Charlemagne 2016/12/29(Thu)22:02 No. 769000 ID: 05758b
File 148307775385.png - (49.15KB , 500x500 , 2.png )

You find it difficult to move, let alone stand. The world has become breathtaking and mysterious beyond your comprehension. You have just now realized that your eyes have been closed, so you open them.

Charlemagne 2016/12/29(Thu)22:02 No. 769001 ID: 05758b
File 148307777810.png - (164.36KB , 500x500 , 1.png )

The Plath living room has come into view. There is someone standing over you, but you can’t tell if they are real. She is concerned, and her worry has turned the house black. It is constantly changing and shifting. This is what worry does.

You: “Who’s”

$$I%*%T()S(((($_$))))**=1=**R^_)A(_^M%@1O1@%N!!_A_!!

You: “What… I…”

^=_C_=^H$)($U!**#**!C)()(K-__+__-?

__+__P@@1@@L&^&E_+_+_A#!!#S^^&^^E

She is frantic! Her voice sounds grating and mechanical! You need to concentrate to understand.

a) Concentrate as hard as you can
b) Look into her eyes
c) Scream for help
d) >_

>>769001
A

B. So many new experiences to try! Let the worry fade away, to be replaced by the next.

You would like to meet Susanna while the concoction still has an effect.

>>769001
whip out your dick. if your first head isn't working maybe your second head and pull double duty.

A.

May as well keep on diving in with both feet at this point.
[B]

A and use your D

>>769001
A

>>769001
D, give a thumbs up.

>>769001
A. And D, take her hand, so you show that you understand she's talking to you.

>>769001
And now, translations:

>$$I%*%T()S(((($_$))))**=1=**R^_)A(_^M%@1O1@%N!!_A_!!
It's Ramona

>^=_C_=^H$)($U!**#**!C)()(K-__+__-?
Chuck

>__+__P@@1@@L&^&E_+_+_A#!!#S^^&^^E
Please

D> look at her directly and let her know (through words or just feeling it out loud) that you are fine but confused, and that worrying isn't necessary (and hard to see).

D: close your eyes and dream. dream about Marcie.

B. Feel her.

>>769028
oh fuck, good catch
Get up chuck, there's PROBLEMS afoot!

A.
Ooops! Too much for ya, Chuck? Shit, you things are so fragile. You're still weak; we'll have to...take it slower, build your strength.

Advise of how it's some good shit, yo.

Better concentrate at least a little. Not too much, though, because this buzz is nice.

>>769001
A.
do not look into her eyes, we can't control this shit yet.
pull yourself together man. try figure this shit out. to translate it to normal.

>>769001
First, A. Second, D: Trying to touch Ramona's face, as a sign you can hear her at least. Lastly, just in case, C like crazy.

A) try to get yourself more aware of your surroundings and not just the strange vibes she's shooting off. Do not look her in the eye until we get the hang of this first.

A

Charlemagne 2016/12/30(Fri)10:07 No. 769126 ID: 05758b
File 148312123105.png - (349.49KB , 500x500 , 4.png )

You concentrate to the best of your ability and climb onto your feet. Looking out over the Plath House living room, you see a smattering of moving patterns and grotesquely morphing shapes. You have never felt less in control, but the earth feels solid and still beneath your feet even amid your changing surroundings. You can’t help but moan and laugh, because it feels like you are having a continuous orgasm.

Breaking concentration for even a moment causes the patterns to intensify, tossing the obstacles and depth of the room into disorienting ambiguity.

Charlemagne 2016/12/30(Fri)10:07 No. 769127 ID: 05758b
File 148312125792.png - (197.50KB , 500x500 , 5.png )

The same figure, or what you assume to be the same one, approaches you. Her voice is warm and calm now, soothing the intensity and chaos. You can hear her speaking over the crackling, though her skin is covered in slithering, pulsating veins. You focus acutely and her words take some kind of shape.

“A╦r╦e yτ⌡o◘u o╬k?”

You nod.

“♦P∩L╒E▌A∩▬S»E”

“SAY SOMETHING”

You attempt to respond, but it causes your concentration to break. Ramona’s speech fades back into incomprehensible, squeaking static.

Say the first thing that comes to mind.

"You have the finest ass in five dimensions."

>>769128
Works.

Describe what you see out loud

>>769127
Try to describe what you're seeing and feeling. If talking doesn't work, try Speech. Try looking into her eyes.

>>769128
Yes.

>>769131
Let's avoid that. We've seen the effect Susana can have on people even unintentionally- and she at least has some idea what she's doing. We don't need Chuck mind-fucking people over.

...actually wait, would speech even work on her if she's loaded up on reveyee? Worrying about fucking her up might be unfounded, but it might have no effect, or fuck us up further running into that stuff.

Attempt cheesie pick-up line. This is her best confirmation you are OK.

Oh! Do finger-guns with a wink. That will also clearly indicate you are fine and requires no words.

If you successfully establish that you're fine, you should probably tell her you literally can't talk and listen at the same time.

You're concentrating on too many things. Take a seat and try to concentrate and speak again.

Focus on her. Only her. Look into her eyes. Don't speak. Let her see.

Focus only on speaking. Specifically:
>>769128

Ask for paper and pencil.

Finger guns.

"My God. It's full of stars."

Can we talk?
Shake your head if we can't.

If not do >>769128 with >>769135

Charlemagne 2016/12/31(Sat)10:07 No. 769325 ID: 05758b
File 148320763756.png - (178.55KB , 500x500 , 6.png )

With some concentration, you are able to assess the shapes of Ramona and Sally.

You: “Baby your ass looks so fine in five dimensions.”

They look at one another in confusion. You are looking between the two of them, but they are both looking at you. You…

a) Make eye contact with Ramona
b) Make eye contact with Sally
c) Do not make eye contact with either of them
d) Leave the Plath House

C.

"For real though I'm tripping balls here, I can't hear anything if I try to talk."

A. Make a connection, baby.

>>769325
ok. ok. we can do this. go to susanna, she'll know what to do. she can help us understand wtf we're seeing (maybe).
NO looking in normal people's eyes. you'll fuck something up.

tell them "yeah this was a mistake, i'm gonna see susanna".

c+d, please.

C.
This is a dangerous thing Chuck is using. There's no telling what kind of damage he could do with it. We need the snayor to teach him.

>>769325
C+D
So to the snayor for help.

Leaving the Plath house sounds like it is both the best and worst idea ever. Let's go with C though. We should just sit tight things are starting to look better which is a good sign.

>>769332
the world literally looks like a bunxh of red yarn, how is this a good sign

>>769325
C & D. Go straight to the Snayor, and avoid eye contact with ANYONE along the way.

>>769334
Because now people have clear silhouettes to them compared to even a few minutes ago. It's not great, but it is improving. We can't even perceive people and inanimate objects at the same time right now, so I'm not sure how anyone expects us to navigate the town.

>>769325
Begin acting like a snake. Maybe they'll figure it out that it means they should take you to Susanna.

>>769325
C+D. Keep headed towards Snayor. If you don't get any better by the time you reach her, then go ask her help.

If you do get better, however, go to Rachel instead.

C+D. Ask them to take you to town hall to see Sophie (and snayor, but lets keep that to ourself)

>>769325
A!

A

>>769327
>>769339
>>769341
Minus the "acting like a snake" bit, this. Tell them you're fucked off your face but you think it's working, have them take you to town hall. Do avoid eye contact because you risk causing some rather stressful shit for whoever gets involved.

>>769327
+ D

I seriously doubt we can navigate in this condition.
"I have to go to the town hall, can you help?"

>>769336
This

>>769353
This.

>>769325
aren't sally and ramoma both still on that anti carnal stuff?

That probably gonna fuck with us

let's go with C.

>>769341
This.

It's dangerous to go alone.

"I'm not entirely sure this isn't just a really bad trip..."

C + D. You may want to ask Sally for help navigating to the snayor's.

>>769328
I think we should try to make eye contact with Ramona. If she can understand things from Susanna's point of view better they might be able to work together easier and figure out how to fix this mess.

A. lock eyes with ramona. how else will you get the scoop on what's really going on with the plaths and the snayor?

B

One of them should take some Revee or whatever it's called.

A. Ramona would have more protection against untrained Speech. It's important to get in some practice while you can, you don't want to pull a Susan and accidentally force yourself on somebody. That ain't Chuck.

A

>>769506
Oh shit YEAH LETS TRY TAKING SOME OF THAT

>>769531
I'm pretty sure that would actually kill Chuck.

"Could one of you choose to look me in the eye. You know. To test the thing? The other can break the eye contact between us if anything gets too weird."

Charlemagne 2017/01/01(Sun)10:42 No. 769547 ID: 05758b
File 148329614780.png - (166.78KB , 500x500 , 7.png )

You tell Ramona that you want to go to city hall. You can’t really interpret yourself that well, so you yell as loud as you can. This startles Ramona, and the world around morphs to a writhing mass of red worms, curled together into a tight mound so as to form one single, massive colonial organism.

Ramona:


I H%))((%A#**#V@!%%!@E^$^$^N!)(!T

T^*^*^A(##)K&*_*&E=!=N

A~()~N%**%Y

R#*(*#E@@_-_@@V!#()#!E%-%Y#*#E$@@$E

>I haven't taken any reveyee
Oh shoot, throw your arms over your own eyes. Give her a few seconds before you reveal your eyes again, but look away so that they would have to engage eye contact themselves.

>>769547
Sounds like an invitation to me. Look into her eyes.

>>769547
COVER YER EYES, QUICK!!

Cover your eyes and speak very slowly and carefully:

"That was dumb."

>>769547
Close your eyes. Ask her to just lead you there and drop you off, then go back home and wait.

Don't close your eyes, look straight where hers should be. If ms snayor was telling the truth about carnal speech you should be able to tell her what's happening to you better than normal words just by locking eyes and trying.

It looks like her back is turned from us. Is she talking to someone?

Don't close your damn eyes, this is the whole point. We need to understand what's going on, and we've already done this with Susanna. Give it a shot with Ramona, it should result in some ultimate clarity.

Charlemagne 2017/01/01(Sun)13:41 No. 769599 ID: 05758b
File 148330687187.png - (81.59KB , 500x500 , 8.png )

You attempt again to concentrate as hard as possible, and the result fills you with terror and fascination. The image of Ramona standing before you becomes strikingly sharp and clear. Her fur crawls with complex ruts and geometric deformations. There is a sheen of oily rainbow covering her, and her figure is traced by grotesque greeble that rises and falls as if breathing. A few eyes open and close on the sides of her face, all looking the same direction. You seem to see a second face appear there, but it disappears when you think about it.

Ramona: “I’m not worried about you. I’m worried about the mayor.”

Don't run off to City Hall. Let's do some experimentation without Susanna's influence first. She knows things from a very specific viewpoint and she's demonstrated she lacks the social skills to adapt without assistance.

Let's just have a chat with Ramona, and see where this goes. More importantly, we might get some valuable feedback linking up with some of the bloodline who started this mess.

>>769599
Maybe if we've successfully focused in on her, talking to her will be easier.

"I'm worried about me. She at least has some idea what she's doing, I could mess you up by accident with scary speech stuff."

>>769599
well i'm worried about me. i might fuck someone brain up by accident.
this is important.
get me to susanna.

Stay. It seems like you are getting a grip of things now. Tell her what you just experienced.

>>769599
Look into her eyes already.

Ask for her consent to look you in the eyes so you can get a handle on this stuff, already.

If we are looking in her eyes, ask her for permission first and what you think might happen when you try it out.

>>769615
this

>>769603
This.

Ask her to look into your eyes, but don't shout that like some psycho.
You don't want to harm her, the snayor doesn't want to harm her. Still, taking some reveyee is a good idea, so we can get a look at its effects on the supernatural plane.

>>769599
Oh shit, you're seeing that ghost lady interposed with Ramona!

Try looking through Ramona.

>>769599
Should we ask about that purple thing in Ram9na's neck?

Charlemagne 2017/01/01(Sun)21:10 No. 769717 ID: 05758b
File 148333383046.png - (41.36KB , 500x500 , 9.png )

You are deeply unsettled by Ramona’s appearance, along with the general appearance of the world. You don’t know how Susanna can stand to be like this all the time. You should decide now.

a) go to the snayor
b) eye contact with Ramona

>>769717
a

B, but ASK FIRST.

>>769717
Be bold, bro.

B. I think it's more important that we learn what happens.

B, only if we ask first. If she disagrees, A.

Get permission for B.

Blessed Bubble Butt

>>769717
B.

>>769717
b

If it's really going to take a long time, then skip B and go to A.

A

Alright now I know it's risky and it would be a dick move to use mind control but we could start laying down the foundation of our mother daughter threeway. Somehow get into it like Ramona is teaching Sally how to fuck. I don't know.

>>769746
i agree with this idea.

A. Let's not willingly betray dog mom just for the sake of The Legend.

>>769746
>>769748
Isn't that considered rape? I know he's had sex with them before, but would we really feel comfortable having a threesome against their will?

We're not voting for mind control, we're voting to try to see the world how Susanna sees it, and to let Ramona experience the speech through someone she trusts.

A

Honestly, why not both? Ramona knows you don't want to hurt her even if you do sometimes unintentionally

>>769746
Let's not! I think having sex separately is better than incestuous group sex.

Charlemagne 2017/01/01(Sun)23:12 No. 769758 ID: 05758b
File 148334114346.png - (6.86KB , 500x500 , 10.png )

You express that if Ramona won’t take you to city hall, then she should at least let you try this. As Ramona turns her face toward you, you find it gradually easier to concentrate.

Ramona: “I suppose…”

Ramona: “I’d rather it was you than her.”

You: “I don’t know if…”

Charlemagne 2017/01/01(Sun)23:12 No. 769759 ID: 05758b
File 148334117149.png - (10.87KB , 500x500 , 11.png )

You: “How... how how do I tell if it’s-”

Charlemagne 2017/01/01(Sun)23:13 No. 769760 ID: 05758b
File 148334118221.png - (2.69KB , 500x500 , 12.png )

You have the sensation of crawling into a warm blanket after being outside in the snow, and you hear nothing but soft crackling. You are teetering on the edge of absolute pleasure - not sexual pleasure, but the complete awakening of your body and mind. One stray thought or feeling will push you over the edge. You feel…


a) sadness
b) love
c) lust
d) pride

>>769760
Pride.

A might be interesting

I'm a romantic, I wanna say B, but for Chuck to be in character it should be A.

Before people say C or D is more in character, those are just symptoms because he's trying to fill a void. Chuck truly wants LOVE but he's too afraid, so really SADNESS is probably what rules him.

a) sadness

Give B a try. Character development exists and we've already seen plenty of Sad Chuck.

>>769760
A

A

>>769760
B, because fuck our demons tho

B. You're speaking the language of love, Chuck!

A)

B

But like Marcie, not abusive Mom and Dad.

What, is A what you want? Do you want A? Because that's how you get a bad trip.

But seriously I'm torn. A might be interesting but its just randomly inflicting suffering on chuck, there is nothing good that can come of it.
If I try and role play, I'm either caught with the idea that chuck will be stuck with his childhood forever, or that he will someday work forward and find something positive.

TL:DR, Go B. Voting A is bad for the sake of more bad.

B

All of the above.

B

B

I can't see the A option leading to anything good, especially when this is our first time doing this and involving Ramona.

Between Chucks sad life and Ramonas' slowly ending life I'ma go with A.

A.
Maby a hint of b or d but...
A

B has already won, but why no C? Chuck is the embodiment of C.

A

B. Chuck is driven to clust because of asadness, but his Blove for dogmom and marcie is what's driving him right now.

B

B because sadness is sad and because of the people blatantly votestuffing for A.

B

D

>>769812
This is a good point.

Can I change my vote >>769768 (I think this is the one. Could be the one right next to it) to a mix of A and B?

B

B

>>769760
B

E) Oblivion

>>769821

Oh my gosh, people are vote-stuffing? I can't tolerate that. I change mine to B to spite them.

>>769760
a

>>769893
F) Skyrim

>>769821
There are people vote stuffing A?
Even before you mention it B is still winning hard in the paint.

>>769760
B

She's still alive and mostly well. No need to feel sad.

Changing my vote to B to spite the votestuffers.

Chuck is feeling the love his mother never truly gave him.

>>769907
Many of the A votes are legitimate, but a bunch of the people who posted ">>whatever, A" and nothing else have IDs that don't show up anywhere else in tgchan's history, apparently. Dynamic IPs and new people exist, but consensus seems to be that they can't entirely explain a coincidence like this.

>>769760
B

>>769923
This.

B.

>>769760
I have to agree. B.

You feel... high as a kite. Obviously.
Also, this is probably not Chuck's feelings he's feeling. It's Ramona's. She probably feels
...pride for her daughter helping to make the stuff,
...love lingering for the bad boy Chuck,
...and perhaps sadness about dying.

If there's any lust, it's probably from Chuck.

>>770215
Ramona's libido isn't dead yet...

B

But also a bit of C.

2017/01/03(Tue)21:45 No. 770379 ID: be084f
File 148350875592.png - (38.92KB , 500x500 , 13.png )

Love? You could swear you've never felt it before, but then again...



You open your eyes to a dying oak forest. The wind is blowing the branches, but there are no leaves. It is a ghastly sight, but the incredible quietude brings you a profound sense of peace. Your body is at rest, and you have a sense of great relief as though a mortal pain has only just come to an end. You hear some slow footsteps approaching you, but you don’t have the strength to stand and look.

“You know, I’ve learned something! That’s right, even I do sometimes.”

“When two people are in love… their souls that were once two? Well, they become one.”

“What becomes of this is a third thing entirely, my friend. It’s something so much greater than either of them put together.” [i]

[i] “Now, I don’t know how you did any of what you did.




“But gosh darn it.”

2017/01/03(Tue)21:46 No. 770380 ID: be084f
File 148350877349.png - (58.09KB , 500x500 , 14.png )

“I’m proud of you.”



“It takes true love to do something like this.”

“The one you left behind, well… I don’t know what’s going to happen to her. I wish I could tell you, but we’ll just have to see.”

>>770380
Harold Pal! Who are you, and what just happened?

Do you have the strength to glare? It's about time you glared at someone in this town.

"Am I dead? Is Ramona dead?"

How did we get out here?
Harold Pal?!

>>770380
"What can you actually tell me, then? I deserve answers after all this and so does she."

>>770379
>>770380
Charlemagne isn't up in the corner of these posts, so I'm not even sure if we're in Chuck's body right now. We might be looking through someone else's eyes.

The one we left behind. Who? Ramona? Marcie?

......Loraine?

Is this a memory or is he talking to us?
Ask Harold where we left her.

chuck what the fuck did you do.

Oh shit. Is this one of Nelson's memories?!

"What is going on? Do you mean Marcie? Ramona?"

Dang it Harold! Where have you been all this time?

>>770380

o man we're cletus

>>770404
"You open your eyes to a dying oak forest."

No, we're Susanna.

https://tgchan.org/kusaba/questarch/res/759736.html#i762861

Susanna: “No. Just no parents. I woke up under a dead oak tree one day and took my very first breath. There weren’t so many people back then.”

We're Susanna waking up for the very first time.

And she may have been two people before then.

>>770412

Susanna also, if she is to be believed, never met Harold Pal and only knows of a tortoise from a dream she had when she brought Marcie back.

Looking back it looks like Cletus was mortally wounded and spoke to 'god' in a maple wood not an oak forest, so it probably actually isn't cletus, so it's more likely that this is either Chuck 'waking up' like Susanna as a result of Nelson's Potion or Nelson himself.

or maybe even both

2017/01/04(Wed)11:40 No. 770465 ID: be084f
File 148355880518.png - (46.75KB , 500x500 , 15.png )

The plush maple leaves that had cushioned your fall are no longer there. The fallen log where you set your rifle is gone. This is an entirely different place.



“You left!

“It seems like nothin’ special, but it takes a clever fox to do it I tell you what!!”

“You left somethin’ behind, friend. Your soul!! Your poor soul!! It’s always going to be searchin’ for your body. Rottin’ out here by a tree.”



You: “L…”

You: “Lor…”



“Shhh…”

“Don’t talk, my friend. You’ll never truly rest, I’m sorry t’ say, but you don’t deserve a struggle. Lie down! Be still!”

“Maybe someday when the wind blows the mountains to dust…”

“Some part of you will waft over the old well”

2017/01/04(Wed)11:40 No. 770466 ID: be084f
File 148355881870.png - (42.85KB , 500x500 , 16.png )

“and you’ll be free.”

2017/01/04(Wed)11:40 No. 770467 ID: be084f
File 148355883267.png - (1.65KB , 500x500 , 17.png )

You hear the ticking of a clock.

Charlemagne 2017/01/04(Wed)11:40 No. 770468 ID: be084f
File 148355885034.png - (37.25KB , 500x500 , 18.png )

A familiar world full of tiny discomforts fills your senses.

>>770469
So it worked. Ramona, what did you see?

I... think it's over. What was that like, for you?

Holy crap Cletus is Susanna.

>>770474
are you kidding

>>770477

Partially. What I mean is Susanna is deeply connected to Cletus somehow.

There's quite the parallel between what happened to Cletus and Susanna. Actually, going by what Harold Pal is saying - "You left" - I'm going to guess that Cletus managed to actually escape Coxwette somehow to fight, but he left his soul behind with Lorraine.

"Your eyes drift shut, and your mind becomes distracted by pleasant thoughts of a night beneath a young oak tree in a little town called Coxwette…"

The oaks were dead in the vision, and the oaks were dead when Susanna awoke.

First thing's first -- we should ask if Ramona saw anything and then we should share our vision. She needs to learn more about this carnal speech so we can eventually all work together as a team.

You should try write down what you saw. Might be like a dream and you'll forget details over time. Ask Ramona if she saw anything.

Let's not jump to conclusions about what this all means. You need to find out more. Once you have everything else down, maybe you should ask Ramona if that was supposed to be permanent or temporary. Do you feel like you could do any of that again?

Are we out of voodoo juice? Aw man, did we waste all our time on Ramona? I don't think it'd be healthy to have a second dose too soon.

“Maybe someday when the wind blows the mountains to dust…”

“Some part of you will waft over the old well”

The well leads to the catacombs. Chuck saw a vision of a blue sofa in the well.

Ask if she, or Sally wants to visit the library and search the catacombs.

>“You left somethin’ behind, friend. Your soul!! Your poor soul!! It’s always going to be searchin’ for your body. Rottin’ out here by a tree.”
>“Some part of you will waft over the old well”
>“and you’ll be free.”
It almost sounds like Chuck is supposed to be the lost soul of Cletus.

I am the spitting image of Cletus.

>>770481
This.

>>770465
so the catatombs are full of bodyless souls. got it. maybe the warehouse is full of soulless bodies?
>>770469
you need to make another batch.

Charlemagne 2017/01/05(Thu)00:20 No. 770638 ID: be084f
File 148360442396.png - (37.25KB , 500x500 , 20.png )

You: “Well, what did you see?”

Ramona: “A…”

Ramona: “Tortoise. Man.”

Ramona: “And a dying man on the ground. He looked kind of like you.”

You have a throbbing headache in the wake of your psychedelic trip. It was highly reminiscent of some of the many drugs that you have done in the past. You are happy that you seemed to have seen the same thing that Ramona saw, or at least snippets of it.

You: “And you said that was the last of that stuff?”

She nods.

You: “You might need to make a bit more of it.”

Ramona: “I suppose, but…”

You: “But… what?”

Ramona: “Well, I could really use a rest. I’ve been running out of steam lately. Sometimes it’s a chore just to get up and walk around.”

Ramona: “I’m really sorry…”

You begin to notice that you are both thirsty and sleepy. Sally seems to have left the room at some point, which doesn't surprise you given that a few hours have passed.

>>770638
Let Ramona rest and recover her strength. We've seen all we need to, the rest is up to us to figure out.

I suggest we speak with Susanna, tell her how much we resemble Cletus, get her reflection on the experience, and ask about her boat in a bottle because she's always grasping it when stressed and Davey said she goes on about it at length. She might let us know why it's so special, but if she doesn't let's not press it.

We almost certainly need to investigate the catacombs, and we might be able to convince Susanna to give us permission given the vision we had -- but keep in mind, if she thinks it will put the town at risk she won't and we should respect it for the time being until we have evidence pointing contrary. And right now, all we have is speculation.

Alternatively, we could visit the library and catch up with Naz & Lisa and see what information we can dig up about this Cletus character that we might very well be.

OH! And before we do that crap we should probably get something to drink and rest ourselves. We might have additional visions.

>>770638
Tell her you saw the same thing. That was Harold Pal, the person you met when you first arrived in town. He seems to know a lot more than he at first let on. Did she hear what he was saying? That you "left"?

Also the dying man was Cletus. You might be related to him. Harold seemed to be implying you WERE him, but that makes no sense. Maybe Harold is trying to get you to destroy the town.

It's fine if she doesn't make any more of the tonic tonight. Susanna will be pleased to know it works, at least.

Is there any way we can contact Naz and Lisa at the library before bed? I'm worried about them.

Dammit. Well, stay hydrated, and get some rest.

Or not. You know, I bet Sally's thirsty too!

Maybe keep an eye on Ramona so that she doesn't do anything weird in case she is still in some sort of trance, like Chuck was in after Susana used carnal speech on Chuck and he thought he visited Naz's place for a foursome, or when he visited the plath house when he thought he was at Marcie's after meeting with the mayor.

>>770638
Eat, drink, rest. Make gentle love, if she's not so utterly exhausted as to drop dead right now.

Explain Harold, maybe brief explanation of Cletus, but don't keep her from her rest.

Perhaps it's time for a chat with Lorraine? ...potentially among other things, though who knows how that would work.

Call the library and see if they've found anything.

>>770700
"well... fuck. Alright, guess we need to think supernatural now. Uhh, would these count more under ghost logic or what? Like what reason do they have for existing, this an unaired grievances deal? The mayor?"

Charlemagne 2017/01/05(Thu)11:17 No. 770705 ID: be084f
File 148364387520.png - (41.89KB , 500x500 , 21.png )

You: “The tortoise’s name is Harold Pal. He’s the guy I saw when I first got here.”

Ramona: “Here? You mean to town?”

You nod.

Ramona: “And the dying guy? That was you, right?”

You: “Cletus.”

You: “Lorraine’s husband. I remember it now. All of it…”

You: “I saw Cletus before. I saw him get killed.”

You: “Just go to bed, Ramona. You’re dragging your feet. Please.”

You go to the phone and dial the number to the library: 002. You have no idea if Naz and Lisa are still there, but you know that this will probably ring the phone at Sally’s desk. As it rings, the sounds and visions of the battle run through your head.

Naz: “Hello?”

You: “It’s Chuck.”

Naz: “Oh, what up”

You: “Did you find anything out?”

Naz: “Yeah, but it’s not really… good.”

Naz: “We found a ‘town crier’ report from like… forever ago it looks like. No date, but…”

Naz: “Someone tried to trap those monsters in a cage in the river, and it didn’t work. They just got dragged down into the water and drowned. When they went back to look, they just found an empty cage that was still locked.”

>>770700
"...I meant Lorraine's husband."

And that's not good, looks like they can abuse the save-state thing too. Maybe. Fire, then?

They are spooky ghost monsters. They can probably phase through solid matter, or just teleport back to wherever it is they go when they're not attacking people.

You'll probably need some sort of magic cage to trap them. You could try asking the mayor, but if she knew how to trap them she'd probably have done it already.

>>770705
Mundane-ish mode: Maybe they only respawn if they die? There could be an opening in keeping them sedated and drip-fed...

Magic mode: Yeah, it will definitely take some Susanna/Ramona combined magic to get them. inb4 fusion

Water is kind of their element. Fire's probably out too.

...Concrete. Concrete is nice.

>>770705
Yeah I figured they respawn after dying. I'd say the same thing happens to townsfolk if they die in town.

The plan was to trap them without killing them, I thought. Then again they might just commit suicide somehow to escape. Maybe we should investigate the catacombs first? We'll discuss it in the meeting tomorrow.

>>770719
The cage and water thing was a direct hint that concrete won't work. Something brings them back.

Well, let's see. Harold's little speech there implied that love joins souls together. And Nelson talked about what he'd done as something that would preserve what they loved. But he also talked about preserving happiness, which isn't quite the same thing. And... carnal speech seems related to love somehow? Or strong emotion. The intent of what Nelson did was to preserve the things he loved and liked.

I've been wondering if feelings are what tie the town together. Strong emotion, caring about things. Most of the people here don't have anything in the rest of the world they really care about, or they did but they "burned" that connection somehow. Cletus might have been able to leave because he cared for his duty or the cause or whatnot. Maybe Angela would be able to leave? Whereas Sally's dad might have disappeared because no-one here cared about him enough in the right way any more.

Anyway, the monsters. A few possibilities. First, not to kill them. Just trap them, maybe have someone keep an eye on them so they don't do the spooky vanishing thing. One of them did seem to react to the "false witness" comment from Chuck, maybe if we had a theologian or religious philosopher they could be convinced of something, but I don't think we have any of those. Maybe someone could find some passages in scripture about... not being a monster? Or against specific bad things the monsters want to do. Quoting at them might slow them down, at least. It'd be interesting to examine how their religious feelings affect them. Like, have they ever 'worked' on a Sunday or church holiday?

Second, maybe it's your classic improper burial scenario? Don't know what Susanna did with the bodies when she murderized them the first time. Maybe dropping them in a hole and also giving them a funeral would work. Or maybe they need to be interred in holy ground?

Third, Harold implied that if part of Cletus' body was brought to the well, he'd be free. Why? Does he need to be rejoined with Lorraine, and she's down there? But her ghost, presumably her soul, shows up in the Plath house. Is there something special about the well that can undo how people are bound here?

Fourth idea; if people are bound to the town by love or other strong emotion (Nelson might have intended love, but maybe hate or something else works as well for some reason? "Love to hate", maybe?), then maybe the monsters are bound here by something they feel strongly about, or something that feels strongly about them.

>>770768
if supernatural taught me anything, its that salt and fire solve most problems

(accidentally deleted my previous post somehow. Sorry. Reposting it here)

Just to make sure it's Naz on the phone, and not that bird thing that mimics voices, ask her something the real Naz would know, like what the first prank she pull on you was

>>770811
Good point actually, seconding this.

>>770757
A cage isn't exactly airtight or non-porous. They could have slipped out through the bars, somehow, but a solid block? That remains to be seen.

I think the trick is to capture them "alive" otherwise they respawn.

we need to go down into the catacombs, but we need to be careful about what might be down there.

maybe we can get what we are after and seal the evil creatures in there forever.

Charlemagne 2017/01/10(Tue)20:50 No. 771687 ID: be084f
File 148411022847.png - (53.26KB , 500x500 , 22.png )

You: “So”

You: “Does that mean they can’t be trapped, or that they just can’t be trapped that way?”

Naz: “It doesn’t really specify.”

Naz: “I gotta get home, though. I don’t want to leave Geoff completely on his own.”

Naz: “Later.”

She hangs up the phone.

Deep breaths, Chuck. Deep breaths.

Might be best to go to bed. Maybe dream about Marcie. Your love story together with her is over, but that doesn't mean you can dream up some fan fiction about you and her.

Go to bed. Hope you get visited by Sally.

Alternatively, you can try contacting Lorraine again. Now you know you are somehow connected to Cletus, so perhaps that knowledge will make it easier to reach out to her?

>>771689
Good idea with visiting Loraine at this point. Lets do that first, then bed.

Well they don't eat, but they need to breathe
Easy, we trap them in concrete up to their necks, and then they'll never escape again.
Or in the catacombs, only a Plath can open that place up.

>>771687

Hey chuck remember how you pestered Angela to walk the kids home? Maybe check on Angela.

Charlemagne 2017/01/10(Tue)23:11 No. 771708 ID: be084f
File 148411870082.png - (39.41KB , 500x500 , 23.png )

You leave the living room for one of the Plath House’s narrow, creaking staircases. You feel like of groggy and nauseous, the effects of Ramona’s potion still lingering in every part of your body.

Charlemagne 2017/01/10(Tue)23:11 No. 771709 ID: be084f
File 148411871373.png - (97.25KB , 500x500 , 24.png )

A shower helps. You yawn and think of the visions you had of Cletus. You feel the need to speak with Lorraine about this, but you don’t know how to go about contacting her.

start calling out her name all over the house starting right now while you are taking a shower.

>>771709
Just sit in the attic, softly whispering her name.

Maybe get out that letter?

Lorraine been primarily in the attic.... But maybe you could speak with Nelson directly in the Boudoir.

Spend the night in there.

Sleep in the attic. Don't bother finding her, she'll find you.

>>771716
That's a good one, seconding this suggestion.

Bundle up, it'll be drafty in there. Don't want pneumonia catching up with you before Lorraine does.

Look in the bathroom mirror and repeat her name three times.

Charlemagne 2017/01/11(Wed)10:16 No. 771765 ID: be084f
File 148415860450.png - (32.93KB , 500x500 , 25.png )

Sleeping in the attic is far from the shittiest thing you have done today, so why the hell not? You head for the small staircase to the top floor, but a voice from behind stops you.

Sally: “Feeling better?”

You: “Uh… yeah. I’ll tell you about what happened in the morning.”

Charlemagne 2017/01/11(Wed)10:17 No. 771766 ID: be084f
File 148415862816.png - (50.10KB , 500x500 , 26.png )

Sally: “Oh. Well, if you’re going to bed I won’t keep you.”

Charlemagne 2017/01/11(Wed)10:17 No. 771767 ID: be084f
File 148415864178.png - (60.56KB , 500x500 , 28.png )

Sally: “But I thought you might want to get some cleaning done.”

>>771767
"Unless you'd rather make a mess"

This will hurt Ramona.

>>771767
>Maid outfit

Go for it.

We've been pushing this shit to the future far too long.

Can't get distracted. Your too tired for that.

fuck dog, you've screwed it up with her twice before. You've gotta uphold your legendary status.

still Standing by my vote of not getting distracted, but if we are going to have fun with Sally, lets do it in the attic.

Put your dick in the dog so your country can be free.

>>771767

Do it, chuck.

Try not to make any comments about how Sally's ass is inferior to Ramona's though.

>>771767
PUT IT IN PUP

A different dog has answered the call of Chuck. Do it, man!

Yeah, this is a Bad Idea. Don't stick it in daughter dog.

Oh heck yeah

>>771767
EIGHTEEN

There are so many levels for why Chuck will not enjoy this. It's like any attempt at fucking Sally is doomed by some malevolent entity.

https://www.youtube.com/watch?v=fvtQYsckLxk

Do it.

Stick it her pooper, if she doesn't stop you it's true love.

>>771791
And we should give up and let that entity win? Never, I say!

>>771767
Don't do it, you have way more important things to worry about.

Do not do this, there's important shit on the line right now, you're tired, just got out of the shower nice and clean, and thinking about people dead and yet relevant to you and perhaps even Ramona and Sally, and sleeping to see if you can talk to such dead people. You don't think now's the right time, right, Chuck?

Lewd the pupper!

Do eet

stick it up her butt.

Remember how much stronger the primal speech was when fucking the snake?

Maybe theres some lingering effects from the speech potion that fucking will be strong enough to bring out. Maybe its even permanent. How coukd we afford NOT to test it.

This is not an additional vote btw, i already suggested fuck dog im posting this from my phone on break

Dont, now is a really bad time.

Either way go to the attic. Be it to sleep, fuck, or both.

Fuck her silly

That poor girl wants the D more than you want the V at this point.
You WANT her to bone Geoff or old cop? Those are her options.
Give her the D.

It'll be a nice way to unwind after a stressful day. Just make sure mom doesn't intrude.

...unless she were joining in, but I doubt that fantasy is likely.

Fuck sally

Charlemagne 2017/01/13(Fri)10:37 No. 772103 ID: 77bf27
File 148433266076.png - (44.18KB , 500x500 , 29.png )

You: “You know, you’re playing with fire coming on that strong with a guy like me.”

You: “Are you sure you can handle it?”

Sally: “Oh yeah. Yes. Defini-”

Sally: “Oo!”

Charlemagne 2017/01/13(Fri)10:38 No. 772104 ID: 77bf27
File 148433268592.png - (58.22KB , 500x500 , 30.png )

You grab a handful of what little there is to work with back there.

You: “You’re not wearing underwear.”

Sally: “I didn’t think I’d need it…”

>>772104
Get rid of towel, lift her against the wall, do the thing.

Carry her to the attic. Go somewhere more private.

"Correct."

Bone the bitch.

Take it to the couch.

Take it literally anywhere private.

>>772106
This

I got a really bad feeling that Ramona is actually waiting in Chucks room. Might be prudent to check first before anything is done

Tell her to lead the way then. Spend entire walk staring at her butt. Hopefully, she'll catch on and put a little extra sway in her step.

take it to her moms room

>>772216
DO IT YOU MANWHORE!

Anywhere private. Wreck her.

Don't do it, it's not too late. At least wait until Ramona is cold in her grave.

Wait, what if this is an illusion from the aftermath of your carnal speech with Ramona? This seems a little too easy. Pinch yourself or something. Concentrate.

Yeah, this is probably another carnal speech illusion.

ABORT ABORT.

no need to be paranoid,wreck her!

>>772104
Fuck her on the charred deathplace of the bastard who started this all.

>>772243

>This is a little too easy

Dude sally is thirstier than a goldfish in death valley. This is not even new information.

Give the poor dog a bone, chuck. Just not right out in the hallway.

>>772255
What, Harold Pal's place? I guess we could ask her if she wants to do it in a forest of dead oaks...

>>772257
The chair in the boudoir where whathisface Plath was burnt to death.

>>772258
Nelson.

I don't think Chuck should fuck Sally on top of corpse ash.

>>772258
I was being silly.

>>772253
SO what if it is? Might as well enjoy it to the fullest.

>>772281
If it is, then we'll probably end up blurting out sally's name while having sexy times with ramona.

Invite her to clean your room to polish your knob.

make sure sally isn't one of those horrible eldritch monsters taking on the guise of sally again.

or bone an eldritch monster, either works

Make sure the cat's got her tongue. It'd suck if Ramona heard you two having fun up there.

Maids need to wear underwear, punish the naughty girl.

Charlemagne 2017/01/15(Sun)13:39 No. 772458 ID: 77bf27
File 148451634565.png - (45.35KB , 500x500 , 31.png )

You: “Well, you were right about that.”

Sally hops on you and melts like a pat of butter. She isn’t concerned with her own balance, much less yours, so you put a hand on her back to keep her upright as you stumble back to your bedroom.

You: “You gotta be quiet, babe. I left my condoms in-”

You: “Fff-”

As soon as the bedroom door is shut, Sally pulls her century-old uniform over her skinny shoulders and throws it onto the breakfast table. You drop your towel and fiddle through the bedside drawer for a rubber.

Charlemagne 2017/01/15(Sun)13:39 No. 772459 ID: 77bf27
File 148451636923.png - (51.47KB , 500x500 , 32.png )

You sit down on the bed and Sally climbs up on your hips. She takes a deep breath and starts to hesitate. She grabs onto your dick, and you feel her cold, sweaty palm through the thin layer of latex.

Sally: “Ok”

Sally: “Is this going to hurt?”

You: “It might a little bit.”

You: “Tell me if it does, and I’ll stop.”

Sally: “Ok. Alright, that’s easy.”

Sally: “So do I just…”

Charlemagne 2017/01/15(Sun)13:39 No. 772460 ID: 77bf27
File 148451638366.png - (32.09KB , 500x500 , 33.png )

Sally: “Wow, ok”

Sally: “I’m really nervous all of a sudden.”