[Burichan] [Futaba] [Nice] [Pony]  -  [WT]  [Home] [Manage]

Report completed threads!

[Catalog View] :: [Archive] :: [Graveyard] :: [Rules] :: [Discussions] :: [Wiki] :: [Discord]

[Return]
Posting mode: Reply
Name (optional)
Email (optional, will be displayed)
Subject    (optional, usually best left blank)
Message
File []
Embed (advanced)   Help
Password  (for deleting posts, automatically generated)
  • How to format text
  • Supported file types are: GIF, JPG, MP3, MP4, PNG, SWF, WEBM
  • Maximum file size allowed is 25600 KB.
  • Images greater than 250x250 pixels will be thumbnailed.

File 176760641770.png - (4.60KB , 512x512 , jlbys_cover_v1.png )
1119688 No. 1119688 ID: 6119f7

Not NSFW per say but expect some suggestiveness, innuendos and sexual allegories.

It is scary to post here lol
Expand all images
>>
No. 1119689 ID: 6119f7
File 176760646247.png - (3.01KB , 512x384 , jlbys_page1.png )
1119689

After somehow managing to do nothing for most of your life, as if the entire world had stood still until now. Lately, however, you have been dreaming of becoming the strongest artist to ever set foot on this world. Today, that journey finally starts as you approach the “That too building” to hopefully get advice and training from C.A.F; The best artist you know.

Now that you have agency provided by the manifestation of narrative flow into your world:

How will you proceed?
>>
No. 1119690 ID: 6119f7
File 176760648712.gif - (36.77KB , 512x384 , jlbys_page1-1.gif )
1119690

>enter the door backwards while doing a little dance and hope its a push door

You attempt to dance only to immediately realize even a simple task such a silly jig is far above your skillset. It makes sense given you came here to learn art and dancing is despite your flawed intuition, also an art.

Regardless, you try your best but your limbs are stiff and your movements mechanical. You compensate by crouching to the beat but even that is surprisingly hard and you soon find your feet slipping on the floor…
>>
No. 1119691 ID: 6119f7
File 176760651876.gif - (4.51KB , 512x384 , jlbys_page1-2.gif )
1119691

Before you know it, you’re on the ground and you’ve successfully landed against the door and hit your head rather badly. To add insult to the injury you don’t take long to realize the door is very obviously not pushable as it has a knob and all. You should have already known this given you’ve been here a couple of times before, right? To be fair most of those times you were in auto pilot and all your memories of that are foggy. Still, this was overall a discouraging failure as your first artistic endeavor, you even doubt you learned anything about dancing at all.
>>
No. 1119692 ID: 6119f7
File 176760654773.png - (24.43KB , 512x384 , jlbys_page1-3.png )
1119692

To make matters worse, you feel a sudden presence weight upon you as if multitudinous gaze has been directed towards you. For a second you consider you might have drawn attention due to the embarrassment you just experienced and yet, there’s no one to be seen nearby other than the eye on the door just besides you. And despite what reason may suggest, you don’t think this sudden sensation of being observed can be attributed to that, rather it seems impossible to pinpoint where it comes from, maybe even from outside the plane of existence you reside in. Such a feeling has you freeze on the spot for a few seconds that feel like days. Maybe that’s it you’re just imagining things to further procrastinate going into the building that taunts you presently.

Nevertheless, you freeze for what now is making you wonder if a week has passed due to an even weirder observation. In between the crowded looks of dubious territoriality you’re getting you can just make out an emptiness that reminds you of the safe spot in the eye of a hurricane. The worrying part is that, with no logic to explain it the void that is left somehow perfectly conjures the image of an even more piercing and defiant “thing?” looking at you. You can’t really tell what it is but it feels like it could either very well be yourself or something eldritch and greater than you, like a God of sorts.

But then again maybe that’s just part of your life finally entering into motion as your journey as an artist begins. Whatever it is you’ll just accept it and move on…

How will you proceed?
>>
No. 1119702 ID: 075380

be not afraid of how easily your life is shaped by circumstances outside your control. you are, in fact, perfectly in charge. knock on door with head. poke its eye. wait for answer.
>>
No. 1119726 ID: 6119f7
File 176769293414.png - (2.94KB , 512x384 , jlbys_page1-4.png )
1119726

>>1119702
>be not afraid of how easily your life is shaped by circumstances outside your control. you are, in fact, perfectly in charge. knock on door with head. poke its eye. wait for answer.

You don’t see why would you further inflict harm upon yourself when you’re pretty sure you could just… open the door. That being said you’ve learned to not question these kind of weird ideas that sometimes invade your brain and indeed engaging in such irrational actions help you feel like maybe you have free will.

All that to say: you bash your head violently against the door multiple times…
>>
No. 1119727 ID: 6119f7
File 176769296945.gif - (8.61KB , 512x384 , jlbys_page1-5.gif )
1119727

….and you also poke the eye that has been nothing but friendly towards you.
>>
No. 1119728 ID: 6119f7
File 176769299517.png - (3.07KB , 512x384 , jlbys_page1-6.png )
1119728

C.A.F: “YOU COULDN’T EVICT ME IF YOU TRIED YOU PIECES O-”
C.A.F “oh, it’s just you Lienzo”
C.A.F: “Why are you like this?”
C.A.F: “Like I dig your game of enacting some weird bullshit rituals every once in a while but it’d be nice if I actually felt like you trust me enough to act like an actual person after all this years”
C.A.F: *sigh* “Sorry, you’re cool, come in, don’t just stand there! Tell good ol’ C.A.F what is it you want”
>>
No. 1119729 ID: 6119f7
File 176769302672.png - (2.84KB , 512x384 , jlbys_page2.png )
1119729

C.A.F: “So did you come to my TATTOO shop to get a TATTOO? Or did you come for art advice like everyone else for some reason”
C.A.F: “I mean people have to remember I have a job”
C.A.F: “Not that it matters though all my tattoo clients are friends who get ludicrous discounts so it’s not like earn much anyways”
C.A.F: “And like I said, those damn pigs couldn’t evict me if they tried”
C.A.F: “Sorry for rambling on about that. I know you probably just came to hang out or something...”
C.A.F: “...right?”

How will you proceed?
>>
No. 1119754 ID: 39a511

cry
>>
No. 1119755 ID: fd169b

yes cry
why is art so hard?
>>
No. 1119759 ID: 35d66b

Lift up C.A.F. in order to increase artist strength.
>>
No. 1119765 ID: 075380

confess your deepest artistic insecurity.
>>
No. 1119781 ID: 6119f7
File 176776392432.png - (2.56KB , 512x384 , jlmbys_page2-0-1.png )
1119781

>>1119754
>cry

Lienzo: *Sniff*
C.A.F: “What…
Lienzo: *SNIFFFF*
C.A.F: “You ok? d-”

>>1119755
>yes cry
why is art so hard?

Lienzo: “BW-”
Lienzo: “Bwhy is awt so hawd?!?!?”
C.A.F: ”Oh my god”
Lienzo: “Awt is hawd and scawwyyy!!”
Lienzo: “It’s like: how do you even stawt??”

>>1119765
>confess your deepest artistic insecurity.

Your deepest artistic insecurity? Do you even have one? You haven’t even started your artistic journey proper, how could you? But that’s just it, isn’t it? Your deepest insecurity is starting. Or specifically, the insurmountable horror that comes with creating, with manifesting something out of nothing but thin air and your limited imagination. You’ve tried to start before but you’ve never gotten much done, one could even argue you’ve gotten absolutely nothing done. Sure, there’s been spread out days where you’ve created miserable homunculi that try to be art, but it has never really amounted to anything, has it? You can’t really improve without consistency, the universe’s cruel prank to lazy people. Come to think of it, what even is different between those times and now? You suppose the only diffrence is you don’t have any kind of plan you’re just sort of throwing yourself into your friends to see what happens and try to push forward as much as possible.

And then you look at fulfilled artists like C.A.F and you realize the sheer infinity of the breach between you. Add all of this up and you’re left with one fundamental truth: Your art power level is just too low.

Lienzo: “Creating!”
Lienzo: “It’s impossible!”
Lienzo: “I can only make bad art and I can’t improve”
C.A.F: “Dude, calm down”
C.A.F: “Anyone can do art. Just grab a pencil and draw a stickman and don’t worry about how it comes out”
Lienzo: “NOOOOOOOOOOOOOOOOOO!!!!”
Lienzo: “Aren’t you listening!?”
Lienzo: “I literally can’t!!!”
Lienzo: “My art power level is too low!!!”
>>
No. 1119782 ID: 6119f7
File 176776406372.png - (2.92KB , 512x384 , jlbys_page2-0-2.png )
1119782

>>1119759
>Lift up C.A.F. in order to increase artist strength.

Lienzo: “I know!!”
Lienzo: “I gotta carry you, that way my art power level will immediate increase by yours”
C.A.F: “First of all, stop that”
C.A.F: “Second, art power level? Is that what this is all about?”
>>
No. 1119783 ID: 6119f7
File 176776411379.png - (2.94KB , 512x384 , jlbys_page2-1.png )
1119783

Lienzo: “Yeah! I need to increase it and become the most powerful artist in the world”
C.A.F: “Alright… alright”
Lienzo: “Are you gonna help or what?”
C.A.F “Yeah, sure, whatever”
C.A.F “But lienzo, I know I complained about people asking me for advice but I think I’d rather you risked upsetting me than whatever this whole performance was”
>>
No. 1119784 ID: 6119f7
File 176776413958.png - (3.12KB , 512x384 , jlbys_page2-2.png )
1119784

C.A.F: “Listen, Lienzo, the first thing you have to know about art power level”
Lienzo: “mhm?”
C.A.F: “Is that it’s bullshit”
C.A.F: “There’s no real logic to it and it’s a losing game to focus on it that much”
C.A.F: “There’s some correlation to your skill as an artist, like it definitely increases naturally as you improve but there isn’t any real predictability or science to it otherwise”
C.A.F: “As an example, your dancing power level is sitting at exactly 1 for some reason”
C.A.F: “Can you imagine that? I don’t really see you as the kind to dance but if you don’t dance at all it should be 0 and even if you only dance occasionally, you’d think it would be more than 1”

Yeah, you’re just going to suppress all the inevitable ideas telling you to confess your recent dancing escapade.

Lienzo: “Yeah, haha… that’s weird”
C.A.F: “Just complete non-sense”
C.A.F: “If anything to measure people’s art affinities I prefer the sensory pentatogram”
C.A.F: “But I’ve heard that even that one is kinda more superstition than science”
C.A.F: “Except for the fact that you should never, ever date a primary Smeller, that’s just a fact”
C.A.F: “Hope that helped… somewhat”
C.A.F: “At any rate, I think what you really need is to focus on something that you feel comfortable enough doing to get into a rhythm, you know?
C.A.F: “But before I explain that, any question you have or emotional breakdown you want to go into?

How will you proceed?
>>
No. 1119795 ID: 2f41db

What is a primary smeller.
Then ask if you can do a sensual pentawhatsit anyway.
You know.
For funsies.
>>
No. 1119797 ID: f2320a

>>1119784
ask where you can find fat chicks to fuck
>>
No. 1119810 ID: fd169b

what's this potatogram? maybe it'll give you a direction to try out for art
>>
No. 1119873 ID: 075380

ask for a hit of that and where you can find the best art supplies around. that'll be the real key to unlocking your potential.
>>
No. 1119880 ID: bdfee2
File 176802039484.png - (2.59KB , 512x384 , jlbys_page2-2-4.png )
1119880

>>1119797
>ask where you can find fat chicks to fuck
W.what? Why would you do that? Does C.A.F even know anyone that’d be classifiable as a “fat chick”. I mean fat chicks aren’t uncommon but… or are they? Come to think of it fat is one of those weird things you intuitively understand but don’t exactly know how or why. It kinda just is. You know what a fat person is supposed to look like but you’re not sure if anyone you know is undeniably fat. Everyone kinda just looks diametrically different there’s no real reason you’d need a word to differentiate fat from skinny but you do which is odd.

For example, is C.A.F, the person in front of you, fat? She’s certainly bigger than you, and way heavier than what you can as was demonstrated by your recent attempt. But that’s not all there is to “fatness” is it? C.A.F is squishy upon touch, sometimes. She’s also solid other times though. Her flesh is kind of similar to a Non-Newtonian fluid (Add that to the list of terms you know about but have no idea how or why). Whether C.A.F is fat or not, the mystery of it all has left you equally intrigued and embarrassed for some reason.

Lienzo: Are you fat?
C.A.F: WHAT?!
C.A.F: I don’t know
C.A.F: I could be, if I wanted, probably.
C.A.F: Why would you ask that?
Lienzo: I’m looking for fat chicks. Do you know where I can find any?
C.A.F: right….
C.A.F: Is this like an art thing or is this your way of revealing a part of you I didn’t know about to me?
Lienzo: I actually don’t know why I’m asking

Well, your intrusive thought told you it was “to fuck”. But you aren’t really interested in fucking right now, and even if you were, you probably wouldn’t tell C.A.F. On second thought, you probably shouldn’t have asked in the first place.

C.A.F: coool…
C.A.F: OH!
C.A.F: I know!
C.A.F: Ball is pretty round. It can be your fat chick!

Ball do be round but its a bit round that she brought it up. You don’t even know how it would feel to the touch, you always assumed it was incorporeal or something. Not to mention that your mutual friend Ball is neither a chick nor a chuck. Not that it would mind being called a chick though.
>>
No. 1119881 ID: bdfee2
File 176802043472.png - (3.55KB , 512x384 , jlbys_page2-2-3.png )
1119881

>>1119795
>What is a primary smeller.

Lienzo: Anyways….
Lienzo: You said something about never dating a primary smeller or something
Lienzo: What even is a primary smeller
C.A.F: Oh damn, that would require me explaining you about the sensory pentatogram

>Then ask if you can do a sensual pentawhatsit anyway.
>You know.
>For funsies.
>>1119810
>what's this potatogram? maybe it'll give you a direction to try out for art

Lienzo: Oh, I was gonna ask about that next anyways.
Lienzo: What is this sexy penitisgraph? And can I do it?
C.A.F: PFFFFFT
C.A.F: Sexy Penitisgraph!?
C.A.F: First the fat thing, then you ask me about smellers after I implied I dated one and now this?
C.A.F: Is this your strange way of flirting with me?
Lienzo: No
C.A.F: Oh, okay, cool.
C.A.F: Really fun way to respond to an obvious joke.
C.A.F: But for the record I wouldn’t mind if you had been.
C.A.F: I would have rejected you immediately because I don’t know you well enough.
C.A.F: But I would have found it to be endearing and remain a friend of yours.
C.A.F: Right…..
C.A.F: So: The Sensory Pentatogram.
C.A.F: Its an alternative measurement to art power level that aims to still focuses to separate a given person’s talents into the different fundamental aspects of art. It is rather arbitrary as it’s 5 pillars are the 5 senses rather than anything particularly artistic.
C.A.F: What a primary smeller is depends on the school of thought that you’re using to measure the sensory Pentatogram but basically it’s someone who’s highest attribute is the smelling one by a significant margin. This way, most people can be classified as a primary type of artist.
C.A.F: Primary smellers are said to be well versed at instinctively understanding art from a distant. They typically don’t care much about engaging further with art or people though, they’re the kind of person to use their instincts to pretend to know what they’re talking about without ever sharing your interests.
Lienzo: Can I get my pentatogram value thingies measured? That will probably help me have a direction in my art journey, right?
C.A.F: Not really but since I’m such a good artist I can just intuit any given person’s art measurements at a glance.
C.A.F: And even if I couldn’t I think you’re one of the most obvious primary lookers I’ve seen. That means your main quality is seeing. Other than that I’ll just tell you your smelling attribute is higher than what I’d like.
C.A.F: Lookers are analytical to a fault and the kind to want to rationalize art. They excel at breaking down techniques into their components. They also tend to be quicker to understand art theory.
Lienzo: Can I do that thing you’re doing of projecting a diagram into air with your bare hands as a looker?
C.A.F: With sufficient training, anyone can do it, but probably not you right now.
C.A.F: No, like I said you’re pentatogram barely matters.
C.A.F: The thing that will give you real direction is finding a medium you feel comfortable creating artwork with. It will also help you do stuff similar to what I did without needing to learn how to project your artsoul directly.
>>
No. 1119882 ID: bdfee2
File 176802049049.png - (2.32KB , 512x384 , jlbys_page2-2-5.png )
1119882

Lienzo: One more thing, speaking of lookers, is it normal to feel as if you’re being looked at by an otherwordly presence in a paralyzing way?
C.A.F: ummm..
C.A.F: Not really but that kinda sounds like The Gaze you get from having an audience.
C.A.F: Did you experience this while doing something artsy while someone saw you?
Lienzo: There wasn’t a soul nearby.
C.A.F: Huh?
C.A.F: Otherworldly presence…
C.A.F: I did always tell you you’d be a good artist.
Lienzo: What?
C.A.F: Don’t mind it.
Lienzo: But I do mind it!!
Lienzo: I really don’t like having the sensation that everyone knows something about me and won’t tell me.
C.A.F: But if I told you it would spoil how your story ends and ruin the funnnnn
Lienzo: Fuck that honestly, it’s kinda awful that I feel so lost and everyone gets to snicker behind my back about the secret conclusion to my story.
C.A.F: Chilllll im joking
C.A.F: It’s naive to believe I could know you that well and shape your life like that.
C.A.F: It would be really problematic if I did. But luckily, people can’t simply know the deepest things about others most of the time.
C.A.F: That’s for you to build up and find out over time, it would be impossible for me to know how your story ends.
>>
No. 1119883 ID: bdfee2
File 176802054163.png - (3.00KB , 512x384 , jlbys_page2-3.png )
1119883

C.A.F: PHEWWWW
C.A.F: You really have a way of making everything awkward.
C.A.F: A part of me wanted to hang out for longer you know.
C.A.F: But if you want to find a medium you should get going.
Lienzo: Oh neat, are those like magic tools that help me do art?
C.A.F: Pretty much.
Lienzo: Is there some kind of medium store where mediums are neatly organized into wooden boxes and I can find the perfect one for me?
C.A.F: Maybe but that’s a really stupid and soulless way to find a medium. Art is supposed to be personal and flexible, not something you can catalog so easily.
C.A.F: I think you should just go to Ball’s swamp, no clue if there’s mediums there but there’s a lot to discover there so probably, right?
C.A.F: There’s this cool thing we can do with The Gaze to travel to your audience and Ball is one of my most loyal followers so there’s a strong connection.

It appears she brought up Ball earlier because she planned to take you to it anyways.

C.A.F: Just get into this zine I’m making and you’ll meet the fat chick you wanted so badd!!!!
C.A.F: BYE LIENZO, LOVE YOUUUU!!!!
>>
No. 1119884 ID: bdfee2
File 176802058642.gif - (43.49KB , 512x384 , jlbys_page3.gif )
1119884

You are now in a part of the swamp where Ball lives. Problem is you have no idea where to go from here.

How will you proceed?
>>
No. 1119890 ID: 70f58a

>>1119884
Go left.
>>
No. 1119891 ID: 2f41db

>>1119884
Aw.
I wanted to know if "smell" was a valid medium for art.
Dammit.
Ok.
Go left.
Left is right.
>>
No. 1119897 ID: fd169b

Pick up something to explore its sensual properties.

then go left
>>
No. 1119958 ID: bdfee2
File 176828669666.gif - (4.05KB , 512x384 , b5page1.gif )
1119958

You are now in a part of the swamp where Ball lives. Problem is you have no idea where to go from here.

How will you proceed?
>Aw.
>I wanted to know if "smell" was a valid medium for art.
>Dammit.

It may be, you suppose, you make a note to ask C.A.F next time you see her. Although you figure a medium is more than one of the 5 senses and more so a concrete tool. Maybe you can ask other people in the mean time.

>>1119897
>Pick up something to explore its sensual properties.

Sensual?!?!? You seem to be hornier than usual with how much you´re thoughts have been on that. Perhaps the voice in your head mean sensory properties. If so, sure, you suppose you could do that. Although you don’t really know if things can have sensory properties given C.A.F only described them for people. You suppose that ignoring the whole pentatogram thingy, though everything can be touched, seen, smelled, tasted and heard. Well, for that last one a lot of things are static and don’t have a distinctive noise but the point stands. From that perspective maybe you could grab something to try better understand how those senses could relate to art. It could even double as you practicing those qualities! Maybe…
>>
No. 1119959 ID: bdfee2
File 176828674529.png - (2.32KB , 512x384 , b5page2.png )
1119959

You look around you and decide that the mud you’re walking on is somehow the best candidate for testing your sensory abilities with. It’s the first thing around that you see and also the one most likely to have an easy to notice smell as in fact it’s the main thing contributing to the general scent of your current location.

You first focus in how the mud looks. It’s brown and glossy, albeit in a muted, almost diffuse way. Decorating it every so often you can see sticks, leaves and other organic materials mid-decomposition. Since you’re standing in solid ground still, this particular patch of mud is a bit closer to wet soil and as such you can just barely make out the grains of dirt that conform it if you squint. You know these are mostly a combination of clay minerals with a few organic molecules stuck in-between. You then think about how despite technically classifiable as a solid, it can act as a liquid due to its granularity. This is further emphasized by it being a colloidal mixture of the previously mentioned molecules and water. That’s probably as far as you can go by sight alone.
>>
No. 1119960 ID: bdfee2
File 176828683187.png - (3.39KB , 512x384 , b5page3.png )
1119960

You kind of want to test the properties you’ve just observed so you get right to touching it. You also just like touching stuff and playing around with it. The texture of the mud is soft and squishy, something you can easily push into and begin moving around which you like. It is also sticky and moist which you don’t like so much. As you feel the material sift between your fingers and be molded by your palm, you can’t help but think about how you’re disturbing it’s initial state and how it’s giving away control so easily. You wonder if mud can consent because, honestly, touching it, feeling its humidity be shared with you as every grain subtly tickles your skin, it feels intimate. This prompts you to consider that just as you are touching the mud, the mud is touching soil below, and all that soil is touching your entire location by proxy, it makes you feel like you can connect with the swamp itself.

You continue moving the mud around a little bit longer and you soon realize you can make shapes this way. This is a bit like drawing so you try to shape it into something you like. It’s relaxing and fun but you feel you’re not getting much done that looks like anything in particular and probably not the right medium for you if it can even be one. The only thing your art piece is kinda shaped like is like that archetypal fat person you imagined earlier but you figure it’s just because of the lumpy nature of mud. You decide to follow that line of thought no further.

Not long after, you realize you playing around with the dirt has further released smell particles from the dirt so you decide to take a good sniff. It smells of humidity combined with the muted scent of leaves and plants which give it its ever so distinctive earthy smell. And given you’ve already jumped the shark anyways, you continue with your consent metaphor. You think about how weird smell is in that regard. On one side, it’s hard to stop smelling things and even harder to stop emitting smells. On the other side there’s this feeling of being intruded when you smell something you don’t want to and one of exposure when your most intimate smells are spread in a room full of strangers. Now you’re feeling like a creep for sniffing mud so much, onto the next thing.
>>
No. 1119961 ID: bdfee2
File 176828690059.png - (2.62KB , 512x384 , b5page4.png )
1119961

You’ve touched the mud, you’ve smelled the mud, why not combine those two and taste the mud. You grab a handful of mud and bring it to your mouth so you can taste it. First you feel the water dissipate in the warmth of your mouth, then you get a taste not too different from the earthy smell from earlier, finally you perceive a very biter and gross taste that makes you gag and immediately drop the mud from your mouth. You think about how you just had a very close interaction with the mud and tried to understand it deeply, beyond its surface level detail, you deconstructed it into its components layer by layer and got intensely stimulated by each. Thinking it out loud, that’s quite an intimate thing, more so than touching and smelling combined and wonder if that last bitter, gross flavor was the mud rejecting you due to the forced intimacy.
>>
No. 1119962 ID: bdfee2
File 176828693751.png - (2.84KB , 512x384 , b5page5.png )
1119962

Now you’re only missing hearing. Uh….. How do you hear mud? You guess it kinda made a rustling sound when you pushed it around...

Maybe if y-

Ball: dats ez!!! u can hear the subtle slobering of the gnomes as dey move negative energies down and positive energies up 2 balance da levity of da mud
Lienzo: AUGHH!!!!
Ball: why u scared Lienzo? ^w^ did u not hear me coming?
Lienzo: How am I supposed to hear you coming if you float.
Ball: i naturally emit a nice falofolafulifyle ahh hum
Lienzo: No you don’t.
Ball: ur right!!! {w{ it doesnt sound liek falofolafulifyle at all
Lienzo: Right…
Ball: soooooooooo
Ball: wat brings u here anyways?
Lienzo: I’m looking for a medium for my art, where can I find one?
Ball: hmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm
Ball: well i just keep drop stuff around in random places and find it exactly when i need to
Ball: like dat zine C.A.F gave me and U!!!!
Ball: so we should just walk in watever direction u feel is right in ur <3
Lienzo: my what?
Ball: ur heart
Ball: ur really bad at recognizing sounds
Ball: anywayssss
Ball: u lead the way
>>
No. 1119963 ID: bdfee2
File 176828696069.gif - (5.15KB , 512x384 , b5page6.gif )
1119963

>then go left
>>1119890
>Go left.
>>1119891
>Ok.
>Go left.
>Left is right.

You’re not sure how left could be right as that seems a bit contradictory but your brain seems pretty bent on going left so left it is.

Lienzo: Let’s go left.
Ball: Very well.
>>
No. 1119964 ID: bdfee2
File 176828698360.gif - (79.28KB , 512x384 , b5page7.gif )
1119964

Ball: don’t u luv how colorful my swamp is?
Lienzo: I don’t see any color
Ball: rly?
Lienzo: How did you do that?!??
Ball: wat?
Ball: I did nuthin *w*

How will you proceed?
>>
No. 1119971 ID: fd169b

So you liked the malleability of the mud. You might look for some actual clay then, which can hold a shape and isn't so sticky.

What does Ball have to say about shapes and shaping shapes?
>>
No. 1119980 ID: 2f41db

>>1119961
Mmmm.
Petrichoriffic.

>>1119964
Emit a scent of wonder and fulfilment as you focus upon the pulsing colours.


Delete post []
Password  
Report post
Reason