The Storyteller 2022/07/13(Wed)19:30 No. 1038061 ID: 629f2e
File 165776580915.png - (1.13MB , 1000x1000 , 139.png )

You had been stressed out. All afternoon and evening you’d spent agonizing over what you’d seen. The Fire, the Body being wheeled out, his Daughter’s cries... A man had died.

Frederick Anderson hadn’t just been any man however, but the rightful owner of your home. Your parents were renters before their ends’, leaving you to try and foot the bill to keep your home. Even trying your best, your payments decreased significantly, as you had to prioritize feeding your brother over all else. You couldn’t let him go hungry, not after everything you’ve put him through...

It was a miracle that you continued to live here, a kindness you hadn’t expected but deeply appreciated from Mr. Anderson. By all accounts, you should be mourning the death of a good man, but you’re too self-centered for that.

Instead, you’d spent the day dreading all of the worst outcomes this might have on your lives. What would become of this house you’ve spent your entire life in? Would your loan fizzle away, or will it be transferred to someone else? Would anyone else be as patient with you? Not likely. No, what would happen would be that they’d seize your home since no one’s around to tell them not to, then you and Rodney would be kicked out onto the streets. Or to a prison cell, once they dig up the truth rotting away out back.

It had been a bad day. You were barely keeping it together, and you just needed nothing else to go wrong around you for the rest of it, just a few hours of okayness.

The Storyteller 2022/07/13(Wed)19:30 No. 1038062 ID: 629f2e
File 165776584945.png - (1.45MB , 1000x1000 , 140.png )

Your brother had finally come home, and it should have been your reprieve. He always makes you happy, no matter how down you feel.

Except you never got to share your concerns with him. Your attention had shifted to the arms, cradling a nice pile of Candy.

...And that was it. The straw that broke the camel’s back.

Clive: “Where did you get this?”

It was less a question than an accusation. The sheepish grin he’d come in wearing morphed into a frown. He knew something was wrong, but probably hadn’t understood the scope.

That was your fault, naturally. You never let him in, told him what had you on edge.

Rodney: “Um, I was over at Abel’s house, and I mentioned that I don’t have candy often, and his mom heard so she gave me-”
Clive: “It was Charity. You took charity.”

You had told him a million times not to accept things from others. It was hard enough keeping suspicion down as is, you didn’t want rumors to start going around about your parents not feeding you.

Rodney: “It was just a gift. Don’t worry, I’m sure she didn’t think anything was weird about it.”

That should have been it. You should have conceded, told him not to do it again, and moved on. Any other day you would have.

But you were past your limit. It was already too much, you just couldn’t do it.

You lashed out, sending the pile in his arms onto the floor. You needed it out of your sight, the brightly colored wrappers were driving your blood pressure up.

Clive: “It’s the same thing! Don’t. Take. Gifts.”
Clive: “Do you need candy? Was this little pile of goods worth getting yourself killed over? Because that’s what happens if we get caught!”
Clive: “Death! There’s no happy ending for us if you can’t keep your stupid head down!”
Rodney: “H-Hey! What’s your problem!? I said I was sorry! Why are you being such a... a paranoid turd?”
Clive: “My problem is that I’m doing everything I can to keep us afloat, and you’re trying to sink the ship! If you need candy, there are stores full of it. Just take some!”
Rodney: “I don’t want to steal it!”
Clive: “Ohhhh right, you think stealing is wrong. Guess you do need candy since every meal I put on the table must taste like ash in your mouth. Sorry.”
Rodney: “Stop it! Stop talking!”

You didn’t.

The Storyteller 2022/07/13(Wed)19:31 No. 1038063 ID: 629f2e
File 165776589624.png - (1.12MB , 1000x1000 , 141.png )

What happened next was... It all came to a head, and you said Something.

The words themselves didn’t matter. It was the intent. The awful blend that had been stewing inside of you came out all at once. You fired it right at him, and it hit.

You regretted it instantly, but it was too late. You’d already said it.

Nothing you could say would undo the pain you’d made him feel right then.

He was crying when he left, running away into the dead of night. It was obvious he didn’t want to be anywhere near you. You couldn’t blame him. If you had the choice, you’d have left yourself too.

The guilt was overwhelming. At first you tried to chase after him to apologize, but it was late, and the moonlight wasn’t clear enough for you to see where he went... He had to come home eventually though. So you just... waited. All night long you sat there, thinking of what to say when you saw him again.

The Storyteller 2022/07/13(Wed)19:34 No. 1038065 ID: 629f2e
File 165776606014.png - (1.55MB , 1000x1000 , 142.png )

...

He never came back.

In class the next morning, Mrs. Chamberlane announced Rodney's Graduation.

...

...

...

...It’s morning.

Your name is Clive Schmidt, or in the words of your classmates: The Anti-Socialite of Cattenom.

...You haven’t been sleeping well recently.

The reason is obvious. You’re sleeping in a chair. A wooden dining room seat, not even a sofa or recliner. Your back is sore, and you feel like you got at most an hour’s rest.

But you can’t sleep anywhere else. Not unless you can watch the door, which is impossible from your room. Rodney could come back any time, so you need to be there if he does. You have to Apologize...

It’s stupid. There are a million ways you could make this easier on yourself. You could have dragged your mattress down near the door days ago, but you won’t. You don’t deserve that comfort right now. This chair is terrible, it makes you feel terrible, and that just about matches your mood perfectly. You want to curl up and stop existing.

You won’t. It wouldn’t get Rodney back, it would just make you stop hurting. You haven’t earned that.

That means you have to keep up the routine. You’re already suspicious, can’t give your teachers more reason to suspect anything. This is a bad time for people to be poking around into your life and pulling skeletons out of the closet. Or, Backyard to be more accurate...

...Your body doesn’t want to agree with you, but you have to go to school. What should you do?

A: Take a shower and have a nice breakfast
-Ugh
B: Just use deodorant and eat a granola bar
-Meh
C: Stew in your misery
-Can we?

>>1038065
A.

I assume you have electricity and water still, but you might not for much longer, which means the food you got yesterday might go *bad* and if you really want to sell the *everything is fine* angle you should definitely shower.

You can just brood in the shower while you do it, even if you don't have soap, at least soaking and cleaning off anything from however long it's been will moderately help you. Plus it'll be warm and relax your muscles!

Also, random shower thoughts:
how much cash do you have and how much is owed in how long?
basically I want to know if this is a *right now* problem, or if this is an *end of the week* problem

I want to say A. Removing suspicion requires that you start on the road to recovery.

If you wish to stew anyway and refuse to listen to us, at least do something with that stewing. Stew with useful lines of thought while you make breakfast if you have to. You can multitask, right?

Think. Until you decide to tell someone all of what's happened in this house, it's up to you to make sense of Rodney's circumstances.

"Resonance of the Synapse" starts playing.

> WHY WAS HE ANNOUNCED AS "GRADUATED?"
... Because whatever his fate is, the adults know it.

> WHY DIDN'T ANYBODY CONTACT HIS HOUSE?
... Because if your parents were alive, they would already know.

> WHY IS NOBODY MISSING YOUR PARENTS?
... Because they weren't in contact with anyone much at all, to begin with?

> PARENTS WEREN'T IN CONTACT, TO BEGIN WITH

> THE TRUTH WOULD HAVE GOTTEN TO YOUR PARENTS

... Wait, what?

Clive... who were your parents? There's a contradiction here, and I don't like it. Either something screwy's up with this house, or the actual answer to one of these questions is much less "reasonable" than I first assumed.

B. middle ground. self improvement and help starts small... Clive doesn't feel he deserves a shower, and sitting there miserable isn't going to solve anything. Best to start slow and practice patience

...

maybe take that 100 grand bar with you... Temmie might want it... or Roger might want it to give it to Temmie. Justify it as not deserving something that good and giving it to someone more deserving... but in reality, you don't realize you're going to make someone happy and want to potentially help you after raising your bond with them

Of course we can stew in our misery. In fact, we've stewed in our misery long enough. That's what we've done: built some nice big cauldron-shaped walls around us and set the heat nice and high.

Obviously it doesn't feel good. Maybe Clive deserves it. Clive obviously feels he does. But what if he doesn't?

I think Clive can obviously agree that he's fallible. Otherwise, lots of bad things might not have happened.

So let's start there. Clive, you're fallible. Accept it. With that as the starting point...

So is everyone else.

And that isn't so bad.

Choose A for Accept and move forward as best we can.

Failing A, B. A good shower cots time and money, but this could also be one of your last chances to take advantage of it.
At the very least, it'll help you look a bit more presentable when it comes to the inevitable socialization (ugh, right?) which could help when asking for some kind of... help.

Since now is a good time to gather thoughts...
Shower thoughts (or shower stewing, your choice)

A certain logic seeking tunnelvision spiky hair guy might be thinking about what exactly you said to Rodney. Not to ask the impossible, of course, but it might reveal some sort of clue as to where he went, but... at worst, it might just deepen your regret if you do remember.

You aren't your brother, but it wouldn't be out of the question to remember some of the people he talked fondly or negatively of, maybe who he usually goes to or not...
I mean, you clearly remember Abel's from... then. Yeah.

...Actually, Abel's a name we've only heard only, what, once before? Point of interest. Maybe a visit is in order later. Even if it's... extremely awkward, and potentially raises suspicion.

It's gonna be annoying to hear, but A is the right thing. Getting out of your misery can suck big time but you need to take that first step. A shower can be the hardest move but just getting clean can help, trust me.

rolled 1, 2 = 3

---

The Storyteller 2022/07/23(Sat)12:07 No. 1038990 ID: 629f2e
File 165860322718.png - (1.18MB , 1000x1000 , 143.png )

A shower would do you well. It’s been a while, you’re probably starting to stink...

You’ve been skipping out on full meals as well, settling for whatever took the least time to prepare. Unfortunately, Nothing is a tough competitor to beat. Granola bars, chips, and cereal straight from the box were close contenders at least.

It used to be easier to keep up with those routines. But once it became just you and Rodney, you started needing to force yourself to do it. Most days you needed you brother to nag you into doing it, so without him... You’ve lost a lot of motivation.

...You should do it. Treating yourself well will make you feel better, you know it will. Your effort will directly result in an improved mood. There’s no doubt in your mind.

...So why does it feel Insurmountable?

Maybe it’s because you didn’t immediately act on the thought, giving you time to overthink it. Going upstairs, undressing, getting in, cleaning yourself, drying off, re-dressing, and then after all of that you were expecting to cook for yourself!?

There are just so many steps, so much you have to do, it’s Too Much!

The thoughts eat away at you. These are such small tasks, things other people do every single day, but you’re too incapable to even start doing them. It’s Pathetic.

In the end, you decide to skip out on the shower and focus on breakfast. That shortened the list, and made it a bit more bearable. Soon enough, you’re scraping scrambled eggs and toast onto a plate. You don’t bother cleaning the pan, but at least fill it with water to soak.

The meal is... nice. Even with your brain refusing to drop its grievances against you for all of your failings, you find some peace in the dish and quickly clean your plate.

Clive slept poorly, gaining 5 Fear from nightmares about his brother
Clive’s self loathing caused him to gain 2 points of Fear
However! Clive lost a point of Fear for taking care and making a nice meal

Party Fear Levels:
[Clive: 46/100]

You’re probably wondering why Clive ignored part of your directions, despite agreeing with you.

...Actually, it’s probably obvious what went wrong.

Clive is depressed. It’s hard for him to muster up the energy to take care of himself at times. You asked for a lot, and it was too much for him to handle. That stressed him out, and resulted in mild Fear gain.

Do you remember how Albert was able to reject your wills last thread because his will was strong enough? When guiding Clive, any suggestions that seem daunting will have a chance of failing due, solely because Clive can’t muster the will to act on them. You will never be told the odds for this happening, but you may be warned when the possibility exists. There may also be Fear gain whenever Clive fails to act on a suggestion.

If you need certainty or are worried about Clive’s growing Fear, then keep your suggestions lighter and easier to achieve. Controlling Clive will be a balancing act of weighing what you want against what he is capable of.

Clive is trying his best. So just... try to meet him halfway.

The Storyteller 2022/07/23(Sat)12:08 No. 1038991 ID: 629f2e
File 165860331427.png - (0.97MB , 1000x1000 , 144.png )

As you’re eating, you find yourself reflecting on mom and dad. All the happy memories you have of them have been tainted by their deaths, but you’ve had to lock down everything you know about them to keep suspicion off yourself and Rodney. Going over the basics won’t hurt you.

Dad was a Security Guard for the high school, and mom supposedly taught there. You aren’t sure how true that is anymore, given what you’ve learned about the establishment, but you think it’s safe to say that mom did something for them. They both worked evenings for the most part, so you only really saw them in the morning before you left for school, and for a couple hours after you made it back. Most weeknights you’d be left with a sitter. That was how you came to know ‘Bec.

Unfortunately, you weren’t very sure about their relationships outside of the family. The amount of people who had started asking about them after the incident was very limited. Their workplace tried to check in of course, so you had to mail back forged resignations to shut them up. You’ve made excuses for your teachers and landlord when they asked about them, but otherwise very few adults even brought them up to you.

Maybe they weren’t very social, just like you. No clue where Rodney got his nature from then.

Whatever. Your breakfast is finished, and it’s time to head to school. You grab your Discoveries from the library to show the others, but pause as you’re about to head out the door.

You almost forgot, but some of the Food that you had here was for Albert. He did say to leave it here, but you get the feeling he’ll be skipping a meal if you don’t pack him anything.

It didn’t take a genius to reach that deduction. It was obvious, given that most of his purchases were pragmatic. Protein bars, beef jerky, all foods that were Filling first and foremost. That told you more about The Genius than you needed to know, so you try to ignore this unwanted discovery.

You grab a few random items and shove them in your bag, before heading out the door. The sooner you reach school, the sooner you can sit at your desk and zone out.

Unfortunately, life isn’t that easy. You run into someone leaving their house that you can’t exactly ignore like the rest of your classmates. He’s one of the kids who hangs around Albert and his friends. The name eludes you, as you never bothered remembering it. He’s the one who draws, The Artist.

It’s tempting to just continue walking, as you would have to deal with him during lunch already. Best to put the matter off ‘til then, right?

Here’s the issue: This kid is Terrified of you.

Normally, that’s convenient, as it would keep him away. Now that you are actually trying to deal with him however, his fear is more troublesome than helpful now. This kid is trembling just from being close to you. How are you supposed to work with him if just standing nearby is enough to spook him?

You get the feeling he’s going to run away if you don’t say something. Is it worth it?

Will you say anything to The Artist?

A: Talk to him
-What would you even say? (Suggest something)
B: Walk away
-You don’t have to deal with this now
C: Stand still and let him decide
-He’ll just flee. That won’t feel good
D: Other
-Do something else

A, but keep it simple: "Hi, Roger. I don't want to walk to school alone; can we go together?"

It's brief, yet shows that your request is innocent/vulnerable in nature. If Roger - That's his name, by the way; hooray for spirits helping you cheat at remembering! - wants to keep talking as you walk, you should respond, even if it's only a grunt to let him know you're acknowledging him.

Probably don't need to do much except
D and (optional)A. Grab the 100 Grand Candy Bar from your inventory, and hand it to him. Don't even need to say a word, or at the least, just say "For you" if you have the strength for those two words. Then just walk away. He'll know what to do with it and might warm up to you a tiny bit. (he's supposed to give it to Temmie at some point, like she wanted)

>>1038997
Oh wait, I probably read it wrong. when he said food, he probably meant the food Bec delivered, not the candy on the floor. whoops. I don't know if he took the bar or not. Probably not since its Rodney's

I'll rethink my suggestion for a bit.

A and B. Just say "Hi Roger" or "Hello Roger" and then walk away. a slow start, yes, but a start nonetheless that is to Clive's comfort speed. Best be patient about this.

>>1038999
agreed with this. Just a polite hello.

>>1038999
Yeah this, don't like try to force a smile or anything or even try to force eye contact if you feel it's too much. Subtle acknowledgement and then continue on, if he tries to talk to you though, that's on you how you wanna react.

>>1038999
I'll one-up this.

Just "Hi."

That's, like, 1000% improvement for Clive. Roger's mind will be blown.

D: Something completely out of character for Clive, such as "Last one to school owes a favor!"
But in all seriousness, probably just something like...

A: "Hi."
"..."
"Want to walk together?"

"Hey.
Any news on my brother and the missing kids?"

The Storyteller 2022/08/07(Sun)22:12 No. 1040323 ID: 629f2e
File 165993553227.png - (805.11KB , 1000x1000 , 164.png )

Keep it simple.

Clive: “...Hi.”
The Artist: “...H-Hey?”
Clive: “...”

...You keep walking, having nothing else to say to him. He races past you shortly afterwards, not running, just fast-walking. It was clear that he didn’t want to be around you, an opinion which you shared.

You’re by yourself for the rest of the walk. A few kids pass you by, but none stop to chat. That’s preferable.

If not for all the things on your mind, it would be a nice day so far.

The Storyteller 2022/08/07(Sun)22:13 No. 1040324 ID: 629f2e
File 165993563159.png - (1.02MB , 1000x1000 , 165.png )

...

JoJo didn’t show up to class today.

You expected to hear the worst, but she’s just Sick according to your teacher. Aside from her absence, everyone else was present to your knowledge. No graduations, no missing children, for the first time in days there were no strange disappearances. It made things a little less tense, if only briefly.

No news about Lemmy’s whereabouts though. Chamberlane warns us again that if he doesn’t show up soon, there are going to be some Safety Protocols set up under the assumption that he was Kidnapped. You don’t have a clue where that boy got off to, so you couldn’t rat him out if you wanted to.

The rest of class goes by painfully slow. It ends, after what feels like an eternity, and at lunch you’re dragged over by Albert to a table with his friends yet again. That includes, unfortunately, The Artist. He doesn’t seem any more comfortable with your presence than he did before.

[The Suspicion surrounding members of your party has changed.]

Party Suspicion Levels:
[Clive: 55/100] (+2 for being around others)
[Albert: 21/100] (+2 for being around you)
[Franklin: 35/100] (+2 for being around you)
[Lillian: 5/100] (+2 for being around you)
[Enid: 10/100] (+2 for being around you)
[The Artist: 5/100] (+2 for being around you)

[Those who had pleasant dreams lost Fear.]

Party Fear Levels:
[Clive: 46/100]
[Albert: 43/100] (A little better than yesterday)
[Franklin: 44/100] (What happened there?)
[Lillian: 15/100] (Probably from her fight with Albert)
[Enid: 0/100] (Looking a lot better than yesterday)
[The Artist: 6/100] (Seems fine)

...You have to stare down at the table to avoid The Artist’s burning gaze. It’s uncomfortable

The Artist: “Okay, so... Yesterday did anybody…”
The Artist: “ ...I’m just gonna ask it: Why is Clive here? Did I miss something?”
Albert: “I invited him yesterday. He was already investigating on his own, so it made sense to combine our efforts.”
Lillian: “Oh yeah, you missed that because you were out playing baseball, didn’tcha? How was that?”
The Artist: “Ugggghhhhhhhhhhhhhh.”
The Artist: “I could spend the rest of lunch just complaining about it. Don’t get me started.”
Enid: “...There weren’t any problems yesterday, right?”

Albert and Lillian share a look, both clearly thinking of the same incident.

Albert: “...None involving Clive, if that’s what you’re asking.”
The Artist: “Wait, why did you specify that?”
Enid: “...If that’s the case, then it’s fine if Clive is here. If he didn’t do anything bad yesterday, I don’t think he will today either. Don’t you think so, Roger?”
The Artist: “H-Huh? Well…”

Oh, so that was his name. Try not to forget it this time, it’ll be annoying having to pick it up again.

Roger: “...I guess if everyone else is okay with it.”

It was a begrudging acceptance, but you’ll take it if it means you don’t have to fight to stay around people you barely want to be with. It’s easier like this.

As the others start to eat, you slide Albert the items you brought from home. He accepts it quickly and eats with... fewer table manners than you would have expected. You get through your own sandwich quickly.

As the others finish eating and giving Roger and Enid a summary of yesterday’s investigation, the discussion starts on a sticking point from yesterday.

Roger: “The Cattenom Nuclear Plant?”
Lillian: “Have you heard of it?”
Roger: “Nope, never. This town has been all about recycling for as long as I can remember.”
Enid: “I also haven’t heard of one before. Though, I didn’t know much about the Recycling Center either to be honest. Daddy never mentioned either of them much.”
Clive: “...Hey, Alien. You said it sounded familiar yesterday. Remember anything?”

He rubs his head in thought, mumbling to himself as he does.

Franklin: “...Hmmmmm... Nuclear plant... When was it that…?”
Franklin: “...”
Franklin: “...Nope, I don’t have it. Sorry. I probably heard it a long time ago, but it’s all fuzzy back there.”

You’d be disappointed if you expected anything to change. It’d be nice, but you don’t need his memory to investigate the plant.

Clive: “...I Found something about it.”
Albert: “You did!?”
Clive: “Yesterday. After we split up.”

You pull a newspaper out of your bag and pass it to him. He quickly begins flipping through it, reading quickly.

Albert: “This was at the library?”
Clive: “...They had some old newspapers in the back.”

That you weren’t meant to be in the back didn’t need to be said. Albert seemed to understand just fine.

Roger: “Hey, mind sharing with the rest of the class? What does it say?”
Albert: “It’s the front page article that’s relevant. Here, I’ll read it out…”

“Cattenom Goes Nuclear!”

“Civilians celebrated the opening of Cattenom’s Nuclear Power Plant this morning with much revelry. With the plant going into operation, this marks the first Nuclear Plant in the whole of North Carolina, and the fifth ever to be completed in the states. This government funded facility has opened the doors to many new jobs, and will introduce a surplus of funds to be spent on the town. While many are on board, some oppose the plant, citing concerns over radiation…”

Albert: “It goes on from there. It’s the headlining article.”
Lillian: “So there really was a nuclear plant? Huh. How come we never heard about it until now?”
Roger: “...When is that paper dated?”
Albert: “June 15th, 1959.”
Roger: “It opened at the tail end of the 1950s…?”
Enid: “That’s less than 10 Years Ago! How long does it take to replace something that big?”
Lillian: “They had to notice something was wrong with it first. If it didn’t go wrong immediately, it could have taken even less time than that.”
Enid: “And the recycling plant had to be finished before any of us were alive to hear about it…”
Clive: “...That’s a tight timeline.”

The dates don’t seem to add up on the surface. There’s something you’re missing, some angle where all of this could happen naturally in just a few years time.

Roger: “Some of the middle schoolers might have been alive while the nuclear plant was around. I guess we could ask Carol and Barry, maybe John?”
Clive: “‘Bec could know something. Though it’ll cost us if we want her to talk.”
Albert: “Or, we could check it out ourselves.”

Everyone turns to look at Albert, who passes the article over to Enid beside him. He sits with a smug grin, as if daring you to ask for clarification. It’s irritating.

Roger: “What?”
Albert: “This article gives us a strong clue as to the plant’s location. It’s further in, listen:”

“Several attended the opening ceremonies, just South of town, where city councilman Robert Butler and plant manager Leopold Stiff both spoke about the opportunities it will bring to Cattenom.”

Enid: “It’s to the south? But, how far away will it be?”
Roger: “...It’s going to be just past the Death Forest, isn’t it?”

The others all pause to consider his suggestion. It made sense to you, and most of the party seemed to feel similarly judging by the nods. There was one outlier of course.

Enid: “I... don’t know what that is yet.”
Albert: “You live in the good houses on the Southern part of town, right? Have you seen the forest close to there? The one that doesn’t lead to the field I mean.”
Enid: “Yeah?”
Lillian: “Well it’s totally off-limits to everyone. Nobody plays there, ‘cuz of the Corpses.”
Clive: “That’s just a rumor.”
Roger: “I heard that they had a strand of poison ivy so bad it’d kill you if you even touched it there.”
Lillian: “Nah, that ain’t it. The place is covered in landmines from an old war, so nobody’s been able to go out there and collect the bodies, out of fear of blowing up.”
Franklin: “...Jhonen told me he discovered a big-footmoth-woman at the forest’s edge once.”
Roger: “He did say that, but Jhonen also believed that garden gnomes were a conspiracy to give real gnome’s camouflage in our yards, as part of a plot to break into our homes and steal all our batteries.”
Franklin: “...Are they?”
Roger: “Franklin, no.”
Enid: “There are a lot of different rumors. So, what’s the actual reason nobody’s allowed to go?”

Albert taps the newspaper in her hands.

Albert: “I’m willing to bet that it’s because of This. The adults don’t want us finding the nuclear plant beyond it perhaps.”
Lillian: “Yeah, that’d track.”
Roger: “You never see adults head towards it, right? It’s probably abandoned. If that’s the case, maybe we really could take a look for ourselves.”
Lillian: “Hold on, that’s true, but is that really how we want to spend today?”
Roger: “Huh? Did you have something else in mind already?”
Lillian: “...C’mon, it’s obvious isn’t it?”
Lillian: “We should go spring Phillip and the others from that high school prison already! We know it’s shady, why do we need to dig up proof it’s even shadier?”

...She had a point. A good point. One you completely agreed with.

You know where Rodney is, and you know that he shouldn’t be there. Why should you waste more time investigating the why of him being there?

Would it change anything? What if while you’re searching an abandoned power plant for clues, he’s being tortured?

There were still lingering questions about the nuclear plant, granted. Why did it matter if anybody found out about the nuclear plant? Why did Cattenom switch away from it in the first place? And how did it happen so quickly? But would any of those questions change anything about how you go about saving your little brother?

Roger: “I don’t think that’s a good idea. Not yet, I mean.”
Albert: “Ditto.”
Franklin: “I’d love to go hang out with Jhonen at the high school too, but I can’t.”
Lillian: “Whaaaat, even you’re against it, Franklin? I really thought I’d have you on my side here.”
Franklin: “...Huh? Oh, I agree with you. I want to get Jhonen, and Phillip, and Rodney back already, but I can’t. Just like how I can’t go to the nuclear plant either.”
Roger: “Wait really? Why not?”
Franklin: “I have a Playdate with Temmie after school.”

...The conversation shifts drastically to discussing that, so you take a minute to gather all your thoughts.

Two of them voted to go to the nuclear plant, and two of them voted for the school. Enid hasn’t given her own opinion yet, so right now the vote is tied. If you want to say something, you’d better say it right as the topic of where to investigate comes back. Go with the flow and choose the nuclear plant, or go against the grain and suggest checking out the school, so that you can get outvoted and go to the nuclear plant anyways?

Nothing like the illusion of choice, right?

Are you okay with investigating the Nuclear Plant?

A: Clive: “...”
-Hold your tongue and investigate what’s left of the Cattenom Nuclear Plant
-This seems like a waste of time...
B: Clive: “I vote for high school.”
-Try to sway the group towards investigating the high school building instead
-As if you could persuade anyone...
C: Clive: “Those both suck.”
-Suggest something else.
-What else even is there?

>>1040332
Hard disagree on splitting up. That ended up getting Albert punched, or close to it. We stick together.

Clive wants to go to the High School, but the nuclear plant keeps on coming up again again and again. This has to have something to do with what the adults are trying to cover up. Plus, since no adults go through the Dead Forest, we can do it without arousing too much suspicion, whereas the High School is obviously much more active.

Choose A and tug the string on the knot of lies. The adults have secrets they want to protect. Let's check 'em out.

B. Even if it's inevitable that we'd go to the nuclear power plant, It is still very important to get your opinion out there. Even if you'll get shot down, they'll understand you're feelings a bit better.

Just say "I'm really worried about my brother being tortured while we're at the plant"... or "I fear it might be too late to save my brother if we go to the plant".

That's all that needs to be said. If anything, if the vote stays going to the plant, somebody might reassure him, or might understand his feelings better as we continue on as a group if we go to the plant regardless... but who knows, maybe they'll decide to go to the school after hearing our opinion?

Also, I've been thinking about the possibility that the Recycling center might actually be the power plant, just refurbished or something so that not much deconstruction needed to take place, though then again, they did say none of the adults go southward... hmmm...

>>1040349
I'd say B, for the same reason.

Also, perhaps offer a thought about the tight timeline, if you feel up for it: "About the timeline... We don't necessarily know what year it Actually is, do we?" "I mean... why else would there be No Calendars, unless the reason is to Hide what year we're really in?"

It could make a decent argument for why investigating the power plant is unnecessary if that's the answer they're going to find either way.

You want to, nay, need to go to the high school, this is an incredibly important thing to you to find your dear brother, however, you're already on the radar of others.

People know your brother graduated, and vaguely know that you're in deep shit of a life situation. Going to the high school with your companions is likely a pretty big red flag considering no one's allowed inside right?

Whereas the power plant is just not talked about, called a recycling plant, and you have the key card passcode for it. This one has a higher likelihood of successful info-gathering, and might even be where you could get more info before doing the very risky thing of going to the high school.

This isn't something you can do alone, as much as you'd like to, what if what happens at the hospital with your anxiety happens again, no, you need to be with everyone when you go there because it's not just you that wants a friend back, others do too.

As much as it sucks, doing A will let you get just a little bit closer to your companions, maybe even let you see how working with Roger would be, and use it as a trial run.

tldr. Vote A
You obviously want to do B, and it might even be the cathartic thing to do right now, but do you think you'd be able to keep your composure, to work with everyone in the room without just rushing in the moment you see your brother.

You're stressed as hell and even if it hurts need to consider what you might be overlooking

A, but stress that you want to do B sooner than later, and not to just 'forget about it'.
Your voice needs to be heard for people to get a read on you.

It might be harsh to hear, but if you say nothing, they might not know or even think that you care about your brother.

Alternatively...
Your option C would be whatever's... past the High School , by Franklin's. Unless somebody knows what it is.
Maybe Bec does?

>>1040324
Radiation. Please someone bring up the risk of radiation, we shouldn't be going up there without geiger counters or a lead bodysuit. there's probably SOMETHING juicy up there, but if it's so recently abandoned there's no telling why.

C) Don't go obviously casing the high school. Try to see if you can find any maps of the school first. Like, at the city hall or library.

The Storyteller 2022/08/14(Sun)20:39 No. 1040894 ID: 629f2e
File 166053478765.png - (1.13MB , 1000x1000 , 173.png )

After a round of indecision, you decide to keep your opinions to yourself. Why waste the breath on a pointless fight? Accepting your lack of influence over this group will save you unnecessary stress in the long run. If they want to bumble around an old power plant instead of actually going and rescuing their friends, then it’s not your fault their priorities are backwards.

It may be your fault for continuing to associate with them, but unfortunately you can only do so much on your own.

Avoiding confrontation makes Clive feel a little better, -2 Fear

Party Fear Levels:
[Clive: 44/100]
[Albert: 43/100]
[Franklin: 44/100]
[Lillian: 15/100]
[Enid: 0/100]
[Roger: 6/100]

The others are still talking about Franklin and his playdate with Temmie. It’s utterly irrelevant, and you’re starting to suspect there isn’t anything of substance waiting on the other side of this topic.

If that’s the case, then there’s no point staying. You’d wanted to leave since the moment you sat down, and finally you act on that desire. Nobody notices you go.

Evacuating yourself to the hallway immediately makes you feel better. The noise level of the empty hall was far lower than the room full of children. Unfortunately, you know this isn’t a place to hang around. The teachers would send you back in if they saw you just standing out here. You start walking with the illusion of purpose towards… something. You haven’t decided what.

Where do you go wind down?

A: The Bathroom
-Stalls provide decent isolation
-You won’t be completely alone in there
B: The Classroom
-Nobody else will be there
-You aren’t supposed to be there now
C: Outside
-Fresh air
-Longest walk, highest odds of running into someone

B stands for B a rebel

B? A doesn't sound bad either.

B has the potential for some good info, surprisingly, and you can always make up an excuse if you need to. You forgot something in your desk, like some sort of keepsake or notes.

Eh, C.

C, outside sounds nice, you may bump into someone, but you can like... ignore them.

I'm going with C

The Storyteller 2022/08/23(Tue)23:09 No. 1041679 ID: 629f2e
File 166132136885.png - (954.94KB , 1000x1000 , 178.png )

...You can’t decide between the classroom or stepping outside. The indecision paralyzes you, and in the end you decide to go to the Bathroom instead, foregoing your original choices.

The room stinks of cleaning chemicals and pee, and as predicted you aren’t alone. On the plus side though, you don’t expect that anyone will bother you. Once you’re in a stall, it’s like you don’t exist. Even as kids come and go, you can take the moment to enjoy solitude.

There’s been so much on your mind. Rodney, high school, mom and dad, Albert... So much to think about, so many things you kept having to deal with. You just needed a break from all of it.

And for a few peaceful minutes, you’re able to stop thinking altogether. A blissful period of nothing.

...

It’s Peaceful.

Taking a minute to decompress alleviates some of your worries, -2 Fear

Party Fear Levels:
[Clive: 42/100]

...You can’t stay here forever, as much as you’d like to. All those things you hated to think about weren’t just going to go away. You have to keep going.

Having wasted more than enough time, you wait for the room to be empty before finally leaving the stall. Despite not doing anything, you start washing your hands out of habit.

Despite everything, you felt okay. If just for a moment. Dare you even say “fine”.

The Storyteller 2022/08/23(Tue)23:09 No. 1041680 ID: 629f2e
File 166132138918.png - (753.46KB , 1000x1000 , 179.png )

...And then you look up, being met with your own reflection.

The Storyteller 2022/08/23(Tue)23:11 No. 1041684 ID: 629f2e
File 166132148125.png - (782.60KB , 1000x1000 , 182.png )

...It didn’t match what you were feeling before, but it appropriately described your mood after staring at it for a few miserable seconds.

It was the same as always. Lips curled into a frown, lifeless eyes, brows tensed... The Frozen face you’ve always worn.

The medical term is: Restricted Affect. As far back as you can remember, you’ve always been like this. Your expression doesn’t match your mood, save for when you feel miserable. And when you do, nobody can even tell the difference. Nobody but Rodney at least. He always could read you like an open book... But he’s not here, not right now.

...You decide to leave before the temptation to break the mirror gets too high.

The Storyteller 2022/08/23(Tue)23:12 No. 1041685 ID: 629f2e
File 166132153482.png - (849.66KB , 1000x1000 , 183.png )

On the way back, you reflect on the conversation that had been taking place in the lunch hall. Of all parts, your mind drifted to the Dates. One of the less impactful elements, and one you’d had plenty of time to dwell on beforehand if you’d wanted to. You didn’t before, but something had caught your attention now.

1959 was, according to the others, less than 10 Years Ago.

The date... sounds right. You honestly couldn’t tell the exact year if asked, as you haven’t had anything to remind you. You only need the month and day for homework assignments, and you’ve never gotten into a conversation with Rodney where either of you brought up the year. It just doesn’t come up anywhere in your life. It’s not like you have anything to plan ahead for years down the line. You feel lucky just to live another day.

It’s the 60s. Probably mid to late you’d guess, but that really is just a guess. You don’t know, and to be honest you shouldn’t really care. If you ever need to know, you can always just Ask Someone Else.

It’s a stupid thing to dwell on. ...So why can’t your brain let go of it already?

???: “Hold on a moment, Clive dearie!”

You freeze. The voice was too old to be a child’s, making it all the easier to recognize. When you turn around, your teacher Mrs. Chamberlane is smiling back at you. You keep your eyes low, never meeting her gaze.

Mrs. Chamberlane: “I’ve been meaning to talk to you for a couple of days now, but I just never seemed to catch you at a good time. Have you been avoiding me?”
Clive: “...No.”
Mrs. Chamberlane: “I didn’t think so. Bad luck I suppose.”

...Why is she talking to you? What does she want?

Mrs. Chamberlane: “How have you been feeling recently?
Clive: “...Fine.”
Mrs. Chamberlane: “Really? Are you sure about that? You don’t have to lie to me.”
Clive: “Why wouldn’t I be?”
Mrs. Chamberlane: “Well, not to pick at a scab, but Rodney’s graduation was only some days ago.”

Your whole body tenses.

Mrs. Chamberlane: “I know that the two of you were rather close, and this may all seem rather sudden. Have you been handling it well?”
Clive: “...”

It’s questions like these that make you wish you could really level a scowl at others when needed.

Clive: “...Fine.”
Mrs. Chamberlane: “Ah, I see...”
Mrs. Chamberlane: “It’s only natural for you to miss your little brother, but these things happen sometimes.”
Mrs. Chamberlane: “You understand, don’t you? Why some kids have to graduate early?”

You have some pretty compelling theories if what the other kids have told you can be trusted. None you’re going to share with her of course.

Clive: “...”
Mrs. Chamberlane: “Clive? I asked if you Understand or not.”

The way she asks that question the second time stays in your ear. You aren’t able to put a finger on it at first, but it quickly becomes clear that there’s a hidden layer to this question. It’s a Test. She wants something from you. Your response is going to be examined closely. There might even be a wrong answer.

Why is she asking this? Is it about something you’ve recently Done? Is it about your Parents? Or could it have something to do with Rodney? She did approach you to talk about him, but you can’t prove that that’s her true intention.

What is the right answer? What are you supposed to say?

A: Clive: “I do.”
B: Clive: “I don’t.”
C: Clive: “...”

>>1041685
no. we must express innocence and worry. for a moment, our inexpressive face gives us a leg up.

>Clive.exe has stopped functioning
CURVEBALL
"Can I suck your chest?"
Why yes, this is inappropriate. But Clive has, for all intents and purposes, shambled past the borders of sanity due to the 'graduation' of his brother.

I feel this is a trick question, so I'm thinking A, "I do: because he was selected".

That's the answer Lilian was given when she asked the adults why Philip graduated early after all: https://questden.org/kusaba/questarch/res/1010078.html#1010311 so that's the same answer Clive must give. We'll have to assume she thinks our parents told us why, and that's the explanation we were given.

If we choose B, she might wonder why our parents didn't tell us why and might do some investigating on our parents (which is bad as we are trying to keep what happened to them a secret)

if we choose C, our silence will cause suspicion that we know something we shouldn't.

>>1041692
Good idea! Seconding this.

>>1041692
I also agree with this.

...Although, I feel like that's not the "true" answer, but rather the "correct" one expected of us. I dunno, is that... just a misconception?

>>1041697
I think the fact that it's the "Correct" answer expected of us and not the truth is the point. Though I suspect you're referring to the fact that Rodney likely Wasn't "selected" like the others, right?

I'm actually in favor of modifying B in the same way others have voted to modify A: "I was told he was Selected. I dunno if I really understand what they mean by that, though."

This is a direct confrontation between two adversaries; the adults are not the only faction who can glean new information from it.

>>1041692
Thirding for similar reasons as above

>>1041692
Fourthing!

The Storyteller 2022/09/03(Sat)00:21 No. 1042726 ID: 629f2e
File 166218971335.png - (1.16MB , 1000x1000 , 187.png )

You decide that the safest response is the one they’ve tried to make other kids believe.

Clive: “I understand. He was Selected... for some reason.”
Mrs. Chamberlane: “That’s right! And do you know why that is?”
Clive: “...No.”
Mrs. Chamberlane: “Really? Haven’t your Parents told you anything?”

She lowers herself down to your level as she asks that painful question. Her face is only a few short inches away from yours, and you can feel each calm breath she takes. You stare at her shoes, refusing to look her in the eyes.

Slowly, you see her hand come up to your chin, gently pushing it up against your will. You don’t fight it, not wanting to give her more reasons to suspect you, and you’re soon forced to meet her gaze. She’s studying you. Her eyes cut straight into your soul, and you have to force yourself not to look away.

Clive: “...”
Mrs. Chamberlane: “Have they said anything about Rodney recently?”
Clive: “...I haven’t been talking to them.”
Mrs. Chamberlane: “Really? Is that the truth?”
Clive: “Why would I lie?”
Mrs. Chamberlane: “...Why indeed.”

She lets go of me, rising back to her full height.

Mrs. Chamberlane: “Well you really should. I’m sure your parents would love it if you checked in with them. It’s good to let them know how you’re feeling...”

She goes on. You tune her out, keeping your gaze straight down until she eventually pats your shoulder and starts to walk away. Then suddenly, she pauses.

Mrs. Chamberlane: “Oh, one more thing. I noticed that you’ve been spending more time with Albert and his friends recently.”
Clive: “Yeah?”
Mrs. Chamberlane: “Glad to see you’re making new friends! However...”
Mrs. Chamberlane: “Be careful with Albert. He has enough health issues as is. I don’t think he’ll survive if you treat him the way you did Jolene.”
Clive: “...”

The Storyteller 2022/09/03(Sat)00:22 No. 1042727 ID: 629f2e
File 166218974345.png - (1.29MB , 1000x1000 , 188.png )

The bell rings.

Mrs. Chamberlane: “Well, looks like it’s time for recess. Enjoy yourself!”
Clive: “...”

She walks away. You don’t even get a minute to process how you feel before a girl closer to your age approaches you.

Clive: “...How long were you there?”
Enid: “Just a minute or two. Franklin pointed out that you’d left, and I wanted to see where you went.”

She looks past you, staring at Chamberlane’s back as the older woman walks away.

Enid: “...She’s scary.”
Clive: “Yeah.”
Enid: “How do you stay so calm, even with her right in your face like that?”
Clive: “...”

You don’t.

You were barely able to keep your cool throughout that conversation, +5 Fear

Party Fear Levels:
[Clive: 47/100]

The Storyteller 2022/09/03(Sat)01:07 No. 1042733 ID: 629f2e
File 166219244310.png - (342.65KB , 1000x1000 , 189.png )

...You hide out in the bathroom for the rest of recess, trying to calm yourself back down. No matter how hard you try, you can’t relax at all. The best you can feel is Stable. It’ll have to be enough.

The rest of school goes by quickly. You meet up with the others outside of the building, where you’re then informed that Franklin and Lillian will be leaving for their own activities. He mentioned having his own conflict earlier, but why Lillian is following is a mystery. You don’t care enough to ask. You watch them walk off into the woods.

Albert: “Hopefully she can get some answers out of him.
Clive: “Hm?”
Albert: “Don’t worry about it. Unrelated concerns.”
Roger: “Um, guys? Why don’t we move somewhere else before we start discussing anything.”
Enid: “Talking about this stuff close to school does feel like tempting fate.”
Roger: “I need to head home anyway to set out a costume for Franklin. Let’s walk and talk?”
Albert: “As long as you’re not setting the pace. I can’t exactly run to keep up with your impressive stride right now.”

Albert taps the ground twice with his cane to emphasize his point, before walking forward and leading the way. The rest of you follow behind him.

Everyone agreed that the Nuclear Power Plant would be the best place to visit, so that was how you’d all be spending today. Ignore the facts you already know, like how the high school doesn’t fulfill its intended purpose since kids never leave, or that all the adults in town are in on a conspiracy to keep its true nature hidden. Apparently that isn’t a good enough reason to sneak in and save your brother and their friends yet. Why would it be?

You can’t complain though, because you kept your mouth shut. Even when it wasn’t decided, and you could have said something, you didn’t. Assuming you even counted for their vote...

This is such a waste of time... Mostly.

There was an argument in favor of this. It just wasn’t one you liked. Without knowing the specifics of What is happening at the high school or Why it is, you might run into unexpected problems. And you can’t really speculate on just what kind of problems they would be, because they wouldn’t be unknown if you had that information.

Maybe wanting to break into the high school building immediately is just another way that you’re being Selfish. You don’t want to do this right, you just want Rodney back so that you can finally feel better. Even if that recklessness gets you both sent right back there.

Suddenly, you’re shaken out of your thoughts when Roger speaks up.

Roger: “So, we aren’t just going straight to the plant, are we? Don’t we need a plan?”
Albert: “We can only do so much planning with the limited data we have available. I believe the most significant matter we need to consider will be Equipment.”
Roger: “What do you have in mind?”
Albert: “Let’s see... First and foremost, we’ll need to Find A Way Inside. Let’s assume there will be no first-floor windows to break through.”
Albert: “Even if there were, that would leave a rather clear trail of evidence.”
Enid: “So, we need a Key?”
Albert: “Something to that effect. Then there’s also the matter of Light.”
Roger: “That’s right. If the plant is abandoned, then there won’t be power for the lights. And if it’s anything like the recycling center, there won’t be many windows either.”
Enid: “Then we need to bring a Flashlight?”
Roger: “Maybe two, just in case something happens to the first. It could run out of batteries or get dropped, and we’d be left in the dark if that happened.”
Albert: “Ideally we’d each have one, but I agree that two is an acceptable minimum.”
Enid: “Should we bring any Food or Water? We won’t be able to stop and have a snack anywhere else, since we’ll be out of town.”
Roger: “That’s a good point.”
Albert: “It’s less vital, since we’ll have to return home before it gets too late anyways, but it wouldn’t harm us to bring any.”

You stay silent for the most part, not having anything to add that they don’t come up with themselves. It’s only when they start getting into Where they would get these things that you consider adding your own suggestions

[NOTE: The choices you make in this section will have serious consequences on how the rest of this thread plays out]

How will you get a key to get inside the Nuclear Power Plant?

Enid: “Albert, you said that your Dad worked there. Does he maybe have a key at home you can borrow?
Albert: “It wouldn’t hurt to check I suppose. Not with him in the hospital at least...”

A: Agree
-Albert will check his apartment for a key
-Will his mom be home?
B: Suggest an alternative
-Suggest purchasing a key from ‘Bec
-Even if she can’t get her hands on one, you can still ask her to pick the lock
-You’re broke. Either someone else pays, or you would need to steal a wallet
C: Something else
-Speak up, but suggest something else (How else can you get inside)


Where will you get Flashlights? (Pick at least 2)

Roger: “I might have one at home we can use. I might have stolen its batteries for a toy though.”
Roger: “We’re stopping there anyways, so I’ll just check while I go to get Lemmy’s disguise.”
Enid: “I’m... not sure if the Foster’s have one or not. And if they do, I don’t know where I’d even start looking.”
Enid: “I can definitely buy one from the store though. Mr. Giovanni might even give me a discount.”

1: Agree
-Roger bring a flashlight from his house. Enid will buy one
-Roger’s searches both have a chance to fail
-Will their parents be home?
2: Add-on
-Agree with 1, but suggest more ways you might get torches. Specify:
-You could buy a few from ‘Bec
-You could also suggest the others borrow from other school friends
-Or maybe you could ask Enid to buy multiple
3: Suggest an alternative
-Disagree with some or all of the others’ suggested plans, and suggest alternatives
-You need at least TWO flashlights before you can go, and not all options are guaranteed to succeed


Food and drink?

Enid: “My house is on the other side of town, and I’m already going to the store. I don’t think I’ll have time to make anything unless we don’t mind waiting.”
Enid: “We’ll pass it on our way out, so I could take a few water bottles when we do.”
Roger: “I could make some sandwiches here, though mom’s probably home right now. I think if I run around doing the flashlights, dragging my costume out, and then making a lot of food...”
Roger: “At some point she’ll just have to ask me what’s going on.”
Albert: “Well, as I said food isn’t of great importance. Water will be enough.”

I: Agree
-Enid will bring water bottles from home
-You will take no food with you
II: Show some generosity
-Suggest that you could bring a few items from home
-Dig into your own food rations to keep the group fed
III: Suggest an alternative
-Suggest purchasing snacks from ‘Bec
-You’re broke. Either someone else pays, or you would need to steal a wallet

Anything else?
(Suggest any other items the group could bring.)
-Crowbar?
-Binoculars?
-Map/Compass?
-Toys?
-Etc.

KEY: C: Send Roger ahead of the others to check on the Power Plant before assuming things. Roger's in good shape, he should be able to get there the fastest.
Also, sending Albert home would probably take extra time and be bad for his health.

This is actually just a sneaky way for me to buy time on this specific choice, if I'm being honest, though.

Flashlights: 1 / 2 (Bec probably wouldn't ask questions about the flashlight. Safe choice.)

Food/Drink: II (This will be hard to convince Clive, I think, but it would do him some social favors.)

ETC:
Crowbar: Where would they even get one? Also bad, leaves evidence.
Binoculars: Potentially useless indoor, but may be necessary for scouting purposes (hey roger)
Map: An actual map may exist, but a piece of paper/notebook and pencil is much easier.
Compass: A definitely good idea, but also hard to find probably. I bet you can get one with less eyebrows raised than a crowbar, though.
Toys?: Might help for an alibi/easing fear- if someone asks what you're grabbing all this for, it's for a test of fear party in a safe space.

ETC 2:
First Aid: We don't know what will happen, it'd be a good idea to bring something like this along.
String: Helpful for when someone gets lost/marking locations.
Small Mirror?: This... doesn't have an obvious use, but I'm sure it could theoretically be helpful for something. Like checking around corners? Maybe?

B, 1 (and a bit of 2), II.

Albert’s mom is bad news. He ate some food yesterday he shouldn’t have, so he’s on thin ice. So A is out. Where will we get a key?

As much as I hate to do it, it’s time for Roger to sell the Dotti drawing. Clive can haggle ‘Bec, knowing its actual offered value from Barry and Carol ($1.75). Lillian will ABSOLUTELY haggle too, as the Dotti drawing is incalculably valuable as nerd blackmail, should it ever get out into the wild. That’ll easily buy a key, plus a drink and/or food, or at the very least ‘Bec picking the lock on the Plant.

Buy torches from ‘Bec if the Dotti pic is worth enough, but ideally we can find some flashlights.

Clive is shaken by Chamberlane, so perhaps he’s out of his rut enough to accept that Rodney is gone for now, and share some food.

Binoculars are great for scouting ahead and seeing if there is anything moving in specific rooms of the Plant. There is no need for a map/compass since Cattenom is by the ocean, so that’s easy orientation. However, I recommend grabbing a sharp stick in the forest to mark your way inside the plant by scraping signs on the floor.

Bring a stuffed animal for Enid.

C: Get a crowbar, if the place is old and abandoned, a key will help you get in, but it won't help you go deep inside where you likely will need to go if you need to find something.

As for funds, you can either *steal* as you need to do that today, anyway, or ask someone else to pay, because you'll be providing something else in the third section

2: Gamble on your friends having them at home, but see about getting one from Bec if they're out since you need a crowbar anyway. If they have it, great, if not, then maybe someone should get batteries.

II: And then your contribution, dig into your food rations, the best way to anothers heart is through their gut, you've been alone for a while, sharing food will break the ice slightly. Maybe when you're home you can also look for a backpack or bag, and, I think most importantly, a First-Aid kit If you have one, get it, as most houses keep one anyway, if not, maybe suggest that someone see if they have one, just in case.

also I kind of like the idea of Roger going and scouting the plant since he can run fast, but I also don't like him going alone, so I abstain on pushing for that.

This sudden bit being tacked on might seem out of the blue, but I think if Clive does go home for supplies, he should have someone come with him- at least until he gets there.

I dunno why, but...
I've got a gut feeling someone might be there? Could be really bad, could be good. My examples being either Rodney, or ...prying adults.

Could just be paranoia.

I believe Rodney looking for flashlights and Enid using her money to pay Rebecca for a keycard would be the better choice, along with Clive sharing some of his food.

They will have to ask Enid how much money she has so we can plan wjat other supplies to buy or whether we should really steal a wallet to get extra supplies.

And yes, maybe selling the Dotti drawing would be good, but Clive doesn't know about it. Does Rodney have other drawings he hasn't sold yet?

for the most part, I agree with Donut's plan

B. I agree with Donut, sell the Dotti pic. I think we're at that point where we'll need to be sacrifices if we're going to be careful.

1 and/or 2. For sure, Enid can buy a flashlight. But if we have enough to buy a torch instead of Roger getting one, Buying torches would be good if we have enough money. If anyone asks why Enid is buying one, Enid can say she's afraid of the dark at night at her bedtime. She's new to the orphanage, so they probably don't know her all too well to be suspicious.

II. Again, sacrifices. Our meeting with our teacher has me concerned. We might need to clean up the candy and move the chair back to the dining room anyways if an adult goes snooping while we're gone.

Bring some plush toys to ease fears (Glum Plum?)

I think a crowbar would be too suspicious to carry around... against

Does clive have a first aid kit in his home? if so, he should take it with him.

Compass would be cool too so we don't get totally lost in the forest. It can fit in someone's pocket too so no one will get suspicious.

The Storyteller 2022/09/18(Sun)17:14 No. 1044116 ID: 629f2e
File 166354647331.png - (909.56KB , 1000x1000 , 190.png )

You have some thoughts. Some might even be worth saying, as much as you’d prefer to fade into the background.

One topic at a time, starting with the biggest issue of the bunch: Getting inside the plant.

Sending Albert home... it doesn’t feel like a good idea. Not after what you saw yesterday at least. Whether his dad had a key or not, it’s a risk you don’t want to take at his expense. Thankfully, a far safer alternative comes to mind.

Clive: “...’Bec could get us in.”
Enid: “Who? I don’t recognize that name, is it a classmate?”
Roger: “She’s a middle schooler actually. I think she was... The Rebel, right?”
Clive: “Yes. ‘Bec can get her hands on whatever she needs. She can get us a key.”
Albert: “Does she even know about the nuclear plant’s existence?”

Good question. You weren’t sure.

Clive: “...It’s fine to tell her. She can keep a secret.”

Albert doesn’t fight you on that point, already knowing One of the secrets she’s kept her mouth shut about. He does ask a good question though.

Albert: “Can you Afford her services?”
Clive: “...No. I’ll need cash.”
Enid: “How much?”
Albert: “Her prices vary for keys, if I’m remembering her price sheet correctly. Assuming this will be a higher end item, and judging by her other prices...”
Albert: “I would say somewhere between Fifty Cents and Two Dollars.”
Clive: “...Sounds right.”
Albert: “We could also purchase an extra flashlight while we’re there, but it all comes down to how much currency we have available.”
Albert: “And unless Clive can find the money we need...”

You just shake your head. It’s true that you steal what you have to, but that’s it. Just that much raises enough suspicion, and you don’t want to take your chances by nabbing any more.

Albert: “...Right then. I don’t have anything I can contribute here, so I’ll ask you two. How much do you both have?”
Roger: “I have a dollar.”
Enid: “I have two dollars in my pocket. But I have more at home.”
Albert: “How much more?”
Enid: “Um... Thirteen?”
Roger: “Whoa!”
Albert: “That will certainly suffice!”
Enid: “Wait, sorry, there’s a problem with that...”
Enid: “I’m supposed to go and spend it with Mrs. Foster at the toy store tomorrow to replace my old things, so I think she’ll notice if any is gone.”
Roger: “Oh. Wait, then that money was... your Inheritance?”
Enid: “Yes. They told me most of it is in the bank for when I’m older, but they left enough out to get back some of what I lost.”
Enid: “Sorry. She suggested it yesterday, and was really insistent about her and I doing it together. I would have tried harder to talk her out of it if I knew we’d need it.”

You frown (actively, rather than your normal passive frown). Three dollars, not counting what Enid would spend on her flashlight... Would that be enough? Even if it could get you the key, you might have to discard the idea of picking up an extra flashlight.

Enid: “...Roger, you look like you want to say something. Do you have an idea?”
Roger: “Well... I was just thinking that if I could sell...”
Roger: “...Uh, nevermind.”
Albert: “Sell what, your art?”
Roger: “...That is what I was going to say, but my main buyers are Barry and Carol. They just went through my sketchbook recently and picked up a couple drawings.”
Enid: “So you mean they spent all they had or bought all of the ones they were interested in already?”
Roger: “...Yes. That is what I mean.”

...You’re terrible at reading people, but even you can tell there’s something he doesn’t want to say.

Whatever, you’re not gonna call him out. If you all die because he’s getting stingy, at least it wasn’t your fault. Besides, if you can tell, the other two probably can too. Let them speak up.

Roger: “That still leaves us with Three Dollars. Is that enough?
Albert: “I would think a decent flashlight should run Enid about a dollar fifty.”
Enid: “Maybe less than that. Giovanni likes me, so I bet I could get a discount if I put on my sad face.”
Roger: “Can you do that on command?”
Enid: “I can turn it on, but turning it off is a little hard right now.”
Clive: “That leaves us a dollar fifty, unless Enid secures a bargain. If ‘Bec asks for a high price, we won’t be able to afford it.”
Albert: “Any chance she’ll give you a discount or take credit? You are her best customer.”

It wasn’t likely, but not impossible. ‘Bec doesn’t trade in promises, but rather cold hard cash right in her hand. Still, it’d have to do. Maybe you’ll get lucky on the price, and you’ll be able to pick up a flashlight as well.

With that discussion finished, you carry on straight into the next. Food.

Clive: “...I might be able to pick up a few snacks from home.”
Enid: “That’d be great, thank you.”
Albert: “It wouldn’t hurt to have, especially if we end up staying there for some time.”
Albert: “On that note, is there anything else you all think we should bring?”
Clive: “Maybe a first-aid kit?”
Roger: “Franklin carries one, so- oh, right, he’s not here right now.”
Enid: “He carries around a first-aid kit?”
Roger: “Well his dad is a sort of doctor, and Jhonen’s parents were the kind that actually work in the hospital. With company like that, it makes sense.”
Albert: “That, and he seems the second most likely of any of us to injure himself, falling just short of Lillian.”
Roger: “So, who else has one at home they can take?”

After a short discussion, you offer to grab the first-aid kit from your house. The conversation continues to other items.

Roger: “I can borrow a Compass from Louie, no problems. I’ll just tell him it’s for a game, and I don’t think he’ll question me too much about it.”
Enid: “If we’re all stopping at our homes at least once, then maybe we can each grab at least one Toy while we’re there.”
Clive: “I don’t have any.”
Enid: “What? Really?”
Clive: “...I don’t play much.”
Enid: “That’s... very sad.”

Not really. Even before things in your life got weird, you rarely played with toys. They didn’t interest you. You prefer reading, or playing games.

Albert: “If that’s everything, then I believe we’re good to split up. We’ll meet up by Enid’s house in about twenty minutes. Is that acceptable for all of you?”
Clive: “Yeah.”
Enid: “I think so.”
Roger: “Shouldn’t be a problem.”
Albert: “Alright. And just to be safe, I’ll suggest that we split off into pairs.”

You barely hold back a groan. It was like he’d waited until the last minute to bring it up. Was that on purpose?

Clive: “I’m fine on my own.”
Albert: “Am I wrong in my understanding that you were directly Interrogated by our teacher earlier today?”

He was not wrong, which is strange since he definitely Hadn’t been there. The only other person who was had been Enid, so how-

You side-eye Enid. She’s looking away, very intentionally.

Albert: “If the perpetrators of this plot are starting to notice our actions, then it’s imperative we play things more cautiously.”
Albert: “There’s safety in numbers, so we’ll avoid being caught alone.”

He has a point. You know he does, even if you hate to agree with it.

Clive: “Fine.”
Enid: “If we’re pairing up, then can I go with you, Albert?”
Roger: “Huh?”
Albert: “I don’t mind at all... Is there a reason you’d like to go with me in particular though?”
Enid: “Well, I went with Roger on Monday already, so I just wanted to go with someone other than him.”
Roger: “Why not Clive then? You’ve barely had a word with him so far, so wouldn’t it be better to establish some foundation with him?”
Clive: “...We haven’t talked much either.”
Roger: “Well y-yeah, but y’know... We’ve been in the same class, so it’s different really...”

...Oh, he just doesn’t want to go with you. Well that should have been obvious from the start.

Enid: “I guess that’s true...”
Roger: “What do you think, Albert?”
Albert: “Don’t drag me into this. I’m fine with whatever combination we go with.”

At this rate, if you don’t say anything, then Roger will likely get his way and you’ll go with Enid. That isn’t a bad option, if anything you’d rather be with someone willing to put up with you than a kid that’s actively avoiding your being nearby.

That said, you’ll need to deal with this sooner or later. If this keeps up, his tendency to avoid you may cause problems later. Or maybe it won’t, and you can both happily coexist away from each other. Who knows? Who cares?

Should Clive Speak Up?

A: Enid is fine
-Keep your mouth shut and go with Enid.
B: Clive: “Actually...”
-Speak up, and reject Roger’s proposal
-You’ll probably end up going with Roger if you do that
C: Get someone else to speak for you
-Nudge Enid or Albert into saying something (specify who)

C. Let's get Albert on this one. Finally, a use for his blunt honesty!

Albert, it's time to lay it all out. What's better to have: a functioning team that can put up with each other, or a barely-functioning team that punches each other?

Getting punched by Lillian may have knocked some sense into him. Let's see if he agrees that harmony is for the best, even if it's a tough road to get there.

I think Roger should go with Clive to get him to better know Clive and warm up to him a bit. Plus bringing Enid to our place might get her to raise questions about us, and raise people's suspicion of her and she's kinda mentally fragile after what happened to her during the fire.

We already know Enid doesn't want to go with Roger, so we can't nudge her

However, I think we should have Albert speak for us. Clive isn't the type of person to talk out, and we were told to be patient with Clive at the start of the thread so he can't speak out on his own. let Albert know his thoughts count in this.

See, I really want to pick B, but I don't know how this will feel on Clive's end, it will certainly induce anxiety and even cause his parents to maybe see him.

Honestly I'd like Albert's opinion (c) even if B is what I think will happen in the end.

Time sorta really is of the essence here, but...
"Hypothetically" if Roger had, say, something he could sell but didn't really want to... maybe he could do the forbidden 'tracing' technique before selling it so he could keep a physical copy.
...Just a thought.

...Something else to note is that normally Roger's the Team Leader- right now though, he feels like anything but that.
However, Albert's done a lot of heavy lifting in that area while he's been gone, and Roger really clams up whenever Clive's involved, so... it's not too strange, really.

Now, onto the choice.

Going with Enid isn't bad, but this is probably the last and only remaining opportunity to attempt to work things out between Clive and Roger. Which is kind of important, if they're to successfully work together later.
That strikes A out.
Why do I have this odd premonition of like... Roger freezing up in fear as something awful happens to Clive? In a timeline where Roger's still avoiding Clive...

Clive might be able to speak up for himself, however... I think it's better if we let someone else talk here. It's not because I expect it to be a stressful choice for him, but because speaking up yourself against Roger's suggestion means denying the 'Leader' which doesn't feel like Clive has the social points for. Not yet, anyways.
...Plus, the flavor text more or less implies that Clive doesn't really care either.

That leaves either Albert or Enid.

Right now, the majority is leaning Albert, which I think is... mostly correct.
I mean, Albert knows what Clive's going through- not to mention his recent Emotional Growth™ most likely allowing him to see clearer than he could before.
...However, he also literally just said “Don’t drag me into this. I’m fine with whatever combination we go with.”

I'm not really sure what nudging Enid to speak up would result in, but I can't imagine it would end poorly.

Liminori 2022/09/18(Sun)20:18 No. 1044130 ID: 22eda9
File 166355752827.png - (149.62KB , 749x800 , Roger POV.png )

Roger's POV...

I'm going with B of Bonding.

The Storyteller 2022/09/25(Sun)20:01 No. 1044758 ID: 629f2e
File 166416128096.png - (1.38MB , 1000x1000 , 201.png )

You try to telepathically send your will to Albert. When that obviously doesn’t work, you just nudge him with your shoulder and hope he picks up on your meaning. He turns back and looks at you, making more eye contact than you’re comfortable with (translation: any).

Albert: “...Fine, I’ll point out the obvious.”
Albert: “Roger, could you please attempt to be less Blatant about not feeling comfortable around Clive? It makes our collaboration with him a bit awkward.”
Albert: “We aren’t going to force him upon you if you feel so strongly.”
Roger: “I-I wasn’t trying to...”

The denial dies out in his throat.

Roger: “...Alright, maybe I’m not as subtle as I hoped I was.”
Enid: “Sorry, I wasn’t thinking about what you wanted when I asked Albert-”
Roger: “No, you didn’t do anything wrong. It’s okay for you to want things. Look it’s just...”

He pauses, just looking at you. It’s not a pleasant feeling, being inspected, and yet you’ve already gone through it twice today.

Roger: “...You freak me out.”
Roger: “Rodney always used to say good things about you. You’re important to him, I get that. I’m glad you treat him well.”
Roger: “But you never show any of that to us. You just sit there glaring and scaring everyone around you, and when you finally do something it’s- you nearly Killed JoJo!”
Roger: “How am I supposed to feel about that? Literally the only time you break the brooding loner character, and apparently that is the alternative.”
Clive: “...”
Roger: “...You can say something whenever you want.”
Clive: “...”

You give no retort, letting silence fill the air between you. There was nothing in his words you wished to contest.

Sharing his feelings about Clive with Clive took a fair bit of willpower from Roger, +5 Fear

Listening to someone describe him in that way shakes Clive’s confidence, +2 Fear

Party Fear Levels:
[Clive: 49/100]
[Albert: 43/100]
[Enid: 0/100]
[Roger: 11/100]

The Storyteller 2022/09/25(Sun)20:02 No. 1044759 ID: 629f2e
File 166416134916.png - (1.73MB , 1000x1000 , 202.png )

Albert: “Personally, I think you’re giving Clive more credit than he deserves.”
Roger: “...You invited him, so I’m guessing you don’t mean that in the way it comes off.”
Albert: “All I mean is that you’re presuming an unbelievable quantity of malice when the far simpler answer is a more believable level of anxiety.”
Roger: “...Look, if Clive actually Wants to go with me, then I’ll do it. I don’t think he does though. And if he doesn’t want it, then I really don’t.”
Albert: “That’s acceptable. Well then, Clive?”

Their eyes land on you, waiting for an answer.

To be frank, while you don’t begrudge him for the things he said, it hardly makes you thrilled to spend time with him. He just explained all the reasons being around him will be miserable for both of you. You scare him, and being around somebody who obviously doesn’t like it isn’t much fun for you either. There’s really no other answer.

Clive: “...I don’t.”
Roger: “Then that’s how I feel about it.”
Enid: “If that’s the case, then why doesn’t Clive go with me, and Roger goes with Albert?”
Enid: “Is that okay with everyone?”
Albert: “As I said before, I’m fine with any combination.”
Roger: “I don’t mind at all.”
Clive: “...It’s fine.”

And so, the groups are formed, and you both split up with a promise on where to meet. Roger gives you a dollar in coins before heading off with Albert. You catch a bit of the other pair’s conversation as they go.

Albert: “Ah, one final note. I’d like to stop by the hospital before we all group up, Roger.”
Roger: “Oh, did you want to visit your dad?”
Albert: “Ha ha! No. I’d like to be as far away from him as physically possible actually. It’s...”

...In the end, it’s just you and Enid. She looks up at you expectantly.

Enid: “Um, I don’t know where you live.”
Clive: “...It’s this way. We’re close already.”

Your house wasn’t very far from Roger’s. None of the homes in this part of town were. It’s a rather tight cluster of buildings.

You just need to pop inside and grab a few things the group can quickly eat while at the plant. Nothing that requires cook time obviously, snack foods like chips, crackers, pretzels, etc.

When you reach the door, you hesitate, considering how you want to handle your current associate.

A: Let her in.
-She’s going to ask about the candy and the chair
B: Ask her to wait out here
-You would be leaving her alone for a few minutes

That didn't go too horribly. At the very least, it laid down the line...

To let Enid in or not...

A (Modified): "I don't want to explain about the candy again, so... ask Albert later. It's kind of a draining topic."
A gamble, might save some time, might not.

She's probably still going to ask why we don't take some, and... at this point, if Rodney isn't back, is it perhaps a fair point? I don't know.

Also, wouldn't like... ants and stuff get into some of it? (:I)

Keep trying on the telepathy, there’s a girl you should meet who’s pretty good at it. Too bad she’s kind of weird and has a helicopter dad.

Also, please make some kind of effort to acknowledge your peers’ discomfort around you. Saying nothing is sometimes taken as an acknowledgement that their fears about you are accurate. Even saying “I’m sorry you feel that way” is better than silence. Heck, even a cocky shrug of the shoulders is better than silence. It doesn’t involve words, and it doesn’t require any change in expression. Very easy.

As for Enid, let her in (A) and make up an excuse.

“I was setting up a piñata and got lazy.”

There!

>“I was setting up a piñata and got lazy.”

...I'm not sure she'd buy that, given not very long ago...
Clive: “...I don’t play much.”
Enid: “That’s... very sad.”
...And piñatas are generally associated with fun. It doesn't really... fit.

I can't think of a good additional excuse/macabre joke to layer onto the piñata one, since I think it'd just make Clive look worse(?)

Maybe it's possible to bribe Enid not to ask for a portion of it.

I think "don't want to explain again" will suffice. Enid doesn't seem the probing kind.

The Storyteller 2022/10/09(Sun)20:19 No. 1046001 ID: 629f2e
File 166537194770.png - (718.55KB , 1000x1000 , 216.png )

...Albert did point out that you all need to stick together. Leaving Enid standing out here in front of your house is just going to make you both look suspicious. Better to just get it over with.

You hold the door open for her. From the moment she steps inside it’s clear that she wants to bring up the odd scene sitting in front of her.

Clive: “...Don’t ask.”
Enid: “Huh?”
Clive: “I already had to explain it to Albert. I don’t want to again.”
Enid: “O-Oh... Do you mind if I ask him when we meet back up?”
Clive: “Whatever.”

You walk towards the kitchen, when you notice her crouching down in the corner of your eye.

Clive: “Don’t touch that.”
Enid: “Oh, sorry. It’s just that we came here to bring snacks, so—”
Clive: “Not. Those. In the kitchen.”
Enid: “If you say so...”

She quietly complies, following your lead.

You waste no time, beginning to dig through cabinets and pulling out items that don’t need any preparation. Pretzels, granola bars,cut up apples and peanut butter.

Conveniently, you have a paper bag sitting around from ‘Bec’s last grocery run. You load it up with as much as it will hold, and lead Enid back the way you came.

There’s a moment of hesitation from her at the front door, as she casts her gaze back to the scene. Without a word though, she shuts it behind you both. It’s a small gesture of respect for your privacy. You appreciate it.

As you start off towards your next destination, she eyes the bag you’re holding.

Enid: “Will your mom and dad notice that you took so much?”

In one way, it was comforting to be asked that. It meant Albert hadn’t told everyone what he knew. That part was nice. Being made to think about your deceased parents, less so.

Clive: “No. They... won’t care.”
Enid: “Oh. So, you don’t need to make an excuse?”
Clive: “No.”
Enid: “...”

Ugh, come on Clive, she’s just trying to be friendly. Give her something to work with.

Clive: “...They work Nights. We don’t talk much.”
Enid: “Really? Then, when do you see them?”
Clive: “After school, before they leave for work. We get a few hours with them. It’s just me and Rodney at night though.”
Enid: “Is that okay?”

You shrug. It was more okay than the Actual current arrangement. This excuse hadn’t come out of nowhere though, it was how things were before.

Clive: “Rodney always wants to spend more time with them, but he understands. He’s pretty mature for his age.”
Enid: “I wish I could have met him. He sounds really nice.”
Clive: “...You’d probably get along.”
Enid: “If we investigate well-enough, we still might.”

The Storyteller 2022/10/09(Sun)20:20 No. 1046002 ID: 629f2e
File 166537201156.png - (1.36MB , 1000x1000 , 217.png )

The conversation stalls from there, as you walk in silence towards the field. It was on the way to the toy store, and the most common place to find ‘Bec. Sure enough, you catch her at the edge of the clearing. With her is The Slacker, John, who completes a transaction with her as you come into view. They both notice your approach.

John: “Eyy, Killer Clive and- it’s Enid, right? We talked just the other day, The Homeschooler?”
Enid: “That’s right. And you’re John, right?”
John: “Sure am! So what’s the deal here? Did kids stop giving the safety lesson about identifying safe Schmidts to be around ever since I went up a grade?”
Clive: “. . .”

‘Bec thankfully spares you from having to respond to that. With a swift elbow to the gut (using more force than necessary), she addresses her previous customer.

‘Bec: “Piss off, flake. You already paid, so we’re done here. Scare any of my customers away, and your mom gets a tip off about the kinds of magazines you’ve been buying.”
John: “Hey c’mon ‘Bec, don’t turn fink over a little joke. Honestly, it’s nice to see the lil’ killer take after his littler bro after all this time. Makin’ friends instead of corpses–”
‘Bec: “Five. Four. Three-”
John: “Welp! Nice seein’ ya, but I gotta make myself scarce. Nice doing business with–”
‘Bec: “Two. O-”

Realizing her countdown wasn’t going to pause, he turns on his heel and starts jogging away. ‘Bec spits in his direction as he escapes your sight, before turning back to you and Enid.

‘Bec: “Sorry about him, he’s a dick who thinks he’s funnier than he is.”
Clive: “...Our grade has Lemmy. I get it.”
‘Bec: “Oh shit, right. Yeah no you win. I’ll take Sheppard and the Caldwells over That any day of the week.”

The tense atmosphere diminishes, replaced by a more casual air. You like ‘Bec. Most people have treated you differently since your Incident, but not her. She’s an equal opportunity pain in the butt.

‘Bec: “Hey, where’s the geek?”
Clive: “Albert?”
‘Bec: “Yeah, I need to talk to him about something. Why didn’t you bring him instead of... I don’t know who this is, name?”
Enid: “I’m Enid.”

If life were a cartoon, there would be dollar signs in her eyes right now.

‘Bec: “Y’know what, poindexter can wait. Can I get you guys anything right now?”

There are many ways you could broach the topic, but you decide that the direct approach would be best.

Clive: “Do you have a key to the nuclear power plant South of town?”
‘Bec: “...The what?”
‘Bec: “Clive, what the hell are you talking about?”

You still have the newspaper article you’d shown previously, which you share with ‘Bec as well. She reads it closely, before reaching an understandable conclusion.

‘Bec: “Why the fuck would you want to go there?”
Clive: “We... have our reasons.”
‘Bec: “Oh okay, cool. Five Bucks.”

Enid winces.

Enid: “We don’t have that much.”
‘Bec: “Then get it. Do you know how much of a pain in the ass it’s gonna be to find a key to this place? I’d have to figure out Who’d even have one before I can get it from them.”
‘Bec: “You’ve given me literally nothing to go on, and if I’ve never heard of this then there can’t be many other people I can ask. This will literally take up the rest of my day.”
‘Bec: “So you’re either gonna give me more to work with, or you’re gonna pay top dollar. Your call.”

Without any leads, it would take time to find a key. This wasn’t her upcharging you, it was a simple fact of life. Still, you need a way in sooner rather than later. Even putting the price aside, this deal is just not acceptable in its current state.

How do you haggle?

A: Give her some information
-Tell her what you think will be enough to find a key, but leave out the bigger details
-It should get you a discount
-’Bec isn’t a fool. She’ll know there’s something you aren’t saying
-Unless otherwise specified, you’ll disclose that Albert’s father is a former employee, and suggest checking his apartment
B: Give her ALL the information
-Tell her what’s going on. Not just about the nuclear plant, but about graduation as well
-It should get you a discount
-’Bec will be aware of your investigation, and will do what she will with that information
C: Change your request
-Ask her to come with you to unlock the door herself
-You won’t be able to get back in without her help
-Unknown price
-’Bec may demand more details before she agrees to follow you. Unless specified, you will relent to any requests for information

Didn't think we'd go in and out of Clive's place so quickly, otherwise I would have suggested to move the chair, and clean the candy in case somebody comes in snooping while we're gone. Aw well, it probably would have stressed Clive too much anyways if we asked him to do that.

trust Bec with full information. Honestly, it'd probably be good to have her on our side on this, even if she's a bit of a bully scammer. Plus I think she helped save Jojo, If that's true, I feel she has a good heart deep inside enough to trust her with full information

lastly, there's a couple of people behind Bec and John. I don't recognize the silhouettes, but one of them has glasses.
Be careful, they might be spies. Might want to whisper to her, or bring her somewhere more private, or let her know we're not alone or something.

Looks like there are some others besides Bec in view. If you're gonna spill the beans, maybe not here.

My suggestion is... a mix of everything!

While on the way to C, use A as a bargaining chip and see what she thinks, and if she seems on board, then go in with B. It's up to her what she does with that information.

It could be unwise to tell Bec everything- however, as the information base, it's possible she could shed some light on the current running theory.
In the worst case scenario, if she gets caught, it's all over.

...That's a risk that you two have always taken though, so why stop now?

A. We have to keep an eye on our suspicion levels, and giving 'Bec more info than necessary will absolutely lead to consequences.

Plus, she'll respect us more if we don't tell her everything up front. Nothing in the world is free.

If she's receptive to the first bits of info, maybe share slightly more, but don't tell her too much in public.

>>1046067
I think A with a side of C, if she's more deeply interested and wants to go somewhere private because she thinks its valuable enough I'm willing to go C, but primarily A

The Storyteller 2022/11/02(Wed)00:10 No. 1048207 ID: 629f2e
File 166737303630.png - (1.19MB , 1000x1000 , 231.png )

You trust ‘Bec, but the two of you don’t normally tell each other more than what’s absolutely necessary. The only reason she knows about your parents is because you needed her to understand for the sake of your business transactions. While the secrets of graduation aren’t exactly personal, telling her unnecessary things could end up biting you later on. If she tries to investigate it herself and gets caught, you’re sure she’d Rat out anyone to save herself. Rodney’s safety is on the line, so that isn’t a risk you can afford.

Clive: “...Alright. I’ll give you a little more.”
‘Bec: “Finally.”

Before saying anything incriminating, your eyes land on two kids closeby. The idea that they might be listening in strikes you, but all you see when you stare at them are two middle schoolers having an unrelated conversation. The first is Louie’s brother, Saihu Leoi, and you’re rather sure that the other girl is Eren Wells. The Astrologer and The Baker are a pair you can’t even pretend to suspect of anything.

Still, better safe than sorry. You motion for ‘Bec and Enid to follow you further from the clearing before explaining.

Clive: “...A few other kids and I are going to investigate the nuclear power plant.”
‘Bec: “Okay, but Why? You’re risking getting in some serious trouble, so there’s gotta be a good reason.”
Clive: “I’m not telling you That for free.”
‘Bec: “The hell? You said you were giving me more.”
Clive: “I’m giving you a lead. If you want to know more about the plant, Albert’s Father used to work there.”
‘Bec: “My lead is pissing in a bowl at the hospital. What kinda shit clue is that?”
‘Bec: “Besides, you hang out with Albert, apparently. If that twerp had a key, you would have found it at his apartment. This doesn’t get me anywhere.”

That was a Lie. The gears were definitely turning in her head, as she reassessed various connections and whatever other info she’d gathered. Applying the new sliver of information to them would give her threads to pull on. ‘Bec will find something out given enough time, you’re sure of it.

Still, you need a way into the nuclear plant Now, and that means you can’t wait for her to find that key. Best to change the requirements of your request.

Clive: “Forget the key. How much would it cost for you to come with us and unlock the door yourself?”
‘Bec: “...How much do you have?”
Clive: “A dollar fifty.”
‘Bec: “Pfft, no. Not to go stick my neck on the line for you is that enough. If you want me to go past the death forest, then it’s gonna cost you more than that.”
Clive: “How much?”
‘Bec: “The money you offered and some Gossip. Give me some info I can make at least a buck on, and I’ll let it cover the rest of your bill.”
Clive: “...Hmm.”

Obviously you can’t just give the graduation conspiracy to her, but what else would qualify as decent gossip? You don’t talk to many other kids, so you aren’t sure what they’re interested in. Plus, none of them have told you anything you could give here as a response. Enid probably isn’t much better, having just recently joined your class.

Has anything interesting happened recently that wouldn’t give away the whole secret of graduation?

...Maybe... Okay, that might just suffice.

Clive: “...I have something.”
‘Bec: “Spill.”
Clive: “Yesterday, after school...”
Clive: “Lillian and Albert got into a Fight. She hit him hard enough to send him flying.”
‘Bec: “Pfft! Holy–!”
Enid: “Wait what!?”

Oh, right, Enid wasn’t there for that. Whatever, it’s not important.

Clive: “Is that enough?”
‘Bec: “...Eh, It’ll have to do. I can probably get a couple hits on that. Alright, alright, gimme the cash, and tell me when we’re leaving.”

The coins are exchanged, as you tell her the time to at the Foster’s house. With that settled, she leaves to make her own preparations. Enid hesitates, still shocked from your gossip.

Enid: “...Did they really have a fight?”
Clive: “Yes.”
Enid: “But... Why?”
Clive: “Interpersonal drama. It was stupid.”
Enid: “Is everything okay now at least? Did they make up?”

You shrug. It doesn’t satisfy her at all.

Nothing interesting happens on the way to the store.

The Storyteller 2022/11/02(Wed)00:10 No. 1048208 ID: 629f2e
File 166737305271.png - (1.18MB , 1000x1000 , 232.png )

...

Enid: “Do you want to come in with me?”
Clive: “Do you want me to come in with you?”
Enid: “...A little bit.”

You shrug. It seemed obvious that you being there would just make her attempts at getting a discount harder, but that was her call to make. Both of you enter the toy store.

Mr. Snyder: “Hey kids– Oh! Enid, how have you...”

He pauses, clearly looking at you behind her. You look away, but you can tell he’s still looking.

[The Suspicion surrounding members of your party has changed.]

Party Suspicion Levels:
[Clive: 57/100](+2 for being around Enid)
[Enid: 12/100] (+2 for being around you)

Mr. Snyder: “...H-How have you been doing?”
Enid: “I’m feeling a little better, but still not a hundred percent... May I look around?”
Mr. Snyder: “Of course. You don’t even need to ask.”

As Enid walks down an aisle, you’re left unsure of whether to follow or not. After a moment’s hesitation, you decide to do so. Pretending you weren’t with her would just make you seem more suspicious than you already are.

The next few minutes are filled with walking up and down the aisles. It’s dull, but Enid seems enthralled by all the different toys on the shelves. You don’t want to spoil her fun, so you keep your mouth shut. The original task comes back to her eventually, as you both stop in front of a variety of colorful flashlights.

She grabs a Pink one with a Pink light filter. You wonder if the girl in the Pink dress has a favorite color.

On the way back up, she pauses in front of a rack of plush toys. You tap her shoulder.

Clive: “The price tag for that light said it’s $1.50. That’s all we have.”
Enid: “I know...”

Knowing does not stop her from grabbing a toy. She did claim that she could probably get a discount earlier. Time to see if that’s true or not.

Mr. Snyder: “All done? I can ring you both up right over here.”
Enid: “Thank you. Just these two, and here’s the money.”

As she sets a single bill down on the counter, Mr. Snyder frowns.

Mr. Snyder: “Hmm, that’s only A Dollar...”
Enid: “Um, is that not enough?”
Mr. Snyder: “Not for the flashlight at least. The stuffed toy is only a quarter though.”
Enid: “But I thought... I must have read the wrong price tag, I’m sorry. I-I’m sure I have enough, so it’s fine.”

She makes a show of digging through her pockets, before setting two more quarters on the counter.

Enid: “Is that good now? I can get more if it’s not.”
Mr. Snyder: “Still a quarter short if you want both... but hey, you can get the flashlight now!”
Enid: “Oh...”
Mr. Snyder: “...So hey, um, what are you going to do with this anyways?”
Enid: “Roger wanted to teach me a fun Game that you need a flashlight for. We were all gonna go play it at the field.”
Enid: “I need it for the game, so I’ll take that over this.”

With sagging shoulders, she picks the plush back up and gives it a sad hug.

Enid: “Can you promise not to sell her? I’ll come back and buy her later, I promise! I have enough, just not on me.”
Mr. Snyder: “...Um, y’know... How about you take this little gal for Free? She’s been on the shelf for a while, and nobody’s bought her so far.”
Mr. Snyder: “She’d be happier with you than sitting around the store with me anyways.”
Enid: “Really? Thank you Mr. Giovanni!”

She hugs the toy tightly and flashes him a smile. With that, she picks up her things and walks out. You follow behind, taking nothing. Snyder’s eyes are locked on the back of your head as you go, you can feel them. Maybe having you around did help in a way. He was so focused on what you might be doing that he didn’t seem to realize that Enid was Manipulating him that entire time.

The Storyteller 2022/11/02(Wed)00:11 No. 1048209 ID: 629f2e
File 166737307730.png - (1.00MB , 1000x1000 , 233.png )

When you finally get out of sight of the store, Enid turns and holds the toy out to you.

Clive: “...What?”
Enid: “This is for you.”
Clive: “...Why?”
Enid: “Well, y’know... You said you didn’t have any toys, and her face reminded me of yours, so I thought you’d like it.

She deposits the toy in your hands, letting you look at it more closely. It was a humanoid plush in winter clothes, with rich purple hair covering one eye. She wasn’t wrong, the toy stared back at you with a tired expression of its own. Odd design choice. No wonder it had been on the shelf for so long, who is it meant to appeal to?

...

Clive: “Thank you.”
Enid: “Do you like it?”
Clive: “...I don’t dislike it.”
Enid: “Well if you like it, then you have to name it. That’s how plush toys work.”

You don’t know or care whether that’s a real rule. With a single glance at its hair, you simply dub her Plum to settle the matter.

...You’re going to have to hold this thing for the rest of the day, won’t you?

The Storyteller 2022/11/02(Wed)00:11 No. 1048210 ID: 629f2e
File 166737308968.png - (87.48KB , 1000x1000 , 234.png )

...

You meet up with the others outside the Foster’s home. ‘Bec shows up just a bit later, making you wait a few minutes.

‘Bec: “Yeah, I know I’m late. Shut up, I had shit to grab.”
Roger: “Like what?”

She reaches into her jacket and pulls out a Crowbar.

Albert: “...My faith in your lockpicking skills is dropping rapidly.”
‘Bec: “Hey, dipshit, I haven’t seen the fucking door. I’m not making this trip twice, so if Plan A is out then Plan B is coming with me.”
Roger: “We don’t really want to leave a trace of us being there. Wouldn’t breaking in do just that?”
‘Bec: “Only if you’re sloppy.”
Roger: “...If you say so. Alright, let’s double check and make sure we have everything.”

You put all that you’ve picked up together. You have:

-2 Flashlights
-A Compass
-4 Water Bottles
-4 Rations (Enough snacks to provide a full meal for about 4 of you)
-1 First-Aid Kit

Most of the food and drink gets loaded into Roger’s satchel, while the rest will be split among yourselves.

Enid: “Can I ask something?”
Albert: “You don’t need permission to speak. Go right ahead.”
Enid: “Um... Are we going to go through the forest?”

You all turn towards the treeline. It was uncharted territory for you, and seemingly for everyone else. Kids talk about going in plenty. There are a million and one rumors, but you don’t know anybody who has actually done it.

Roger: “...Actually, I was going to suggest we take the Road instead.”
Albert: “I’m in agreement. Given the information we have, it seems the safest route.”

You know the path they’re talking about. The only family that regularly takes it are the Sheppards, as it leads to and from the farm where they live at the town’s edge.

‘Bec: “Yeah, we could do that. Or, and stay with me here, we could try not to get seen. We’d be walking right in front of the farm without any Cover.”
Albert: “As opposed to walking into the rest woods, visible to anybody on this street peeking out their window?”
‘Bec: “We’re talking about the difference of about one minute to several spent in constant exposure.”
Roger: “I wasn’t thinking so much about being seen. The only thing we know about the nuclear plant is that it’s South, but we don’t know how far East or West it is.”
Roger: “Most places in town were designed around cars, so I figure if we Follow the road, eventually we’ll find the plant’s Parking Lot.”
‘Bec: “We could hook back up with the road after cutting through the forest.”
Albert: “I take it you know just how far it stretches out then?”

She grits her teeth. Clearly she didn’t.

‘Bec: “That’s not the only problem! If anybody saw us, we’d be out in the open. The forest would give us cover, which we can use to slip away if we pick up any pursuers.”
Roger: “Couldn’t we just duck into the forest anyways if we see someone on the street?”
‘Bec: “You don’t think before you talk, do you?”
‘Bec: “Put yourself in their shoes. You think you see something moving in the woods, you check it out, don’t find shit, you’d probably write it off as a leaf or something.”
‘Bec: “You see a conga line of dumbass kids run into the forest, and you don’t just go ‘oh, must’a been the breeze’, you know some shit is up instantly! No Deniability!”
Roger: “I see your point, but I still think it’s better to take the road.”
Albert: “I agree.”
Enid: “...I don’t know. You made both options kind of sound bad. I’m not sure which is better.”

...Both sides made good points. You aren’t entirely sure who to support, or if you should even toss your hat in at all. Would your opinion actually change anything here?

Should you speak up? BE WARNED! There’s a chance that Clive will give up on interjecting his opinion, and he’ll gain some Fear if he does.

1: Support ‘Bec
-Agree that you should cut straight through the Death Forest
-’Bec will be happy with this arrangement
2: Support Roger and Albert
-Agree that you should follow the road to the plant
-Albert will appreciate the support
3: Present a new option
-Present an option neither party has considered
-The odds of Clive failing to share his thoughts lowers dramatically if this is chosen
4: Stay out of it
-They’ll work it out themselves
-It’ll feel better this way

ALSO

Choose TWO items for Clive to hold onto. Even if he gets separated, he’ll have access to the items’ benefits. If Clive picks something another kid wants, there’s a chance he’ll chicken out and gain a little bit of Fear.

A: Flashlight
-You will be able to illuminate dark spaces
-Enid has claimed the pink flashlight she bought. Roger would prefer to keep his as well
B: First-Aid Kit
-You will be able to mend the wounds of yourself and others
-Albert wants this, likely out of concern for his own health
C: Compass
-You will be able to navigate the halls of the plant with significant ease
-Nobody feels strongly about the compass, so it’s free game
D: A Ration and Water
-You will be able to take a snack break, letting yourself calm down and drop a bit of Fear
-Roger certainly won’t mind you lightening his bag by carrying this.

Poltergeist Ethanoic Acid 2022/11/02(Wed)00:49 No. 1048217 ID: e51896
File 166737539020.png - (101.28KB , 1028x927 , visualaid.png )

to help raise Clive's confidence enough for 3, we need a bit of 1 too so he can fall back on that if it doesn't help, and Bec will have his back at least a little.

1 and 3. Go with Bec's idea (1), but ask what if we go South-East instead of just south, that way, we'll be hidden in the forest until we reach back into the road the farm is on, and we'll most likely get past the farm by the time we reach the road. We have a compass after all.

Be sure to ask that in a form of a question instead of just telling them to do the idea, since if it's a good idea, they'll take it, and if it's not, they will simply just answer you're question as to why not, and we won't get too hurt over it since you didn't demand it and you'll still be supporting Bec's idea. Bec might even support your idea at least

pictured is Visual Aid on what I'm talking about too. We should be able to get past the farm by the time we reach the road, and have a less likely encounter with the Sheppards.

Liminori 2022/11/02(Wed)02:12 No. 1048220 ID: 22eda9
File 166738036968.png - (145.73KB , 821x625 , Cattenom Alter.png )

I like Plum. Plum's nice.
Enid might not have thought through that Giovanni might think that Clive took Plum rather than being gifted it, but that's a thought for later.

I wish I could pull a big brain suggestion of "Follow the creek" since Our Cattenom has a river that practically leads straight to the Nuclear Plant. (Pic Related)

I wish, but... the creek depicted here in Perpe-ttenom's map leads to the Ocean (Not present in Eart-tenom) but also even if this is even slightly close to a real lead (following an unknown river) I can't actually think of any plausibility for which Clive can base this knowledge off of and suggest with.

I do like the suggestion of AC though, and I'd like to also suggest something along the lines of "Following the road from within the forest."

(My heart says "Just cut through the forest, we'll see more cool stuff!", but logic keeps winning out. It just keeps happening. It's like my two brain cells are Lemmy and Albert.)

As for what to bring with, I'm thinking either C or D.
The compass is good since if all hell breaks loose, Clive can just go East until he reaches the road and follow the plan from there.

However, D is also a good choice since it offers some immediate relief if and when necessary. If the road makes sound from traffic, then the compass may not be necessary after all for the above plan with C.

3, C. Clive isn’t really the nurturing type (at least not with Not-Rodneys), so I can’t see an emotional (Fear) benefit to having him play quartermaster. Compass it is.

I support >>1048217 with AC. It makes sense for kids to want to play in the farm fields, we’d be heading in that direction that way. Walking along the road in a big ol’ group is just asking to get spotted and add tons of suspicion.

>>1048217
>>1048307
Supporting these

>>1048217
Sounds good, supporting this.

rolled 5 = 5

---

You want this to not be 1.

rolled 2 = 2

---

You want this to not be 1.

The Storyteller 2022/11/12(Sat)17:54 No. 1049119 ID: 629f2e
File 166830449294.png - (1.19MB , 1000x1000 , 239.png )

Clive: “...Why don’t we do Both?”

You flinch, as the interjection sets all eyes on you. It’s tough to hold your ground.

Roger: “How would we do that?”
Clive: “We could enter through the forest, but come out near the road after we pass the farm.”
Albert: “Hmm... That’s not a bad idea. We do have a compass to keep us moving in the right direction. We’d simply have to travel South-East.”
Roger: “We’d connect back to the road, meaning we could still find the plant’s parking lot.”
‘Bec: “Traveling near the forest’s edge could still get us seen by the farmers though. Then we’re back with all the issues I brought up already.”
Albert: “Even if we’re spotted though, the trees should provide enough cover to obscure our identities.”
Albert: “We could still be seen, but the possibility is reduced dramatically this way.”

There’s a lull in the conversation, as everyone considers the suggestion to themselves.

‘Bec: “...Fine. It’s not that shit an idea.”
Roger: “I agree.”
Enid: “It sounds like that has all the upsides but none of the bad parts.”
Albert: “Then I think we’ve reached an agreement.”

You can’t deny a small swell of Pride at your suggestion going over well.

You spoke your mind, and had your idea accepted by the group. -2 Fear

Party Fear Levels:
[Clive: 47/100]
[Albert: 41/100]
[Enid: 0/100]
[Roger: 9/100]
[‘Bec: 20/100]

The Storyteller 2022/11/12(Sat)17:58 No. 1049121 ID: 629f2e
File 166830470993.png - (1.16MB , 1000x1000 , 240.png )

You decide to hold onto a Ration for yourself, which would save you from having to ask Roger for it later (avoiding future conversations is a wonderful feeling). Nobody complains when you offer to take the Compass, though Roger reminds you to be careful with it since it doesn’t belong to any of you. Louie would be rightfully upset if you returned it in a poor condition.

Roger: “That’s everything?”
Enid: “I think so. It’s time then, right?”
Albert: “Right...”

There’s a sense of Hesitation. Being told your whole life not to do something will inherently give you pause before doing it. You were going to go inside the Death Forest.

Suddenly, it felt like you were playing with higher Stakes. This isn’t the same as doing research at the library or getting gossip from ‘Bec. You’ll be in serious trouble if you’re caught doing this. There won’t be any excusing your actions as anything but what they really are: An investigation into the system.

If this goes poorly, you could all be the next to Graduate. Maybe even worse...

Roger: “Well, we don’t really have a choice. Whether we do it now or later, we’re just gonna have to do it.”
‘Bec: “He’s right. C’mon, let’s go.”
Enid: “Ah, wait. How are we going to get across the river though?”
‘Bec: “Jeez, you really have been sheltered, haven’t ya?”
Enid: “What’s that supposed to mean?”

The answer had been so obvious to the rest of you, you hadn’t even thought to mention it. There were large rocks jutting out above the stream, almost inviting you to hop across them.

Roger goes first, followed confidently by ‘Bec. Albert is slower, but has enough control over his cane to make it by himself. Even after watching all of them do it without issue, Enid still asks you to hold her hand as she goes. You silently reflect on how most kids would find touching you scarier than a few small jumps.

In fairness, Enid does nearly slip right off, justifying her concerns. You would argue that your tether was responsible for the slip, but it’s not worth the effort. Everyone makes it across.

Enid: “Thank you.”
Clive: “You should do it yourself next time.”
Enid: “I don’t want to fall in. I can’t swim...”
Clive: “I can’t either. Don’t drag me down with you.”
Clive: “It only goes up to your junk. Just stand back up if you fall, and don’t let it get into your mouth.”
Enid: “Why not? It’s just water.”
Clive: “It’s Untreated. Same stuff that comes out of the sink or shower.”
Enid: “Oh, I see. It’s not like the stuff that comes in bottles?”
Clive: “Yeah. You’ll get sick if you drink this.”

Albert rushes you along at the tree line, pointing out that the longer you spend there, the higher chance there is that somebody will see you. His concerns see you all stepping foot within the forest, regardless of any misgivings or concerns you might hold.

There’s a clear cutoff point where the forest starts, characterized by the leaves on the ground. The side that was considered still being in town was clearly raked, while the floor of the forest clearly hadn’t received such treatment in a long time.

Roger: “Albert, you’re going to lead the way, right?”
Albert: “Presumably. If I don’t you’ll leave me behind, intentionally or not.”
Roger: “Right. We can’t see much of the ground with all these leaves. Can you use your cane to test it as we walk?”
Enid: “Do you think there are traps out here?”
Roger: “I mean, it’s not impossible? Even if there’s not, it’d still be nice to catch any tree roots before we trip over them.”

That’s definitely a concern. You couldn’t see what you were walking in, as each step dug into a carpet of leaves that go halfway up your legs.

As you all start walking, you notice Enid start to lag behind quickly. Her legs were shorter than the rest of yours, which made walking through this mess a far greater ordeal.

The thought occurs to you that she can’t be far off Rodney’s height, and you’re able to hold him easily. He’s your little brother though. She’s a girl from class you met literally yesterday. It’d be weird to even offer, wouldn’t it? Does the clear utility outweigh the social contract in this case, or not? Will she get upset if you even ask?

Offer Enid a ride on your back?
A: Yes
-You’ll feel useful if she accepts
B: No
-You won’t feel awkward if you don’t ask

ALSO

Where will you walk among the group?
1: Near the front
-You’ll get to talk to Albert
-It’ll be easier to react to anything that happens ahead of you
2: In the middle
-You’ll probably have to talk to Roger
-Being in the middle makes you harder to identify from ahead or behind
3: Back of the line
-You’ll get to talk to ‘Bec
-It’ll be easier to react to anything that happens behind you

Offer Enid a ride?
No. As cute as it sounds, as an introvert, Clive's done a lot already to share his idea of heading to the road through the forest. Lets give him a break for now. We are supposed to be patient with him after all. And putting her on our back might make us easier to see when we get to the forest edge, or anything else

And if there is a moment we need to run, or need a hand free, it's going to be difficult with Enid on our back.

We could instead see if she'd want to go in front of you so we can keep an eye on her, or maybe even handhold instead of piggy back riding. Handholding seem a lot less awkward than a piggyback ride and can help her traverse through the roots, leaf piles, and other weird plants, and she wanted to hold your hand earlier across the stream so she might be more fine with that. Plus, we gotta hold Glum Plum too, remember?

And yeah, with that thought of not offering Enid a ride, instead, stay in the back with Bec, that way we can keep an eye on Enid if she falls too far back. She has a flashlight too to get our attention if she falls back, and Roger won't get too distracted by us to help out Albert if he trips over and hurts himself or something. And if we're behind with Enid and Bec, then Albert and Roger won't go too far ahead and lose us since they need us for the Compass.

>>1049128
I agree with this for the most part, but I'd still like to make a point.

I don't think Enid would turn it down, so really it'd just come down to if Clive's up for it or not. I suggest this choice is up to him.

..But yeah, probably in the back or close to it.

Be careful with the compass or else Louie will be upset? What’s he gonna do, pun-ish us?

Oh god he would

Anyway, yeah, agree with the above. Clive wouldn’t offer the ride, I don’t think, and I won’t pressure him into it.

As for where to walk, avoid Roger for sure. Walking in front gets us furthest away from Enid, so it makes Roger more likely to notice her lagging behind, which will slow both of them down and make it so Roger is even less likely to talk to Clive.

I disagree with the prior suggestors in saying that he wouldn't. He's already on a road to at least *attempting* to socialize and he misses his brother, maybe he wouldn't under normal circumstances, but I think this kind of thing would be calming to him in the moment. Also, having someone higher up means they can also spot for you in case there's anything weird coming up that you all (Being short kids) could miss.

I wanted to say A3, but Instead I'll go with A2, piggyback and the middle, the extra height from Enid means you'll be hard to see anyway, which means having someone up high in a hard to see place can catch something you all otherwise might miss.

rolled 1 = 1

---

You want this to not be 1.

rolled 2 = 2

---

You want this to be 2 or 3.

This roll will determine Clive's awareness of the previous result.

Per p petuity

>>1049533
What did he mean by this...?

it is a mystery

The Storyteller 2022/12/07(Wed)22:03 No. 1051261 ID: 629f2e
File 167047940423.png - (1.27MB , 1000x1000 , 251.png )

You’ve barely known this girl a day. Offering her a ride on your back would be... weird.

Pretend the thought never entered your head. If she needs help, she’ll ask you. Keeping that thought in mind, you stay close by in the back of the group. This gives you the added bonus of being near ‘Bec, who you feel slightly more comfortable with than the rest.

After a few minutes of walking, the older girl starts to speak, keeping her voice down so Enid doesn’t hear.

‘Bec: “So, what’s with the Doll?”
Clive: “It was a gift.”
‘Bec: “And you brought it out here why?”
Clive: “Didn’t get the chance to drop it off at home.”
‘Bec: “Seems to me like you could have just left it at the Foster’s. Picked it up on the way back.”
Clive: “Maybe.”
‘Bec: “Any reason you didn’t?”
Clive: “...I didn’t think to.”

She sniffs the air.

‘Bec: “Hmm... Smells like a load of Bullshit to me.”

You choose not to humor her implications. It doesn’t matter to you what she thinks, and you didn’t lie in your answers. Let her believe what she does.

‘Bec: “...This whole plant thing has something to do with Rodney, doesn’t it?”
Clive: “Maybe.”
‘Bec: “I have literally never seen you be driven by anything else, so I’m gonna say yeah.”
‘Bec: “Cut the crap. What’s going on?”
Clive: “...The fewer people know, the better.”
‘Bec: “I saw Franklin and Lillian sitting with you at lunch today. In what world does the buck stop at me?”

...She has a point, although you aren’t sure how she saw you together at lunch. Middle schoolers eat at a different time, how does she always get information like that?

Clive: “I didn’t choose to tell them.”
‘Bec: “Look, you know I can keep a damn secret, okay? Just say it already.”

The previous justification you gave comes to mind, not wanting to fill her in out of fear that she’d be caught. The argument was weak, but you hadn’t yet changed your mind about it.

Unfortunately, you don’t know that the other kids would share your hesitation. If she starts asking them, then it doesn’t matter what you choose to tell her.

Compromise seems like the best option here. Give her what she wants, but get something out of it for yourself.

Clive: “...Not for free.”
‘Bec: “Ask your own question first then.”
Clive: “Okay... Why did you want to talk to Albert earlier?”
‘Bec: “Because I Owe the brat something, and the sooner that isn’t the case the better.”

...Well that definitely wasn’t an answer you’d been expecting.

Clive: “What did he do?”
‘Bec: “That sounds to me like a second question.”
Clive: “You’re asking a big one. Explain.”
‘Bec: “Fine. He gave me good info last night about JoJo.”

You tense at the name, suddenly not wanting to hear any more. She keeps going, speaking with a somber tone.

‘Bec: “Told me she might be in Trouble, and that I oughta check up on her. Found the kid half-frozen by the creek, and got her to the hospital before she got totally fucked up.”
‘Bec: “It was a helpful tip, so I owe him. If he hadn’t told me about it, and she stayed out there all night in that downpour...”

She could have Died. That was the implication.

The idea doesn’t bother you.

You don’t want JoJo to die, she doesn’t deserve that. Yet deep down... you kind of wish she would so that you wouldn’t have to See her again. It’s a selfish thought. Every time you see her, it just reminds you of your History. It’s the same for her too. The way she tenses up while passing you in the hall, or how she’ll look away if you even glance her way...

You deserve it of course. You put that fear in her.

The Storyteller 2022/12/07(Wed)22:03 No. 1051262 ID: 629f2e
File 167047943889.png - (1.25MB , 1000x1000 , 252.png )

You’re spared from having to break the silence by Enid tripping. You turn back and rush to help her up.

‘Bec: “Hey, you still–”
Clive: “Just make Roger explain it. I’ll fact check later.”

It’s enough to satisfy ‘Bec for the moment, as she quickens her pace to reach said boy. Enid accepts your hand and pulls herself up. As you let go, she grips it tightly.

Enid: “Can we walk together?”
Clive: “Again?”
Enid: “I need help staying up, and your legs are longer than mine.”
Clive: “...Okay.”

Once again, you find yourself walking hand-in-hand with Enid. An awkward position, but significantly less so than carrying her on your back. Roger seems to take note of your slowed speed, and gets the others to slow down to accommodate. Probably for the best.

Enid: “...Um, Clive?”
Clive: “What is it?”
Enid: “I wanted to ask you something. What makes you Happy?”

You blink, taken aback by the unprompted question.

Clive: “Why do you want to know that?”
Enid: “Well, you don’t smile much, so I wanted to know what would make you do it.”
Clive: “I don’t smile when I’m happy. This is just my face.”
Enid: “Really? So... are you happy right now?”
Clive: “No.”

She pouts.

Enid: “That brings up back to the original question then, doesn’t it? What makes you smile on the inside?”

What makes you happy, huh? That’s something you haven’t thought about for a while. You haven’t really had the chance to just... Do Things I wanted to. I don’t even know what I would do if I had the chance.

...I know who I’d want to do things with.

Clive: “...My brother, Rodney.”
Enid: “Just him? Aren’t you ever happy when you aren’t with your brother?”
Clive: “Sure.”
Enid: “Well... What makes you feel that way?”

You shrug. It was too hard to come up with anything.

Clive: “What makes you?”
Enid: “Normal stuff. Toys, sweets, good books, games... Don’t you like those things?”
Clive: “Sure.”
Enid: “Then you should have just said that! You’re so cagey.”
Clive: “...Sorry.”
Enid: “Seriously, I think everyone likes those things. If you do too, then you’re a lot more Normal than the others made you sound before.”

She smiles at you, with just a bit more warmth than you’re used to. It doesn’t make you feel bad.

What does bring you down is when the smile falls. You already know what is coming.

Enid: “Um... The others told me about... a thing you did, to another kid at school? Can I ask you–”
Clive: “Be quiet.”

Internally, you cringe. It came off harsher than intended, but you needed her to stop.

She flinches at your blunt remark, making you feel like complete garbage.

Clive: “...Don’t talk to me about that... Please.”
Enid: “O-Okay.”

Well that killed the mood. Great job, idiot.

The Storyteller 2022/12/07(Wed)22:05 No. 1051263 ID: 629f2e
File 167047950073.png - (0.99MB , 1000x1000 , 253.png )

You walk in silence after that. Soon you begin to approach the road, as you’d planned by walking South-East through the forest. It would have been nice to be able to completely avoid the farm, but when you’re in the thick of the woods there’s no way to be sure whether you’re past it or not. Judging from what little you can see through the line now, you’ve just about reached it.

The treeline had cleared up enough to get a somewhat clear look at the farm as you pass on by. You could make the structures out, from the silo to the barn, and of course the main house resting atop the hill. Once you get completely past this, you’ll get on the road for the rest of your journey.

...

As you walk past, for just a brief moment... you see Someone.

It’s hard to make them out, as they’re nothing more than a silhouette in the window from where you’re standing. Even so, there’s no question who it is. That brief observation was all you needed, as nobody else could fit the silhouette you’d seen.

It was one simple detail: The shadow was missing an arm.

There’s only one boy in all of Cattenom who could meet that description: Aiden Sheppard, The Farmhand.

...Did he see you?

You saw him, just barely. It’s not impossible for the reverse to be true. You couldn’t even tell if he was looking through the window or not. Did he see all of you?

Clive: “We need to speed up.”
Roger: “Did something happen?”

You quickly relay your sight to the whole group, prompting discussion. Discussion had while walking, so as not to allow yourselves to be seen while questioning if you were seen.

Albert: “Are you sure you couldn’t tell?”
Clive: “He might have seen us, or he didn’t. I don’t know.”
Roger: “Could you make out his face when you saw him?”
Clive: “No. I just recognized his shape.”
Roger: “Then even if he did see, the same is probably true for him. And unlike him, we were moving. He wouldn’t have as much time to get a good look at any one of us I think.”
Albert: “That’s just an assumption though.”
‘Bec: “Yeah. The dweeb might have good eyesight or something. Plus, some of us might look pretty Distinct.”

Everyone turns to Albert, or more appropriately Albert’s wild hairdo.

Albert: “...What?”
‘Bec: “I mean, the cane is obvious enough, but there’s no mistaking hair that dumb.”
Albert: “This is just how it looks in the morning. I don’t particularly care if it’s unsightly.”
Roger: “It’s the worst hair to draw, but I actually think it looks cool. Just tough to make it look good.”
Enid: “I think it’s really unique.”
‘Bec: “So is a rainbow turd, but that doesn’t mean it’s good.”
Albert: “...Again, I don’t care.”

The tone of his voice makes you think he probably cares a little.

Roger: “Anyway, Albert’s in the front. That means Aiden was the least likely to see him, since he may not have been at the window yet. Or he might not have noticed us yet when he was visible.”
‘Bec: “True...”
Clive: “The rest of us don’t stand out.”
Enid: “...Thank goodness Franklin had his own thing today.”

You share the sentiment. That boy is unmistakable from any distance.

Roger: “...I think we should keep going. If anybody wants to turn back though, just say so. There’s a bit more risk than before.”

After a beat of silence where none turn tail, you all continue as planned. It’s agreed that, even when you’re past the farm, you’ll stay within the forest’s boundary instead of taking to the road. Just an extra measure of safety, better safe than sorry.

The idea of being caught in these woods strikes fear into everyone. +2 Fear all around

Party Fear Levels:
[Clive: 49/100]
[Albert: 43/100]
[Enid: 2/100]
[Roger: 11/100]
[‘Bec: 22/100]

The Storyteller 2022/12/07(Wed)22:06 No. 1051264 ID: 629f2e
File 167047958095.png - (1.68MB , 1000x1000 , 254.png )

Soon enough, there’s a break in the trees ahead of you. The end of these woods. You’d made it through without any major incident thankfully.

You weren’t certain what would be awaiting you when you got past the treeline. Your hope was that it would be the plant of course, but you didn’t actually expect such a thing. It felt a little too convenient that you wouldn’t have to search around at all.

And yet, the very moment you break from the trees and step onto blacktop... There it is.

Roger: “Whoa...”

He said it better than you could.

There were multiple towering structures... You hadn’t expected that.

Your first instinct is to wonder which might be the power plant. It’s a foolish thought. Together, all of this was the Cattenom Nuclear Power Plant.

The buildings were Massive, taller than any you’d ever entered; and the designs were Foreign, unlike any you’d ever seen in town. The parking lot stretched out wide, with room to house more cars than you’d ever seen in your life. It felt like you had stumbled into another world.

Roger: “...Y’know, now that we’ve made it, I guess I don’t know what I expected this to be like.”
Enid: “I know what you mean. I couldn’t even imagine it before, but this still feels completely different to what I was expecting. Does that make sense?”
Albert: “...”
‘Bec: “Damn... This really has been just outside of town all along.”
Roger: “Makes you wonder what else our parents have been keeping from us, doesn’t it?”

‘Bec seems shaken by the comment. Guess he told her the truth.

You don’t even know where to start here. How long would it take to look through one building, let alone all of them? Are there any you can skip?

Albert: “That one.”

Albert points to one of the plainer looking buildings. As you stare at it, it suddenly occurs how Old this place is. The wall of that building has started deteriorating, housing a large hole in its upper story.

Albert: “That’s the one we should look into.”
Roger: “You’re sure?”
Albert: “The parking lot seems centered around that building, almost like it’s assumed most people are to go into there.”
Albert: “If the other structures house more machinery than people, then they’re less useful to us. Not to mention, more dangerous to poke around carelessly.”
Roger: “Ah, that’s true.”
Enid: “I think Albert’s right. But, are you sure we don’t need to check the others?”
Albert: “We can decide that after surveying this building.”
Albert: “Seek out anything that can tell us what we don’t already know. Files, evidence of what took place here, ID cards that can tell us who else worked here, anything.”
‘Bec: “I’ll get started on the friggin’ door then. Sooner I do, the sooner I can split.”
‘Bec: “Hey! Speedy, go play lookout.”
Roger: “Do you mean me?”
‘Bec: “Yeah. Head over there and peek around the trees to watch the path. If you see anybody coming, run over and tell me.”
Roger: “Ah, that makes sense. We should probably have some eyes on the woods too though.”
Albert: “I can watch them.”
Enid: “Um, me too. They’re pretty wide, so I think at least two people should. I’ll take the area by ‘Bec, and you can watch near Roger?”
Albert: “That’s fine with me.”

And once again, you’ve stayed quiet for too long and haven’t found a good place to set yourself. Great.

What should you do?

A: Help ‘Bec with the door
-When the door opens, you’ll be able to get in before anyone else
-You might be able to talk ‘Bec into staying, now that she knows the truth
B: Watch the road with Roger
-If somebody approaches from the road, you’ll see exactly who it is
-You might be able to make things less awkward with Roger before you get inside

A. I don't think Roger is comfortable enough with us yet, and if someone does come down the road, they'll be more likely to see us if there is two people watching instead of one. Plus, we're not as fast as roger if we have to run, raising the chances of getting spotted. And I don't think Clive is social enough to make things less awkward with Roger. Let Roger become more comfortable with us through our actions during this mission instead of speaking with him. Clive isn't comfortable enough to be social anyways, let alone someone who is afraid of him. Let him practice with Enid for awhile first.

Also, trying to talk Bec into staying with us might be more important. She did seem shaken by the parents hiding something big from her, so she might be more willing to help get to the bottom of things.

>>1051273
To add on, we also promised to fact check with Bec after she finished speaking to Roger. We can do that while we help her with the door. I have a feeling it's going to be helpful if she hears both sides of the story of what happened.

I think A is the right choice too.
While I totally misread something earlier, it did still lead me to a relevant line of thought however-
If we see anything in there that's... well, visually displeasing/hard to look at, I suppose, we can warn the others in advance. Namely Enid.


While a part of me does want Clive to work things out with Roger, the biggest problem seems to be a matter of "What do I even say?" followed by "He's made himself clear, why bother?" - which isn't really helping things.

"...Draw anything cool lately?"
That doesn't really sound like Clive, but... what do I know?
I wonder if Clive has any interest in art.

>>1051315
I highly doubt Clive is ready to make up with Roger, after how badly he messed up with Enid. Let's not push it.

A. Not just because I suggested something door-related in thread 3B, or because doors are fascinating in general, but because it's the right thing to do.

Oh, yeah, we should very likely do A. If apostrophe Bec leaves, we will be in real trouble.

>>1051510
There's also the chance that Bec could get spotted/caught alone, which would also be bad.

The Storyteller 2023/01/14(Sat)22:50 No. 1053799 ID: 629f2e
File 167376541580.png - (1.85MB , 1000x1000 , 266.png )

Clive: “...I’ll just help ‘Bec with the door.”

You doubt she actually needs assistance, but you did promise to fact check whatever Roger told her.

The other three take up their posts, while ‘Bec immediately gets to work. You sit off to the side, watching curiously. She has a few metal tools that she’s sticking into the knob, but you don’t have a clue how they work.

She glances over at you, and starts asking questions as she works.

‘Bec: “So. High school’s not letting anyone out?”
Clive: “Sounds that way.”
‘Bec: “Early graduation is some bullshit parents pull to ditch unwanted kids?”
Clive: “Maybe. It doesn’t explain Rodney though.”
‘Bec: “True. Hell, I’m amazed I’ve lasted this long when those fucks could’a ditched me whenever they wanted...”
Clive: “More reasons to think we might be on the wrong track there.”

Despite your grumbling, you actually do think the group is on the right track with that theory. It just doesn’t leave you much ground to understand your own situation. Why is Rodney the Exception to the rule? How did he get taken?

...The night he vanished, you left him alone in a poor mood. If he did something stupid that got him in trouble, then it’s your fault it happened. No matter how confusing it is, you have to figure this out.

‘Bec: “...So Lemmy’s at the morgue?”
Clive: “...He is?”
‘Bec: “Why the hell are you asking me!?”
Clive: “It’s news to me.”

Roger may have mentioned something about him and a disguise earlier, but otherwise Lemmy Not being missing was a development you’d missed entirely. Must have been brought up after you split from the group at lunch. Or maybe they just didn’t want you to know. You’re untrustworthy, you get it.

There are a few more questions from her, all of which you confirm. It seems like Roger decided to spare no details, save any others they might be keeping from you.

Clive: “I wasn’t with them for the first day, but all of that matches what they told me.”
‘Bec: “Hmm, I could see them lying to you though. Not completely reliable then...”
‘Bec: “Eh, it’s probably the truth. Roger seems like he’d be a shit liar.”
‘Bec: “Bet you’re psyched about this. Instead of being separated from your brother for a couple years, you’ve got an excuse to bust him out early. Save him from the conspiracy and all that.”

Well certainly you would enjoy that fact, if not for the details surrounding it. The uncertainty of what is happening to him in there, the terrible note you left things on, and the simple fact that he currently isn’t here are all preventing you from feeling any bit of levity.

Clive: “...If we find something in here, we’ll be more prepared to bust him out.”
‘Bec: “It’s pretty hard to plan when you don’t know what’s going on, huh?”

You nod. Alright, she looks like she’s almost done, it’s now or never.

Clive: “You could Stay and help too.”
‘Bec: “...Eh, I’d rather not risk my own neck. If you find anything though, I wouldn’t mind hearing about it after the fact.”
‘Bec: “Might even be able to cut you a discount. Y’know, if it’s good.”
Clive: “You’re more experienced at digging things up than any of us. If you’re with us, we’ll be more likely to find something Useful.”
‘Bec: “Yeah, and if we all get caught together, then there’ll be nobody on the outside to free us.”
Clive: “...There’s Franklin, and Lillian still.”
‘Bec: “Nobody with a chance of succeeding.”

She has a point. How else can you convince her?

The Storyteller 2023/01/14(Sat)22:50 No. 1053800 ID: 629f2e
File 167376544665.png - (847.73KB , 1000x1000 , 267.png )

...It probably won’t work, but there’s one thing you can try.

Whenever Rodney wants something really badly, sometimes he’ll resort to using Puppy Dog Eyes. Nobody can resist them, least of all you. It’s a miracle that he has no aspirations of world domination.

You’ve tried mimicking them in the mirror, and not once has it ever looked good. With no better options though, you try to force the expression onto your face.

Clive: “...Please?”

‘Bec’s expression morphs into one of horror.

‘Bec: “Jesus fuck–! Fine! I’ll fucking stay, just stop doing... That!”

...If it works, it works.

Clive: “...Thanks.”
‘Bec: “Whatever. If shit gets nasty in there, I’m blaming you. Could’a been doing anything else with my day, instead I’m sticking my nose into this dangerous crock of shit like a fuckin’...”

The Storyteller 2023/01/14(Sat)22:51 No. 1053801 ID: 629f2e
File 167376549512.png - (0.96MB , 1000x1000 , 268.png )

She grumbles until there’s finally a satisfying click from the doorway. Her tools come out, and she gives the knob a clean twist. The door creaks open with a push, much to her enthusiasm.

‘Bec: “Piece of cake! Alright, get Roger and–”

There’s a noise, a sudden sound of something quickly Stomping forward. You whip around towards the source in alarm.

It’s Roger.

He’s still at a distance when he pauses his sprint right beside Enid. He says something, and a moment later they’re both running towards the door.

You blink. He was supposed to be on the Lookout.

An awful pit opens in your stomach, as Roger stops to grab Albert. What would cause him to react like this? It could only be one thing, right...?

‘Bec: “Get inside.”
Clive: “...”
‘Bec: “Get inside! Now!”

The Storyteller 2023/01/14(Sat)22:52 No. 1053802 ID: 629f2e
File 167376552976.png - (833.35KB , 1000x1000 , 269.png )

She yanks you to your feet and shoves you through the plant’s front door, pushing through herself right afterwards. Roger arrives only a second later, with Albert and Enid seconds afterwards. All three of them are panting for air.

Roger: “Shut the door!”

There’s no arguing. ‘Bec slams it shut, casting the plant’s interior into total Darkness.

Everyone immediately begins shouting over each other.

Enid: “Eep! I-I can’t See! Where’s that light...?”
Albert: “What did you see, Roger? Who was it?”
‘Bec: “Holy FUCK! What the hell is that god awful Stink!?”

Her comment forces you to sniff the air. The putrid scent of, what can only be described as Death, greets your nostrils. No other comparison seemed appropriate, it was a smell so awful you feared that your nose might cease to exist, simply to avoid ever sharing a space with it.

Enid: “Eww.. What is that?”
Albert: “Roger!? Who was it?”
Roger: “I-It was Mr. Sheppard!”

You click your tongue in frustration. Aiden must have seen something after all. He told his dad, and now Mr. Sheppard is checking things out.

You’re pretty sure that you hear Roger turn around quickly.

Roger: “‘Bec, you need to lock the door!”
Albert: “That’s right. If he checks and sees it unlocked, he’ll know we’re here.”
‘Bec: “I need a light.”

At that moment, Enid finally gets her flashlight on. A soft pink glow illuminates the room.

Enid: “Is this okay?”
‘Bec: “It’ll do. Point it here.”
Roger: “I’ll get mine out too.”

You can only vaguely make out his movements, as he rummages through his bag and pulls out a torch.

Roger: “Let’s see where we are...”

He turns the light on, pointing it down a long hall. It becomes easier to tell that you’re at a crossroads, with two paths on your left and right and one straight ahead. There isn’t much down that lit path, but you notice a silhouette on the ground near you. Roger sees it too.

Roger: “What is that...?”

He aims his light lower, pointing the beam directly at it.

...

The Storyteller 2023/01/14(Sat)22:53 No. 1053803 ID: 629f2e
File 167376560167.png - (317.92KB , 1000x1000 , 270.png )

...

The Storyteller 2023/01/14(Sat)22:53 No. 1053805 ID: 629f2e
File 167376563918.png - (423.20KB , 1000x1000 , 271.png )

...

Roger: “Why... Why is this– Why!?”
Albert: “I... I don’t know.”
Clive: “...”

Don’t panic.

Enid: “Is that... It’s dead.”
‘Bec: “What the hell is going on here...?”

Don’t. panic.

Take a deep breath– through your mouth. That smell... guess it really was Death.

...

Nobody speaks. The only sound is the rapid beating of your heart in your chest.

Your Fear is going up fast! What do you do?

A: Do nothing
-What are you even supposed to do about this?
B: Panic
-This is too much
C: Help
-Who needs it more than you?
D: Run
-You just need to get away from this
E: Kick it
-The corpse is just an object. Prove you aren’t afraid of it

B. You have the highest fear right now, and I think expressing it will get some people in the group like Enid and Albert to help calm you down just like Albert did back in the hospital. It might also show Roger that you aren't an emotionless scary person after all and really do have feelings too, proving to him that you are just as scared and vulnerable as he is.

But this part is important when we do it: HUG YOUR PLUM PLUSH to give you some comfort and to prevent the panic from causing you to scream and get Mr. Sheppard's attention, and let the process of having the others try to help you easier.

F. Pick it up and say "Romeo, Romeo, where art thou, Romeo?"

....

No?

Okay, then just kick it.

Whatever you do, please don't kick it- that might just raise everyone else's Fear more than it already will.

I'm thinking either B or C here.

B: Being scared is very humanizing. It's not the smart play, but it's better than being the emotional equivalent of a sack of potatoes.

C:
A quick rundown of the choices, from high to low priority;
Enid: Her Fear might be the lowest, but for some reason I don't actually fully trust that number. No disrespect to Saihu, just... y'know?
Hold her hand.

Bec': This whole situation reeks of "I didn't sign up for this" waiting to happen.

Albert: He has high Fear, but I don't know what would calm him down right now. Also, this seems kind of similar to walking in on his Dad wounded. It's mean to say, but he might have expected something like this, or even be less shocked than the others.

Roger: Attempting to calm him down will probably increase his fear.

Run. Together. Left corridor.

Fear Management time. Now is the perfect time to panic, before Mr. Sheppard shows up. ‘Bec can lock the door, she’s the most professional of the group.

F: "Enough s-staring." Push Enid's flashlight down so y'all stop looking at it, at least. "It... It's an adult, right? N-nobody we know. Also been here... w-way t-too long, I think. C-can we finish locking the door, now?"

D:
Doubt you really want to make a scene by panicking in front of everyone else.

Instead, take the initiative and run! Well, don't literally run, it's still an abandoned building and it's dark. Do what you did earlier at lunch, find a room, away from the chaos and calm down... or panic, letting out your emotions can be good for you too.

Getting out of dodge may distract the others from the body and prompt them to follow.

The Storyteller 2023/02/04(Sat)22:02 No. 1055247 ID: 629f2e
File 167557695211.png - (353.08KB , 1000x1000 , 286.png )

Don’t panic.

Don’t panic.

...

It’s too much.

A familiar tightness grips your chest, as everything hits you at once.

Your breathing quickens, and your heart pounds so quickly that it might pop. A million thoughts rush at you, each shouting your failings at you.

I messed up.

This is too much, coming here was a mistake. Why am I even here? I’m just a kid, this is too much for me. I want to go home. I want to hug my brother and forget about everything.

...I’m going to die. They already know we’re here. That’ll be me on the floor next.

Some remnant of your consciousness tries to pierce the haze, if only to beg for information.

Am I still breathing? What are the others saying? It’s too dark, where is everyone? Do I even have my eyes open?

You clench your hands tightly. The sensation differs, and you remember that you’re holding something in the left? Something... soft.

The Doll. The one Enid bought you. You’re still holding it.

...

Something about that grounds you, if only slightly. You don’t know why, but you don’t fight it. You squeeze it tightly in your hand, focusing on the soft give of the stuffing between your fingers.

Calm down.

Get your breathing in order, that’s the most important thing. It’s too fast right now...

Calm down. Even if you’re only barely useful, acting like this will only make you a hindrance.

Just breathe... In... And out...

...

The Storyteller 2023/02/04(Sat)22:03 No. 1055248 ID: 629f2e
File 167557698148.png - (695.00KB , 1000x1000 , 287.png )

...

As your own mind starts to calm, just enough for you to function, the clamoring of your companions can finally be processed.

‘Bec: “God– Fuck you. Fuck you all.”
Albert: “Very helpful. Because we’re the ones who are lucky you’re here, right? Truly we’re blessed to stand in your presence.”
Enid: “*whimper*”

...You feel a drop of relief in the revelation that the others didn’t seem to notice your short panic attack, but it is washed away by a gallon of dread at how quickly the tensions have broken the group.

‘Bec: “Why don’t you choke on that cane you glass-boned dipshit?”
Albert: “For the same reason you don’t refrain from saying whatever asinine thought enters your head.”
Roger: “Guys, would you please quit it!? Albert, don’t provoke her; and ‘Bec, stop cursing.”
‘Bec: “Eat shit.”
Albert: “I see cooperation isn’t your–”
Roger: “Albert–”
Roger: “ ...Please. Just please don’t right now.”
Albert: “...Fine.”
Roger: “Thank you. I know this is... a lot. I get it, but we can’t lose our heads over this.”
Albert: “...Yet someone’s supposed to.”

He mutters that last remark under his breath, not caring to explain what he meant.

The discovery of a rotted corpse has set off the entire party.

-Clive panics, but is able to compose himself. +6 Fear

-Albert regresses into bad habits. +7 Fear
[Albert seems more irritable than normal]

-‘Bec lashes out in her stress, finding no reprieve. +14 Fear
[‘Bec seems visibly stressed]

-Enid isn’t good with death. +15 Fear

-Roger is horrified, and the stress of his friends fighting REALLY isn’t helping. +18 Fear
[Roger has felt better]

Party Fear Levels:
[Clive: 55/100]
[Albert: 50/100]
[Enid: 17/100]
[Roger: 29/100]
[‘Bec: 36/100]

The Storyteller 2023/02/04(Sat)22:03 No. 1055249 ID: 629f2e
File 167557701096.png - (42.20KB , 1000x1000 , 288.png )

Roger: “...What should we–”

Knock... Knock...

...

Click Click Click

The room falls Dead quiet.

The door knob is being twisted. Someone is trying to get in.

Mr. Sheppard.

...

Click Click...

...

It stops. Not one of you dares to speak. The others share glances over the flashlight beams, while you keep your eyes on the door. Silently, you pray to yourself.

Please go away... Please go away...

The Storyteller 2023/02/04(Sat)22:03 No. 1055250 ID: 629f2e
File 167557702389.png - (16.95KB , 1000x1000 , 289.png )

The sound stops. There’s complete silence.

For a moment, you all let hope fill your hearts. Maybe he’ll leave? The door is locked, so maybe he won’t look deeper? We could have gone deeper into the woods, maybe left town completely. That would be worth checking for him, wouldn’t it?

Silently, you all plead for him to reach that same conclusion.

...

...It’s still quiet...

The Storyteller 2023/02/04(Sat)22:04 No. 1055251 ID: 629f2e
File 167557707555.png - (142.25KB , 1000x1000 , 290.png )

And then, suddenly... it Isn’t.

B A N G!

The world explodes with sound.

The dark door you’d been staring at suddenly has many small opening, pinprick holes where light can pierce through. The doorknob screeches as metal Pellets crash into it. The pellets hit the floor, but they would have hit you had the angle been higher.

The Storyteller 2023/02/04(Sat)22:07 No. 1055253 ID: 629f2e
File 167557722950.png - (241.22KB , 1000x1000 , 291.png )

As your mind struggles to catch up, the room breaks out into a cacophony of action.

The first person to move is Roger. It usually is. He books it down the Right hallway, shouting something to the rest as he does.

Enid falls down on her butt, dropping her flashlight and scrambling to pick it up.

‘Bec books it Forward down the hall, going right over the corpse in the middle of it. It’s hard to say whether she intentionally went in a different direction than Roger or not.

Albert swivels around to try and follow Roger, and almost immediately trips. His cane clatters to the floor loudly, and he lets out a pained grunt. You hear Roger stop at this, and the beam from his light stops moving.

Your mind finally snaps to attention.

Do something. NOW!

A: Stop to help Enid
-Grab Enid’s hand and run
-Which direction will you go?
B: Stop to help Albert
-Help Albert to his feet and run
-Which direction will you go?
C: Stop to help both of them
-Grab both Enid and Albert and THEN go
-This will take the longest amount of time
-Which direction will you go?
D: Just Run
-Ignore the others, get out of there
-Which direction will you go?

There is a chance that Clive picks a direction without thinking about it, regardless of the majority decision.

A.

Roger sounds like he’s got Albert just fine. ‘Bec can take care of herself. Enid has a flashlight.

The choice is super obvious. That and Clive’s first instinct in a panic situation is probably “act like a big brother”

>>1055253
A. Roger's got Albert.

A. Roger is fast, he can take care of Albert and get out of there

I say either go to the left hallway, we can cover more ground that way for clues since Bec went forward, and Roger and albert are presumably going towards the right. or go where Bec is going to talk with her after the argument with Albert, and she probably doesn't have a flashlight

A, but also yell at Roger "You take him!" just to be sure.
Everyone who's still a team player runs right. You or Enid can take the opportunity to pick up Albert's cane if Albert and Roger don't.

rolled 1 = 1

---

The Spirits are indecisive. The Anti-Socialite shall choose his own path.

The Storyteller 2023/04/21(Fri)16:58 No. 1061872 ID: 629f2e
File 168212153612.png - (567.92KB , 1000x1000 , 328.png )

Enid.

Roger would come back for Albert, or he’d get up on his own. Enid’s on her own, she needs help.

She’s fumbling around the ground, knocking her light around while trying to pick it up. It’s not a hard task, but the gunshot was a major shock to the senses.

You pick the light up, and help her to her feet. As soon as you hand it back, she’s turned it off, stranding you in the darkness. The only light comes from small holes in the door.

The holes multiply, as a second shot rings out.

BANG!

You don’t wait for a third. You take Enid by the hand and book it down the hall. You remember when the lights were on that it went on for a while.

As you move, it occurs to you that you’re an idiot. You had gone in the only direction that nobody else had. Splitting up was a terrible idea, and yet here you are taking the worst available option. How on-brand for you.

It’s harder to run as you move further and further down the dark hall. The threat of running into a wall tempts you into turning the light back on, but...

BANG! Clatter!

Another gunshot gets followed by something metal hitting the ground. It’s only as you hear the door creak behind you that you realize it was the Doorknob.

You slow down to a walk, holding your hand against the wall in desperate search of a door, or something else you can hide behind. Enid trails closely behind you, still hanging on.

The Storyteller 2023/04/21(Fri)16:59 No. 1061874 ID: 629f2e
File 168212158666.png - (84.25KB , 1000x1000 , 329.png )

A new set of footsteps sound out, silencing the rest of the world.

You don’t turn around. You already know.

He’s inside.

The Storyteller 2023/04/21(Fri)17:00 No. 1061875 ID: 629f2e
File 168212162213.png - (614.36KB , 1000x1000 , 330.png )

Your hand feels open air, and you practically throw yourself and Enid around the corner. Anything to get out of his sightline.

Enid stops in place then, forcing you to stay as well. Halting seems to cut off adrenaline, leaving you panting for air.

Breathe.

You take a deep breath. Then another. No other sound leaves your mouth, as you listen for anything like the sound of footsteps following after you.

The farmer was inside, but what would he do after getting the door open? If he came your way, you’d have to keep moving.

What would it be?

...

...

Silence. You were safe.

Enid: “I don’t think he’s coming this way.”
Clive: “Good.”
Enid: “...Do you think he went after the others?”

That was a possibility. If it was anyone, it’d probably be Roger and Albert. They were the Loudest, due to Albert’s bad leg and cane.

Clive: “It’d be bad if he’s just waiting at the door. Then we wouldn’t be able to leave.”
Enid: “Even if that’d mean the others were safe for now too?”
Clive: “...”
Clive: “At least then we could get out. Isn’t it worse if we all die?”
Enid: “We don’t know for sure that there isn’t another way out. If everyone is safe, we can think of one together.”
Clive: “...Maybe.”
Enid: “What do you want to do now?”
Clive: “Go home.”
Enid: “Me too, even though I know we shouldn’t. If Mr. Sheppard heard anything, we might not get a chance to check here again. They could raise the security here by a lot.”
Enid: “And we need to find clues, don’t we?”
Clive: “Something like that.”

Honestly, it felt like the real reason you were here was just to put off actually acting on the knowledge you’d already picked up. There are definitely good reasons, like the fact that you don’t know how deep this conspiracy goes. What if the whole state or country was in on it? What would you do then? And then there’s the fact that you don’t really know what’s happening to graduates, or why. You know it can’t be good, else they wouldn’t need to lie so much.

There are reasons to do this, but those aren’t really the reasons why we’re here.

It’s because everyone’s Afraid.

Once you act on the things you’ve uncovered, there’s no going back. Nothing is ever going to be the same. You won’t be able to pretend everything is fine. That has everyone scared.

The only reason you aren’t as worried is because your current reality is terrible.

Enid: “Then, do you feel ready to get started.”
Clive: “...”
Enid: “Clive?”
Clive: “...Sure.”

You stand up, pushing down your worries and trucking along. Same as usual.

Enid: “...I’m really jealous of you.”
Clive: “Why?”
Enid: “You’re so Stoic. It kind of makes me feel like a wimp for being so scared.”
Clive: “...”
Enid: “It’s kind of comforting though. You being this calm makes me think that I should be too.”
Clive: “...”

You elect not to tell her the truth. It would only give her more reasons to worry.

Party Fear Levels:
[Clive: 68/100]
[Enid: 35/100]

The Storyteller 2023/04/21(Fri)17:03 No. 1061876 ID: 629f2e
File 168212178126.png - (135.15KB , 1000x1000 , 331.png )

Enid turns her pink light back on, no longer having to worry about it being seen. The room you’re in is filled with various bits of Machinery, with a line of large Engine-Like things sectioned off along one wall. There wasn’t anything of note opposite to them, save for Bathrooms. Something smelled awful, but you couldn’t pinpoint where it was coming from. It was a similar Decaying Scent as the dead body from before, which didn’t raise your hopes very high.

Enid: “Do you know where we are?”
Clive: “I don’t have a map.”
Enid: “Right... I guess we could try to make one. You have the compass, right?”

That you did. Looking at it, it was clear that you’d gone South. Roger and Albert went North. And ‘Bec went West.

The front door had been facing West, so you center your mental map of the plant around that. Putting it all together, you had a decent idea of where everyone was. Unless you find an actual Floorplan though, it won’t be very helpful.

Enid points the light around, starting to seem a little less certain the more places she glances at.

Enid: “Um, okay... What all do we need to do again?”
Enid: “We should try to Reconnect with the others obviously.”
Clive: “We need to Uncover something about graduation. Something that can tell us what to do about Rodney and the others.”
Enid: “And we need to Escape without getting caught by anyone.”
Enid: “Do you think there’s anything around here we might find?”

You shrug. You’re no investigator. All of this is as new to you as it is to her.

Enid: “Right... Well, if you don’t think there’s anything, we could try another room.”
Clive: “...Sure.”
Enid: “I’m not just suggesting things I want you to agree with. I want your honest opinion.”

You sigh, but relent. Put some thought into it. What you should do next is...

The Storyteller 2023/04/21(Fri)17:05 No. 1061877 ID: 629f2e
File 168212195586.png - (1.48MB , 1000x1000 , 332.png )

[MECHANISMS OF TIME SENSITIVE ACTIVITIES]

You have entered a segment of the quest where time is going to play a greater role in how you engage. Each action you suggest Clive and Enid perform will have an effect on others.

In this case, for every action Enid and Clive perform, semi-random actions will be taken by other parties within the area. This will affect their locations, what they discover, whether or not they are safe, and more. All actions taken will be logged and revealed at the end of the thread, with confidential information redacted.

There is a non-zero chance that, through bad luck, BAD THINGS or even VERY BAD THINGS will happen to other characters. You will be given one safety net for the first time this would happen, but following instances will be rolled for. The more time you spend in this location, the more chances there might be for negative outcomes. The faster you go, the less you risk children’s lives.

Clive will not be able to convince anyone to leave unless one of the following conditions is met:

1: You have found satisfactory evidence that sheds a new light on Graduation
2: Somebody other than Clive reaches 100 Fear
3: Somebody is grievously wounded or dead

The standard options for each room are as follows:

Investigate: Take a full action to search the area you’re in. Depending on the size of the room, this may take a few updates to complete. You may specify areas you want to look at, but you will generally be given the most important information by default.

Abscond: Leave for a different room. You will only be offered neighboring options while you lack a floor plan.

Look and Listen: Keep an ear out for others, potentially giving you an idea of where certain others are. You will be given the choice to hide or move away from anything that sounds nearby while using this. You will automatically perform this alongside investigation and movement, but to a reduced degree. Doing this by itself gives you a wider range and creates no noise.

Rest and Recovery: Attempt to destress and drop a few points of Fear. You can suggest specific methods that may remove more Fear. This may be done alongside another action, but you at only half the value.

As usual, Clive will sometimes overwrite your decisions due to his nature.

Finally, you should know that each member of your party will contribute a unique bonus to the group. Your current members offer the following:
- Enid: [Coercive] - Clive is less likely to ignore the Spirits when Enid is present.
- Clive: [Quiet] - Clive and those around him move silently. No noise penalty from performing standard movement actions.


Inventory:
- Flashlight (Enid) - Necessary for investigating in darker areas
- Compass - Grants better pathing and maintaining a sense of position
- Ration (1) - Lose more Fear when choosing Rest and Recovery

Clive: “Let’s...”

A: Investigate
-Any specific areas you want to look at?
B: Abscond
-Which way? (Directions are marked on your makeshift-map)
C: Look and Listen
-Anything specific you’re keeping an ear out for?
D: Rest and Recover
-You could chat with Enid while you do. Anything you’d like to talk about with her?
E: Other
-What else might you do?

Abscond west, take note of anything you see that's abnormal like paperwork, bodies, bookshelves, etc, but don't physically investigate for now. You want to figure out if you're pinned in at this area or can loop around with Bec. It will also help if you find the shotgun wielding maniac in letting you know of potential escape routes.

Go west, for these reasons:

- we may have a higher chance running into Bec
- You smell something decaying, most likely another dead body. If we investigate, we'd likely get a fear raise
- we're more likely to find something important in a enclosed room more than a large hall with machinery like this
- since you split up from the group, that means more cover for the party that you split from to find stuff, so even if we missed something, Roger, Albert, and Bec can pick up our slack
- the quicker we find our group while they are investigating, the safer we'll be since we'll have more control of the situation.

Also, if you run into any, pick up some papers off the floor on the way. You dont have to inspect them, just take them on your way westwards for later. Looks like the image has those papers on the floor

Abscond west, for the following reasons:

- The current room is an engine/machinery room. We’re not engineers. Albert is the closest thing we have to engineer, and he’s not here. We’re not getting anything done without him here.
- Clive has a bonus to silent movement. Let’s use it and hop to it ASAP.
- Mr. Shooty Bang Bang is pursuing the loudest people, so this is essentially a risk-free action we can take.

GO GO GO

Abscond west Bec does not have a flashlight. If she did she would've brought it out as soon as she came in here. Sooner we find her the better chance we have of her not tripping and hitting herself on something sharp or metal.

Um, I suggest absconding to upwards in relation to the drawing. Not the bathrooms, but whatever may be past them seems worth investigating.

The Storyteller 2023/05/07(Sun)22:04 No. 1063018 ID: 629f2e
File 168352228091.png - (545.95KB , 1000x1000 , 333.png )

Clive: “Keep moving. I don’t think there’s anything here worth checking anyways.”

The machinery means little to you, since you don’t know what it is or how it works. And judging by the awful smell, the only thing you might find here is another body to make you panic.

Enid nods in agreement, and you both start towards the West Door, her leading the way. You pause for a moment to pick up some papers scattered across the floor, catching up quickly (it’s hard not to with her short legs). You can’t read them without a light. Something to ask Enid for when you have a moment.

The door is unlocked, but there’s resistance when she tries to push it open.

Enid: “I think it’s stuck. It needs more...”

She puts her whole body into it, barely making any progress. The door cracks open once you shove your own weight against it, opening easily enough afterwards.

Enid: “Do you think that was just because it hadn’t been opened in a while?”
Clive: “I don’t know. How old is this place anyways?”
Enid: “Well, the newspaper said 1959, right?”
Clive: “Yeah.”
Enid: “So...”

She makes a motion that seems to say “You get it, right?” This doesn’t help you.

Clive: “...I haven’t really been keeping track of what year it is.”
Enid: “Seriously?”
Clive: “Not like it’s that important, right?”
Enid: “I think it’s something everyone’s supposed to know though.”
Clive: “Then what year is it?”

She opens her mouth.

...

It shuts. Her body stiffens.

Enid: “I... I don’t know.”
Enid: “I thought I did, but... I-I think it’s still the 1960s. Um... pretty late too?”
Clive: “...Do you remember when the last time you were sure about the year was?”
Enid: “I don’t know. I wasn’t thinking about it, and I just... Huh.”
Clive: “You said 1959 was less than 10 years ago before.”
Enid: “I did?”
Clive: “So didn’t you know the date.”
Enid: “...”

She doesn’t say anything, but it’s clear that the uncertainty is getting to her. You put a hand on her shoulder before she gets too distressed.

Clive: “We’ll figure it out. Something else the adults probably lied about for some reason.”
Enid: “R-Right.”

You’d have to check with the others to be sure, but talking to her about it had given you a clue. You don’t know what to make of it yet, but there’s something weird going on with the dates.

Party Fear Levels:
[Clive: 68/100]
[Enid: 37/100]

The Storyteller 2023/05/07(Sun)22:09 No. 1063021 ID: 629f2e
File 168352258711.png - (577.45KB , 1000x1000 , 334.png )

The next room provides ample distraction from the prior topic. As Enid points her light around, illuminating the area, you get the impression that it’s some kind of Storage Room. There are Shelves in the center of the room lined with various large items, as well as various Drawers and Lockers that presumably hold smaller things. Further back is a space without either, a space for Massive Items. There’s some more machinery there, not connected to anything. Spares for other parts of the plant perhaps? That’s just a guess.

Enid: “There’s so much here!”
Clive: “...Let’s just go.”
Enid: “What?”
Clive: “There’s too much, we’ll never get through it all on our own.”
Enid: “We haven’t even tried though. And we already left the last room without even looking around.”
Clive: “...It’s just a waste. Even if there is something, it’s buried under everything else here.”
Enid: “Even so, we can’t just leave it, can we? I mean... with this much, it’d be weird if there wasn’t some kind of clue, right? We have to at least try”

You sigh. It wasn’t wrong, there could absolutely be something here. Ruling it out altogether is stupid. The idea of trying to find it though... It feels like it could take forever.

The Storyteller 2023/05/07(Sun)22:10 No. 1063022 ID: 629f2e
File 168352261936.png - (1.18MB , 1000x1000 , 335.png )

Is it really worth the investment? Even if it is, is now really the time? You could always try to reconnect with the others first, and then come back when you have more hands available.

A: Investigate
-Scope the place out and get an estimate on how long it will take to search completely.
-Luck-based chance to find something.
-You will NOT find everything that is here in a single Investigation.
B: Abscond
-Which way? (Directions are marked on your makeshift-map)
C: Look and Listen
-Anything specific you’re keeping an ear out for?
D: Rest and Recover
-You could chat with Enid while you do. Anything you’d like to talk about with her?
-You could also look at those papers you picked up.
E: Other
-What else might you do?

Not choosing yet (gotta think about it) but a thought I have concerning those massive items, we could probably put one of the heavier massive items closer to the door, so that if we need to come back here and we're being chased, we can block the door to give us time later when it's already close by the door. Though I need to think if that is worth our time or not.

Are any lockers unlocked? Looks liks this would be fast enough to investigate without losing too much time.

>>1063021
Look for something we can use as a weapon. A crowbar, a length of pipe, hell even a handful of screws and nails we can throw as caltrops.

Failing that, check the lockers at least. Anything immediately useful to us would be there. Keys, documents, etc.

>>1063040
What? No, don't waste time looking for a weapon. We're against a grown-ass psychopath with a gun, fighting is never going to work out well for us no matter how well-provisioned we are.

A: Investigate. Use our light and our blessing of time (for now).

rolled 5 + 3 = 8

---

This roll will determine how many updates away something that nobody in this building will like is to happening.

The Storyteller 2023/05/20(Sat)18:07 No. 1064235 ID: 629f2e
File 168463125782.png - (284.45KB , 1000x1000 , 336.png )

Enid’s right. It’d be stupid not to at least look around when there’s so much here. It’s not like Mr. Sheppard is right on your tails (as far as you know).

Ugh. You’re exhausted just thinking about this.

A full search of this room isn’t on the table, not when it’s just the two of you. It’d take too long, plain and simple. If you can figure out how much is here though, maybe you can come back later? More people means a quicker search.

You only have one light, so it’s easier to search together. You start with the Massive Items, wondering if you can block the door with them.

No.

You would need every single person in the plant pushing to move these items an inch, let alone get them to the door. Whoever put these here must have used a tool, like a forklift.

Nothing else stands out about the machinery, so you move on.

There are two Shelves in the center of the room, stretching high towards the ceiling. Even with Enid’s light, you can barely make out what’s on the higher. The ones you can reach are mostly crates and barrels. You make an effort to check between them for anything else, but don’t find anything useful.

The Drawers are filled with paper, too much to look at all at once. The five pages you end up looking at are all inventory reports.

There are hundreds more.

Please find something before you have to look through all these.

That leaves the Lockers. You rattle the handles and open whichever ones you can, which seems to be the majority thankfully. Some of them are warped, making it take a few good tugs. A couple are locked. And one...

...One of the lockers that took a few tugs had a nasty surprise waiting for you when it finally gave way.

-THUMP-

Enid: “NO!”

You both jump back, as a Twisted Corpse topples out. Must have been leaning against the door. The odor comes with it, more pungent and foul than before. The sight and smell are too much, and your reaction is violent. You’re just able to run to the corner before puking your guts out.

The body was just... Wrong. He must have been in there a while, years maybe. It looked like its bones had fused in odd directions. It barely even resembled a person anymore.

Enid doesn’t comment on your gross show. Her light never shines over you, so you aren’t even sure if she noticed. It looks like she’s found her own corner to curl up in. Good, you didn’t want to share.

The twisted corpse sets you both on edge.

-Enid and Clive gain +4 Fear each

-Enid and Clive both want to leave this room

Party Fear Levels:
[Clive: 72/100]
[Enid: 41/100]

The Storyteller 2023/05/20(Sat)18:08 No. 1064237 ID: 629f2e
File 168463128776.png - (412.19KB , 1000x1000 , 337.png )

Enid: “This is too much.”

You silently nod in agreement.

Enid: “Why are there dead people here anyways? What... happened?”

Good question. That was the second you’d seen, and that isn’t counting the one you suspect was stinking up the last room.

Clive: “Dunno.”
Enid: “We’re just gonna have to figure it out, won’t we?”
Clive: “...If it’ll help.”
Enid: “It might help me sleep at night at least. I’m already gonna have bad dreams for sure after this. Not like I wasn’t gonna already...”

You’d take bad dreams over insomnia any night, personally. Not that you deserve sleep when Rodney’s bunk is empty.

Your investigation was thorough enough to give you an estimate of the room. It’s as big as you thought. Checking literally EVERYTHING would take time. More than you have, especially when it’s just you and Enid. You should check this room when the others are with you or if Sheppard leaves

Since Enid and Clive both want to leave, you are locked into Absconding.

Current map can be found here: https://questden.org/kusaba/quest/res/1038059.html#1063022

A: Take the North-West Door
-You don’t know where this will lead
B: Take the North-East Door
-You don’t know where this will lead
C: Take the East Door
-This will lead you back to the Engine Room

North-West Door

North-East door looks like it could be a small room within this storage room, and going in there would mean we'd have to come back to this room with the dead body again. and since we're coming back here again when we reunite with some of our friends, it's best to check that room again later when we come back.

>>1064238
Agreed, this was my thought process too.

Also, take the time to let Enid calm you down. Yes, that's right. She's the one who's had a whole day out of action to calm down, she might have some good ideas.

>>1063666
Important question for the author: is this cumulative between both "forks" of the quest, or only for this thread? Thank you in advance.

>>1064263

This only considers and applies to 3A.

>>1064264
thank you. followup, does this count individual posts, or is it counted as a single update even as a sequence? ie, does this count as two updates because there was two posts, or is it a single update??

The Storyteller 2023/05/28(Sun)18:00 No. 1064696 ID: 629f2e
File 168532204727.png - (449.18KB , 1000x1000 , 338.png )

You leave. There’s no discussion or argument, only opening a door and stepping out.

The North-West door takes you out into another hallway, this one a bit wider than the last. Enid grabs your hand, before leading the way. At first, you write it off as her legs still being shorter than yours, just like before. The thought does creep into your mind that she may be getting clingy. Or maybe she’s getting attached to you.

Your mind thankfully drops that thought, reminding you of who you are. Nobody (who isn’t blood related) would make a mistake like that.

There’s nothing worth stopping for in this hallway, not like the entrance.

There are two doors this time. One to the East, towards the center of the hall; and one to the North, right at its end.

Clive: “...Do you think ‘Bec has been here?”
Enid: “Which way did she go again? Back when we were at the entrance.”
Clive: “Over the body, straight ahead.”
Enid: “Well, it’s not impossible...”

If ‘Bec was just trying to get away quickly, it makes sense to you that she might make a straight shot through whatever rooms were ahead of her. That’s just a guess though, and not even a very good one. She could have tried to hide wherever she ended up instead of running into another room, or taken another door. If she was feeling really bold, she might have even turned back around and made for the entrance when she thought Mr. Sheppard was gone.

Enid: “What about Roger and Albert?”
Clive: “They went right. North.”
Enid: “Then do you think they might have made it to the room up North yet?”
Clive: “Maybe. Do you think Sheppard’s following them?”
Enid: “I hope not...”

Currently, you don’t know where anybody is, nor what rooms each door leads to. There are no guarantees, so either work off a guess you feel good about or accept that the choice is arbitrary.

The Storyteller 2023/05/28(Sun)18:03 No. 1064699 ID: 629f2e
File 168532223507.png - (1.84MB , 1500x900 , 339.png )

What will you do now?

Investigate
-The hall is clearly empty, there would be no point.

A: Abscond
-Which way? (Directions are marked on your makeshift-map)
B: Look and Listen
-Anything specific you’re keeping an ear out for?
C: Rest and Recover
-You could chat with Enid while you do. Anything you’d like to talk about with her?
-You could also look at those papers you picked up.
D: Other
-What else might you do?

>>1064302

Every update block, not every individual post within an update.

before I vote, question: Is it possible to do both C and B since we have Enid?

like, Clive can rest and look at the papers he got while Enid can keep a close ear for something?
Enid would want to be listening for footsteps or voices. If it's coming from North, it's most likely Albert, Roger, and The Farmer
if it's coming from the east, most likely Bec.

who knows, we might have picked up a map even.

if we cannot split the work, then I'll choose B, look and listen. I think enough time has passed to be more cautious.

Look and listen for any sounds from both the east and north exits. If it’s a rhythmic tapping, it’s Albrt. Adults are going to be louder, so if we hear footsteps, it’s Psycho McShooty.

There are two of you, so one of you can cover each exit. If there’s danger at one exit, flee south, and the other person can take that as a sign to also flee, so you don’t split up.

>>1064702

Yes, but both parties will do so less efficiently.

I'll pick just B then.

>>1064705
This. Wherever we go, we DON'T want an adult to be there.

The Storyteller 2023/06/04(Sun)21:00 No. 1065196 ID: 629f2e
File 168593760228.png - (335.67KB , 1000x1000 , 340.png )

Enid: “Can we stop and just... listen?”

You nod, having the same thought. She was probably interested in listening for the others, but you wanted to keep an ear out for Sheppard. You don’t know where he is, or what he’s been doing so far. It’d be bad if you walked into a room, only for him to be waiting in front of the door.

Clive: “Use your light to watch the doors too.”
Enid: “Ah, good point.”

If someone came in then, you’d be able to see who it was right away, and respond appropriately.

With that settled, you both quiet down. It’s quiet all around you, as you simply take in the subtler noises.

...

...

...klak. klak.

East. The sound came from the room to the East. It wasn’t nearby, so there’s a chance it wasn’t in the very next room.

Enid: “Did you hear–”

You nod.

Enid: “What was that?”

Good question. It wasn’t loud, but it was audible. You wouldn’t have heard it if you weren’t listening.

What could have made it? One idea clearly came to mind. Especially when you limit the culprits to those you know are in the plant.

Clive: “I think that was Albert’s Cane.”
Enid: “Oh! Now that you say it, I think you’re right. We’re close to them.”

You frown, unsure of whether that’s good for you or not.

Enid: “Come on, let’s go before they leave.”

Enid clearly knows what she wants. What about you though?

What will you suggest?

A: Abscond
-Towards the noise, or away from it?
-Do you ask Enid to turn off her flashlight before moving?
B: Look and Listen
-Do you want to listen for a little longer before acting?
C: Rest and Recover
-Do you want to talk about anything with just Enid before trying to bring the group back together?
-You could also look at those papers you picked up.
D: Other
-What else might you do?

Look and listen. Make sure you are really hearing Albert before actually trying to interact. It might be prudent to turn of the flashlight if you hear the noise approach.

Take a good look at your surroundings while you are at it.

>>1065197
Hard disagree to both. We already know there is nothing of note here, and waiting only gives everyone else time to move further away. We are in an out of the way section, we need to follow any lead possible to regroup.

Abscond to the East.

>>1065202
Supporting this, I'm for just mapping the area as fast as possible, get who you can together, after all, if it's Albert and Roger in the next room, the Leader and Brains, they'd probably have a better idea on what to do without panicking.

>>1065196
splitting up only ever works out in scooby doo. Regroup, safety in numbers.

Whoops, my bad. I should have been more specific. When I chose look and listen for sounds East and North, I assumed Clive and Enid would press their ear against the doors to get a better idea whats in the next room, not stand in the middle of the hall and listen for noises from there. I'll explain better next time. (tho I guess this could just be Clive being too nervous to do that. We were told to be patient with Clive after all. You're doing good Clive.)

That said, I remember that Albert and Roger went North earlier and the farmer most likely chased after them, but now hearing Albert is East, that might mean that they gave the farmer the slip. Farmer might very well be north while Albert and Roger somehow went East. If I were to guess, Albert and Roger hid somewhere, waited for farmer to walk past them and go to another room, decided to head back to get farther away from the farmer, and go towards the direction Bec went.

Yeah, go East. But here's an idea, before you go East, open and leave the south door open. That way, if the farmer goes down this hallway from the north, he'll figure someone went south and investigate instead of going East, like we are going. And if the farmer is actually in the east room, we'll abscond back to the hall, and run North while the farmer will get tricked and go South.

unless the south door has one of those door closer thingies installed on them which closes the door automatically after opening it, in which case, forget it and just go East.

One last thing, enter with the flashlight on. Enid's flashlight is colored pink. If they see her pink flashlight, they'll know it's us and won't run away.

rolled 3 = 3

---

On a 6, either Clive or Enid will notice something very easy to miss in the next room.

The Storyteller 2023/06/11(Sun)17:05 No. 1065663 ID: 629f2e
File 168652831237.png - (733.61KB , 1000x1000 , 341.png )

You decide to follow Enid’s lead. She wants to meet back up with the others, and this could be a good opportunity. Even still, you can’t shake some concerns.

You suggest she turn her light off, but she argues that it’s better to leave it on as a signal. The others might just run away if they hear the door, but if they see her Pink light then they’ll know it’s just you and her. She has a point of course, but...

To ease at least some of your nerves, you leave the South door open. If you end up getting chased back by someone unpleasant, you might at least trick your pursuer into going the wrong way.

Enid: “Ready?”

She has a hand on the door already. It’d be bad to hesitate and lose track of the others when you’re this close to catching up.

Clive: “I guess.”

You bring your hands up, and help force the door open. When she shines her light inside, you see...

The room is Massive, so much so that you can’t even see the other end of it from here, even with her light. There’s some sort of Giant Machine in the center, stretching out deep into the area. Or, maybe it’s several smaller ones that just look like one? Connected to it are smaller Cylinders, with massive Pipes hooking them to the bigger machine. There’s more, but the machinery is all Cluttered and hard to make out. Not that you have any chance of understanding what any of this does anyways. Not without some kind of manual at least.

You don’t see Albert or Roger, but they could be deeper in or hiding around the machinery. You can be Certain that they either are, or just were, in here. You heard the cane from this direction, and the room’s size rules out hearing it from a neighboring room.

Enid: “Would it be stupid to call out to them?”
Clive: “Don’t do that.”
Enid: “Right, I know. It’d be bad if someone else heard.”
Clive: “Yep.”
Enid: “They aren’t coming out though... Do you think we might have missed them?”

It isn’t impossible. It’s hardly even unlikely.

You heard them moving, and that means they could have been moving out to another room. That would be unfortunate timing, but there isn’t much you can do about that.

Clive: “If they were here, I think they’d let us know.”
Enid: “But what if–”

Creak...

The Storyteller 2023/06/11(Sun)17:05 No. 1065664 ID: 629f2e
File 168652834803.png - (665.92KB , 1000x1000 , 342.png )

You freeze. The sound had come from somewhere in the room, and there was no mistaking it.

That was a Door opening.

A few possibilities race through your head in an instant. Maybe Albert and Roger were trying to leave. Roger’s made it clear he doesn’t like you, maybe he’s actively avoiding you now?

...No, that doesn’t feel right. You may not be the best at gauging others, but that doesn’t seem like something he’d do. Not when you’re with Enid at least. And even if he was in such a bleak mood, there’s no way that Albert would put up with that kind of nonsense. He’s too much of a prick to just go along with it and make Roger comfortable. No, there’s no way it’s them.

‘Bec maybe? She could have heard the same noises we did, and came in looking for those two.

Except that doesn’t seem like it tracks either. If this room is big enough to connect to the hallway we saw at the entrance, then she’s already been here. ‘Bec isn’t much for groups, but she definitely isn’t about inefficiency. She’s not retracing her steps without a really good reason, and regrouping with kids she hardly cares about wouldn’t cut it for her.

It’s not Albert and Roger, and it’s not ‘Bec...

Who does that leave?

It’s obvious. The one person you wanted to avoid. The person you assumed could have been following Albert and Roger, and could have followed them here as well.

Even with the answer in your head, you can’t get it out fast enough to stop her. Enid points the beam of pink light towards the sound, letting it fall over a large figure.

The Storyteller 2023/06/11(Sun)17:06 No. 1065665 ID: 629f2e
File 168652836637.png - (213.15KB , 1000x1000 , 343.png )

You see the barrel of his Shotgun before anything else. He holds it out in front of him, ready to fire at a moment’s notice.

Heavy footsteps sound out as he steps closer, staring back at you both. He’s more than 20 yards away, but it feels like he’s looming right over you.

Enid takes a step back, bumping into you. She doesn’t take her eyes off him for a second. She grips your hand tightly.

He doesn’t say anything. He doesn’t ask why you’re here, how you got in, or even threaten you into silence.

Instead, he takes another step forward, and tightens his grip on the firearm.

The Storyteller 2023/06/11(Sun)17:06 No. 1065666 ID: 629f2e
File 168652841622.png - (1.08MB , 1500x900 , 344.png )

Your mind tries to fog up, but one thought cuts through all the noise cleanly.

MOVE!

A: Go back the way you came
-Drag Enid back into the West Hallway, pick a direction, and book it!
-Do you go back to the Storage Room, or go North?
B: Run deeper into the room
-Use the machinery as cover to try and lose Sheppard
-Do you stay near Enid, making yourselves more obvious, or risk losing her in the dark?
C: Go into one of the side rooms
-There are two rooms to your immediate left and right. Pick one and run!
-Which do you go to?
D: Run at Mr. Sheppard
-Would you be trying to run for the door, or to get the gun away from him?
E: Other
-What else could you do?