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Royal Chanting Meadow
430103
Hrrm. So let's keep an eye out, but for now...
As for this Ostensen...
I was thinking of using her art gallery to help us make a statement about art, as we know it and as the common fools know it.
So, the main entranceway, if there isn't examples of her work there, then we place them there, the first thing our audience sees, as pristine as we can manage.
Then, we...ah, this may be a degredation on your part, but we apply ideas from your art to hers. If she has a depiction of lovers, then we remove one and leave the other. Or if she shows a soldier marching off to war then we edit him with the scars that war would bring.
From there, we progress to actual destruction, but done in a manner that might happen normally, like a picture dropped too many times, or carelessly damaged by scraping against too many things!
Now, this part might be...difficult...But important. There is a difference, performing your art on an old, long-dead corpse, and proper application of death to our materials. And even the vermin can see it. But for this statement to work we must leave no question as to what we are saying. So we will have to find a corpse, dead long enough to be reconizable as such, and mirror whatever we perform upon Ms. Ostensen upon the corpse. Remove her eye, remove the corpse's eye, for an example.
And lastly, we must ensure that as our audience moves through this scene, they encounter our works in this order:
First, Ostensen's art, untouched, and unblemished.
Secondly, the 'edited' art.
Thirdly, the art, destroyed by careless mistake.
fourth, the old corpse, and just beyond it...
The final piece and the period to our lesson of what true beauty is, and not even the vermin will be able to deny it, having just seen their art transmuted into what true art is!
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