
>>
No. 831553 ID: 3cc68c

>>831533
It don't matter what I am. It matters what you are.

Maybe you'll never go straight. Fine. But you gotta at least pretend, you gotta learn to work for us all instead of just yourself, or you probably won't make another night.

So tell me - what are you? What's the story you're going to give these folks? And are you gonna stick with that story?
>>
No. 831555 ID: 78717d

>>831533
I'm stuck in a tiny village with no hiding holes, no contacts, and no crime. And unlike you, I wasn't a fucking moron about to cause trouble somewhere where the folk are tight-knit and can easily root you out or isolate you. See what happened to you? Are you happy hiding in a warehouse getting your fits at the slightest provocation?

Well I wouldn't be happy with that. So I had no choice but to go straight.

>>831549
No seducing. We really don't want to let our guarss down or to lead the reverends right here.
>>
No. 831558 ID: 3abd97

>Julia: "You're not what I think you are either. Are you?"
Probably not.

What year is it? How long since you last saw me?
>>
No. 831560 ID: d4516a

>>831558
How long has it been from our perspective, for that matter?
>>
No. 831561 ID: bb78f2

>>831533
I'm still me. I like to fuck, and I still like being a little devil. I've just been a little introspective lately. Maybe even you have, too, from your change of tone.

I disappeared because I came to this town. For me it's been a few weeks. What year did you come from, I come from '97. Sounds like you're a few years ahead. You probably already forgotten if no one reminded you of it.

Lets test your memory, how was the new millennium?
>>
No. 831568 ID: 1e7aa8

Don't seduce the bunny. Not the time for it.

"Are you gonna get existential on me? If you are, I want to go first. What year is it?"
>>
No. 831570 ID: be0718

"Hard? Well no, but with the adrenalin wearing off I think I could manage again."
By the time someone walks in on you, whether it's Rita, Susanna or a sheet, you two should be getting a faceful of each other.
>>
No. 831582 ID: 62f1df

>>831548
This gets my vote.
>>
No. 831585 ID: a633c6

Definitely ask what year it is. That'll get her to stop acting like you're the problem.
>>
No. 831586 ID: 41c9bc

>>831533
What year is it?
>>
No. 831587 ID: 8d4593

As fucked as this place is...
As ridiculous my job was...

I Kinda Like it.
Beats running from the cops and wondering when I'll eat next.
Gettin' too old for that shit.
>>
No. 831589 ID: 8e802d
File 150586222251.png - (39.21KB , 500x500 , 135.png )
831589

You: "I'm still me."

You: "It's a small town. I had to lay low after what I did, then some fucked up shit started happening and I had to start working with the locals."

You: "It's what you should've done."

You:

You: "And... what happened to hopping a train in Murphy?"
>>
No. 831590 ID: 8e802d
File 150586223527.png - (27.58KB , 500x500 , 136.png )
831590

Julia looks beyond you toward the fence. You follow her eyes. No Rita yet.

Julia: "I lied."

Julia: "You 'appy?"

Julia: "I didn't want the dog knowing I've got a car full of molly parked outside of town."

You: "Wait... you know where it is?"

Julia: "Yeah."

Julia: "for all the bloody good that does me"

Julia: "I searched the whole town for a drop of petrol. There's nuffin'."

Julia: "If you can get us a can of fuel, we could get out of here."

Julia: "You and me. We find a buyer for that molly and we'll be set for a good long time. We could make straight for tee-ja-wanna and make a life for ourselves."

You look at the fence again, then back to the warehouse doors. It's still quiet.

You: "That's not a good idea. We'd run out of gas before we got out of this place, and then we'd be stranded without a town."

You: "and god damn it Julia it's pronounced tee-hwana."

Julia sits down against the crate opposite Rachel. She's still shaking a little bit.

Julia: "We used to talk about getting married. Do you remember?"
>>
No. 831592 ID: ae9b99

"you believed that? I tell that to a lot of the women I sleep with."
>>
No. 831593 ID: 3ce125

>>831590
Heh yeah, but what priest would perform THAT ceremony?
>>
No. 831594 ID: d4516a

>>831590
"I remember. I even believed it could've worked at some point. I've wisened up since - I don't think it could've ever worked, not really. Now it's good if we can get out of this mess alive and as friends."
>>
No. 831595 ID: a633c6

I remember a whole lot, Jules.
>>
No. 831596 ID: be0718

Did you now, Chuck? Oooooh, naughty. I'm not going to vote we kill the bun off first impressions, but I'm not going to vote we marry her either. gotta go spider wife

Julia, I'm not shooting down your escape plan because I think it's foolish. I'm saying it's literally impossible. Coxwette is a one-way system, a town in a magic bubble. You can ask the mayor herself if she's still alive. Or rather, undead.
>>
No. 831598 ID: be0718

I feel we should shoot that down like >>831594 and not >>831592 because we respect her.
>>
No. 831599 ID: 32d29a

I vote we just say. "No."
>>
No. 831600 ID: c31aac

>>831594
yeah,this one.
>>
No. 831601 ID: 2b3198

"Do you.. still feel that way about me? Would you really want to spend eternity with me?"
>>
No. 831602 ID: 33b7e7

"I remember. I also remember not being able to think what that'd actually accomplish. Neither of us can be trusted with the other's property, double that sentiment with any hypothetical kids."

"Besides, the mayor has a fist-sized shotgun hole straight through her gut and is not only still alive but can fuckin' read minds, as I know from personal, and not drugged before you bring it up partly because you took them all, experience, so when she says some magic shit means you can't leave town once you're in it I feel like I should consider the possibility that that's true."
>>
No. 831609 ID: 91ee5f

>>831590
>"If you can get us a can of fuel, we could get out of here."
"Yeah, about that. This whole time I've been here, I haven't seen a single car. So you can just forget about trying to siphon any gas. And like you already said, there ain't a gas station around here. We ain't leaving this town anytime soon, so we're all stuck here."
>>
No. 831610 ID: 1e7aa8

"yeah, I remember." give her a couple of seconds.

"Escape's an impossibility in this fucked up place, though. Like. Fuck. magic's god damn real here and it's so stupid and murderous.
>>
No. 831611 ID: 22d3a4

To be perfectly honest, and I don't mean any offense here, but I really do not remember.
>>
No. 831612 ID: bb78f2

>>831590
Weren't we high, and potentially desperate and afraid of being old, alone people during those trips? I've had a small taste of actual romance here, as twisted, and scary as that was, could you honestly remember a single truly romantic moment between us?

What IS marriage, anyway?
>>
No. 831613 ID: 600f38

>>831590
Did that ever actually happen?
If she's testing to make sure you're not an impostor then don't say something that would make you fail.

"Jule, what year is it?
No, seriously, tell me the year."
*Pause*
"You can't, because we're in fucking purgatory. Everybody here has a fucked up past, we're outside of time and space, and it's impossible to fucking leave. Those train tracks? You follow them, it's a whole lotta nothing then you wind up back at the platform. We can't get to Tijuana.

If you want to make a life, it'll be here. Still better than being on the lam; food's great, and it's a clean start."
>>
No. 831615 ID: 015058

God what a ride that would have been. We would have burned as bright as a comet before we crashed into the earth.

But what a ride it would have been.

You know if we both grew up a little it first it might have even worked out.
>>
No. 831616 ID: 8d4593

You used to talk about us getting married. You damn well know it wasn't something I wanted.
>>
No. 831617 ID: 91ee5f

>>831613
>Did that ever actually happen?
>If she's testing to make sure you're not an impostor then don't say something that would make you fail.
That's a good point.
>>
No. 831618 ID: 9dc26d

>>831590
Might be good to explain a little about Ramona. Julia's going to be wondering who the hell Chuck says he loves.

Just something like "Ramona's my landlady, but she's my friend too, and she's dying. Nothing can change that."
>>
No. 831619 ID: ee43ea

>831590
We were kids.

I grew up. I figured things out in life. I know what I really want - or as you'd say it, I went straight.

Time for you to grow up too.
>>
No. 831622 ID: 3cc68c

>>831590
First of all, "the dog" is my friend. They're all my friends, and I don't want you to talk to them like that.

And yes, I remember. But I was younger then, and dumber, and I actually thought I was in love. I wasn't. Neither were you, I reckon. Get over it, maybe build an actual life here, make some friends like I have. People in small towns have to stick together, even without ghosts and other weird shit haunting them.
>>
No. 831623 ID: 33b7e7

I think basically she wants to know if she can trust Chuck, which involves both mutual reminiscing but also both of them being shitty enough people to have metaphorical guns to each other's heads so they can't sell each other out without being sold out. If Chuck's become a fine upstanding citizen she doesn't have leverage on him like he does on her.

So... reassure her on that, somehow.
>>
No. 831625 ID: d4516a

>>831623
A good point.

She still doesn't seem to understand that in here, nobody gives a shit. We need to emphasize that with her. We were pretty terrible people, she still might be too, but they've got way bigger things to worry about around these parts.
>>
No. 831626 ID: 1e7aa8

>>831625
Pretty sure that the fuzz'll care enough.
>>
No. 831631 ID: d4516a

>>831626
They have no reason to care about whatever she did before coming here, and I'm sure any mischief she's committed since then can be forgotten if she gives up the drugs, won't do that shit again, and helps out with this whole reverend business.

Frankly, it's her own damn fault if they have a problem with her, and she really should've just gone in and talk with them like we did, but that we can't do nothing about. We just need to save what we can.
>>
No. 831632 ID: 78717d

>>831590
No. I don't remember. It's a distant past - here none of it matters.

Even if we had gas, even if this place allowed us to leave, I wouldn't. I've found a place that accepts me and likes me. I've made friends - friends that you've hurt, and now seek to hurt more by taking all their medicine. Why the hell would I throw that away to get back on the road, as an outlaw, with you?

Face it, Julia. Those days are over. For me, and now for you as well. You've got to accept that.
>>
No. 831633 ID: a633c6

Hold up a minute, Chuck, you said you would struggle to call her a friend & she was a casual acquaintance, what the hell is she talking about here?
>>
No. 831648 ID: 600f38

>>831633
She's probably testing him. She's paranoid and probably doesn't think he's the real Chuck.
>>
No. 831656 ID: 9a0e80

>>831590
"I mean, maybe back then, but let's be honest here: d'jya see the T H I G H S on that coyote?"
>>
No. 831657 ID: a633c6

>>831648
I'm not so sure, why would she tell him things she doesn't want other people to know?
>>
No. 831658 ID: 792ea9

tell her to fuck off with thay nostalgia. You got lives to save and goals to meet. Dont let some shadow of your past push you back from the life you've started to make here
>>
No. 831672 ID: 9876c4

I remember telling people things to get what I want.
I seem to have a knack for that.

Anyway, you missed the school bus. That thing's full of gas.
>>
No. 831673 ID: ec5ca0

>>831633
Yeah, some quick clarification here?
>>
No. 831679 ID: 2474dd

>>831673
Obviously she had a different recollection of their relationship. Chuck could very well have been feeding her a crock of shit.
>>
No. 831691 ID: 8e802d
File 150589271746.png - (36.92KB , 500x500 , 137.png )
831691

You cringe. Julia isn't testing you.

You: "We were young and high."

You: "And lonely. We were losers."

You: "I'm"

Julia's face becomes more upset.

You: "I'm not a loser here."

The words stumble out of your mouth as though you are just now figuring that out.

You: "If you want to say I've 'gone straight', fine. It's what I would've said when I first got here."

Before you can add to that, Julia cuts in.

Julia: "Who's Ramona?"
>>
No. 831692 ID: eef56a

>>831691

She's the one person around here who knows who you used to be and gave a shit anyway
>>
No. 831693 ID: be0718

Kindly old dog lady that housed me when I first got here. Has a nice ass. Is descended from witches.
>>
No. 831695 ID: 3ce125

>>831693
I agree with that except she's not old, she's motherly.
>>
No. 831696 ID: 91ee5f

>>831695
I agree.

In fact, if you leave out the part where they had sex with each other, Ramona has been a better mother to Chuck than Chuck's real mother has ever been to him!
>>
No. 831698 ID: 2b3198

"A dying old lady. I told her about me; I told her everything and she didn't report me to the pigs. She.. instead she comforted me."
>>
No. 831702 ID: 9876c4

>>831693
Original phrasing, by god.
>>
No. 831703 ID: c31aac

>>831693
Ye
>>
No. 831704 ID: 9b8c8d

>>831691
"Somebody I can actually trust."

Let's not say she's dying. I think it's still supposed to be a secret and probably not even relevant here.
>>
No. 831705 ID: ee43ea

>>831691
"Somebody that may well have died, for all I know, while I'm stuck here saving your sorry ass."

Point at Rachel. "The one you've been drugging up is Rachel. She likes to dance."

Point outside. "The one that's busy saving us right now is the mailman, Rita. Your caltrops hurt her, and she has no idea what happened to her brother and is scared shitless."

"The one whose drugs you stole is called Sophie. The one you nearly killed is named Ellen. The fuzz, that you're so damned scared of, is Layla. Then there's Naz, Selma, Susanna, Angela, Donna, Davey, Geoff, Sally, and," a bit of a pause, a deep breath, "Marcie."

"You'll get to know them too."
>>
No. 831706 ID: 62f1df

>>831692
Not too bad. She's someone who was actually comforting and helpful, even though she had no reason to and Chuck acted toward her in pretty terrible ways. She's a nice person.

>>831705
A bit too long-winded and dramatic, but I like the spirit of that. Julia has to realize she's hurt a lot of people. Badly. And that she can't keep being a selfish asshole, particularly in the current circumstances.
>>
No. 831710 ID: 3cc68c

>>831706
It's easy to hurt a bunch of nameless nobodies - easy to not care about them, and only worry over your own hide.

Give them names, and this changes. She needs to know their names.
>>
No. 831711 ID: 9dc26d

>>831691
"Ramona's my landlady. She's been a good friend; I told her what I was, what I did, and she comforted me instead of turning me in. Now she's sick and we're all worried about her."

Then all this guy's words here >>831705 about Rachel, Rita, and the others.
>>
No. 831718 ID: a363ac

>>831691
a nice dog MILF(bulb) that I had sex with and is in general a nice person who just so happens to have cancer and an alcohol addiction.
>>
No. 831723 ID: 9b8c8d

>>831705
>>831711
Emphasize that the reason we said we love her is not because it's romantic (I mean it might be, but it's not important here), but rather because us or her might not survive tonight and we just want to make sure she knows we still care about her.
>>
No. 831725 ID: af04a0

>>831691
She's a girl capable of going from zero to cumshot exclusively from oral. Clearly, you're outclassed
>>
No. 831727 ID: ee43ea

>>831725
AND she comes with zero mental baggage, emotional blackmail, bargaining, or selfishness!
>>
No. 831728 ID: b9b4da

>>831727
Lying is a sin. Are you trying to attract the reverends?
>>
No. 831744 ID: 2b3198

> >>831727 >bargaining and selfishness
We're broke into Julia's place in the middle of the night, demanding she leaves, gives us all her stuff, all while flaunting friends, threatening and insulting her.

How dare she bargain and act selfishly!
>>
No. 831748 ID: 3cc68c

>>831744
She holed up there to begin with, all on her own, adamantly refusing to interact with the other people unless she was forced to it or could gain something out of it.

She was a selfish cunt to begin with.
>>
No. 831758 ID: 512872

>>831744
Rachael's place, Sophie's stuff.
>>
No. 831762 ID: a633c6

She's not long for this world, that's who she is. If the shakes don't kill her the cancer will- that's not even counting the reverends, but that's not just her problem.
>>
No. 831799 ID: 3fb646

>>831711
Gotta go this this. Ease up off of Julia too.
>>
No. 831802 ID: 91ee5f

>>831705
>she has no idea what happened to her brother
Not true. That's the first thing Chuck told her when he found her and she asked about her brother.
>>
No. 831803 ID: 78717d

>>831802
She still hasn't confirmed it herself. If I were in her situation I'd be pretty anxious about it even if Chuck had told me he was okay.
>>
No. 831804 ID: 8d4593

A dying widow who's... somehow managed to get me to care.
I respect her.
>>
No. 831825 ID: b3d900

Hope you're not suggesting we are taking Julia back to the Plath house with us after she tried to murder one of the citizens and stole all of the medicine. Let her keep the pipe to defend herself, but she gets left outside.
>>
No. 831842 ID: 2474dd

>>831748
Yes, Julia is a selfish cunt but so was Chuck when he first got here and Rita knows both that she's here and she's got a history with Chuck so it's not like anyone's going to let him leave her out there alone without a lot of questions being raised.

So unless we are absolutely forced to, we can't kill her nor can we just throw her to the reverends unless we've no other choice. If she decides to refuse to go into the Plath house, that's fine and it's on her -- she will cause more trouble if forced. But it's not like we can force her to stay outside either without many uncomfortable questions being asked.

>>831692
I vote for this. She knows the truth, she accepts us for who we are anyway and has kept our secret. This will probably get dumb bunny to cooperate with Ramona if nobody else. Remember, she's a dumb bunny -- she has demonstrated multiple times that she's got no ability to take into account the consequences of her actions, and that makes her a liability. She dies on our watch with no witnesses, people are gonna look at us funny. So give dumb bunny a little carrot on a stick to follow -- a cool lady who won't blow her cover -- and she should more or less behave.

Hopefully.

Once at the Plath house, she'll see the cops and either be paralyzed with fear (which should keep her out of trouble), realize they don't know what she is yet and will play it very cool to prevent suspicion (keeping her out of trouble) or panic, bolt and get herself killed (in which case she's not a problem anymore). So as long as we bring her to the Plath house we're OK.

The BIGGER problem is if Rita gets in trouble along the way.

Get a Plan B for escaping ready. We may HAVE to go into the catacombs and revolve the whole thing ourselves. Rita might not die on the way but she might have to hide and leave us stranded for too long.
>>
No. 831858 ID: b3d900

>>831842
Julia lacks self preservation instincts and rationality. She could be left out here with very minimal effort on our part.
>>
No. 831859 ID: b3d900

>>831842
Julia lacks self preservation instincts and rationality. She could be left out here with very minimal effort on our part.
>>
No. 831894 ID: 2474dd

>>831858
Could be, but there'd still be questions. Let's avoid that. Rita already knows a bit too much.
>>
No. 831973 ID: 484ea3

For God's sake can we go over and see if Rachel is ok? She'll be coming down soon and might need serious water and a grounding person to tell her she's not dying.
>>
No. 832060 ID: 1bedd2

>>831973
Agreed.

Juilia is a jealous waste of time. We should really be keeping an eye on tachel, to make she doesn't wander off or get jumped by a religious zealot zombie.
>>
No. 832080 ID: 691f9d

We need to tend to Rachel and tie Julia up. She is going to do the same to use any second now.
>>
No. 832081 ID: 9876c4

I am suspicious that the suggesters have been taking the drugs we just obtained.

They're freakin out, MAN.
>>
No. 832103 ID: ef5d58

>>832081
Yeah wtf. How about we treat Julia with kindness and dignity? Y'all are crazy.
>>
No. 832123 ID: 2474dd

>>832080
Julia's not going to do anything, she's just demonstrated she's as big a fuck-up as everyone else.
>>
No. 832130 ID: 9b8c8d

>>832103
She deserves the same kindness she's given to the rest of us. i.e. very little.
>>
No. 832253 ID: 064dbf

"She's one of the nicest people I've met. You'll met her in a little bit."
>>
No. 832255 ID: 064dbf

And enough of the hating on Julia. She's just jumpy from being in hiding for so long. She'll normal out after a while at the Plath house. Plus she's got a bunny's libido and probably knows some things that we like.
>>
No. 832259 ID: ec5ca0

Maybe, but she's still kinda just...I dunno, unappealing in several respects, and I don't mean physically. But that's for the disthread.
>>
No. 832591 ID: db884e

God, came here for the porn now I care about everybody. What the hell?
>>
No. 832641 ID: d4516a

>>832591
Good writing does that.

Also, that's the reason I can't stand Julia: she's been hurting a lot of people I care about and there's no way I'll put that past me.
>>
No. 832895 ID: 5fa45c

>>832641
Oh lay off her, sure she's a bit of a (well, huge and total) bich, but chuck wasn't much better when he jumped off that train all that time ago.
>>
No. 832938 ID: b8d5aa

chuck should definitely have a quick screw with julia to attract the reverends, as bait, and keep them away from rita.
>>
No. 832941 ID: d4516a

>>832895
I thought we were over this "CHUCK IS JUST AS BAD AS JULIA" bullshit already.

When coming to a new strange land, Chuck's first instinct was to walk over to the locals and get acquainted. Julia's first instinct was to hole up in a warehouse, start stealing shit, and regularly roofie the only person she sees so that they wouldn't remember her.

Julia is way worse than Chuck ever was.
>>
No. 832946 ID: 32d29a

Dis thread for this chat please.
>>
No. 832959 ID: 7b0078

>>832941
Don't forget the attempted murder of Ellen. Chuck hasn't harmed anyone in town, and has demonstrated no intention to.
>>
No. 832963 ID: 4854ef

Attempted mur... Are you serious? She basically just gave her some drugs and didn't realize she was gonna OD on them. It's not as if she stabbed her with them.
>>
No. 832967 ID: 100607

>>832959
There was no attempted murder. This is proven by the fact that Julia chose ketamine, which is a drug that could not kill Ellen. From Wikipedia:
>...it is technically somewhat difficult to overdose on ketamine. An even higher dosage will just lead to full anaesthesia, amnesia, but no physical danger from the drug itself as long as the environment isn't dangerous
Since Julia intentionally chose ketamine, it proves that she did not have any intention of harming Ellen.
>>
No. 832970 ID: f39d9f

Can we just choose an answer to her question so we can keep this thing moving?
>>
No. 832971 ID: d4516a

>>832967
Take your own advice and take this to the discussion thread: >>116093
>>
No. 833044 ID: 8e802d
File 150649020225.png - (47.29KB , 500x500 , 138.png )
833044

You: "She owns the inn on the hill. She's the only person who knows what I did before I got here."

Julia: "So"

Julia: "They don't arrest people here."

Julia: "Is that it?"

You: "What are you looking at?"

Julia: "Someone's coming"
>>
No. 833045 ID: 8e802d
File 150649021437.png - (17.29KB , 500x500 , 139.png )
833045

The fence rattles as few of the privacy slats begin to slide out. The jaws of a bolt-cutter begin to gnaw at the links.
>>
No. 833046 ID: 8e802d
File 150649025357.png - (47.39KB , 500x500 , 140.png )
833046

Davey: "Here they are."

John: "Right where Rita said they'd be."

John glares at Julia for a moment. She looks like a deer in headlights.
>>
No. 833047 ID: 6cd6d0

Gangbang Julia.
>>
No. 833048 ID: 3ce125

>>833046
Hey guys there might be a reverend in the warehouse but I don't care anymore let's go, I'll handle Julia.
>>
No. 833049 ID: 2474dd

>>833048
That's the best response. Let them know there could be trouble and you just wanna get the last people who need rescuing home.

Also hello, this is a dumb bunny from outta town who stumbled into Coxwette and the worst possible time and she's terrified. She's someone you used to know. Actually if you're going to introduce her as someone you used to know, maybe don't call her dumb bunny. But it's important we whip up a quick cover-story for the fool -- it will keep Julia from panicking and ruining everything. Rita might bring the truth to light but for the time being it doesn't matter.

Hiss to Julia -- if feasible -- that as long as she is nice, polite and respectful nobody will have any reason to suspect anything.
>>
No. 833050 ID: 9dc26d

>>833046
"Rita's safe then. Okay. Is this everyone accounted for now?"
>>
No. 833055 ID: 91ee5f

>>833046
>Someone other than Rita came back with the bolt cutters.
I knew it! I saw that coming a mile away and I called it! XD

"I think one of those things is in there. Let's all get back to the Plath House as quickly as possible, before it comes out here to attack us."
>>
No. 833058 ID: a633c6

>They don't arrest people here
I wouldn't know, I haven't committed crimes here.

Rita made it back safe? Alright, I'm pretty sure we've gathered everybody up and there's a reverend in the Warehouse, let's get out of here.

Oh, and this is Julia. She has a big mouth on a small head, try not to let it get to you.
>>
No. 833064 ID: 8e802d
File 150649428769.png - (25.97KB , 500x500 , 141.png )
833064

You: "This is Julia."

Julia opens her mouth to protest - probably something about using her real name. You cut her off.

You: "She's an old friend of mine. Needed a place to stay."

John looks incredulous.

John: "What's in that bag?"

You: "I was just going to say, actually."

You: "She found the medicine from the hospital."

You: "One of the reverends stole it."

Davey instantly recognizes that you are full of shit, but he just rolls his eyes and takes the front of the line.

John: "Stealing medicine. What kind of monsters are these?"

John: "Terrorists to say the least."

He walks backwards behind you to keep an eye out behind the group. Julia gives you a look. The trip to the Plath House is short but nerve wracking, an ominous fog of war turning every breeze or rattle in the distance into a fierce menace.
>>
No. 833065 ID: 8e802d
File 150649430512.png - (41.90KB , 500x500 , 142.png )
833065

The second you walk through the door, you hear a gasp in the den that echoes into the foyer. Lisa, clad in a bathrobe, scurries in and embraces Rachel.

Lisa: "Rachel!!"

Lisa: "Rachel! Je pensais que tu étais mort!!!"

Lisa: "Oh oh ooohh quel soulagement!!"

Rita, Geoff, Layla, Donna, and Ellen are in the den.
>>
No. 833068 ID: ae9b99

Whelp. Time for bed. Maybe see how Ramona is doing.
>>
No. 833069 ID: 3ce125

>>833065
Hey Lisa, tell Susanna via the clipboard to get back here, everyone's safe. I will be getting stitches from the best doctor in the meantime.
>>
No. 833070 ID: 9876c4

Seduce beaver.
>>
No. 833071 ID: 91ee5f

>>833068
>Check on Ramona.
>>833069
>Have Lisa call Susanna via the clipboard
Both of these are good.
>>
No. 833075 ID: 18c9f5

Go ahead and pat yourself on the back because it doesn't look like anyone else is going to.
>>
No. 833076 ID: a633c6

Get that 'goodie bag' to the doc- bring Jules with you, Sophie will know what to do about her benzo problem.
>>
No. 833080 ID: 2ae62a

>>833071
>>833075
>>833076
All of dis.
>>
No. 833082 ID: 100607

>>833069
This, except for getting stitches. I don't think the wounds are so bad that they'd need stitches and I doubt Sophie has that sort of equipment here.

The only thing I would suggest is lying down somewhere and letting a girl, don't care which one, ride you. Or at least getting a blowjob for a job well done. A quickie before sleep is just what you need.
>>
No. 833084 ID: 0d45a9

>>833082
It's worth checking in case it got close to a major artery. I remember there being one in the armpit, but IDK about the inside thigh.
>>
No. 833085 ID: 3ce125

You know who would know for sure if he needed stitches or not? The fucking doctor.
>>
No. 833086 ID: 100607

>>833085
Your suggestion was "to get stitches", not "to see if he needs stitches". You know, you could just vote to seduce Sophie. No need to be so roundabout ;)
>>
No. 833087 ID: d4516a

>>833065
Ask Rita if she's okay. Then check on Ramona. Then make sure Sophie gets the medicines back. Finally, see if you can corner Davey somewhere in private and ask him to keep an eye on Julia: he recognized you were full of shit previously so maybe he can be trusted.

Then seduce someone.
>>
No. 833088 ID: ee43ea

No time for seduction yet.

First make sure everyone's all right and that Julia isn't going to start shit. Then hear if there's some plan for what to do next and how to get rid of the reverends.
>>
No. 833090 ID: 78717d

>>833065
Pat Geoff on the back as you head upstairs to return the medicine and check on Ramona.
>>
No. 833091 ID: 3cc68c

>>833076
Oh sure, let's give Julia some gas so that she can go right back outside to her escape plan that was doomed to failure already, and be probably killed by the reverends.

I'm not being sarcastic by the way. Let's totally do that.

She'd just get us all killed otherwise anyway.
>>
No. 833097 ID: be0718

At long last, return the drugs to Sophie!
>>
No. 833102 ID: 32d29a

Id argue we try and seduce Penny. See how grateful she is about us finding Marcie.
>>
No. 833107 ID: 600f38

>>833080
Agreed, but first we should ask Rita if she's patched up and ok now. We should introduce Julia to Sophie while we get ourselves patched up.

Then we should take Julia aside and tell her "Here everybody is running from something, and nobody knows about your past unless you talk about it. The feds don't come here, and the town cops just care about keeping the peace in town.
You've got a clean start here if you want it, but you need to chill the fuck out."

We can have Susanna give Julia a crash course on how she's trapped in purgatory when she gets back.

Once we check on Ramona we should spend some time with our amnesiac girlfriend.
>>
No. 833115 ID: b9b4da

Immediately clarify that any statements Rita attributed to you regarding Geoff were lies and vicious slander.
Drag Julia upstairs to apologize for "finding" the drugs.
>>
No. 833116 ID: 5f2b81

We should get our cuts looked at.
>>
No. 833117 ID: c2051e

>>833091
Her 'benzo problem' is unrelated to gasoline. It is a type of drug that she is addicted to. The person you are replying to is suggesting that Sophie, a doctor, medically treat Julia's drug addiction. I'm not sure why you ever thought gas was involved, but it isn't.
>>
No. 833118 ID: 830e7f

1. Drugs to Sophie/get patched up.
2. Check on/recall Snanor
3. Check on Ramona
4. Calm/create cover for Julia
5. Drown in hero pussy
6. If 5 doesn't work, rabbit rebound nookie
>>
No. 833120 ID: 3cc68c

>>833117
My excuses are A) attributing "benzo" to "benzine" somehow, and B) still remembering the rather heated denial that Julia is not an addict.
>>
No. 833122 ID: b9b4da

>>833118
Oh shit, the snayor's still in danger! This is a good priority list, yes.
>>
No. 833123 ID: d4516a

>>833118
We should be able to do 1 and 3 at the same time. I'm with >>833107 on the subject of 4. But

I also vehemently oppose 6: we need to not approach Julia that way, not because she'd be unappealing or unpleasant to be around, but rather because she's still got hangups from the past and we don't want to encourage her.
>>
No. 833130 ID: 830e7f

Seconded. Get HAM nekkid snake lady back safe.
>>
No. 833135 ID: 62f1df

First things first: give the meds to Sophie and check on Ramona. You should have Sophie take a look at you too.

Calling back Susanna with the clipboard is a good idea too. Let's do that asap.

Then once we've got that out of the way, we can bask in the glory of our good deeds... and see to it that Julia doesn't start shit.
>>
No. 833147 ID: 2474dd

Well that's two you owe Davey now.

>>833071
Yes, Susanna's the last one we need to contact. She needs to know she can rest, everyone else is accounted for. And we do need to check on Ramona -- and let Sophie know she's got her supplies back.
>>
No. 833149 ID: 1e15a1

So, did everyone forget that the wards pn the plath house prevent susanna from entering as well? Becayse there seems to be an awful lot of people suggesting to bring her back
>>
No. 833152 ID: be0718

>>833149
It's safer to be in sight of the house even if you can't be inside of the house. Magical wards like that also tend to have an exception where they may be invited in - speaking of which, if the house has a welcome mat we should probably bring it inside.
>>
No. 833153 ID: 15a025

Find out where Sophie is and return her bag.
>>
No. 833157 ID: 1e7aa8

Give the medicine to Sophie and ask her about Sophie while she examines your horribly injuries.
>>
No. 833158 ID: 8d4593

To the Mayor's Office!
This night's not over. The people can't stay here forever. Susana needs a plan to take care of these demons permanently.
It'ss likely take a ton of agat though.
>>
No. 833230 ID: 9dc26d

Ask the doctor to look at your wounds
>>
No. 833283 ID: 8e802d
File 150662536022.png - (73.55KB , 500x500 , 143.png )
833283

Geoff takes you upstairs to where Sophie is. One of the rooms is brightly lit with the door ajar. When you enter you are revolted immediately. The walls are hung with bedsheets, and the floor is covered with what looks like most of the Plath House's supply of towels. Layla is lying on a towel-covered bed, grunting in pain and biting down on a cut of rope. Sophie is using all of her arms to stitch Layla's wound.

Sophie: "Leave"

You: "I have the medicine."

Sophie's shoulders relax a bit, and she exhales deeply.

Sophie: "Thank you. Please. Leave until I finish."

Layla is looking right at you, triggering a minor flight response. You wait outside.
>>
No. 833284 ID: 9b8c8d

>>833283
Check on Ramona.
>>
No. 833288 ID: 100607

Call Susanna
>>
No. 833290 ID: 2fe26a

Check on Rita, our hero.
>>
No. 833295 ID: 91ee5f

Check on Ramona.
>>
No. 833299 ID: 3ce125

Priority is Susanna now. Gotta tell her to get her supple cheeks over here.
>>
No. 833304 ID: 830e7f

ALL OF THE ABOVE. Make the rounds then come get patched up.
>>
No. 833309 ID: 8e802d
File 150662902883.png - (32.59KB , 500x500 , 144.png )
833309

You leave the medication outside the room for Sophie, then return downstairs to find Lisa.

You: "I guess..."

You: "I guess you can tell Susanna everyone's fine."

Lisa: "I did."

Lisa: "She's on her way back."
>>
No. 833310 ID: ee43ea

Ask where everybody is, then go see them all in about the order of whoever happens to be the closest. Once you get to Lisa, ask her to get in touch with Susanna.
>>
No. 833311 ID: 9b8c8d

>>833309
Well, that's that settled.

Ramona next!
>>
No. 833312 ID: 704031

>>833283
Mom dog next. But make it quick! She's probably not fairing much better since last time.
>>
No. 833313 ID: 3cc68c

Go make sure Ramona is fine. If you see Julia around, make sure she isn't getting to trouble. If you see Davey, tell him the truth of the drugs and ask him to keep an eye on the bunny - but to not tell anyone else, lest morale drops.
>>
No. 833314 ID: 91ee5f

>>833309
We'd better go to Ramona next and tell that Susanna is coming over, so that Ramona can give Susanna permission to enter the Plath House! Because without getting Ramona's permission, the magic barrier is going to keep Susanna out of the house!
>>
No. 833315 ID: 2fe26a

Ask Momdog for permission to let Susanna in.
>>
No. 833317 ID: 100607

Relevant: >>/questarch/758519
>this house is warded, she can’t come in without my permission

Umm, Susanna is on her way back where? Back to the City Hall? Tell Lisa that Susanna should come to the Plath House, and that Ramona will give her permission to enter.

We should go see if Ramona is up. We will need to get permission for Susanna.
>>
No. 833319 ID: 9876c4

Tell Lisa she did good too, for chrissake.

Get one of those gropeyhugs. while you're about it.
>>
No. 833324 ID: 8e802d
File 150663054752.png - (55.25KB , 500x500 , 145.png )
833324

You go back upstairs and quietly enter Ramona's bedroom. Ramona slowly opens her eyes as the light from the hallway hits her. She is lying there with a small glass of brandy on her bedside table.

Ramona: "Ed?"

You: "It's Chuck"

Ramona: "Oh... of course. What happened"

Ramona: "You're hurt"

You: "I'm ok. I just need a few patches over these cuts. I've taken worse than this."

You: "How"

You feel a tingle in your neck.

You: "how are you feeling?"

Ramona: "Oh..."

Ramona: "Better. Nauseated..."

Ramona: "Sally came to see me. She isn't hurt."

You: "Oh, yeah. I know. No one's really hurt that bad."

Ramona: "I'm sorry"

You: "For what?"

Ramona: "I never knew it was this bad. My drinking. I'm so ashamed."

Ramona: "How can I raise my daughter this way"

Ramona: "I'm a terrible mother."
>>
No. 833327 ID: 2474dd

>>833324
Tell Ramona about Julia. Maybe it will help her to see what a real fuck-up looks like. Sally's a good kid, she did a good job -- if she hadn't, she would have turned out more like Julia.
>>
No. 833328 ID: 2fe26a

Agree, check on other dogs.
>>
No. 833329 ID: 9b8c8d

>>833324
"We can talk about that later. For now Susanna needs a permission to get in. I know that one's not easy for you now either, but she kind of saved us all tonight.

Hang in there."
>>
No. 833330 ID: ee43ea

>>833327
This works.

"You know what I used to be like. You'll know even more once you get to meet an old acquaintance of mine. And I don't think anyone's without a blame right now anyway. Just rest... give Susanna a permission to get through the barriers, then take it easy. All right?"
>>
No. 833331 ID: 3cc68c

>>833324
"We all make mistakes. Gotta learn from them and do better next time. No one got that hurt by this one anyway."

Smile, pause, sigh. "Listen, we can talk more about that stuff later. You can rest, and stuff. But for now... I know you're not going to like this, but you need to open a way for Susanna to enter. She helped us all out a lot too. Can't leave her out there."
>>
No. 833333 ID: 9876c4

These are all good suggestions.

But you should still go back and thank/fondle Lisa.
Overlooking her is such a Geoff thing to do.
>>
No. 833336 ID: 3ce125

>>833324
Tell her she's a better mother than yours, and Sally turned out fine, if a bit under-educated.

Then let's go get LAID. Hmmmmm who's gonna get some dick now I wonder. Maybe we could see if Angela is in the mood. Rita's probably in too much pain.
>>
No. 833338 ID: 100607

Explain recent events to Ramona.
Ask her about permission for Susanna.
>>
No. 833347 ID: 91ee5f

>>833331
This.
>>
No. 833349 ID: 8b2654

>>833324
Wrap her in a hug.
"Don't bullshit yourself. Sally's a good person, and the only reason you're in that bed is because you were too good at keeping your problems away from her. She dumped the alcohol because she found out you had a drinking problem and was trying to save you. What kind of person finds out someone needs help and immediately jumps to help them? If you were a bad mother she would have already known and wouldn't have tried to help.

Ye shall know them by their works. Sally is a fantastic person, so you're a fantastic mother, and I won't let anybody say otherwise. That goes double for you.

I've been meaning to ask. How long ago were you diagnosed with cancer? Time passes weird here, so could it be something you've had all along?"
>>
No. 833368 ID: be0718

You don't get to choose your mother, so you make do. Sally isn't too bad off, in that regard.
Ask about snek sanctuary.
>>
No. 833390 ID: 8d4593

>>833324
She didn't know better.
Still, her hearts in the right place. She was just doing what she thought was right.
Sounds like you did a pretty decent job to me.
>>
No. 833410 ID: 2edbd7

Before I miss the chance to suggest this later, tell her on the way out that even though the circumstances aren't good, we managed to get her some guests for the Plath House.
>>
No. 833431 ID: 3fb646

>>833410
This is worth mentioning. No matter what else we say, it might get a smile from her.
>>
No. 833436 ID: 2474dd

>>833410
Agreed, and it's also an excellent throw-back.
>>
No. 833439 ID: b11903

>>833410
Second
>>
No. 833442 ID: 5ca8f3

Ramona, I know terrible mothers and that's not you by a damn sight. I found those drugs that'll help, so you've still got time if you've really got regrets.
>>
No. 833443 ID: f9c3f2

>>833410
Definitely this, yes.
>>
No. 833445 ID: 91ee5f

>>833410
This.

And should we mention that it's the entire town minus the Snayor or can she already tell from all the noise downstairs?
>>
No. 833447 ID: f66698

Geeze chuck, give her a hug and tell her how much you love her. Not the way love Marcie, but still, she's taken you in and is basically family now. Not like your asshole family, like the families you watched on television.
>>
No. 833448 ID: 5ab5f9

Give her a taste of her own medicine, hit her with this:

"What you’ve done is only who you are if you don’t change what you do."

That's what she said to us when we admitted what a huge fuck up we were. Yeah, Ramona is an alcoholic, but she doesn't have to be.

Even with cancer, she still has time to become a better parent and at least try to fix things.
>>
No. 833503 ID: 8a204b

>>833324
"Trust me, if anyone knows bad parenting, it's me. And you're nowhere close to that level."
>>
No. 833534 ID: 8e802d
File 150670859278.png - (38.81KB , 500x500 , 146.png )
833534

You: "What you've done is only who you are"

You: "if you don't change what you do."
>>
No. 833535 ID: 8e802d
File 150670860348.png - (54.40KB , 500x500 , 147.png )
833535

Ramona closes her eyes, but opens one briefly to look at you. She takes a deep breath and smiles.

You: "And, uh, for what it's worth"

You: "I managed to get you a few more guests."

Ramona:

Ramona: "Oh, that's lovely."

Ramona: "I'd love to greet them, but I need some sleep."
>>
No. 833536 ID: 8e802d
File 150670861525.png - (33.63KB , 500x500 , 148.png )
833536

Geoff: "Ms. Plath."

Geoff knocks on the door, then opens it after a moment. He's wearing all white, except for a pair of what look like 19th century military boots.

Geoff: "Dr. Sophie sent me with some pills for you to take in the morning, and I brought you some water."

Ramona: "You are a dear. Thank you."
>>
No. 833537 ID: d4516a

>>833536
"Good job, Geoff."

Make it clear there're no grudges or anything.

"Need a hand with Lisa?"
>>
No. 833540 ID: 100607

Tell Ramona that one guest needs a permission to pass the wards to enter the house.
>>
No. 833542 ID: 91ee5f

>>833540
This.

We might as well let Susanna into the house. Then we can tell Ramona that we got the whole town into her house!
>>
No. 833543 ID: be0718

>>833537
Inside the wards or not, lying is a sin.

Entreat Ramona to let the snake in her backdoor.
>>
No. 833544 ID: 0d45a9

>>833537
This but without the Lisa comment, as things are still in a crisis situation.

Ask Ramona if Susanna can have permission to enter, if she objects, mention that the Plath house is the only sanctuary from the reverends at the moment (I'm not sure if she knows what went down.).
>>
No. 833545 ID: 064dbf

Nah, fuck it. Let's be petty. Don't let Ramona see it but glare at him. Or give a snide remark about his outfit.

I'm tired of seeing all the wet blanket suggestions.
>>
No. 833546 ID: 3ce125

>>833536
>Lisa in a bathrobe
>Geoff in a new set of clothes
...did they do it? Ask him if they did it.
>>
No. 833547 ID: d4516a

>>833546
No no, don't ask.

Just give this really wide, wicked, sleazy grin. You know what he did, and you can let him know of that without any words.
>>
No. 833556 ID: ee43ea

>>833547
This.

Just smile like a douchebag dudebro.
>>
No. 833557 ID: 100607

>>833546
I would expect it to be makeshift nurse outfit that Sophie told him wear. So it might be better to not accidentally offend him right away.
>>
No. 833558 ID: d4516a

>>833557
That's another reason we'll just smile at him. If they did the deed, he'll know what it means. If they didn't, it'll fly right over his head and no one will be offended.
>>
No. 833559 ID: 91ee5f

>>833557
>makeshift nurse outfit
Yeah, that makes more sense than Geoff and Lisa doing it.

He probably hasn't even attempted to ask Lisa yet!
>>
No. 833561 ID: 35b819

>>833536
Thanks Geoff.

You owe me your ass, and I'll collect it later. In bed. With anal. And interest. Anal interest.
>>
No. 833572 ID: 3ce125

>>833557
Oh you're right. The question should be more like "Sophie picked out that outfit for you, huh?"
>>
No. 833590 ID: 9876c4

Guys no, he's not that straight.
Send him to comfort Ramona, so he can get his training wheels.

"Get in there, you slight furry oaf, I don't care what you smell."
>>
No. 833593 ID: 8d4593

Can't we just get Sally's Permission? She's Plath blood. The ward should apply. Ramona's in no condition to be making such decisions, and asking her would just get her all worked up when she needs rest.

Alternatively, we could just meet with the mayor outside. As long as she stay's close one of our gun-toting companions could assist her with any respawning clergymen.
>>
No. 833595 ID: 91ee5f

>>833593
I think it has to be the house owner and Ramona owns the house, not Sally.
>>
No. 833604 ID: 9e55b7

kiss ramona on the forehead when Geoff leaves the room, and tell her we're staying in Coxwette. I think it's appropriate given our little speech about not being a loser here earlier.
>>
No. 833620 ID: 064dbf

I suggest we just leave. Let's go comfort Sally. Let her know we got the meds we need to keep Ramona safe. Or go make sure those meds get to Sophie. We've got like 10 honeys down stairs we can go play the hero card on. Let's go get laid (and by someone with some personality).
>>
No. 833629 ID: 20b1af

Get examined/patched up by Sophie. And make sure to ask if it's okay to have sex afterwards

If the answer is yes, hit on her.
>>
No. 833631 ID: 91ee5f

>>833629
We can't, she's in the middle of stitching up Layla.

We're gonna have to wait our turn and I'm pretty sure it's gonna be a while.
>>
No. 833647 ID: 8e802d
File 150675258578.png - (46.91KB , 500x500 , 149.png )
833647

You sneer at Geoff on the way out of the room, but don't say anything. He looks gay in those clothes. Super gay. Sophie probably told him to wear them or something. You make it a goal to punch him back sometime.
>>
No. 833648 ID: 8e802d
File 150675259895.png - (41.54KB , 500x500 , 150.png )
833648

Anyway, it's high time you got to some tomcatting downstairs with the ladies. They're all safe and very available. Time to turn on the old Chuck Charm and find some
>>
No. 833649 ID: 8e802d
File 150675263064.png - (30.33KB , 500x500 , 151.png )
833649

instant cat snoring
>>
No. 833650 ID: 8e802d
File 150675265753.png - (1.65KB , 500x500 , 152.png )
833650

END CHAPTER XI
>>
No. 833651 ID: 9876c4

We missed the biggest orgy ever, but it's probably for the best.
>>
No. 833652 ID: ae9b99

Dream sequence next chapter?
>>
No. 833653 ID: 91ee5f

>>833649
Not even the old Chuck Charm can stand up to the combined might of staying up too damn late at night and running around and being a fucking hero!
>>
No. 833654 ID: 100607

Wake up in a pile of _____
>>
No. 833663 ID: 62f1df

Sounds about right.
>>
No. 833674 ID: be0718

Wake up to tender doctor TLC. Yes, that's two tenders. One in each arm.
>>
No. 833697 ID: 2474dd

If you really wanna get back at Geoff, go fuck Rita and then fuck Geoff so that his sister is indirectly fucking him in the ass, and then tell him afterwards.
>>
No. 833698 ID: 2474dd

>>833697
Not that I'm actually suggesting this, that is depraved and messed up and Geoff is a good guy.
>>
No. 833723 ID: 1ce2fd

Should definitely make up with him by banging him, tho.
>>
No. 833725 ID: f5a07e

Break Geoff's nose. This will prove you're the alpha male to Lisa and Rita. Besides, he's a pussy bitch and you made a promise.
>>
No. 833728 ID: c31aac

>>833674
I, on the other hand, absolutely am. Reason: it'll be fuckin' hilarious.
>>
No. 833743 ID: 1f9ab0

Wake up having completely missed the orgy.
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